Plastic Paintings

This beautiful green minimalist sculptural work explores the evocative power monochrome color. Originally working as a painter, Thompson focused on Minimalism. In his sculptural work...

Within Haleh Mashian's artwork titled "Fuse," the observer encounters a figurative portrayal of a woman rendered in warm tones. Intriguingly, affixed atop this depiction is a mask, m...

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express emotions akin to silent poetry while drawing inspiration for her palette from the layered world around her. Her artworks include layered textures and playful details along the surfaces. This original graffiti-inspired painting measures 24-inches square. The sides are painted grey and it does not require framing. It is wired and ready to hang. This painting is signed and titled by the artist on the back. Convenient local Los Angeles area shipping. Affordable Continental U.S. and global shipping also available. A certificate of authenticity issued by the art gallery is included. Amber Goldhammer is best known for creating vibrant abstract paintings with a street art edge. She originally started painting with pigments, powders, and waxes and went on to experiment with different mediums and processes to keep evolving her artworks. As love and joy are paramount emotions in life, Goldhammer hopes her series incorporating the “I Love You” message expands to reach a wide audience. Connecting people through public art is one way she believes her street murals...

Kerry Smith Germs - GI Mixed Media on PVC Year: 2022 Size: 25x23in Signed, dated by hand COA provided Ref.: 924802-1614 ------------------------------------- "Off The Record" is a ...

"We Want Our Gun" Mixed Media Collage, Acrylic Painting, Mounted on Red Plexiglass with steel stand-off mounts. This piece is unique, signed on recto, and inc...

Gerome Kamrowski Blue Fossil, 1960 Acrylic and styrofoam on board 17 x 46 inches Gerome Kamrowski was born in Warren, Minnesota, on January 19, 1914. In 1932 he enrolled in the Saint Paul School of Art (now Minnesota Museum of American Art - MMAA), where he studied with Leroy Turner...

This expansive blue sky we all share is a global symbol of togetherness. It was set in motion by a group of women in Afghanistan ready to be heard. In 2008, a small group of brave women from a group called RAWA” gathered in war-torn Khandahar wearing a blue scarf to publicly pray for peace and justice in Afghanistan. A surprising 1500 more brave women joined to begin the Blue Scarf movement. In 2009, thousands more women joined the movement with organizing help from Unifem. With this peaceful hike, a global movement was born, blue scarves...

Charles Henry Miller (American, 1842-1922) Untitled, c. Late 1800s-Early 1900s Oil on board 9 x 12 in. Framed: 14 5/8 x 17 3/4 in. Signed lower right: C.H. Miller Charles Henry Miller was a noted artist and painter of landscapes from Long Island, New York. The American poet Bayard Taylor called him, "The artistic discoverer of the little continent of Long Island." Miller was educated at Mount Washington Collegiate Institute, and graduated in medicine at the New York Homeopathic Institute in 1864. Before his graduation, he had occasionally painted pictures, and in 1860 he exhibited The Challenge Accepted at the National Academy of Design, in New York City. He lived in Queens at the summer estate, Queenslawn, originally purchased by his parents. He went abroad in 1864 and again in 1867, and was a pupil in the Bavarian Royal Academy at Munich under the instruction of Adolf Lier. After the 1874 death of his father, Jacob Miller, who was a wealthy architect and builder, Miller received a large inheritance that allowed him to paint as an independent artist for the remainder of his long life. He worked seriously and exhibited regularly, including at international exhibitions. The majority of his oil paintings depict Long Island subjects, especially those in and around Queens Village. Fed up with the development of the eastern part of Queens (present-day Nassau County), he began to spend part of his summers in East Marion, Long Island, c. 1910. Here he spent his time sketching and painting the surrounding areas. In 1885 he published The Philosophy of Art in America, using the pseudonym Carl De Muldor (he was descended from the De Muldor family). His work was recognized: in 1873, he was elected an associate of the National Academy of Design and an academician in 1875. He served as president of the New York Art Club in 1879 and of the American Committee at the Munich International Exposition in 1883. Legacy and honors • In 1910 Miller founded the Queens Borough Allied Arts & Crafts Society. • A New York City public school, Queens P.S. 33, was once named for him. • 1878, gold medal awarded by the Massachusetts Charitable Association • 1885, gold medal at the World's Exposition in New Orleans. Following is a list, which includes many of his known exhibitions: • National Academy of Design, New York, NY, 1860-61, 1865-67, 1870-1921 • Brooklyn Art Association, Brooklyn, NY, 1872-84, 1891-92 • Artist's Fund Society, New York, NY, 1874 (exhibition & sale), 1886 (exhibition & sale) • Century Association, New York, NY, (1874-1917) • Philadelphia Centennial Exhibition, Philadelphia, PA, 1876 (prize) • Society of American Artists, New York, NY, (1878-1882) • Massachusetts Charitable Mechanic Association, Boston, MA, 1878 (prize) • Paris International Exposition, Paris, France, 1878, 1889 • American Water Color Society Exhibition, New York, NY, 1879 • Pennsylvania Academy of Fine Arts, Philadelphia , PA, 1879-99 • Boston Art Club, Boston, MA, 1880-1907 (prize) • Union League Club, New York, NY, 1880 • Lotos Club, New York, NY, 1880, 1896, 1899-1900, 1906 • Salons of Paris, Paris, France, 1882 • International Exhibition, Munich, Germany, 1883 (president & exhibitor) • New Orleans Exposition, New Orleans, LA, 1885 (prize) • Art Institute of Chicago, Chicago, IL, 1888-89, 1891, 1894-98, 1904 • Fifth Avenue Art Gallery, New York, NY, 1889 (exhibition & sale) • World's Columbian Exposition, Chicago, IL, 1892 • Frederick A. Chapman Gallery, New York, NY, 1898 (solo) • Miller Studio...

