Mylar Paintings

Over the past few years Steven Baris Has been fascinated by the rapid proliferation of fulfillment and distribution centers, sprouting like mushrooms throughout metropolitan regions....

Over the past few years Steven Baris Has been fascinated by the rapid proliferation of fulfillment and distribution centers, sprouting like mushrooms throughout metropolitan regions....

Over the past few years Steven Baris Has been fascinated by the rapid proliferation of fulfillment and distribution centers, sprouting like mushrooms throughout metropolitan regions....

Over the past few years Steven Baris Has been fascinated by the rapid proliferation of fulfillment and distribution centers, sprouting like mushrooms throughout metropolitan regions....

Love Seat oil painting features a pink chair for two that is painted with oil on mylar with gold leaf that has been mounted to wood. The painting is part...

Mary Schiliro’s work with acrylic paint on Mylar is process based, and expands the boundaries of painting by exploring alternative presentation methods. Using a dipping process wher...

Over the past few years Steven Baris Has been fascinated by the rapid proliferation of fulfillment and distribution centers, sprouting like mushrooms throughout metropolitan regions....

Over the past few years Steven Baris Has been fascinated by the rapid proliferation of fulfillment and distribution centers, sprouting like mushrooms throughout metropolitan regions....

Over the past few years Steven Baris Has been fascinated by the rapid proliferation of fulfillment and distribution centers, sprouting like mushrooms throughout metropolitan regions....

Over the past few years Steven Baris Has been fascinated by the rapid proliferation of fulfillment and distribution centers, sprouting like mushrooms throughout metropolitan regions....

Over the past few years Steven Baris Has been fascinated by the rapid proliferation of fulfillment and distribution centers, sprouting like mushrooms throughout metropolitan regions....

Steve Baris is interested in the interconnections of the built environment and spatial experience. His artwork is a response to a largely overlooked type of landscape that is emerg...

Steve Baris is interested in the interconnections of the built environment and spatial experience. His artwork is a response to a largely overlooked type of landscape that is emerg...

Steve Baris is interested in the interconnections of the built environment and spatial experience. His artwork is a response to a largely overlooked type of landscape that is emerg...

Gudrun Mertes-Frady BETWEEN THE LINES #8, 2018 water-based and metallic media on mylar 19 x 24 in. This original abstract painting by Gudrun Mertes-Frady is neutral in color palette...

Steve Baris is interested in the interconnections of the built environment and spatial experience. His artwork is a response to a largely overlooked type of landscape that is emerg...

Gingko leaves in deep hues of purple and lavender on delicate brown branches with hints of teal are striking against the pristine white background of this vertical painting in acryli...

Gingko leaves in deep hues of brown, dark purple and blue on delicate golden brown branches are striking against the pristine white background of this vertical painting in acrylic on...

This work is about what I do while I write letters and think about all these urgent, global concerns and feel frustrated and powerless. I drink coffee. I drink a lot of coffee. It’s...

Reverse Mylar Painting, 'Blue Composition (1),' 2017 by Catherine Howe. Molding paste, oil and acrylic mediums on polyester sheeting, 40 x 30 in. / White Frame: 46 x 40.25 in. Howe's...

Reverse Mylar Painting, 'Blue Composition (2),' 2017 by Catherine Howe. Oil and acrylic mediums on polyester sheeting, 40 x 30 in. / White Frame: 46 x 40.25 in. Howe's reverse-paint...

Pigment pencil on Mylar. Unframed. The Maelstrom Series include the most iconic and known of Peerna's works. Starting from the center on a tilted table, she extends her fingers t...

Represented by George Billis Gallery, NY & LA -- This work is about what I do while I write letters and think about all these urgent, global concerns and feel frustrated and powerles...

Climate (Abstract Painting on Paper in Teal and Citron with Grey Wood Frame) by James O'Shea Abstract painting on paper in blue and green earth tones 14 x 18 inches, gouache and enam...

Mary Schiliro's work with acrylic paint on Mylar is process based, and expands the boundaries of painting by exploring new possibilities of presentation. She uses a dipping process w...

Mary Schiliro's work with acrylic paint on Mylar is process based, and expands the boundaries of painting by exploring new possibilities of presentation. She uses a dipping process w...

Pigment pencil on Mylar - Unframed The Maelstrom Series include the most iconic and known of Peerna's works. Starting from the center on a tilted table, she extends her fingers t...

Mary Schiliro's work with acrylic paint on Mylar is process based, and expands the boundaries of painting by exploring new possibilities of presentation. She uses a dipping process w...

