Graphite Abstract Paintings

Alyse Rosner 2022

Alyse Rosner 2021

Abstract geometric painting with a neutral palette of black, gold, and beige with sky blue accents against a cream colored, off white acrylic wash background "Black, Gold, and Beige Plan" made by Hudson Valley artists, Donise English, in 2022 Graphite, colored pencil, and acrylic painting on vellum 24 x 18 inches unframed, 31 x 25 x 1.5 with an 8-ply white mat, non-glare plexi, and simple black moulding Signed, verso Excellent condition and ready to hang This abstract geometric painting on vellum was made by Hudson Valley based artist, Donise English, in 2022. The composition begins with a neutral toned background of acrylic wash. A grid of box-like patterns in black, gold, beige and sky blue line work are stacked to create an irregular shape or an "imagined city grid", says the artist. The painting on vellum is complemented by a simple black frame with an 8-ply white mat, non-glare plexi, and wire backing. It's in excellent condition and ready to hang. About the artist: Donise English emphasizes lines, grids, and fields of subtle color to evoke imagined places and invented structures. While precise lines and straight angles are often associated with themes in architecture and urban planning designs, English conveys a geometric motif guided by intuition rather than a ruler. Variations on grids retain flaws and unmistakable traces of the artists’ hand; her style of draftsmanship shies away from intellectualism and instead makes her compositions feel very personal. A central checkerboard formation floats over a ground of pastel color or washes of grey or cream. Each design is intensely intricate, incorporating gouache, acrylic, pen, graphite, ink and colored pencil. The artist recently retired from her decades career teaching at Marist College and is now devoted full time to her art making. Artist Statement: My work is about the way visual diagrams present information that describes how something is made or the way it is. I am interested in drawing and collaging multiple layers of information that refer abstractly to maps, architectural drawings and blueprints or patterns and structures found in such things as roller coasters, power lines and fences. I use gouache and collaged paper in a series of layers that are a visual and ideological response to the previous layer to define my pictorial space. For each piece I create a set of rules to follow about the use of a limited palette, a grid format, opacity of paper and whether a piece may include curving lines or maintain a rectilinear structure. Artist CV: EDUCATION Master of Fine Arts in Painting Bard College 1986 Bachelor of Science in Art History State University College at New Paltz 1977 Additional Study: New York Studio School (Drawing Marathons) Columbia University, School of Architecture Women’s Studio Workshop TEACHING Professor of Studio Art, Department of Art and Art History, Marist College, Poughkeepsie, NY Coordinator, Interior Design Program, Florence, Italy campus 1992-present AWARDS NYFA Fellowship in Painting 2018 Invitational Award for Outstanding Contemporary Talent, University of Bridgeport, CT 2000 Purchase Prize, “11th National Juried Exhibition” College of Notre Dame of Maryland, Baltimore 1999 First Prize, “Women in the Visual Arts ‘95” Erector Square Gallery, New Haven, CT 1995 Joseph A. Cain Memorial Purchase Award for Sculpture Del Mar College, Corpus Christi, TX 1994 Honorable Mention, “National Juried Exhibition” University of Bridgeport, CT 1993 Individual Artists Fellowship in Sculpture Dutchess Arts Fund 1992/93 Tallix, Morris, Singer Internship in Sculpture Tallix Foundry, Beacon, NY 1990/91 MEMBERSHIP Royal British Society of Sculptors SELECTED JURIED/INVITATIONAL EXHIBITIONS 2020 “edu: Art Faculty of the Hudson Valley”, Hudson Valley MOCA, Peekskill, NY 2019 “Contemporary Abstraction”, Carrie Haddad Gallery, Hudson, NY “Mixed Media”, SITE Gallery, Brooklyn, NY 2018 “JuxtaPositions”, The Painting Center, New York, NY “Peculiar Rarities”, Carrie Haddad Gallery, Hudson, NY 2017 “Interlock: Color and Contrast in Abstraction”, Carrie Haddad Gallery, Hudson, NY “Donise English: Encaustics”, Catskill Art Society, Livingston Manor, NY 2016 “Let’s Stay in Touch”, Howard County Center for the Arts, Ellicott City, MD “Under, Over, After Over”, Vassar College, Poughkeepsie, NY 2015 “Off the Grid”, Arts & Culture Program, Albany International Airport, Albany, NY “Gridspace”, KMOCA, Kingston, NY “Abstraction”, Carrie Haddad Gallery, Hudson, NY “Assuming Identity”, NY Institute of Technology, New York, NY 2013 “Modern Artists”, Carrie Haddad Gallery, Hudson, NY “Artists of the Mohawk-Hudson Region”, The Hyde Collection, Glens Falls, NY Stone Canoe/Community Folk Art Center, Syracuse, NY 2012 New York Institute of Technology, New York, NY “Contemporary Painters (Who Just Happen To Be Women)”, Carrie Haddad Gallery, Hudson, NY “Strange Glue: Collage at 100”, Cambridge School, Weston, MA “Dear Mother Nature”, Dorsky Museum, SUNY New Paltz, NY “Fresher Paint”, Rockland Center for the Arts, Nyack, NY Courthouse Gallery, Lake George Arts Project, Lake George, NY 2011 “Process+Content: Donise English”, Vassar College, Poughkeepsie, NY “Donise English-Paintings”,Orange County Community College, Newburgh, NY “Gender Matters/Matters of Gender”, Freedman Gallery, Albright College, Reading, PA 2010 Carrie Haddad Gallery, Hudson, NY “Encaustics: Wax and Image”, Westchester Community College, White Plains, NY “Dots, Lines and Figures”, Carrie Haddad Gallery, Hudson, NY “Spring Awakening”, NY Institute of Technology, New York, NY “Clay City Dreams”, NY Institute of Technology, New York, NY “Texture,Pattern, Fragment”, Krause Gallery, Moses Brown School, Providence, RI 2009 “Collage”, NY Institute of Technology, New York, NY “Working in Wax”, Bedford Gallery, Walnut Creek, CA “Encaustic 2009”, College of New Rochelle, NY “Three Artists”, Carrie Haddad Gallery, Hudson, NY “Convergence: The Human Experience”,Howard County Center for the Arts, MD 2008 “Suckers and Biters: Love, Lollipops, and Exquisite Corpse” Chashama Gallery, New York, NY Carrie Haddad Gallery, Hudson NY 2007 “Patterns and Light”, Blue Hill Gallery, Blue Hill, ME “Suckers and Biters”, AG Gallery, Brooklyn, NY 2006 “100 Artists, 100 Watercolors”, Jeannie Freilich Fine Art, New York, NY “On/Of Paper”,Kirkland Art Center, Clinton, NY “The Love Show”, Manchester Community College, Manchester, CT 2005 The Soap Factory, Minneapolis, MN “Small Tales”, Valdosta State University, Georgia National Juried Exhibition,Art Institute and Gallery Salisbury, MD, Juror: Stephen Haller “Greed, Envy, Jealousy, Fear”, TSL Warehouse, Hudson, NY 2004 “Women in the Middle: Borders, Barriers, Intersections” University of Wisconsin-Milwaukee “Girl Art Now”,Hera Gallery, Wakefield, RI 3 Person Exhibition, Monterey Peninsula College, Monterey, CA “The Feminine Eye”, Bradley University, Peoria, IL “Women Painting Women”, McNeese State University, Lake Charles, LA “Thought Patterns”, Kent Place Gallery, Summit, NJ “Surface, Matter and Artifice”, Dutchess Community College Art Gallery Poughkeepsie, NY 2003 “Beefcake/Cheesecake”,Orange County Center for Contemporary Art, Santa Ana, CA,Juror: Jamie Wilson, Curator Halpert Bienniel, Appalachian State University, Boone, NC Juror: Jeff Fleming, Senior Curator, Des Moines Art Center “The Great White Oak”, Garrison Art Center, Garrison, NY Carrie Haddad Gallery, Hudson, NY 2002 “Cat Calls”, Red Clay Arts, Brooklyn “Hudson Valley Regional”, SUNY New Paltz Juror: Sydney Jenkins, Director, Ramapo College Art Galleries 2001 One-Person Exhibition, Davis and Hall Gallery, Hudson, NY “Beyond the Surface”, Womanmade Gallery, Chicago One-Person Exhibition, Garrison Art Center, Garrison, NY 2000 “Vision 2000...

