Modern Landscape Drawings and Watercolors

This lovely blue watercolor painting is by M. Godier, France (20th Century). The artwork is signed in the bottom right corner. The composition features an unusual representation of t...

Frank Nelson Wilcox (American, 1887-1964) Binder, Brecksville, Ohio, c. 1922 Watercolor on paper 18 x 24 inches 24.25 x 30 inches, framed "Being a city boy I had no experience with farm machinery, but knew well the dangers of mowing machines, corn huskers and the like. Having a little experience with horses, I could appreciate the risks in driving them." - Out in Brecksville, Frank Wilcox Frank Nelson Wilcox (October 3, 1887 – April 17, 1964) was a modernist American artist and a master of watercolor. Wilcox is described as the "Dean of Cleveland School...

An original American impressionist figurative watercolor of a California coastline with trees.

American Scene Industrial Modern Lamp Magazine Illustration Mid-Century Antonio Petruccelli (1907 - 1994) Oil Terminal Lamp Magazine, published, c. 1930s. 15 3/4 X 12 inches (image) 18 X 14 inches board Gouache on board Signed lower right unframed BIOGRAPHY: Antonio Petruccelli (1907-1994) began his career as a textile designer. He became a freelance illustrator in 1932 after winning several House Beautiful cover illustration contests. In addition to 24 Fortune magazine covers, four New Yorker covers, several for House Beautiful, Collier’s, and other magazines he did numerous illustrations for Life magazine from the 1930s – 60s. ‘Tony was Mr. Versatility for Fortune. He could do anything, from charts and diagrams to maps, illustrations, covers, and caricatures,’ said Francis Brennan, the former art director for Fortune. Over the course of his career, Antonio won several important design awards, designing a U.S. Postage Stamp Commemorating the Steel Industry and designing the Bicentennial Medal...

The Man With Turban is an original drawing in black ink, realized by an Anonymous artist in the 1970s. Hand-signed on the rear, illegible. Good conditions. The artwork is realized...

Lighthearted Illustration of Outdoor Pursuits This one being cross country Snow Shoes signed "W. Steig" Provenance: from Mrs. Joseph B. Ryan, Commissioned by ...

This drawing records the destruction that was endured by London during the Blitz. The building in the foreground is St Nicholas Cole Abbey, situated in the city of London. Whilst a church was recorded on this site from the twelfth century, this church was destroyed in the Great Fire of London so the remnants of the church that we see here is one that was built by Sir Christopher Wren...

Cadets Football New Yorker Mag Cover Proposal American Scene Modern Illustration Antonio Petruccelli (1907 – 1994) Cadets Football Game New Yorker cover proposal, c. 1939 14 1/4 X 1...

Reginald Marsh Tugboat at Dock, circa 1937 Signed lower right Watercolor and pencil on paper 13 3/4 x 20 inches Housed in a Lowy frame. Provenance: Sotheby'...

We offer a small number of these original illustration designs by this design studio based in Alcoy (Spain), which could pair well or make group sets if buyers so desired. Designed t...

Original Painting. New Yorker Cover Proposal Baseball c. 1939 Modern Cubist Deco Antonio Petruccelli (1907 - 1994) Play Ball New Yorker cover proposal, c. 1939 12 x 8 inches (sight) Framed 18 1/2 X 14 3/4 inches Gouache on board Estate sticker verso BIOGRAPHY: Antonio Petruccelli (1907-1994) began his career as a textile designer. He became a freelance illustrator in 1932 after winning several House Beautiful cover illustration contests. In addition to 24 Fortune magazine covers, four New Yorker covers, several for House Beautiful, Collier’s, and other magazines he did numerous illustrations for Life magazine from the 1930s – 60s. ‘Tony was Mr. Versatility for Fortune. He could do anything, from charts and diagrams to maps, illustrations, covers, and caricatures,’ said Francis Brennan, the former art director for Fortune. Over the course of his career, Antonio won several important design awards, designing a U.S. Postage Stamp Commemorating the Steel Industry and designing the Bicentennial Medal...

Landscape with Shepherd is a drawing in watercolor and pencil, realized by an Anonymous artist in the late 19th century. Hand-signed, illegible. Good conditions. The artwork is re...

House Beautiful Cover Proposal. American Scene Social Realism Industrial WPA Antonio Petruccelli (1907 – 1994) Mixing Mortar 12 1/2 X 14 3/4 inche...

"MD-LAQUINTANE" French school of the twentieth century Oil on canvas 32 x 41 cm (50 x 58 cm with the frame) Signed lower left "MD-LAQUINATNE" Beautiful frame The subject is probably...

