Plastic Landscape Paintings

Los Angeles artist Amber Goldhammer paints floral abstract compositions in acrylic and mixed media on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary painti...

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

3-D hand made artwork using Perler beads and mixed media in a found painting in a vintage frame the artist lives and works out of Sweden and is represented by Krause Gallery in NYC

Conceptual miniature diorama sculpture depicting a solitary figure connected to two floating heart balloons, exploring emotional attachment, distance and the invisible architecture o...

Blue Adventure is a handcrafted miniature wall-mounted diorama in which Vera Vizzi transforms a narrow architectural space into a poetic meditation on exploration, imagination and po...

A bold and visually kinetic Op Art geometric cityscape by L. L. Long, created in 1980 and signed "L.L. Long – 80" in the lower right corner. Executed in reverse spray paint on Lucite...

6245 Chinese sail boat gouache on paper framed Image size 10.5x14"

Dufo is a handcrafted miniature wall-mounted diorama in which Vera Vizzi transforms an ordinary architectural box into a poetic landscape suspended between dream and reality. Constru...

Consigned to the gallery, Pasadena, California; By descent to a private collector, Encino, California; Acquired in 1998 by a private collector, San Carlos, Palo Alto, and Oceanside, California; From the Santa Barbara Historical Society Signed "Carl Sammons" on lower right Description This luminous coastal landscape by Carl Sammons is a striking example of the artist’s signature plein air style, depicting the rolling coastal dunes and lush vegetation of California’s shoreline. Best known for his depictions of Carmel and Monterey, the composition and palette of this work suggest inspiration from the Monterey Peninsula dunes. Sammons’ ability to merge vibrant, clean color with a sense of atmospheric perspective is evident here in the interplay of bright, sunlit sands and the rich greens of windswept foliage. His vibrant yet naturalistic color harmonies, crisp edges, and keen sensitivity to light bring the fleeting beauty of the coastal environment to life. The hazy eucalyptus grove in the background adds a distinctive regional touch, situating the composition firmly within California’s coastal identity. Sammons’ paintings of California’s unique landscapes played a significant role in documenting the natural beauty of the state during the early 20th century. Connection to the Monterey Art Colony By the 1920s and 1930s, Sammons became closely associated with the Monterey art colony, an influential hub for plein air painters such as Armin Hansen (1886–1957), William Ritschel (1864–1949), and Percy Gray...

Original Painting Acrylic, Latex, Spray Paint on Canvas 24 x 36 inches Signed by the Artist "A sentimental and thoughtful piece for anyone in your life"

Dennis Sheehan New England Splendor, circa 2025 Signed lower right Oil on canvas laid to foam 7 1/4 x 8 inches Dennis Sheehan was born in Boston in 1950. His work is based upon the...

This painting was constructed using a number of attached surfaces including canvas, muslin and plastic debris. Attaching strips of canvas allows me to recycle used material into new...

Abstract Mixed Media Landscape by Helen Greenfield (British 20th century) mixed material painting on board, unframed board: 16.75 x 24.5 inches condition: overall very good provenanc...

G. Jeanson (active in Venice, 19th century) - View of the Venice lagoon with gondola and figures at sunset. 65.5 x 54.5 cm (without frame) - 76.5 x 62.5 cm (with frame). Oil on can...

Blue ocean waves rise from the surface of this round mixed-media wall relief, where small sailboats emerge between layers of intensely textured modeling clay. Created in 2025 by Ita...