Rah-Rah is made by casting Hydrocal FGR95 (a very hard plaster) on top of an oil clay pattern. The oil clay is extruded to take on a "noodle form". The composition is laid out on pl...

Abstract geometric painting with a cool toned palette of green, blue, and grey with accents of black and white against a sea foam green colored acrylic wash background "Blue and Grey Green Plan" made by Hudson Valley artists, Donise English, in 2022 Graphite, colored pencil, and acrylic painting on vellum 24 x 18 inches unframed, 31 x 25 x 1.5 with an 8-ply white mat, non-glare plexi, and simple black moulding Signed, verso Excellent condition and ready to hang This abstract geometric painting on vellum was made by Hudson Valley based artist, Donise English, in 2022. The composition begins with a blue green toned background of acrylic wash. A grid of box-like patterns in sky blue, green, grey, and black with white line work are stacked to create an irregular shape or an "imagined city grid", says the artist. The painting on vellum is complemented by a simple black frame with an 8-ply white mat, non-glare plexi, and wire backing. It's in excellent condition and ready to hang. About the artist: Donise English emphasizes lines, grids, and fields of subtle color to evoke imagined places and invented structures. While precise lines and straight angles are often associated with themes in architecture and urban planning designs, English conveys a geometric motif guided by intuition rather than a ruler. Variations on grids retain flaws and unmistakable traces of the artists’ hand; her style of draftsmanship shies away from intellectualism and instead makes her compositions feel very personal. A central checkerboard formation floats over a ground of pastel color or washes of grey or cream. Each design is intensely intricate, incorporating gouache, acrylic, pen, graphite, ink and colored pencil. The artist recently retired from her decades career teaching at Marist College and is now devoted full time to her art making. Artist Statement: My work is about the way visual diagrams present information that describes how something is made or the way it is. I am interested in drawing and collaging multiple layers of information that refer abstractly to maps, architectural drawings and blueprints or patterns and structures found in such things as roller coasters, power lines and fences. I use gouache and collaged paper in a series of layers that are a visual and ideological response to the previous layer to define my pictorial space. For each piece I create a set of rules to follow about the use of a limited palette, a grid format, opacity of paper and whether a piece may include curving lines or maintain a rectilinear structure. Artist CV: EDUCATION Master of Fine Arts in Painting Bard College 1986 Bachelor of Science in Art History State University College at New Paltz 1977 Additional Study: New York Studio School (Drawing Marathons) Columbia University, School of Architecture Women’s Studio Workshop TEACHING Professor of Studio Art, Department of Art and Art History, Marist College, Poughkeepsie, NY Coordinator, Interior Design Program, Florence, Italy campus 1992-present AWARDS NYFA Fellowship in Painting 2018 Invitational Award for Outstanding Contemporary Talent, University of Bridgeport, CT 2000 Purchase Prize, “11th National Juried Exhibition” College of Notre Dame of Maryland, Baltimore 1999 First Prize, “Women in the Visual Arts ‘95” Erector Square Gallery, New Haven, CT 1995 Joseph A. Cain Memorial Purchase Award for Sculpture Del Mar College, Corpus Christi, TX 1994 Honorable Mention, “National Juried Exhibition” University of Bridgeport, CT 1993 Individual Artists Fellowship in Sculpture Dutchess Arts Fund 1992/93 Tallix, Morris, Singer Internship in Sculpture Tallix Foundry, Beacon, NY 1990/91 MEMBERSHIP Royal British Society of Sculptors SELECTED JURIED/INVITATIONAL EXHIBITIONS 2020 “edu: Art Faculty of the Hudson Valley”, Hudson Valley MOCA, Peekskill, NY 2019 “Contemporary Abstraction”, Carrie Haddad Gallery, Hudson, NY “Mixed Media”, SITE Gallery, Brooklyn, NY 2018 “JuxtaPositions”, The Painting Center, New York, NY “Peculiar Rarities”, Carrie Haddad Gallery, Hudson, NY 2017 “Interlock: Color and Contrast in Abstraction”, Carrie Haddad Gallery, Hudson, NY “Donise English: Encaustics”, Catskill Art Society, Livingston Manor, NY 2016 “Let’s Stay in Touch”, Howard County Center for the Arts, Ellicott City, MD “Under, Over, After Over”, Vassar College, Poughkeepsie, NY 2015 “Off the Grid”, Arts & Culture Program, Albany International Airport, Albany, NY “Gridspace”, KMOCA, Kingston, NY “Abstraction”, Carrie Haddad Gallery, Hudson, NY “Assuming Identity”, NY Institute of Technology, New York, NY 2013 “Modern Artists”, Carrie Haddad Gallery, Hudson, NY “Artists of the Mohawk-Hudson Region”, The Hyde Collection, Glens Falls, NY Stone Canoe/Community Folk Art Center, Syracuse, NY 2012 New York Institute of Technology, New York, NY “Contemporary