Original Painting. Fortune Mag Cover Published 1938. American Scene Modern WPA Antonio Petruccelli (1907 - 1994) Fortune cover published, January ...

Arab country is a watercolor realized by Jean Chapin in the 1950s. 42x33 cm, no frame. Signature stamp on the yellowed paper. Good condition, except for slight folding. Jean ...

Fireman Textile Fabric Design 1920s American Scene Modern Working Men Art Deco Antonio Petruccelli (1907 - 1994) Firemen Textile design, c. 1929 19 1/4 ...

Original Painting. Fortune Mag Cover Proposal. American Mid Century Industrial Antonio Petruccelli (1907 – 1994) 92 Fortune cover proposal, c. 1945 13 X 10 3/4 inches (sight) Framed...

Trees is a Black Marker Drawing realized by Reynold Arnould in the Mid-20th Century. Good conditions No signature. The artwork is through confident strokes.

Original Painting Steel Workers Fabric Design Industrial Deco American Modernism Antonio Petruccelli (1907 - 1994) Steel Workers Textile design 19 1/4 X ...

Fortune Magazine Cover Published 1941 Illustration Precisionist American Scene Antonio Petruccelli (1907 - 1994) Military Tent City Fortune Cover published, May 1941 17 1/2 X 15 in...

Original 1930s Painting Fortune Cover Proposal. Industrial Modern American Scene Antonio Petruccelli (1907 - 1994) Steel Mill Fortune cover proposal, c. 1945 13 1/2 x 10 3/4 inches...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Margaret Souttar (1914 – 1987) Queens' College, Cambridge President's Lodge Felt-tip pen 48 x 36 cm Souttar was a Scottish painter and printmaker known for her images of town- and cityscapes. In the early 1960s, she was commissioned to produce a series of prints of the Cambridge colleges...

Original Painting Fortune Cover Published 1937 American Modern - Met Museum NEWS: A printed copy of this magazine is included in The Metropolitan Museum of Art’s recent exhibition, “Art for the Millions: American Culture and Politics in the 1930s” Antonio Petruccelli...

“Denmark” is a watercolor painting by Herbert Lewins capturing the serene beauty of a Danish harbor, featuring four charming boats that resemble traditional fisherman's vessels. The ...

Bricklayers House Beautiful Cover Proposal American Scene Modern WPA 1930s Industrial Workers Antonio Petruccelli (1907 - 1994) Brick Layers House Beautiful cover proposal, c. 1939 ...

A lovely vibrant watercolour capturing a shimmering English river John Newberry (born 1934) Stream at Wytham, Oxford Signed Watercolour 4¼ x 5¾ inches unframed 9 x 11 inches with fr...

Untitled (Coastal New York) Pastel on paper 17 1/2 x 23 1/2 in. Framed: 24 1/2 x 30 in. Signed lower right

Original watercolor of Monhegan Island, Maine on archival paper by the well known American watercolorist, Ted Davis. Signed lower right and dated 1950. Cond...

John Whorf captures one of the thrilling moments of fishing in this watercolor – when the fish is on the line, but still trying to escape. One of the fastest fish in the world, marlin fishing...

Original Painting. Fortune Cover. Sept 1933 Illustration American Modern WPA Era Antonio Petruccelli (1907 - 1994) Wild Horses & Dynamo Fortune cover published, September 1933 13 X ...

Little Island is an original pastel drawing on paper by artist Cornelia Fitzroy. Cornelia FitzRoy ​is a Norfolk landscape plein air artist who uses co...

Cityscape is a Pencil Drawing realized by Reynold Arnould (Le Havre 1919 - Parigi 1980). Good condition on a white paper. No signature. Reynold Arnould was born in Le Havre, Fran...

A quite wonderful signed and dated 1959 large scale watercolour depicting the Riviera town of Laigueglia in Northern Italy. This is a lively scene with sailor in a striped t-shirt bringing in his ropes, as a sun bather in swimming trunks chats with a figure holding a large pole, possibly a sand spike or fishing rod. Locals go about their business in the background and mamas hang their washing from balconies to dry. The quality of this modernist work is superb throughout with fine detail and excellent rendering of the numerous figures and boats. Inscribed, signed and dated lower left. Artist: R. T. Horley (British, 20th century) Title: Laigueglia Medium: Watercolour & wash over pencil Size: 15.5 x 22.5 inches (39 x 57 cm) unframed We can arrange framing to your specification if required Laigueglia is a small coastal town situated along the Riviera di Ponente in the northern Italian coastal region of Liguria Laigueglia is a town that has maintained a more peaceful aspect and atmosphere, typical of a classic Ligurian seaside village. In fact, together with Bordighera, it is one of the few remaining authentic towns in a western Ligurian strongly oriented towards tourism. With its alleys, the squares, the lilac-pink tones of the houses gathered in the protective shade of the monumental church...

