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Post-Modern Musical Instruments

POSTMODERN STYLE

Postmodern design was a short-lived movement that manifested itself chiefly in Italy and the United States in the early 1980s. The characteristics of vintage postmodern furniture and other postmodern objects and decor for the home included loud-patterned, usually plastic surfaces; strange proportions, vibrant colors and weird angles; and a vague-at-best relationship between form and function.

ORIGINS OF POSTMODERN FURNITURE DESIGN

  • Emerges during the 1960s; popularity explodes during the ’80s
  • A reaction to prevailing conventions of modernism by mainly American architects
  • Architect Robert Venturi critiques modern architecture in his Complexity and Contradiction in Architecture (1966)
  • Theorist Charles Jencks, who championed architecture filled with allusions and cultural references, writes The Language of Post-Modern Architecture (1977)
  • Italian design collective the Memphis Group, also known as Memphis Milano, meets for the first time (1980) 
  • Memphis collective debuts more than 50 objects and furnishings at Salone del Milano (1981)
  • Interest in style declines, minimalism gains steam

CHARACTERISTICS OF POSTMODERN FURNITURE DESIGN

  • Dizzying graphic patterns and an emphasis on loud, off-the-wall colors
  • Use of plastic and laminates, glass, metal and marble; lacquered and painted wood 
  • Unconventional proportions and abundant ornamentation
  • Playful nods to Art Deco and Pop art

POSTMODERN FURNITURE DESIGNERS TO KNOW

VINTAGE POSTMODERN FURNITURE ON 1STDIBS

Critics derided postmodern design as a grandstanding bid for attention and nothing of consequence. Decades later, the fact that postmodernism still has the power to provoke thoughts, along with other reactions, proves they were not entirely correct.

Postmodern design began as an architectural critique. Starting in the 1960s, a small cadre of mainly American architects began to argue that modernism, once high-minded and even noble in its goals, had become stale, stagnant and blandly corporate. Later, in Milan, a cohort of creators led by Ettore Sottsass and Alessandro Mendinia onetime mentor to Sottsass and a key figure in the Italian Radical movement — brought the discussion to bear on design.

Sottsass, an industrial designer, philosopher and provocateur, gathered a core group of young designers into a collective in 1980 they called Memphis. Members of the Memphis Group,  which would come to include Martine Bedin, Michael Graves, Marco Zanini, Shiro Kuramata, Michele de Lucchi and Matteo Thun, saw design as a means of communication, and they wanted it to shout. That it did: The first Memphis collection appeared in 1981 in Milan and broke all the modernist taboos, embracing irony, kitsch, wild ornamentation and bad taste.

Memphis works remain icons of postmodernism: the Sottsass Casablanca bookcase, with its leopard-print plastic veneer; de Lucchi’s First chair, which has been described as having the look of an electronics component; Martine Bedin’s Super lamp: a pull-toy puppy on a power-cord leash. Even though it preceded the Memphis Group’s formal launch, Sottsass’s iconic Ultrafragola mirror — in its conspicuously curved plastic shell with radical pops of pink neon — proves striking in any space and embodies many of the collective’s postmodern ideals. 

After the initial Memphis show caused an uproar, the postmodern movement within furniture and interior design quickly took off in America. (Memphis fell out of fashion when the Reagan era gave way to cool 1990’s minimalism.) The architect Robert Venturi had by then already begun a series of plywood chairs for Knoll Inc., with beefy, exaggerated silhouettes of traditional styles such as Queen Anne and Chippendale. In 1982, the new firm Swid Powell enlisted a group of top American architects, including Frank Gehry, Richard Meier, Stanley Tigerman and Venturi to create postmodern tableware in silver, ceramic and glass.

On 1stDibs, the vintage postmodern furniture collection includes chairs, coffee tables, sofas, decorative objects, table lamps and more.

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Style: Post-Modern
Bronze Scultural Singing-Stone MDL. C. Speaker
Located in Ciudad de México, CDMX
Playfully hinting at popular outdoor rock shaped speakers, this bronze cast music box domesticates the shape of a stone found in the mountains near Mexico City. A  listening- stone-for-interiors that explores connections between sound and sculpture. An object through which to rehearse the sculptural convention of listening to the material.  When sculpting in stone, it is common practice to press one’s ear against the material while lightly tapping it. The sounds and vibrations can reveal properties in the medium that are hidden from sight; hollows, interior fractures, hardness, and so on. There is an instant feedback from listening to stones when sculpting them; a true conversation with the material.In the tradition of bronze sculpture there has been a pursuit in perfectioning casting techniques in order to achieve better sonic resonance. Bronze casting was used to make some of the first metal instruments like bells, cymbals, horns among others Exhibited at XPAN: Mexico City (2023) Chic By Accident...
Category