Painters (Who Just Happen To Be Women)”, Carrie Haddad Gallery, Hudson, NY “Strange Glue: Collage at 100”, Cambridge School, Weston, MA “Dear Mother Nature”, Dorsky Museum, SUNY New Paltz, NY “Fresher Paint”, Rockland Center for the Arts, Nyack, NY Courthouse Gallery, Lake George Arts Project, Lake George, NY 2011 “Process+Content: Donise English”, Vassar College, Poughkeepsie, NY “Donise English-Paintings”,Orange County Community College, Newburgh, NY “Gender Matters/Matters of Gender”, Freedman Gallery, Albright College, Reading, PA 2010 Carrie Haddad Gallery, Hudson, NY “Encaustics: Wax and Image”, Westchester Community College, White Plains, NY “Dots, Lines and Figures”, Carrie Haddad Gallery, Hudson, NY “Spring Awakening”, NY Institute of Technology, New York, NY “Clay City Dreams”, NY Institute of Technology, New York, NY “Texture,Pattern, Fragment”, Krause Gallery, Moses Brown School, Providence, RI 2009 “Collage”, NY Institute of Technology, New York, NY “Working in Wax”, Bedford Gallery, Walnut Creek, CA “Encaustic 2009”, College of New Rochelle, NY “Three Artists”, Carrie Haddad Gallery, Hudson, NY “Convergence: The Human Experience”,Howard County Center for the Arts, MD 2008 “Suckers and Biters: Love, Lollipops, and Exquisite Corpse” Chashama Gallery, New York, NY Carrie Haddad Gallery, Hudson NY 2007 “Patterns and Light”, Blue Hill Gallery, Blue Hill, ME “Suckers and Biters”, AG Gallery, Brooklyn, NY 2006 “100 Artists, 100 Watercolors”, Jeannie Freilich Fine Art, New York, NY “On/Of Paper”,Kirkland Art Center, Clinton, NY “The Love Show”, Manchester Community College, Manchester, CT 2005 The Soap Factory, Minneapolis, MN “Small Tales”, Valdosta State University, Georgia National Juried Exhibition,Art Institute and Gallery Salisbury, MD, Juror: Stephen Haller “Greed, Envy, Jealousy, Fear”, TSL Warehouse, Hudson, NY 2004 “Women in the Middle: Borders, Barriers, Intersections” University of Wisconsin-Milwaukee “Girl Art Now”,Hera Gallery, Wakefield, RI 3 Person Exhibition, Monterey Peninsula College, Monterey, CA “The Feminine Eye”, Bradley University, Peoria, IL “Women Painting Women”, McNeese State University, Lake Charles, LA “Thought Patterns”, Kent Place Gallery, Summit, NJ “Surface, Matter and Artifice”, Dutchess Community College Art Gallery Poughkeepsie, NY 2003 “Beefcake/Cheesecake”,Orange County Center for Contemporary Art, Santa Ana, CA,Juror: Jamie Wilson, Curator Halpert Bienniel, Appalachian State University, Boone, NC Juror: Jeff Fleming, Senior Curator, Des Moines Art Center “The Great White Oak”, Garrison Art Center, Garrison, NY Carrie Haddad Gallery, Hudson, NY 2002 “Cat Calls”, Red Clay Arts, Brooklyn “Hudson Valley Regional”, SUNY New Paltz Juror: Sydney Jenkins, Director, Ramapo College Art Galleries 2001 One-Person Exhibition, Davis and Hall Gallery, Hudson, NY “Beyond the Surface”, Womanmade Gallery, Chicago One-Person Exhibition, Garrison Art Center, Garrison, NY 2000 “Vision 2000...

Thirty pigeon holes Ron Piller is a beautiful, contemporary painting with a mix of mediums: Acrylic, Gloss Medium Varnish on Canvas. It's strong colors and geometry with white, red a...

Contemporary mixed media (acrylic, pastel, pencil, and collage) abstract floral painting by emerging artist Federica Aiello Pini, exploring nature...

Nuanced grays intersected by bright lines and dashes result in this emotive, nearly explosive, spatial investigation. Gravity Composition 07 (2022) by Kyle Butler. Acrylic, graphite,...

Eddy Lee’s figurative surrealist portrait paintings on exposed wood depict emotive sirens who evoke a sense of mystery and seductiveness. His original artworks combine geometric elements with innocent women portraits seeking to trigger emotions, rather than communicating specific explanations. He reconciles the unconscious with rational life, exploring the power of dreams, embracing automatism, and freeing his subjects from the constraints of conscious thought. This colorful, intriguing woman portrait is painted with acrylic and gouache on a hand-built cradled wood panel. This one-of-a-kind original artwork measures 24 inches high by 24 inches wide. It is signed by the artist on the front and back. It is wired and ready to hang. It does not require framing. Free local Los Angeles delivery. Affordable Continental U.S. and worldwide shipping available. A certificate of authenticity issued by the art gallery is included with this unique work. Originally from Seattle, Washington, Eddy Lee relocated to Los Angeles in late 2012 to pursue a full-time career as a fine artist. He started his career on the Venice Beach Boardwalk and quickly gained a large following across the United States with exhibitions in San Francisco, Las Vegas, and Los Angeles. The artist’s work is inspired by the works of Audrey Kawasaki...

Nuanced grays intersected by bright lines and dashes result in this emotive, nearly explosive, spatial investigation. Gravity Composition 02 (2022) by Kyle Butler. Acrylic, graphite,...