Charles Henry Miller (American, 1842-1922) Untitled (New York Landscape), c. 1900 Oil on canvas laid on foam 6 1/8 x 10 5/8 in. Signed lower left: C.H.M. Charles Henry Miller was a noted artist and painter of landscapes from Long Island, New York. The American poet Bayard Taylor called him, "The artistic discoverer of the little continent of Long Island." Miller was educated at Mount Washington Collegiate Institute, and graduated in medicine at the New York Homeopathic Institute in 1864. Before his graduation, he had occasionally painted pictures, and in 1860 he exhibited The Challenge Accepted at the National Academy of Design, in New York City. He lived in Queens at the summer estate, Queenslawn, originally purchased by his parents. He went abroad in 1864 and again in 1867, and was a pupil in the Bavarian Royal Academy at Munich under the instruction of Adolf Lier. After the 1874 death of his father, Jacob Miller, who was a wealthy architect and builder, Miller received a large inheritance that allowed him to paint as an independent artist for the remainder of his long life. He worked seriously and exhibited regularly, including at international exhibitions. The majority of his oil paintings depict Long Island subjects, especially those in and around Queens Village. Fed up with the development of the eastern part of Queens (present-day Nassau County), he began to spend part of his summers in East Marion, Long Island, c. 1910. Here he spent his time sketching and painting the surrounding areas. In 1885 he published The Philosophy of Art in America, using the pseudonym Carl De Muldor (he was descended from the De Muldor family). His work was recognized: in 1873, he was elected an associate of the National Academy of Design and an academician in 1875. He served as president of the New York Art Club in 1879 and of the American Committee at the Munich International Exposition in 1883. Legacy and honors • In 1910 Miller founded the Queens Borough Allied Arts & Crafts Society. • A New York City public school, Queens P.S. 33, was once named for him. • 1878, gold medal awarded by the Massachusetts Charitable Association • 1885, gold medal at the World's Exposition in New Orleans. Following is a list, which includes many of his known exhibitions: • National Academy of Design, New York, NY, 1860-61, 1865-67, 1870-1921 • Brooklyn Art Association, Brooklyn, NY, 1872-84, 1891-92 • Artist's Fund Society, New York, NY, 1874 (exhibition & sale), 1886 (exhibition & sale) • Century Association, New York, NY, (1874-1917) • Philadelphia Centennial Exhibition, Philadelphia, PA, 1876 (prize) • Society of American Artists, New York, NY, (1878-1882) • Massachusetts Charitable Mechanic Association, Boston, MA, 1878 (prize) • Paris International Exposition, Paris, France, 1878, 1889 • American Water Color Society Exhibition, New York, NY, 1879 • Pennsylvania Academy of Fine Arts, Philadelphia , PA, 1879-99 • Boston Art Club, Boston, MA, 1880-1907 (prize) • Union League Club, New York, NY, 1880 • Lotos Club, New York, NY, 1880, 1896, 1899-1900, 1906 • Salons of Paris, Paris, France, 1882 • International Exhibition, Munich, Germany, 1883 (president & exhibitor) • New Orleans Exposition, New Orleans, LA, 1885 (prize) • Art Institute of Chicago, Chicago, IL, 1888-89, 1891, 1894-98, 1904 • Fifth Avenue Art Gallery, New York, NY, 1889 (exhibition & sale) • World's Columbian Exposition, Chicago, IL, 1892 • Frederick A. Chapman Gallery, New York, NY, 1898 (solo) • Miller Studio...

Dennis Sheehan Autumn Landscape, circa 2025 Signed lower left Oil on canvas laid on foam 11 1/2 x 20 inches Dennis Sheehan was born in Boston in 1950. His work is based upon the Ba...

"Fractal Frost" by Christopher Owen Nelson Reverse Painted Carved Acrylic, One-of-a-Kind 48x48x2", no frame needed - comes with custom metal bracket mount that is virtually unseen. ...

"The Light" by Christopher Owen Nelson Reverse Painted Carved Acrylic, One-of-a-Kind 30x24x2", no frame needed - comes with custom metal bracket mount that is virtually unseen making...

SAFE IN THE MIDDLE is a mixed media wall sculpture by Vera Vizzi that juxtaposes urban sketching with organic relief. Executed in foam clay, acrylic paint and enamel on a 34 × 40 × 3...

This nature based work is by Cara Enteles. Her work is motivated by a fascination with nature and a concern for the environment. She splits her time between NYC and rural northeast P...

Acrylic on board Signed lower right corner Condition: Painting is excellent Frame has surface wear Provenance: Estate of the artist William C. Grauer (1895-1985) William C. Grauer (1895-1985) was born in Philadelphia to German immigrant parents. After attending the Philadelphia Museum School of Industrial Art, Grauer received a four year scholarship from the City of Philadelphia to pursue post graduate work. It was during this time that Grauer began working as a designer at the Decorative Stained Glass Co. in Philadelphia. Following his World War I service in France, Grauer moved to Akron, Ohio where he opened a studio in 1919 with his future brother-in-law, the architect George Evans...

Robin Cole's (US based) "The Return II" is an original, handmade charcoal painting that depicts a grey monochrome sky with clouds. Nature and those that inhabit it—our human selves...

