Les Rebellions texans, attribués à Leon Cogniet (1794-1880).

Ce gentleman de 39 ans s'est fait représenter comme un aristocrate dans un paysage idyllique. À l'époque, les parcs et les forêts étaient associés aux terres et aux loisirs de la nob...

Coucher de soleil sur la mer, Jan De Clerck (1891 - 1964), huile sur toile, signée.

Richard Durando-Togo est un peintre d'origine argentine qui a passé la majeure partie de sa vie en Italie et en France, où il s'est installé définitivement en 1934. C'est un artiste ...

D'après Jean Antoine Watteau (Valenciennes, 1684-Nogent-sur-Marne, 1721), Débarquement pour l'île de Cythère, Dessin au pastel, Encadré, XIXe ou XXe siècle.

Attribué à Roland David, un peintre français du milieu et de la fin du XXe siècle. Il n'est pas très connu aux États-Unis, mais nous pensons que son travail nous rappelle un autre ar...

Artiste hongrois (1894-1960) "Nu couché", vers les années 1920 Mesures : 19.5" H x 23,5" L, la taille totale est de 28" x 32,5". Huile sur toile, portant en bas à droite l'inscr...

ABOUT An original 19th century Mexican folk retablo "Veronica's Veil" or "El Divono Rostro" in Spain . Oil paint on tin. The Veil of Veronica, known in Italian as the Volto Santo or Holy Face, is a Roman Catholic Relic which, according to legend, bears the likeness of the Face of Jesus that was imprinted on it prior to Jesus' crucifixion. According to Roman Catholicism, Saint Veronica encountered Jesus in Jeruselum on the way to Calvary. When she paused to wipe the sweat (Latin, suda) off his face with her veil, his image was left on the veil. In the small village of Osa de la Vega in Spain, there lived a couple who led a very pious life. They were Gregorio de la Torre and Isabel Corral. From their father, Juan Montilla, they inherited a picture of the Face of Jesus or the Divino Rostro. A story that is told one day, to the amazement of many who confirmed its veracity, the picture began to perspire with living blood. News of this extraordinary event spread swiftly and widely throughout the land. CREATOR Unknown. DATE OF MANUFACTURE c.1880. MATERIALS AND TECHNIQUES Oil Paint on Tin. CONDITION Good. Usure conforme à l'âge et à l'utilisation. DIMENSIONS H 14 in. W 10 in. HISTORY Retablos, better known as 'laminas' in Mexico, are small oil paintings on tin, wood and sometimes copper which were used in home altars to venerate the almost infinite number of Catholic saints. The literal translation for 'retablo' is 'behind the altar...

About An original 19th century Mexican folk retablo "Veronica's Veil" or "El Divono Rostro" in Spain . Oil paint on tin. The Veil of Veronica, known in Italian as the Volto Santo or Holy Face, is a Roman Catholic Relic which, according to legend, bears the likeness of the Face of Jesus that was imprinted on it prior to Jesus' crucifixion. According to Roman Catholicism, Saint Veronica encountered Jesus in Jeruselum on the way to Calvary. When she paused to wipe the sweat (Latin, suda) off his face with her veil, his image was left on the veil. In the small village of Osa de la Vega in Spain, there lived a couple who led a very pious life. They were Gregorio de la Torre and Isabel Corral. From their father, Juan Montilla, they inherited a picture of the Face of Jesus or the Divino Rostro. A story that is told one day, to the amazement of many who confirmed its veracity, the picture began to perspire with living blood. News of this extraordinary event spread swiftly and widely throughout the land. CREATOR Unknown. DATE OF MANUFACTURE c.1880. MATERIALS AND TECHNIQUES Oil Paint on Tin. CONDITION Good. Usure conforme à l'âge et à l'utilisation. DIMENSIONS H 14 in. W 10 in. HISTORY Retablos, better known as 'laminas' in Mexico, are small oil paintings on tin, wood and sometimes copper which were used in home altars to venerate the almost infinite number of Catholic saints. The literal translation for 'retablo' is 'behind the altar...