Nuanced grays intersected by bright lines and dashes result in this emotive, nearly explosive, spatial investigation. Gravity Composition 04 (2022) by Kyle Butler. Acrylic, graphite,...

Vintage American modernist abstract drawing. Pencil and graphite on paper, circa 1970. Unsigned. Image size, 31L x 23H. Housed in a period frame.

Daniel Pailes-Friedman artist statement Painting is a meditative process. It begins with preparing a canvas and ends when there is nothing left to resolve. A composition starts w...

Nuanced grays intersected by bright lines and dashes result in this emotive, nearly explosive, spatial investigation. Gravity Composition 03 (2022) by Kyle Butler. Acrylic, graphite,...

Nuanced grays intersected by bright lines and dashes result in this emotive, nearly explosive, spatial investigation. Gravity Composition 01 (2022) by Kyle Butler. Acrylic, graphite,...

Orazio De Gennaro's Untitled V is a 36 x 36-inch abstract painting on panel. The main colors are different shades of blue, red and purple. De Gennaro...

Robert Longo Pressure, 1983 Acrylic and Graphite on Paper Signed and dated 'Robert Longo 83’ (lower right) in graphite Frame included: Floated and framed in a museum quality frame with UV plexiglass This is a unique painting "Pressure " [on God], Robert Longo's unique acrylic and graphite work on paper, was created during the same period as his iconic work, simply labeled "Pressure", now in the permanent collection of the Museum of Modern Art in N.Y. Whereas the latter depicts a young man, the present work, titled "Pressure on Heaven", then deliberately changed to "Pressure on God", is more ethereal in subject matter, though the lone youth's image is still present in the composition. From Lexander magazine: "In the excerpt from Neal Benezra’s article about 1980s art in the previous post, he writes, “Robert Longo’s Pressure might well be the most representative work of art of the 1980s.” I would go further and state that it is the definitive work of the 1980s—the penultimate visual anthem of the era—and most especially the period between 1979—1987, during which the musical genres of gothic rock and deathrock flourished and achieved their greatest artistic successes through the work of a variety of diverse bands including Bauhaus, Siouxsie and the Banshees...

Orazio De Gennaro's Untitled IV is a 30 x 30-inch abstract painting on panel. The main colors are different shades of blue and red. De Gennaro’s pain...

“There is that Far-off Tall Dog Singing to a Hole in Bank” (Frill Dog series). A colorful contemporary dog painting of Foxhounds dogs singing to a fox in a hole with accompanying text from a book is an inspirational departure from the traditional illustrations found in British Rudyard Kipling's "Thy Servant a Dog", 1930. The book was the first ever narrated by a dog. Nancy van Meter...

LANDSCAPE graphite and oil painting on cotton canvas 65x44 cm 2020 this artwork is sold flat i ready to hang original art Original Created:2020 Subjects:Landscape Materials:Canv...

Flowers—rendered in simple shapes and soft colours—rosy pink, sky blue, pale yellow and deep green fill the canvas in this abstract painting by Mel Davis. The Montreal born artist wa...

Countably Infinite, 2022 by On Hansen Oil wax, acrylic, graphite, organic ink, and crayon on Awagami paper Image size: 35.03 in. H x 25.59 in. W Unframed ____________________________ On Hansen originally from Scandinavia is the pseudonym used by the photographer Cristian Hunter, a third-generation artist who has spent most of his professional career as a photographer. His work bears the traces of lived experiences, exploring the possibilities of formal abstraction, and seeking an organic experience between space and time through painting and photography. “There is no longer a single idea explaining everything, but an infinite number of essences giving meaning to an infinite number of objects. The world comes to a stop, but also lights up.” ― Albert Camus...

Alan Fenton (1927 - 2000) Untitled, 1965 Charcoal and graphite on paper 23 x 17 inches Signed and dated lower right Fenton's quiet and contemplative nonob...

