Art Deco Pitchers

Luc Lanel was a renowned French designer and silversmith who worked for Christofle, a prestigious silverware and jewelry company. The vase is crafted using a technique called “Dinan...

Decanter "Coquilles" made in clear and frosted glass with blue patina by René Lalique in 1920. Molded signature. Perfect condition.  height: 34.5 cm Félix Marcilhac, René Lalique ...

Art Deco pitcher with abstract flame design in hues of red, purple and yellow was made by Ditmar-Urbach Porcelain Factory. Urbach pottery was founded in 1882 in Turn-Teplitz, Bohemi...

Decanter "Masques" (Masks) made in clear and frosted glass with sepia patina by René Lalique in 1913. Original glass stopper.  Engraved signature. Perfect condition. Extremely rare ...

Decanter "Deux Danseuses" with stopper made in clear glass with blue patina by René Lalique in 1912. Molded and engraved signature. Perfect condition  height: 36 cm Félix Marcilha...

An English blue (cornflower blue) ceramic pitcher, Art Deco period, by Johnson Brothers, circa early-20th century, England. Beautiful as a standalone piece, for liquids, as a vase, e...

Royal House Antiques Royal House Antiques is delighted to offer for sale this once in a lifetime opportunity to own this custom made pair of Pitcher Jugs which are part of a suite of Hermes Paris “Farming” Kelly picnic equipment, Barenia Edition, these were custom made to order for Lady Victoria De Rothschild in 2015. This sale is for the pair of pitcher jugs only, I have also listed under my other items the pair of Champagne buckets and pair of Wine coolers Please note the delivery fee listed is just a guide, it covers within the M25 only for the UK and local Europe only for international, if you would like an accurate quote please send me your postcode and I’ll provide you with the exact price These are the only examples in the world of this particular picnic set, they were made to order from Lady Victoria de Rothschild in 2015, purchased by myself at the estate sale after her passing. Each piece is expertly crafted to the finest standard by the genius’s that are Hermes Paris, the wicker has been finely woven and houses perfectly polished chrome cases, the handles are hand stitched and signed Hermes Paris in leather. Each piece of chrome has been professionally restored and polished to the highest standards by Penhaligan Silverwear LTD London in cooperation with Strong and Woodhatch. Dimensions Height:- 21.3cm Width and depth 10cm Please note all measurements are taken at the widest point. Victoria, Lady de Rothschild (1949-2021 Victoria was born and spent her formative years in the sunshine of Florida; the warm rays and the life-style of Palm Beach brought her a freedom of spirit that remained with her throughout her life and informed and shaped her taste. Later the family moved to Manhattan; her mother, Marcia Lou Whitney Schott, was a woman of great poise and style and remained a huge and lasting inspiration to her daughter. After coming to London, as a young adult, to dip her toe into British culture, she went back to the US and gained a degree in economics at Trinity College Hartford. Three years later, through mutual friends she met and married Sir Evelyn de Rothschild. They returned to the UK and made their homes in London and in the Rothschild family house in Buckinghamshire; Victoria bringing to the formal landscape of these two houses a transatlantic chic and her own particular quiet exoticism. The history of collecting in the Rothschild family is meticulously documented and was well known to Victoria, it was music to her ears. She continued the tradition and over a period of 40 years gathered together a remarkable and eclectic collection of furniture, glass, china, silver and jewellery. She bought instinctively and decisively; in later years the collection was curated by her great friend, decorator and dress designer, Tomasz Starzewski. There was nothing that Victoria enjoyed more than entertaining her friends and giving them exquisitely wrapped presents. In her last flat, she had a room entirely set aside for present wrapping. It was here that she kept exotic Japanese tissue papers in graded shades, antique rolls of striped ribbons and haute couture silk ones, ready for when a friend had a birthday. Entertaining remained one of her greatest pleasures, and she did this on two levels: the very large dinners for 200 or 250 people, to the more intimate events for family, friends, children and grandchildren. Whatever the circumstances, like an impresario rising to the challenge, she would set to work, with an awesome attention to detail that seemed effortless; she was brimming full of ideas. I remember in particular one birthday dinner when the ceiling of the dining room was covered with hovering aubergine coloured balloons, echoing the violet napkins below. Her large-scale entertainments were memorable; there was an anniversary dinner at Lords Cricket Ground, where the tablecloths were made of white cricket flannel and boiled brisket was served, so simple, witty, understated, whilst Rory Bremner provided the cabaret. On the occasion of her daughter’s 21st birthday, she transformed the Royal College of Art into a replica of the 20th century nightclub ‘El Morocco’ in New York for the evening, with Manhattan taxis waiting outside to take the guests home. Victoria’s greatest talent however was in creating tablescapes. This was almost like choreography, and there was always an element of the unexpected. The starting point was a textured fabric - her version of a tablecloth - be it a woven Kente from Ghana, a patchwork quilted sari from India, or a gossamer light runner; the variety of texture and colour enthralled her. She would lay the table, instinctively moving glass, silver, porcelain and flowers around, embellishing, intermingling traditional and contemporary, searching for a harmony that lived up to her own perfectionism. At times she would choose her favourite 18th century Chantilly porcelain plates - even when there were children present - with delicate blue sprays, surrounding a centrepiece of fifteen to twenty Chinese tulip vases. There were never side plates or bread knives - it was a pared down aesthetic, not an excessive one. White Murano goblets and Georg Jensen contemporary silver pitchers would add sparkle and freshness; the result looked like a 16th century Dutch still life. At other events, the table would become a playful study in the juxtaposition of colour, using her gently multi coloured 50’s retro plates, Balinese silver rimmed lacquered bowls and glass tutti-frutti tumblers, made by the Rothschilds’ cousins, the Brandolinis, in Venice. The drinks trays in all her houses will stay in my memory for many years to come. Victoria’s signature Baccarat decanters would stand proud; around them a cluster of delicate early 20th century glasses engraved with the Rothschild crest...