Landscape is a China Ink Drawing and Watercolor realized by Reynold Arnould (Le Havre 1919 - Parigi 1980). Good condition on a cream colored paper. No signature, titled and dated...

Village is a Black Ink Drawing attributed to Nishimura Nantei in the Early 19th Century. Good conditions. The artwork is depicted through soft strokes in a well-balanced composition.

Le Jardin Près du Port de Catania is a Watercolour and Color Marker Drawing realized by Reynold Arnould (Le Havre 1919 - Parigi 1980). Good condition and vivid colors. No Signatur...

'Family Farm in France', gouache on art paper, by Michel Debiève (circa 1970s). An extremely endearing depiction of a French family farm, the delight is...

Gouache of a French cityscape titled "Street in Gordes France" by Sylvia Davis. This piece was originally part of the lending and sales gallery of the Memorial Art Gallery of the Uni...

To see our other Architectural Drawings, scroll down to "More from this Seller" and below it click on "See all from this Seller" and then search. John D Paxton The Leaning Tower, Pi...

Aaron Bohrod (1907-1992) Listed Wisconsin WPA American Artist Original Watercolor Painting Hand signed "Load Limit Bridge" Dimensions: 24"x18" inches Aaron Bohrod (1907 – 1992) was an American artist best known for his trompe-l'œil still-life paintings. This one presages Pop Art with its depiction of road signs. Bohrod was born in Chicago in 1907, the son of an emigree Bessarabian-Jewish grocer. Bohrod studied at the School of the Art Institute of Chicago and the Art Students League of New York between 1926 and 1930. While at the Art Students League, Bohrod was influenced by John Sloan and chose themes that involved his own surroundings. He returned to Chicago in 1930 where he painted views of the city and its working class. During the Great Depression, Schwartz became an artist on the Federal Art Project (WPA) payroll painting murals. He was one of the seven WPA artists who contributed to a mural at Riccardo's, Schwartz (Music), Malvin Albright (Sculpture), Ivan Albright (Drama), Aaron Bohrod (Architecture), Rudolph Weisenborn (Literature), Vincent D’Agostino (Painting), and Ric Riccardo (Dance). Many well known Jewish and Immigrant artists worked for the Federal Art's Project (the New Deal) commonly referred to as the WPA, including Berenice Abbott, William Baziotes, William Gropper, Ilya Bolotowsky, Stuart Davis, Adolf Dehn, Ben Shahn and Louis Schanker. In 2002 Chicago philanthropist Seymour H. Persky acquired the murals for his personal collection. He eventually earned a Guggenheim Fellowships which permitted him to travel throughout the country, painting and recording the American scene. His early work won him widespread praise as an important social realist and regional painter and printmaker and his work was marketed through Associated American Artists in New York. Bohrod completed three commissioned murals for the Treasury Departments Section of Fine Arts in Illinois; Vandalia in 1935, Galesburg in 1938 and Clinton in 1939. During World War II, Bohrod worked as an artist; first in the Pacific for the United States Army Corps of Engineers' War Art Unit...

Signed 'Todros Geller' (Russian-American, 1889-1949) and dated 1937 An elegant and painterly, southwestern landscape painted when the artist was 48 years old. Born in Vinnytsia, now in the Ukraine, Todros Geller first studied in Odessa before moving to Canada. He continued his studies in Montreal (1906) and, subsequently, at the Art Institute of Chicago with George Bellows and John Norton. Geller exhibited widely and with success including, from 1925, at the Chicago Art Institute as well as at the Riverside Museum (New York, 1939), the New York World's Fair (1939) and at the Whitney Museum of American Art (1941) in addition to other national institutions. Geller was the recipient of numerous prizes, medals and juried awards and his work may be found in private and public collections including the permanent collection of the Art Institute of Chicago. He was a member of professional associations including the Artist's Union, the Artist's Congress and the Chicago Society of Artists, which he also served as president. During the the 1930's, Geller was an active participant in the Federal Art Project (WPA) in Illinois and his large-scale murals and stained glass windows may be found in Chicago and Detroit as well as Tel-Aviv. We are pleased to offer this elegant, South-Western landscape painted when the artist was 45. Reference: Todros Geller Archives, Spertus Museum of Judaica, Chicago; Sparks, Esther. "A Biographical Dictionary of Painters and Sculptors in Illinois 1808-1945." Diss., Northwestern University, 1971, p. 390; Yochim, Louise Dunn. Role and Impact: The Chicago Society of Artists. Chicago: 1979, pp. 28, 44, 238; Mavigliano, George J. and Richard A. Lawson. The Federal Art Project in Illinois 1935-1943. Carbondale: Southern Illinois University Press, 1990, p. 120; Dijkstra, Bram. American Expressionism: Art and Social Change 1920-1950. New York: Harry N. Abrams, Inc., 2003, p. 155. Chicago Modern...