Abstract geometric painting with a contrasting palette of blue, grey, and black with orange line work against a soft black acrylic wash background "Grey, Orange, and Blue Plan" made by Hudson Valley artists, Donise English, in 2022 Graphite, colored pencil, and acrylic painting on vellum 24 x 18 inches unframed, 31 x 25 x 1.5 with an 8-ply white mat, non-glare plexi, and simple black moulding Signed, verso Excellent condition and ready to hang This abstract geometric painting on vellum was made by Hudson Valley based artist, Donise English, in 2022. The composition begins with a freely applied soft black acrylic wash that lends a gentle layer to the bold geometric form in the foreground. A grid of box-like patterns in slate grey and black with bright orange and sky blue line work are stacked to create an irregular shape or an "imagined city grid", says the artist. The painting on vellum is complemented by a simple black frame with an 8-ply white mat, non-glare plexi, and wire backing. It's in excellent condition and ready to hang. About the artist: Donise English emphasizes lines, grids, and fields of subtle color to evoke imagined places and invented structures. While precise lines and straight angles are often associated with themes in architecture and urban planning designs, English conveys a geometric motif guided by intuition rather than a ruler. Variations on grids retain flaws and unmistakable traces of the artists’ hand; her style of draftsmanship shies away from intellectualism and instead makes her compositions feel very personal. A central checkerboard formation floats over a ground of pastel color or washes of grey or cream. Each design is intensely intricate, incorporating gouache, acrylic, pen, graphite, ink and colored pencil. The artist recently retired from her decades career teaching at Marist College and is now devoted full time to her art making. Artist Statement: My work is about the way visual diagrams present information that describes how something is made or the way it is. I am interested in drawing and collaging multiple layers of information that refer abstractly to maps, architectural drawings and blueprints or patterns and structures found in such things as roller coasters, power lines and fences. I use gouache and collaged paper in a series of layers that are a visual and ideological response to the previous layer to define my pictorial space. For each piece I create a set of rules to follow about the use of a limited palette, a grid format, opacity of paper and whether a piece may include curving lines or maintain a rectilinear structure. Artist CV: EDUCATION Master of Fine Arts in Painting Bard College 1986 Bachelor of Science in Art History State University College at New Paltz 1977 Additional Study: New York Studio School (Drawing Marathons) Columbia University, School of Architecture Women’s Studio Workshop TEACHING Professor of Studio Art, Department of Art and Art History, Marist College, Poughkeepsie, NY Coordinator, Interior Design Program, Florence, Italy campus 1992-present AWARDS NYFA Fellowship in Painting 2018 Invitational Award for Outstanding Contemporary Talent, University of Bridgeport, CT 2000 Purchase Prize, “11th National Juried Exhibition” College of Notre Dame of Maryland, Baltimore 1999 First Prize, “Women in the Visual Arts ‘95” Erector Square Gallery, New Haven, CT 1995 Joseph A. Cain Memorial Purchase Award for Sculpture Del Mar College, Corpus Christi, TX 1994 Honorable Mention, “National Juried Exhibition” University of Bridgeport, CT 1993 Individual Artists Fellowship in Sculpture Dutchess Arts Fund 1992/93 Tallix, Morris, Singer Internship in Sculpture Tallix Foundry, Beacon, NY 1990/91 MEMBERSHIP Royal British Society of Sculptors SELECTED JURIED/INVITATIONAL EXHIBITIONS 2020 “edu: Art Faculty of the Hudson Valley”, Hudson Valley MOCA, Peekskill, NY 2019 “Contemporary Abstraction”, Carrie Haddad Gallery, Hudson, NY “Mixed Media”, SITE Gallery, Brooklyn, NY 2018 “JuxtaPositions”, The Painting Center, New York, NY “Peculiar Rarities”, Carrie Haddad Gallery, Hudson, NY 2017 “Interlock: Color and Contrast in Abstraction”, Carrie Haddad Gallery, Hudson, NY “Donise English: Encaustics”, Catskill Art Society, Livingston Manor, NY 2016 “Let’s Stay in Touch”, Howard County Center for the Arts, Ellicott City, MD “Under, Over, After Over”, Vassar College, Poughkeepsie, NY 2015 “Off the Grid”, Arts & Culture Program, Albany International Airport, Albany, NY “Gridspace”, KMOCA, Kingston, NY “Abstraction”, Carrie Haddad Gallery, Hudson, NY “Assuming Identity”, NY Institute of Technology, New York, NY 2013 “Modern Artists”, Carrie Haddad Gallery, Hudson, NY “Artists of the Mohawk-Hudson Region”, The Hyde Collection, Glens Falls, NY Stone Canoe/Community Folk Art Center, Syracuse, NY 2012 New York Institute of Technology, New York, NY “Contemporary Painters (Who Just Happen To Be Women)”, Carrie Haddad Gallery, Hudson, NY “Strange Glue: Collage at 100”, Cambridge School, Weston, MA “Dear Mother Nature”, Dorsky Museum, SUNY New Paltz, NY “Fresher Paint”, Rockland Center for the Arts, Nyack, NY Courthouse Gallery, Lake George Arts Project, Lake George, NY 2011 “Process+Content: Donise English”, Vassar College, Poughkeepsie, NY “Donise English-Paintings”,Orange County Community College, Newburgh, NY “Gender Matters/Matters of Gender”, Freedman Gallery, Albright College, Reading, PA 2010 Carrie Haddad Gallery, Hudson, NY “Encaustics: Wax and Image”, Westchester Community College, White Plains, NY “Dots, Lines and Figures”, Carrie Haddad Gallery, Hudson, NY “Spring Awakening”, NY Institute of Technology, New York, NY “Clay City Dreams”, NY Institute of Technology, New York, NY “Texture,Pattern, Fragment”, Krause Gallery, Moses Brown School, Providence, RI 2009 “Collage”, NY Institute of Technology, New York, NY “Working in Wax”, Bedford Gallery, Walnut Creek, CA “Encaustic 2009”, College of New Rochelle, NY “Three Artists”, Carrie Haddad Gallery, Hudson, NY “Convergence: The Human Experience”,Howard County Center for the Arts, MD 2008 “Suckers and Biters: Love, Lollipops, and Exquisite Corpse” Chashama Gallery, New York, NY Carrie Haddad Gallery, Hudson NY 2007 “Patterns and Light”, Blue Hill Gallery, Blue Hill, ME “Suckers and Biters”, AG Gallery, Brooklyn, NY 2006 “100 Artists, 100 Watercolors”, Jeannie Freilich Fine Art, New York, NY “On/Of Paper”,Kirkland Art Center, Clinton, NY “The Love Show”, Manchester Community College, Manchester, CT 2005 The Soap Factory, Minneapolis, MN “Small Tales”, Valdosta State University, Georgia National Juried Exhibition,Art Institute and Gallery Salisbury, MD, Juror: Stephen Haller “Greed, Envy, Jealousy, Fear”, TSL Warehouse, Hudson, NY 2004 “Women in the Middle: Borders, Barriers, Intersections” University of Wisconsin-Milwaukee “Girl Art Now”,Hera Gallery, Wakefield, RI 3 Person Exhibition, Monterey Peninsula College, Monterey, CA “The Feminine Eye”, Bradley University, Peoria, IL “Women Painting Women”, McNeese State University, Lake Charles, LA “Thought Patterns”, Kent Place Gallery, Summit, NJ “Surface, Matter and Artifice”, Dutchess Community College Art Gallery Poughkeepsie, NY 2003 “Beefcake/Cheesecake”,Orange County Center for Contemporary Art, Santa Ana, CA,Juror: Jamie Wilson, Curator Halpert Bienniel, Appalachian State University, Boone, NC Juror: Jeff Fleming, Senior Curator, Des Moines Art Center “The Great White Oak”, Garrison Art Center, Garrison, NY Carrie Haddad Gallery, Hudson, NY 2002 “Cat Calls”, Red Clay Arts, Brooklyn “Hudson Valley Regional”, SUNY New Paltz Juror: Sydney Jenkins, Director, Ramapo College Art Galleries 2001 One-Person Exhibition, Davis and Hall Gallery, Hudson, NY “Beyond the Surface”, Womanmade Gallery, Chicago One-Person Exhibition, Garrison Art Center, Garrison, NY 2000 “Vision 2000...