Robin Cole's (US based) "The Return" is an original, handmade charcoal painting that depicts a grey monochrome sky with clouds. Nature and those that inhabit it—our human selves in...

This beautiful floral triptych on acrylic is by Cara Enteles. Her work is motivated by a fascination with nature and a concern for the environment. She...

'Red Glory' - Red Poppy & Wild Daisies Flowers, Oil on Canvas, 2002 from Modern British Artist Margaret Francis, widow of famous Abstract Expressionist Artist, Sam Francis. Art...

'Mid-Summer Dream' - Abstract Red, Orange & Red Flowers, Oil on Canvas, 2002 from Modern British Artist Margaret Francis, widow of famous Abstract Expressionist Artist, Sam Franc...

Medium: Acrylic on Canvasboard Dimensions: 13.50" x 19.00" Signature: Signed Lower Left The Rolls Royce in the illustration is in the collection of Lord Montague of Beautieu. Origin...

Dennis Sheehan Late Afternoon Glow, circa 2025 Signed lower right Oil on canvas laid to foam 12 1/2 x 23 inches Dennis Sheehan was born in Boston in 1950. His work is based upon th...

"Summer's End " captures the soft patterned shadow of the leaves. This painting is is part of an on-going series that explores the light and landscape in Tennessee. Hartman creates a...

In "Nostalgia" a 21st -century Nigerian painter uses an impressionist technique the brushwork clearly visible —to evoke the haziness between wakefulne...

ARTIST: Vahe Yeremyan WORK: Original, One of a Kind MEDIUM: Acrylic on Plexiglass YEAR: 2016 STYLE: Contemporary, Abstract SUBJECT: Framed Dance5 SIZE: 15...

FROM A VANISHED GREEN is a multilayer oil, gouache and acrylic painting on paper, with additional use of tyvek and polyester mesh. Through layered silhouettes of hand cut tyvek shape...

Varco is a mixed media wall sculpture by Vera Vizzi that explores the emotional depth of the sea through a vivid interplay of texture, gesture and color. Composed in foam clay, plast...

SUNSET is a summer-inspired wall sculpture by Vera Vizzi that fuses foam clay, acrylic paint and enamel on a 45 × 45 × 7 cm fir wood panel. The composition depicts an aerial tennis c...

Original Painting by Amber Goldhammer "Through The Reflections" Acrylic, Latex, Spray Paint on Canvas 30 x 40 inches Signed by the Artist on the reverse

"Alpine" by Christopher Owen Nelson Reverse Painted Carved Acrylic, One-of-a-Kind 30x24x2", no frame needed - comes with custom metal bracket mount that is virtually unseen. "The en...

Untitled 02, 2015 - 2016 Mixed technique: black silicone, oil, whir on canvas (Signed on reverse) 15.74 H x 15.74 W in 40 H x 40 W cm Zsolt Berszán’s work speaks of repulsion and fa...

Untitled 01, 2015 - 2016 Mixed technique: black silicone, oil painting, wire structure on canvas (Signed on reverse) 15.74 H x 15.74 W in 40 H x 40 W cm Signed on reverse Zsolt Ber...

Original Painting Acrylic, Latex, Spray Paint on Canvas 24 x 30 inches Signed by the Artist

"Rising Burst" is created by Heather Hartman to capture the light bursting through an obstruction. This painting is is part of an on-going series that explores the light and landscap...

Acrylic latex

Charcoal/ash/soot/acrylic on gallery wrapped canvas with sides finished black Natasha Miller is a self taught artist who was born and raised on Vancouver Island but now lives on a tiny island in the Bay of Fundy. Natasha has pioneered and specializes in a unique painting technique where she creates black and white silhouette seascapes and landscapes using a homemade maple charcoal\ash\soot compound from her mobile Italian wood fired pizza oven (Eco pizza art...

"The Other Side Tomorrow" by Christopher Owen Nelson Reverse Painted Carved Acrylic, One-of-a-Kind 12x18x2", no frame needed - comes with custom metal b...

"Backcountry" by Christopher Owen Nelson Reverse Painted Carved Acrylic, One-of-a-Kind 18x24x~2", no frame needed - comes with custom metal bracket mount that is virtually unseen. "...