Paris et la belle époque is an artwork realized by Roberto Regalier in the mid-20th Century. 50X50 cm, 83 x 73 cm frame included. Oil Pastel on canvas. Signature in the lower part...

Cityscape is a Pencil Drawing realized by Reynold Arnould (Le Havre 1919 - Parigi 1980). Good condition, except for some spots on paper. No signature. Reynold Arnould was born in...

Cityscape is a Pencil and Watercolour Drawing realized by Reynold Arnould (Le Havre 1919 - Parigi 1980). Good condition. No signature. Reynold Arnould was born in Le Havre, Franc...

GERALD MACKENZIE LEET (BRITISH 1913-1998) A Day at the Seaside – Design for a Mural Watercolour and gouache over pencil, arched top Framed 26.5 by 49.5 cm., 10 ½ by 19 ½ in. (frame size 47.5 by 69.5 cm., 18 ¾ by 27 ½ in.) Provenance: The artist’s estate; Harry Moore-Gwyn Fine Art. Gerald Leet was born in South London and studied at Goldsmiths’ School of Art 1929-1934, the Royal Academy of Art 1934-1937 and later at the Courtauld Institute. As a young man he shared a studio with Carel Weight. His first teaching appointment at Ealing School of Art in 1933 where he met fellow art student Denton...

Stresa is a Watercolour artwork realized by Reynold Arnould (Le Havre 1919 - Parigi 1980) in 1955. Good condition included a cream colored cardboard passpartout (35x50 cm). Hand-s...

Landscape is a pencil drawing realized by Reynold Arnould (Le Havre 1919 - Parigi 1980). Good condition on a yellowed paper. No signature. Reynold Arnould was born in Le Havre, ...

Luxor is a Color Markers Drawing realized by Reynold Arnould (Le Havre 1919 - Parigi 1980). Good condition on a sheet of a notebook No signature, titled and dated on the lower ri...

Seascape is a drawing in watercolor attributed to Jean Delpech (1916-1988) realized in the Mid-20th Century. With another drawing on the rear. Good conditions. The artwork is real...