A striking almost monumental pottery jug from Sylvac, England. This design 1410 dates back to the 1930s and it features delicate bone-texture-like brown and yellow glazes. A beautifu...

Tall French stoneware ewer by Gilbert Metenier (Gannat), France, 1920s. Tall and spectacular ewer. Great effect! Measures: Height 43.8 cm, 17.2 in., width 17.5 cm, 6.9 in., depth 16....

Wilhelm Kåge (Swedish, 1889-1960) is often referred to as the father of Swedish modernism and remains an icon of the Swedish ceramic design of the 20th century. In 1917 he became a d...

Wonderfully charming silver plated cocktail shaker, bar or water pitcher in the form a penguin with a screwed on cap at the end of the spout and the head that lifts off for filling....

Simple, elegant carafe made of clear glass in the shape of a cube on a square base, pyramid-shaped raised wall at the top and ending in a round neck, encased in a smooth silver mount...

Vintage T&T Hand Hammered Silver Plated Art Deco Small Watering Can Pitcher with Handle. Circa Mid 20th Century. Measurements: 6" H x 6" W x 8" D.

An Art Deco water pitcher in pear-shaped stoneware, France, mid-20th century, with a superb patina and in perfect condition.

Jens Thirslund (1892-1942) Kähler pitcher decorated with greenish glaze. Stamped HAK for Herman A. Kähler, Denmark, 1930s. In perfect condition. Meas...

Kitchen Range Copper Hot Water Urn Samovar This very practical piece has been tinned inside the Copper body with brass banding, iron handles it has a copp...

Indulge in the perfect blend of style and functionality with our Italian Silver Plated Insulated Interior Hot/Cold Beverage Thermos. This sophisticated thermos boasts an Art Deco-inspired design characterized by clean lines, a one-side handle for ease of use, and a double-lead covered top that exudes timeless elegance. The exterior showcases meticulous craftsmanship with an attached spout and an insulated section featuring a silver-plated top. This dual-layer construction ensures optimal temperature retention, allowing you to enjoy your favorite beverages piping hot or refreshingly cold for extended periods. Measuring a statuesque 11 inches in height and 7 inches in diameter from the spout to the handle, this thermos is not only a practical addition to your beverage service...

French Mid-century ceramic parrot pitcher by SAINT-CLEMENT, France, late 1920s. It was around 1920 that the Faïencerie Saint-Clément began producing pit...

Embrace the epitome of style and functionality with our Late 20th Century Italian Silver-Plated Exterior Insulated Interior Hot/Cold Thermos – a captivating piece sculpted in the form of a bear, adorned with distinctive Art Deco influences and clean lines. This thermos is not just a functional accessory but a testament to the artistic fusion of form and function. Crafted with meticulous attention to detail, the exterior boasts a silver-plated finish, showcasing the sleek lines of the Art Deco style. The unique bear shape adds a touch of whimsy and charm, making it a standout piece in any setting. The thermos features a double-leaded top cover, with one part attached to the body and the other unattached, revealing a silver-plated pull top...

Decanter and Pitcher "Saint Nabor" made in clear glass woth original black heated enamel by René Lalique in 1926. Both pieces are signed on bottom. Perfect condition. Decanter need...

Very period Coffee Pot in extreme Art Deco, from the 1920s - 1930s. Made in silver-plated white metal and with bakelite handles. Wear consistent with age and use

Water jug in 925 Sterling silver in art deco style completely handmade. The body of the jug is smooth round, interspersed near the base with a groove to ensure its sturdiness. The mo...