This is a one of a kind original painting by southern California artist, Kathleen Kane Murrell. Its dimensions are 30" x 40" x 2". It is acrylic on panel, charcoal, mulberry paper, g...

At this point in time I have come to the realization that as time jumps, I have to evolve, and personal responsibilities become heavier as we want for greater things in life. I am not settling for less anymore so we can't go back to the hood doing the norms, I told my friends I’d be gone only for a few years so I go with my sketchbook and life jacket...

original oil on canvas panel paint in plein air :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: ...

In the days when every seaport had its figurehead to show, this same day calls for free, I must go save these countrymen, my honorable crew if they still breathe. I must sail deep down north again, with strong men and skillful hands. All I ask this day is dread naught and a star to steer her as the people blare for salvaging; And all I ask again is a windy day and a friendly storm at night, And a sweet dream with my shipment when the long cruise is over. (Written by the Artist) Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Osoba Omoayo George...

Promise for transformation coming into full beauty, before we wilt and disappear. The unstoppable energy to radiate and glow, The urge to look over our shoulders, looking to be compared. Flaunting a flair, seeking attention everywhere. (Written by the Artist) Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Osoba Omoayo George...

This is a one of a kind original painting by southern California artist, Kathleen Kane Murrell. Its dimensions are 36" x 36" x 2.1". It is acrylic on canvas, painted, plexiglass, ink...

This is a one of a kind original painting by southern California artist, Kathleen Kane Murrell. Its dimensions are 30" x 40" x 2". It is acrylic and paper on canvas, paper detritus, ...

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

This is a one of a kind original painting by southern California artist, Kathleen Kane Murrell. Its dimensions are 36" x 48" x 2". It is acrylic on canvas, glass beads, Japanese pape...

Steve Sangapore’s “Contenta Absentis” is a 24 x 18 x 1 inch oil and 24k gold leaf painting mounted on a reflective mirror. The painting is housed in an ornate gold wood frame measuri...

This is a one of a kind original painting by southern California artist, Kathleen Kane Murrell. Its dimensions are 52" x 40" x 2". It is acrylic on canvas, glass beads, paper, plaste...

Tecnica mista con acetato su tela di juta di recente realizzazione del maestro della Pittura Analitica Vincenzo Cecchini, dalla serie "Affinità Elett...

Signed and dated "Mary Spencer Nay '74" lower left. Titled "Pyromaniac's Pyre" verso. Exhibited: 1976-1977 "Mary Spencer Nay: Recent and Retrospective Works". J.B. Speed Art Museum...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

Tecnica mista con acetato su tela di juta di recente realizzazione del maestro della Pittura Analitica Vincenzo Cecchini, dalla serie "Aurea Mediocri...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

Filipe Cortez (Portugal, 1986) holds an MA in Painting from the Faculty of Fine Arts of the University of Porto and a BA in Painting from the same instit...

Filipe Cortez (Portugal, 1986) holds an MA in Painting from the Faculty of Fine Arts of the University of Porto and a BA in Painting from the same instit...

Filipe Cortez (Portugal, 1986) holds an MA in Painting from the Faculty of Fine Arts of the University of Porto and a BA in Painting from the same instit...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

Translated title: " Words". Acrylic on canvas. The words are: " dolce natura crudele in sensi e controsensi articoli la tua misteriosa esistenza" which mean " sweet cruel nature w...

Tecnica mista con acetato su tela di juta di recente realizzazione del maestro della Pittura Analitica Vincenzo Cecchini, dalla serie "La Polvere del...

UNTITLED, 2022 oil, acrylic, pigment and latex on canvas 50 x 35

Tecnica mista con acetato su tela di recente realizzazione del maestro della Pittura Analitica Vincenzo Cecchini, dalla serie "La Polvere del Colore"...

acrylic on lucite panel Andy Moses is interested in pushing the physical properties of paint. Through chemical reactions, viscosity interference, and gravity dispersion, Moses creates elaborate compositions that mimic nature and its forces. DESERT LIGHT is a body of work that responds to the sense of infinite space that drifts in on California's ocean breezes and across the Southwest's vast, desert expanses. Light and space naturally elongate in these geographies and Moses channels this time warp through both material and process. Born in Los Angeles in 1962, Moses attended California Institute of the Arts...

Tecnica mista con acetato su tela di recente realizzazione del maestro della Pittura Analitica Vincenzo Cecchini, dalla serie "Scorci Bizantini". L'o...

Dittico tecnica mista con acetato su tela di recente realizzazione del maestro della Pittura Analitica Vincenzo Cecchini, dalla serie "La Polvere del Colore". L'opera è firmata, tito...

Dittico in tecnica mista con acetato su tela di juta di recente realizzazione del maestro della Pittura Analitica Vincenzo Cecchini, dalla serie "Tracce". L'opera è firmata, titolata...

"Fancy Liu" in the "Another me- fancy collection" presented at Art Basel Miami 2022. The painting "Fancy Liu" portrays this fictional character in a specific scene or situation that ...

Alina Poloboc "Blue abstract"