Utterance boundaries, 2022 by On Hansen Oil wax, acrylic, graphite, organic ink, and crayon on canvas. Image size: 48 in. H x 36 in. W Mounted on a stretcher ____________________________ On Hansen originally from Scandinavia is the pseudonym used by the photographer Cristian Hunter, a third-generation artist who has spent most of his professional career as a photographer. His work bears the traces of lived experiences, exploring the possibilities of formal abstraction, and seeking an organic experience between space and time through painting and photography. “There is no longer a single idea explaining everything, but an infinite number of essences giving meaning to an infinite number of objects. The world comes to a stop, but also lights up.” ― Albert Camus...

TO BE KNOWN is an oil and graphite on paper piece depicting a honeysuckle bush tree growing outside the artist’s home studio. The sketch came to life en plein air, to be later finish...

I believe in beginnings and endings, 2022 by On Hansen Oil wax, acrylic, graphite, organic ink, and crayon on Awagami paper Image size: 35.03 in. H x 25.59 in. W Unframed _________...

The pieces attract by the power of the pictorial gesture materialized in the line, the shape, and the color. For Daniel, each painting contains and transmits the energy that was embo...

"Making a Beseech" (Frill Dog series). A colorful contemporary dog painting of a Scottish Terrier dog with accompanying text from a book is an inspirational departure from the traditional illustrations found in British Rudyard Kipling's "Thy Servant a Dog", 1930. The book was the first ever narrated by a dog, Boots, a Scottie. Making a beseech is the only trick the Scottie, Boots knows, paws over nose. Nancy van Meter...

This large scale abstract oil painting contains a line based composition over a neutral blue - grey ground, that appears sometimes blue, sometimes violet given the time of day and q...

A colorful contemporary dog painting of Scottish Terrier dogs with accompanying text from a book is an inspirational departure from the tradi...

Ink, graphite, oil pastel and charcoal on Yupo paper 110 x 76 x 0.1 cm - Framed 116 x 82 x 4.5 cm

Large vertical original modern abstract painting. Titled "Wildhorse" This original mixed media painting features acrylics ink, and oil pastel on raw canvas. This inspiring and passionate work is unlike any other that I have painted. It is both urban and global in its feeling. The colors are black, gray, hints of gold, soft pink, white, cream. This vertical contemporary painting...

Miriam Peralta prefers mediums of graphite, ink, pencil or pastel to masterfully render trademark spirals resembling human DNA. Her hand-drawn network of Tangram-like shapes, mingled with calligraphy, trace a visual path that acts as a cognitive exercise of the philosophical rhythm of life, that builds and swells as it calms and returns. Viewers’ eye can instantly disentangle a backlog of information encrypted over time and stored through the process of evolution while viewing her work. She was awarded with the 1st Prize Winner of the 2018 Premio Trabucco, the Grand Prize for Painting, Banco Provincia; Salon Nacional de Artes Visuales, Palais de Glace...

Miriam Peralta prefers mediums of graphite, ink, pencil or pastel to masterfully render trademark spirals resembling human DNA. Her hand-drawn network of Tangram-like shapes, mingled with calligraphy, trace a visual path that acts as a cognitive exercise of the philosophical rhythm of life, that builds and swells as it calms and returns. Viewers’ eye can instantly disentangle a backlog of information encrypted over time and stored through the process of evolution while viewing her work. She was awarded with the 1st Prize Winner of the 2018 Premio Trabucco, the Grand Prize for Painting, Banco Provincia; Salon Nacional de Artes Visuales, Palais de Glace...

This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in wh...

Oil, acrylic, colored pencils, ink & graphite on gesso on aluminium Back frame 2.5 cm

Oil, acrylic, colored pencils, ink & graphite on gesso on aluminium Beck frame 2.5 cm

Swedish artist Jonas Fisch’s imagery is vibrantly buzzing with colorful commentary on society - past and present - morphed into figures, words, and shapes. His heavily layered canvas...

Large modern abstract expressionist painting titled '#neverfaraway'. This large horizontal work speaks to how connected we are to each other through social medial and also how we can...

Sergio Valenzuela “Valenz” is a contemporary Guatemalan artist who tells stories with everyday objects, primarily expressing them with graphite and acrylic on canvas. His artworks pr...

Original contemporary Boho modern abstract painting on canvas titled "Nature's Cradle" This original mixed media painting features acrylics, ink, and oil pastel on canvas. It reflects my deep connection and respect for the natural environment and how it supports us. The muted indigos and golds contrast with crisp white. The sides of the gallery wrapped canvas are painted in a warm white, wired on the back and ready to hang. This painting is signed on the front and back coated with an archival UV semi-gloss varnish for protection and light luster.
 Michele Zuzalek...

traces, minimalist painting on canvas medium size original art the painting is sold stretched out on a frame ready to hang A series of A...

This stunning abstract by contemporary artist, architect, and designer Ana Carolina Mönnaco blends a beautiful variety of colors that make the piece jump off the canvas. This piece was made for the artist's exhibit, "Blurred & Fractured," at Modfellows Art Gallery - WeHo in Nashville, Tennessee. The piece is hand signed by the artist in the bottom-right corner and comes with a Certificate of Authenticity issued by the gallery. Mönnaco’s history in architecture has pushed her to peer past the structured world in which we live, to convey the unbound world which surrounds us. She is interested in the continuous reaching of life. She says, “we live with this blurred and fractured vision of the world, yet inside each of us there’s an undeniable conviction that something beautiful and perfect still exists beyond our grasp.” In response to this, Mönnaco uses a sophisticated color palette and inspiration found in the beauty of the natural world to create rich environments which encapsulate the viewer by surrounding them with wonderment of the unknown. About the Artist: Ana Carolina Mönnaco is an artist from Curitiba, Brazil, where she developed a love of art and architecture. She graduated from Carnegie Mellon University in Pittsburgh, Pennsylvania. After graduating in 2002, she joined Morris Architects in Orlando, Florida. Mönnaco has won many prestigious awards including the International Watercolor Masters Merit Award, the AIP 24 Juror Award, and the AIP Hugh Ferris...

Comes framed and ready to hang. Artist’s Statement: “I have been working on more formal and restrained paintings lately, and decided to loosen up by revisiting a series I did a few ...