Small sterling silver Art Deco pitcher, design #896 by Svend Weihrauch from 1938. Beautiful Art Deco design, F. Hingelberg was one of the premier silver makers in Denmark at the time...

French Art Deco stoneware pitcher by Gilbert Méténier (Gannat), France, ca.1920. Superb crystallizations. A very successful piece. Height : 7.1"(18cm) , Width : 9.6"(24.5cm) , Depth ...

A small Georg Jensen sterling silver pitcher #856A, designed by Sigvard Bernadotte in 1938. This pitcher can be used as a small water pitcher or a milk jug. Additional information: ...

A rare sterling silver Georg Jensen Art Deco pitcher, design #319A by Harald Nielsen from circa 1928. Additional information: Material: Sterling silver Styles: Art Deco Hallmarks: V...

Royal House Antiques Royal House Antiques is delighted to offer for sale this lovely circa 1920's Amber glass suite of five cups and one larger pitcher jug each depicting a primitiv...

Royal House Antiques Royal House Antiques is delighted to offer for sale this lovely circa 1920's Amber glass suite of six cups and one larger pitcher jug each depicting a primitive...

French Art Deco stoneware pitcher by DENERT & BALICHON (Vierzon), France, ca.1920. Elegant stoneware pitcher. Upper belt showing 4 stylized roosters. Height : 5.5"(14cm), Width : 7.1...

A very finely hand painted art deco pottery jug decorated with flowers by English pottery Wadeheath and dating from the 1930’s. The tall elegantl...

French Art Deco stoneware bottle by DENERT & BALICHON (Vierzon), France, ca.1920. Specially made for the Cointreau liqueur brand. Height : 7.9"(20cm), Width : 6.3"(16cm), Depth : 5"(...

We've not come across one of these before by Palda so we are delighted to have found this one. The design as you would expect is great and very indicative of this era. Anyone buildin...

Decanter "Gouttes d'Eau" made in clear glass by René Lalique in 1922. Engraved signature on bottom. Perfect condition. Measures: Height: 30 cm. Félix Marcilhac, René Lalique - Cat...

Art Deco Rene Lalique Decanter "Reine Marguerite" made in clear and frosted glass with sepia patina and original brown heated enamel created by René Lalique in 1913. Original metal s...

Marius Bernon Art deco stoneware ceramic pitcher realised in la Borne Circa 1940 Blue stoneware ceramic glaze colors Signed under the base Original perfect condition Height 23 ...

Assorted vintage coffee servers and water pitchers by Fiesta for Homer Laughlin and Hall China Company, circa 1930s. I have owned these pieces si...

Set includes - 1 bottle and 2 cups Our carafe colection is a tribute to the traditional pitchers of the regions of Tonala´ and Tlaquepaque in Jalisco, these two regions developed du...

Set includes - 1 bottle and 2 cups Our carafe colection is a tribute to the traditional pitchers of the regions of Tonala´ and Tlaquepaque in Jalisco, these two regions developed du...

Set includes - 1 bottle and 2 cups Our carafe colection is a tribute to the traditional pitchers of the regions of Tonala´ and Tlaquepaque in Jalisco, these two regions developed du...

Set includes - 1 bottle and 2 cups Our carafe colection is a tribute to the traditional pitchers of the regions of Tonala´ and Tlaquepaque in Jalisco, these two regions developed du...

Set includes - 1 bottle and 2 cups Our carafe colection is a tribute to the traditional pitchers of the regions of Tonala´ and Tlaquepaque in Jalisco, these two regions developed du...

Wine decanter in Baccarat crystal. La Croisette model. Circa 1930. Service created by Georges Chevalier, prolific and talented creator of glass services and artistic director of Baccarat from the 1930s to the 1970s. We owe him the pure lines of the most remarkable pieces in which no decoration intervenes and which owe their price with the merit of the form. In the same line as the Pour le Yacht model created in 1925, the La Croisette service uses the same massive square foot with, this time, a balloon-shaped chalice. Model listed in the Baccarat catalog 1939. Presented at the Baccarat Museum, place des Etats-Unis in Paris.   Height: 9.52". Height without stopper: 8.46". Diameter at the widest: 4.44". Capacity: 90 cl (30.43 US fl oz). Decanter not stamped, but there remains the trace of a Baccarat paper...

Decanter "Lotus" made in clear glass with original black enamel on stopper by René Lalique in 1924. Engraved signature on bottom. Perfect condition height: 17 cm Félix Marc...

Elegant Art Deco metal water pitcher by Louis Süe (1875-1968) & André Mare (1887-1932) for Gallia - Christofle. Silver-plated. Stamped underneath "Gallia", "OC" for Maison Christofle...

