Meubles Veronica Baur

Fantastique aquarelle originale intitulée "Chinatown" par l'artiste californien bien connu, Ben Abril, dans les années 1960. Cadre original de l'artiste.

Première édition du deuxième livre de photographies emblématique de Larry Clark (après Tulsa en 1971) documentant et immortalisant une sous-culture adolescente débauchée. Publié à compte d'auteur en 1983. Controversé, explicite et sombre, il reste puissant et dérangeant. Grand 8vo (11.5" x 9"), enveloppes grises picturales, non paginé, entièrement illustré avec des images photographiques en noir et blanc prises entre 1958 et 1980. Une esquisse autobiographique de 26 pages à la fin. Un carton d'annonce pour une exposition de photos de Clark en 2005 à Clamp Art...

Haute joaillerie par Cartier Créations contemporaines Grand livre à couverture rigide. 1ère édition. Un somptueux hommage aux créations de Cartier avec de nouvelles photographies spe...

Diptyque de peintures d'Adams et de Joseph, dans un style art déco très stylisé, par l'artiste italo-américain Joseph Collazzi (1914-1989), daté de 1987. Il a commencé sa carrière en...

ABOUT An original 19th century Mexican folk retablo "Veronica's Veil" or "El Divono Rostro" in Spain . Oil paint on tin. The Veil of Veronica, known in Italian as the Volto Santo or Holy Face, is a Roman Catholic Relic which, according to legend, bears the likeness of the Face of Jesus that was imprinted on it prior to Jesus' crucifixion. According to Roman Catholicism, Saint Veronica encountered Jesus in Jeruselum on the way to Calvary. When she paused to wipe the sweat (Latin, suda) off his face with her veil, his image was left on the veil. In the small village of Osa de la Vega in Spain, there lived a couple who led a very pious life. They were Gregorio de la Torre and Isabel Corral. From their father, Juan Montilla, they inherited a picture of the Face of Jesus or the Divino Rostro. A story that is told one day, to the amazement of many who confirmed its veracity, the picture began to perspire with living blood. News of this extraordinary event spread swiftly and widely throughout the land. CREATOR Unknown. DATE OF MANUFACTURE c.1880. MATERIALS AND TECHNIQUES Oil Paint on Tin. CONDITION Good. Usure conforme à l'âge et à l'utilisation. DIMENSIONS H 14 in. W 10 in. HISTORY Retablos, better known as 'laminas' in Mexico, are small oil paintings on tin, wood and sometimes copper which were used in home altars to venerate the almost infinite number of Catholic saints. The literal translation for 'retablo' is 'behind the altar...

Royal Doulton Figures 1ère Ed. 1ère impression, livre relié 1978. Figurines Royal Doulton produites à Berslem c1890 - 1978 Desmond Eyles & Richard Dennis. Publié par Royal Doulton ...

Exemplaire autographe de la première édition de "Antonio's Girls" 1982 & "Antonio's Tales From The Thousand and One Nights" première édition 1985. Tous deux en anglais. Antonio's Gi...

About An original 19th century Mexican folk retablo "Veronica's Veil" or "El Divono Rostro" in Spain . Oil paint on tin. The Veil of Veronica, known in Italian as the Volto Santo or Holy Face, is a Roman Catholic Relic which, according to legend, bears the likeness of the Face of Jesus that was imprinted on it prior to Jesus' crucifixion. According to Roman Catholicism, Saint Veronica encountered Jesus in Jeruselum on the way to Calvary. When she paused to wipe the sweat (Latin, suda) off his face with her veil, his image was left on the veil. In the small village of Osa de la Vega in Spain, there lived a couple who led a very pious life. They were Gregorio de la Torre and Isabel Corral. From their father, Juan Montilla, they inherited a picture of the Face of Jesus or the Divino Rostro. A story that is told one day, to the amazement of many who confirmed its veracity, the picture began to perspire with living blood. News of this extraordinary event spread swiftly and widely throughout the land. CREATOR Unknown. DATE OF MANUFACTURE c.1880. MATERIALS AND TECHNIQUES Oil Paint on Tin. CONDITION Good. Usure conforme à l'âge et à l'utilisation. DIMENSIONS H 14 in. W 10 in. HISTORY Retablos, better known as 'laminas' in Mexico, are small oil paintings on tin, wood and sometimes copper which were used in home altars to venerate the almost infinite number of Catholic saints. The literal translation for 'retablo' is 'behind the altar...

L'histoire de la joaillerie 1973 par J. Anderson. Introduction d'Edward Lucie-Smith Livre relié noir. Traduisez de l'italien. J. Anderson Black - Histoire des bijoux Texte en angla...

Grande peinture à l'huile d'un moulin à vent hollandais avec corbeaux signée Valentin 1987 La vente porte sur une peinture à l'huile sur toile de 1987 représentant un moulin à ven...

Symbolism Paperback Book 1995 by Michael Gibson, 1st edition 1st printing.A study of the Symbolist movement, which emerged in the mid to late 19th century and expired during World Wa...

Cartier et l'Amérique par Martin Chapman Livre de table à couverture rigide 2009. 176 p. 1ère édition publiée en 2009. Dimensions : 11" x 10" x 1". Aussi opulent que les trésors qu'i...