This stunning abstract by contemporary artist, architect, and designer Ana Carolina Mönnaco blends a beautiful variety of colors that make the piece jump off the canvas. This piece was made for the artist's exhibit, "Blurred & Fractured," at Modfellows Art Gallery - WeHo in Nashville, Tennessee. The piece is hand signed by the artist in the bottom-right corner and comes with a Certificate of Authenticity issued by the gallery. Mönnaco’s history in architecture has pushed her to peer past the structured world in which we live, to convey the unbound world which surrounds us. She is interested in the continuous reaching of life. She says, “we live with this blurred and fractured vision of the world, yet inside each of us there’s an undeniable conviction that something beautiful and perfect still exists beyond our grasp.” In response to this, Mönnaco uses a sophisticated color palette and inspiration found in the beauty of the natural world to create rich environments which encapsulate the viewer by surrounding them with wonderment of the unknown. About the Artist: Ana Carolina Mönnaco is an artist from Curitiba, Brazil, where she developed a love of art and architecture. She graduated from Carnegie Mellon University in Pittsburgh, Pennsylvania. After graduating in 2002, she joined Morris Architects in Orlando, Florida. Mönnaco has won many prestigious awards including the International Watercolor Masters Merit Award, the AIP 24 Juror Award, and the AIP Hugh Ferris...

This stunning abstract by contemporary artist, architect, and designer Ana Carolina Mönnaco blends a beautiful variety of colors that make the piece jump off the canvas. This piece was made for the artist's exhibit, "Blurred & Fractured," at Modfellows Art Gallery - WeHo in Nashville, Tennessee. The piece is hand signed by the artist in the bottom-right corner and comes with a Certificate of Authenticity issued by the gallery. Mönnaco’s history in architecture has pushed her to peer past the structured world in which we live, to convey the unbound world which surrounds us. She is interested in the continuous reaching of life. She says, “we live with this blurred and fractured vision of the world, yet inside each of us there’s an undeniable conviction that something beautiful and perfect still exists beyond our grasp.” In response to this, Mönnaco uses a sophisticated color palette and inspiration found in the beauty of the natural world to create rich environments which encapsulate the viewer by surrounding them with wonderment of the unknown. About the Artist: Ana Carolina Mönnaco is an artist from Curitiba, Brazil, where she developed a love of art and architecture. She graduated from Carnegie Mellon University in Pittsburgh, Pennsylvania. After graduating in 2002, she joined Morris Architects in Orlando, Florida. Mönnaco has won many prestigious awards including the International Watercolor Masters Merit Award, the AIP 24 Juror Award, and the AIP Hugh Ferris...

Steven Sorman In Real Time, 2003 Acrylic, gouache, gel medium, oil and beeswax collage painting on paper 48 × 34 inches Signed and dated 2003; The frame also bears the original label...

This stunning abstract by contemporary artist, architect, and designer Ana Carolina Mönnaco blends a beautiful variety of colors that make the piece jump off the canvas. This piece was made for the artist's exhibit, "Blurred & Fractured," at Modfellows Art Gallery - WeHo in Nashville, Tennessee. The piece is hand signed by the artist in the bottom-right corner and comes with a Certificate of Authenticity issued by the gallery. Mönnaco’s history in architecture has pushed her to peer past the structured world in which we live, to convey the unbound world which surrounds us. She is interested in the continuous reaching of life. She says, “we live with this blurred and fractured vision of the world, yet inside each of us there’s an undeniable conviction that something beautiful and perfect still exists beyond our grasp.” In response to this, Mönnaco uses a sophisticated color palette and inspiration found in the beauty of the natural world to create rich environments which encapsulate the viewer by surrounding them with wonderment of the unknown. About the Artist: Ana Carolina Mönnaco is an artist from Curitiba, Brazil, where she developed a love of art and architecture. She graduated from Carnegie Mellon University in Pittsburgh, Pennsylvania. After graduating in 2002, she joined Morris Architects in Orlando, Florida. Mönnaco has won many prestigious awards including the International Watercolor Masters Merit Award, the AIP 24 Juror Award, and the AIP Hugh Ferris...

This stunning abstract by contemporary artist, architect, and designer Ana Carolina Mönnaco blends a beautiful variety of colors that make the piece jump off the canvas. This piece was made for the artist's exhibit, "Blurred & Fractured," at Modfellows Art Gallery - WeHo in Nashville, Tennessee. The piece is hand signed by the artist in the bottom-right corner and comes with a Certificate of Authenticity issued by the gallery. Mönnaco’s history in architecture has pushed her to peer past the structured world in which we live, to convey the unbound world which surrounds us. She is interested in the continuous reaching of life. She says, “we live with this blurred and fractured vision of the world, yet inside each of us there’s an undeniable conviction that something beautiful and perfect still exists beyond our grasp.” In response to this, Mönnaco uses a sophisticated color palette and inspiration found in the beauty of the natural world to create rich environments which encapsulate the viewer by surrounding them with wonderment of the unknown. About the Artist: Ana Carolina Mönnaco is an artist from Curitiba, Brazil, where she developed a love of art and architecture. She graduated from Carnegie Mellon University in Pittsburgh, Pennsylvania. After graduating in 2002, she joined Morris Architects in Orlando, Florida. Mönnaco has won many prestigious awards including the International Watercolor Masters Merit Award, the AIP 24 Juror Award, and the AIP Hugh Ferris...

This stunning abstract by contemporary artist, architect, and designer Ana Carolina Mönnaco blends a beautiful variety of colors that make the piece jump off the canvas. This piece was made for the artist's exhibit, "Blurred & Fractured," at Modfellows Art Gallery - WeHo in Nashville, Tennessee. The piece is hand signed by the artist in the bottom-right corner and comes with a Certificate of Authenticity issued by the gallery. Mönnaco’s history in architecture has pushed her to peer past the structured world in which we live, to convey the unbound world which surrounds us. She is interested in the continuous reaching of life. She says, “we live with this blurred and fractured vision of the world, yet inside each of us there’s an undeniable conviction that something beautiful and perfect still exists beyond our grasp.” In response to this, Mönnaco uses a sophisticated color palette and inspiration found in the beauty of the natural world to create rich environments which encapsulate the viewer by surrounding them with wonderment of the unknown. About the Artist: Ana Carolina Mönnaco is an artist from Curitiba, Brazil, where she developed a love of art and architecture. She graduated from Carnegie Mellon University in Pittsburgh, Pennsylvania. After graduating in 2002, she joined Morris Architects in Orlando, Florida. Mönnaco has won many prestigious awards including the International Watercolor Masters Merit Award, the AIP 24 Juror Award, and the AIP Hugh Ferris...