2010s Mexican Post-Modern Musical Instruments

Materials

Bronze

Bronze Scultural Singing-Stone MDL. C. Speaker
Located in Ciudad de México, CDMX
Playfully hinting at popular outdoor rock shaped speakers, this bronze cast music box domesticates the shape of a stone found in the mountains near Mexico City. A  listening- stone-for-interiors that explores connections between sound and sculpture. An object through which to rehearse the sculptural convention of listening to the material.  When sculpting in stone, it is common practice to press one’s ear against the material while lightly tapping it. The sounds and vibrations can reveal properties in the medium that are hidden from sight; hollows, interior fractures, hardness, and so on. There is an instant feedback from listening to stones when sculpting them; a true conversation with the material.In the tradition of bronze sculpture there has been a pursuit in perfectioning casting techniques in order to achieve better sonic resonance. Bronze casting was used to make some of the first metal instruments like bells, cymbals, horns among others Exhibited at XPAN: Mexico City (2023) Chic By Accident...
Category

2010s Mexican Post-Modern Musical Instruments

Materials

Bronze

Thomson Prod. Alessi Clock Radio Coo Coo by Pilippe Starck Design Year 1994
Located in Biella, IT
Thomson prod. Alessi clock radio coo coo by Pilippe Starck design year 1994 colour is white/sand, the radio and clock are working and in good vintage condit...
Category

1990s Italian Post-Modern Musical Instruments

Materials

Plastic

Lamp, Table, Floor, Guitar Electric, Jaxville, Condemned to Rock, Rock and Roll
Located in BUNGAY, SUFFOLK
Vintage, rock and roll or punk enthusiasts lamp or guitar that can easily be strummed or played. Upcycled from a vintage purple punk kick-ass guitar for the discerning rock chick. Oo...
Category

1970s British Vintage Post-Modern Musical Instruments

Materials

Acrylic

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Mid-Century Era Eko Vox Teardrop Mark 6 Hollow Body 6 String Electric Guitar
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Wurlitzer Auxiliary #4008 External Speaker Matches JukeBox Bubbler
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1980s American Vintage Post-Modern Musical Instruments

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Raymond Loewy Designed Nordmende Spectra Futura Transistor Radio in Red & Orange
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The Nordmende Design Center collaborated in the late 1960's with renowned American designer Raymond Loewy, who created iconic designs like the Coca-Cola bottle and Lucky Strike pack. Collaborating with the American designer was an excellent choice. The device that was the result. the Spectra Futura...
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1960s German Vintage Post-Modern Musical Instruments

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Hans Gugelot designed radio for Braun, 1955
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Hans Gugelot designed radio for Braun, 1955
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Bob Dylan: A Year and a Day by Daniel Kramer
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Late 20th Century Italian Post-Modern Musical Instruments

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Empire Speakers / End Tables
By Empire NY
Located in Oakville, CT
Empire Jupiter 6500 Speakers
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1960s American Vintage Post-Modern Musical Instruments

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Empire Speakers / End Tables
Empire Speakers / End Tables
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1950s Midcentury Shortwave Radio by Phillips
Located in San Diego, CA
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Pair of Post Modern Solid Cherry & Mahogany Small JVC Bookcase Speaker Japan
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20th Century English Post-Modern Musical Instruments

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Bang & Olufsen Complete Stereo System Design Jacob Jensen, 1990s
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1990s Danish Post-Modern Musical Instruments

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Very Cool Vintage Harmonicas Display Hohners Swan Mariane Band Chrome Gold Gilt
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Post-modern musical instruments for sale on 1stDibs.

Find a broad range of unique Post-Modern musical instruments for sale on 1stDibs. Many of these items were first offered in the 21st Century and Contemporary, but contemporary artisans have continued to produce works inspired by this style. If you’re looking to add vintage musical instruments created in this style to your space, the works available on 1stDibs include more furniture and collectibles, lighting and other home furnishings, frequently crafted with metal, bronze and other materials. If you’re shopping for used Post-Modern musical instruments made in a specific country, there are Europe, Mexico, and North America pieces for sale on 1stDibs. While there are many designers and brands associated with original musical instruments, popular names associated with this style include Maika Palazuelos, Greece Is For Lovers, and Philippe Starck. It’s true that these talented designers have at times inspired knockoffs, but our experienced specialists have partnered with only top vetted sellers to offer authentic pieces that come with a buyer protection guarantee. Prices for musical instruments differ depending upon multiple factors, including designer, materials, construction methods, condition and provenance. On 1stDibs, the price for these items starts at $385 and tops out at $4,500 while the average work can sell for $1,926.

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