Francesco Spicuzza (American, 1883-1962) Untitled Landscape, 20th century Pastel on paper Sight size: 24 x 30 in. Framed: 26 1/4 x 32 3/8 in. Signed lower right: Spicuzza Italian-born Francesco Spicuzza was primarily a Wisconsin painter who did portraits, still-lives and local landscapes. He spent the first part of his life in near-poverty to become a painter. An eternal optimist, in 1917, the artist reported: "I am happy and my only ambition now is to paint better and better until I shall have reached the measure of the best of which I am capable." (Spicuzza, 1917, p. 22). His predilection for beach scenes germinated early: reportedly, the five-year-old boy first drew the outlines of his father's fishing boat in the sand on the seashore near their home in Sicily. After setting himself up as a fruit peddler in Milwaukee, Spicuzza's father sent for his family when Francesco was eight years old. For the following six years the boy was unable to attend school because of his job in his father's fruit and vegetable business. The poor lad suffered a caved-in shoulder from carrying a heavy wooden crate. The young Spicuzza was aided by moral and financial support from a sympathetic Milwaukee businessman named John Cramer, publisher and editor of the Evening Wisconsin, who raised Spicuzza's salary as a newspaper assembler so that he could attend school. In 1899 or 1900, Spicuzza began studying drawing and anatomy under Robert Schade (1861-1912), a painter of panoramas who had been trained in Munich under Carl Theodor von Piloty. Spicuzza was also taught by Alexander Mueller (1872-1935), a product of the Weimar and Munich academies. Mueller realized Spicuzza was a colorist and encouraged that orientation (Madle, 1961). Spicuzza found it beneficial to accept an apprenticeship in a lithographic studio for $8 a week, which demanded most of his time. During the St. Louis Universal Exposition in 1904, still a struggling student, Spicuzza attended the fair, thanks to Cramer. It was not long before Spicuzza received a twenty-five dollar portrait commission, and this inaugural success led to new commissions and allowed him to continue as a painter. The earliest influences in his work appear to be from Edward H. Potthast and Maurice Prendergast, though Spicuzza never mentioned either artist. Already in August 1910, Spicuzza was described in a newspaper as "one of the most talented of Milwaukee's rising workers." He undoubtedly received lasting inspiration from his one summer study period in 1911 with John F. Carlson at the Art Students League's Summer School in Woodstock, New York. Certainly Spicuzza would have picked up spontaneity in handling the brush from Carlson. Although he executed numerous still-lives and an occasional religious work, Spicuzza is best known for his Milwaukee beach scenes populated with frolicking bathers in multi-colored attire, not unlike the images of Potthast, who used a similar technique. Many of these are small, preparatory works on canvas board executed between 1910 and 1915. Frequently with even greater animation than Potthast, Spicuzza produced moving images of youthful energy and uninhibited child's play. These beach genre scenes reflect the attitude of American impressionists who depicted the more pleasant side of life. Spicuzza manipulated a successful balance of rich pigment applied in varying degrees of impasto texture with subtle nuances of hue. Working all'aperto, he sought "the soft enticing shades of yellow, blue, green, pink and lavender . . . to get the effects of bright glistening summer air." (L.E.S., n.d.). As a painter whose color not only derived from direct observation but also from a personal theory of color symbolism, Spicuzza traded the linear approach of lithography for dynamic patches of brilliant color. Like Prendergast, he would often tilt the angle of the picture plane to bring the viewer's position above the scene. Spicuzza was unable to enter the 1913 Armory Show or the Panama-Pacific International Exposition two years later but he did submit work to the annual exhibitions of the Pennsylvania Academy of the Fine Arts and those of the Art Institute of Chicago. His first important award was the bronze medal presented by the St. Paul Institute in 1913, which was followed by the silver medal two years later. Before long, Spicuzza had acquired a greater sense of security in his profession and was described by a writer in International Studio (April 1917) as "an independent artist with an assured future. His pastels and water-colours are poetic and joyous bits of nature with a genuine out-of-door feeling." In 1918, his Spirit of Youth, exhibited at the National Academy of Design, sold for $112.50. Four years later, the artist achieved his greatest local recognition by winning the gold medal from the Milwaukee Art Institute. Spicuzza spent a great deal of time painting en plein air and by 1925 he began summering at Big Cedar Lake, near West Bend, Wisconsin to gather his subject matter. Easter Morning (1926) owes something to the Symbolist movement, with its figure of Christ appearing over a seascape. During the difficult era of the Depression, patrons came to Spicuzza's aid and during the 40s, he taught housewives, businessmen and students at the Milwaukee Art Institute, the Milwaukee Art Center, and in his private studio. In the following decade, although his kind of art was no longer popular in the "make-it-or-break-it" New York gallery world, Spicuzza enjoyed regular patronage and sales. His beach scenes became more static and he would experiment with modernist techniques. Spicuzza died at the age of seventy-eight. Sources: L.E.S., "Do Colors Change a Person's disposition? Experiments of a Milwaukee Artist...

Landscape is a Watercolour artwork realized by Reynold Arnould (Le Havre 1919 - Parigi 1980) in 1960. Good condition included a white cardboard passpartout (35x51 cm). Hand-signed...

Landscape is a Watercolor realized by Reynold Arnould (Le Havre 1919 - Parigi 1980). Good condition included a white cardboard passpartout (51x66 cm). Hand-signed on the lower rig...

Landscape is a Watercolor artwork realized by Reynold Arnould (Le Havre 1919 - Parigi 1980) in 1960. Good condition included a white cardboard passpartout (35x51 cm). Hand-signed ...

Landscape is a Watercolor Drawing realized by Reynold Arnould (Le Havre 1919 - Parigi 1980). Good condition included a white cardboard passpartout (70x51 cm). Hand-signed on the l...

Landscape is a Watercolour artwork realized by Reynold Arnould (Le Havre 1919 - Parigi 1980). Good condition on a yellow cardboard. No signature. Reynold Arnould was born in Le H...

The Bawdy Wind that Kisses all it meets is an original watercolour and gouache painting by artist Rosie Phipps, sold mounted. Featuring her gestural and expressive use of mark making...

Cityscape is a Watercolor artwork realized by Reynold Arnould (Le Havre 1919 - Parigi 1980). Good condition included a white cardboard passpartout (35x49.5 cm). Signature and date...