Tinman (Abstract painting) Acrylic, ink and graphite on canvas - Unframed. Artwork exclusive to IdeelArt. This artwork will be shipped rolled in a dent-resistant tube. This method...

This stunning abstract by contemporary artist, architect, and designer Ana Carolina Mönnaco blends a beautiful variety of colors that make the piece jump off the canvas. This piece was made for the artist's exhibit, "Blurred & Fractured," at Modfellows Art Gallery - WeHo in Nashville, Tennessee. The piece is hand signed by the artist in the bottom-right corner and comes with a Certificate of Authenticity issued by the gallery. Mönnaco’s history in architecture has pushed her to peer past the structured world in which we live, to convey the unbound world which surrounds us. She is interested in the continuous reaching of life. She says, “we live with this blurred and fractured vision of the world, yet inside each of us there’s an undeniable conviction that something beautiful and perfect still exists beyond our grasp.” In response to this, Mönnaco uses a sophisticated color palette and inspiration found in the beauty of the natural world to create rich environments which encapsulate the viewer by surrounding them with wonderment of the unknown. About the Artist: Ana Carolina Mönnaco is an artist from Curitiba, Brazil, where she developed a love of art and architecture. She graduated from Carnegie Mellon University in Pittsburgh, Pennsylvania. After graduating in 2002, she joined Morris Architects in Orlando, Florida. Mönnaco has won many prestigious awards including the International Watercolor Masters Merit Award, the AIP 24 Juror Award, and the AIP Hugh Ferris...

Hundred Times (Abstract painting) Acrylic, oil bar, oil pastel and graphite on canvas - Unframed. Artwork exclusive to IdeelArt. This artwork will be shipped rolled in a dent-resistant tube. This method is especially safe for large works, and provides lower shipping costs as well. Rolled works can be easily stretched (for canvas works, i.e. placed onto wooden stretcher bars) and/or framed by a local framer upon arrival. Adrienn Krahl...

This stunning abstract by contemporary artist, architect, and designer Ana Carolina Mönnaco blends a beautiful variety of colors that make the piece jump off the canvas. This piece was made for the artist's exhibit, "Blurred & Fractured," at Modfellows Art Gallery - WeHo in Nashville, Tennessee. The piece is hand signed by the artist in the bottom-right corner and comes with a Certificate of Authenticity issued by the gallery. Mönnaco’s history in architecture has pushed her to peer past the structured world in which we live, to convey the unbound world which surrounds us. She is interested in the continuous reaching of life. She says, “we live with this blurred and fractured vision of the world, yet inside each of us there’s an undeniable conviction that something beautiful and perfect still exists beyond our grasp.” In response to this, Mönnaco uses a sophisticated color palette and inspiration found in the beauty of the natural world to create rich environments which encapsulate the viewer by surrounding them with wonderment of the unknown. About the Artist: Ana Carolina Mönnaco is an artist from Curitiba, Brazil, where she developed a love of art and architecture. She graduated from Carnegie Mellon University in Pittsburgh, Pennsylvania. After graduating in 2002, she joined Morris Architects in Orlando, Florida. Mönnaco has won many prestigious awards including the International Watercolor Masters Merit Award, the AIP 24 Juror Award, and the AIP Hugh Ferris...

This stunning abstract by contemporary artist, architect, and designer Ana Carolina Mönnaco blends a beautiful variety of colors that make the piece jump off the canvas. This piece was made for the artist's exhibit, "Blurred & Fractured," at Modfellows Art Gallery - WeHo in Nashville, Tennessee. The piece is hand signed by the artist in the bottom-right corner and comes with a Certificate of Authenticity issued by the gallery. Mönnaco’s history in architecture has pushed her to peer past the structured world in which we live, to convey the unbound world which surrounds us. She is interested in the continuous reaching of life. She says, “we live with this blurred and fractured vision of the world, yet inside each of us there’s an undeniable conviction that something beautiful and perfect still exists beyond our grasp.” In response to this, Mönnaco uses a sophisticated color palette and inspiration found in the beauty of the natural world to create rich environments which encapsulate the viewer by surrounding them with wonderment of the unknown. About the Artist: Ana Carolina Mönnaco is an artist from Curitiba, Brazil, where she developed a love of art and architecture. She graduated from Carnegie Mellon University in Pittsburgh, Pennsylvania. After graduating in 2002, she joined Morris Architects in Orlando, Florida. Mönnaco has won many prestigious awards including the International Watercolor Masters Merit Award, the AIP 24 Juror Award, and the AIP Hugh Ferris...

This stunning abstract by contemporary artist, architect, and designer Ana Carolina Mönnaco blends a beautiful variety of colors that make the piece jump off the canvas. This piece was made for the artist's exhibit, "Blurred & Fractured," at Modfellows Art Gallery - WeHo in Nashville, Tennessee. The piece is hand signed by the artist in the bottom-right corner and comes with a Certificate of Authenticity issued by the gallery. Mönnaco’s history in architecture has pushed her to peer past the structured world in which we live, to convey the unbound world which surrounds us. She is interested in the continuous reaching of life. She says, “we live with this blurred and fractured vision of the world, yet inside each of us there’s an undeniable conviction that something beautiful and perfect still exists beyond our grasp.” In response to this, Mönnaco uses a sophisticated color palette and inspiration found in the beauty of the natural world to create rich environments which encapsulate the viewer by surrounding them with wonderment of the unknown. About the Artist: Ana Carolina Mönnaco is an artist from Curitiba, Brazil, where she developed a love of art and architecture. She graduated from Carnegie Mellon University in Pittsburgh, Pennsylvania. After graduating in 2002, she joined Morris Architects in Orlando, Florida. Mönnaco has won many prestigious awards including the International Watercolor Masters Merit Award, the AIP 24 Juror Award, and the AIP Hugh Ferris...

Swedish artist Jonas Fisch’s imagery is vibrantly buzzing with colorful commentary on society - past and present - morphed into figures, words, and shapes. His heavily layered canvas...