Gudrun Mertes-Frady Lines of Flight, 2017 water-based and metallic media on Mylar 42 x 30 in. This contemporary abstract minimalist painting on Mylar paper is subtly metallic, and s...

Mary Schiliro's work with acrylic paint on Mylar is process based, and expands the boundaries of painting by exploring new possibilities of presentation. She uses a dipping process w...

An original oil on mylar by American contemporary artist Robert Fleming from the artist's Support Series. The work is 36" (h) x 40" (w) unframed.

Gudrun Mertes-Frady Music of Chance #112, 2016 water-based and metallic media on Mylar 19 x 24 in. This original abstract mixed media painting on Mylar by Gudrun Mertes Frady featur...

Sublime yellow roses in a water filled vase, from Elena Zolotnitsky who is Inspired by the concepts of beauty, adolescence, and time passing, Zolotnotsky’s personal and intimate oi...

Gold and alabaster-esque blue oil painting, 'Remake' featuring a statue from antiquity, in oil on mylar, mounted to panel; from Russian American visual artist, Elena Zolotnitsky, who...

Gudrun Mertes-Frady Moves in Black and White 10, 2016 water-based and metallic media on Mylar 19 x 24 in. This original abstract mixed media painting on Mylar by Gudrun Mertes Frady...

A painting by Charles Fine. "Fieldmarks (0168)" is a set of two, abstract, oil, ink, asphatum on mylar on linen on paper paintings executed in a palette primarily of greens, yellows,...

Brought up in the foothills of the Rocky Mountains of Colorado, Heidi Jung as an artist has naturally been drawn to a subject matter most timeless and familiar to her.Through draught...

Brought up in the foothills of the Rocky Mountains of Colorado, Heidi Jung as an artist has naturally been drawn to a subject matter most timeless and familiar to her.Through draught...

Brought up in the foothills of the Rocky Mountains of Colorado, Heidi Jung as an artist has naturally been drawn to a subject matter most timeless and familiar to her.Through draught...

Mary Borgman’s work captivates the viewer in several ways. First is their scale. They hang like medieval tapestries, with figures standing as tall as eight feet. There is also their texture – created by using charcoal on Mylar, and the results are richly gestural, with distinct charcoal strokes and eraser marks animating the figure and ground alike. With a flat surface, she creates volume and life. And perhaps the most powerful of all, the viewer is caught be the gazes of the models, who stare forcefully out of the picture. They seem to be examining us every bit as much as we are examining them. These larger-than-life portraits stem from chance encounters that grow into meaningful connections between the artist and her subject. Most are strangers that she approaches on the street. They capture her attention with expressive eyes that show experience and wisdom, distinctive shapes and a casual body language. “I try to honor the people I am drawing by centering them in the format and shooting from slightly below their eye level. I choose an expression that exudes intelligence, self-awareness and complexity. I try to convey their humanness. I want the viewer to feel this person might be someone interesting to know”, says Borgman of her subjects. The intensity with which she conveys the eyes may stem from her many years of communicating in sign language, which is based on sustained eye contact. Borgman loves the directness of drawing. It is immediate, there is no lag time. There is no time waiting for the paint to dry. She works solely in charcoal which she can manipulate to achieve varying degrees of darkness and opacity. It is messy and the artist loves that. Mary Borgman Portrait of Feleg Abraha charcoal on mylar 41h x 56w in 104.14h x 142.24w cm MBG010 [This work is custom framed in shadow box style with non-reflective Tru-Vue Museum Glass] FRAMED DIMENSIONS 44.75h x 58.75w x 2.25d in 113.67h x 149.22w x 5.71d cm Mary Borgman b. October 4, 1959 St. Louis, MO SELECTED EXHIBITIONS 2017 Grand Opening: Coming Attractions, Gallery Victor Armendariz, Chicago, IL 2013 SOFA Chicago 2013, Ann Nathan Gallery, Navy Pier, Chicago, IL Portraiture Now: Drawing on the Edge, National Portrait Gallery, Arkansas Art Center, Little Rock, AR 2012 Portraiture Now: Drawing on the Edge, National Portrait Gallery, Washington D.C. SOFA Chicago 2012, Ann Nathan Gallery, Navy Pier, Chicago, IL SOFA NY, Ann Nathan Gallery, New York, NY 2011 Gallery Group Ann Nathan Gallery, Chicago, IL SOFA NY, Ann Nathan Gallery, New York, NY 2010 SOFA Chicago 2010: Special Installation at SOFA Café, Navy Pier, Chicago, IL What’s the Buzz on the Playground: Art of Today from St. Louis curated by Mary Sprague...