Hand Crafted pair baccarat crystal with silver plate base tableware / barware serving pitcher. Each pitcher features a very clean line & pleasing look in the art deco style with a ro...

Set includes - 1 bottle and 2 cups Our carafe colection is a tribute to the traditional pitchers of the regions of Tonala´ and Tlaquepaque in Jalisco, these two regions developed du...

Sublime ewer jug in crystal and gilded metal. Art Deco. The Crystal is cut in a diamond point which gives this Jug carafe a very refined style. The diamond point crystal is indeed ve...

A Schneider Blue Glass Pitcher, circa 1925 Additional information: Date : circa 1920-1930 Origin : Epinay-sur-Seine, France Colour : Lustrous powder and deep blue. The glossy f...

French Majolica pitcher signed Orchies, circa 1930. Art deco period.

An octagonal pitcher designed by Wiwen Nilsson (1897-1974). Beautiful and elegant Scandinavian geometric pitcher, created in Stockholm Sweden by the artist and silversmith Wiwen N...

Made in Czechoslovakia Made of Art Glass Re-polished Good Original condition.

A beautiful bottle in metal in lovely art deco style designed by Carl-Einar Borgström at Ystad Metal in Sweden 1943. The stopper and the base is made of bakelite. It is 24 cm (9.6") ...

Beautiful St-Hubert decanter by the Lalique Maison. Stopper with decorations of oak tree leaf. Signed Lalique France. In very good condition. Secure shipping. The Lalique Maison was created by René Lalique who was one of the greatest artists of his time, whether as a jeweler or master glassmaker. He marked the Art Nouveau and Art Deco periods with his unique style. Lalique is recognized as one of the most important jewelry designers and glass maker of the French Art Nouveau period, creating innovative pieces for Samuel Bing's new store in Paris, Maison de l'Art Nouveau. He began exhibiting his work under his own name as early as 1894, notably at the Salon des artistes français, 1897 and 1898. The great glassmaker Émile Gallé discovered him at the first one and praised him highly. His Stand at the 1900 Universal Exhibition in Paris was a great success. While keeping sources of inspiration from the Art Nouveau woman, fauna and flora - including the peacock, various insects and sometimes a fantastic bestiary - he innovated by using materials barely used for jewelry at the time: glass, enamel, leather, Horn, mother of pearl, often preferring semi-precious stones to precious stones. The introduction of volume in jewelry is facilitated by his knowledge in modeling. He designed his models, having them made by a team of chisellers, sculptors and enamellers that he carefully recruited. Many women from the nobility, the bourgeoisie and the entertainment world began to wear his extraordinary jewelry, such as the Marquise Arconati-Visconti, the Countess of Béarn, Madame Waldeck-Rousseau, and Sarah Bernhardt, for whom he created a stage costume in 1902 for the revival of the play Théodora at the Sarah-Bernhardt Theater. Lalique was the only modern artist whose client and friend Calouste Gulbenkian became. Gulbenkian acquired the famous Pectoral à la libellule (circa 1897-1898), a masterpiece much admired at the 1900 World's Fair, which he lent to the tragedienne Sarah Bernhardt. After the end of the First World War, Lalique's colorful and fantastic jewelry were no longer in fashion. The creator sensed this and decided to convert to the Art Deco style through glassware in 1920. Thus, the neo-classical and geometric Art Deco replaces Art Nouveau. According to Olivier Mauny, former CEO of Lalique, his creations paved the way for an industrialization of art objects, because one of the best ways to include luxury and aesthetics in everyday life is to make everyday objects. He will create many objects such as vases, cups, candlesticks, perfume bottles, radiator caps for the Citroën 5CV (1925), decorations for the restaurant cars of the Côte d'Azur Pullman Express (1929), decorations for the dining room of the first class of the Normandie liner...

A very fine and stylish Art Deco Wedgwood floral painted cream jug by renowned designed Millicent (Millie) Jane Taplin (British, 1902-1980) and dating from around 1930. Millie was a renowned painter of ceramics who was trained by Alfred and Louise Powell and spent most of her career working at Wedgwood becoming one of the main designers at Wedgwood. The tall and elegant helmet shaped cream stands on a round pedestal base and made in a drab (cane ware...

Superb René Lalique Art Deco carafe created for Cusener. Handle in bronze scale iron oxidised decorations of foliage and berries. Signed "René Lalique pour Cusenier". Excellent co...

It is a painted ceramic enameled Jug or pitcher in green color. It was made in the 1940s in France.

This is a very decorative Burleigh Ware pottery jug or pitcher made by Burgess and Leigh of Burslem, Staffordshire Potteries, England during the Art Deco...

Set of 4 Art Deco Pottery pitchers attributed to Bauer Pottery, perfect for an instant splash of color in your decor. Great display pieces, each with...