CHROMASEEDS is a multilayered composition created with paper and tyvek cut-outs painted with oil, acrylic, and gouache, sealed with polyester mesh layers. The plants represented in the piece are Gaillardia flowers, commonly known as blanket flowers, native to North America and often bred for their decorative, ornamental shape. In her creative process, Hartman anthropomorphizes the flowers, paying attention to their dance-like growth movement. Here, their shadows dance in the prismatic light of the rainbow, while the wind catches their seeds, cultivating the garden. The vibrant, rainbow light was achieved by painting a prismatic shape on tyvec and black paper, creating a reverse silhouette...

Charcoal/ash/soot/acrylic on gallery wrapped canvas with sides painted black. Natasha Miller is a self taught artist who was born and raised on Vancouver Island but now lives on a tiny island in the Bay of Fundy. Natasha has pioneered and specializes in a unique painting technique where she creates black and white silhouette seascapes and landscapes using a homemade maple charcoal\ash\soot compound from her mobile Italian wood fired pizza oven (Eco pizza art...

This vibrant sculpured painting titled "Life" is a contemporary mixed media wall sculpture by Italian artist Vera Vizzi, exploring the symbolic and emotional resonance of transformat...

"Sunline (JUST PILL)" is a one-of-a-kind circular wall sculpture by Italian artist Vera Vizzi, created in 2023. Crafted in mixed media on hand-shaped fir wood, this minimalist piece ...

original oil on canvas panel paint in plein air :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: ...

Ackrill presents to us his humor in "Water Melon." A juicy slice floats gently above a surreal body of water, beneath a blue sky. The composition is centered within a vintage, plasti...

This beautiful layered floral work is by Cara Enteles. Her work is motivated by a fascination with nature and a concern for the environment. She splits her time between NYC and rural...

This beautiful floral work is by Cara Enteles. Her work is motivated by a fascination with nature and a concern for the environment. She splits her time between NYC and rural northea...

Acrylic on canvas.

Title: "L'arte è soprattutto ricordo onirico di altre vite anche in altri luoghi" Translated title: "Art is above all a dreamlike recollection of other lives also in other places". ...

Translated title: "Tropical flight" Acrylic on masonite.

"Gilded Place" by Christopher Owen Nelson Reverse Painted Carved Acrylic, One-of-a-Kind 36x30x2", no frame needed - comes with custom metal bracket mount that is virtually unseen making the image appear to be floating. "The environment puts me in a state of meditation, which for me is normal, but now suddenly I am beginning to notice life. I am awake. I am listening. Absorbing information from the water and the trees in such a way that it makes me feel connected and attached." ABOUT THE ARTIST: Christopher Owen Nelson thrives in the landscape of the American West. As a Colorado native, he studied fine arts at Rocky Mountain College of Art and Design where he learned classical methods in drawing and painting. While developing a deep appreciation for composition and form, Nelson focused on alternative materials; sculpting with used carpet...

Echo IV is a composite of images collected from my daily surroundings (light, architecture, and botanical forms) combined and reimagined as an attempt to grapple with larger questions of ecology and mutability. Layers of paper and cut Tyvek are painted and manipulated beneath the surface – pushed and pulled in and out of focus...

In "Holes and Slices", Peña creates a silhouette of house and fills it with bubbly curved shapes and contrasts them with sharpe-edged shapes that contain gradients and muted tones of aqueous colors such as teal and light blue. He balances these colors with muted tones of pink and violet. The viewer can create a house that is yet to be built in between the gaps here. In "Holes and Slices", Peña remarks on a house and landscape that has yet to be built. The aquatic nature seems to hint at the possibility of a house and landscape under water. The painting is created with watercolor and acrylic paint on paper. In the foreground we see Sintra board or flattened PVC that has been CNC routed. In the "soil" beneath the house are small bubble-like cut outs where the viewer can see through to the pattern created with watercolor and acrylic paint. Peña’s works range from painting to multimedia installations that question the ever-changing psychological landscape of America; asking the viewer to re-examine their perceptions of the “American Dream” and the affects that pursuit has on our environment and national psyche. The realization that both the idealistic pursuit of happiness and the relevance of painting in a technologically driven world informs his practice. With each composition the labor begins with digital composites of a fragmented American landscape in peril —where tension lies in the contrasts between past and present, analog and digital, representation and abstraction, and stability and instability. In his most recent series the American home (stability) and fragmented and shifting landscape (instability) are veiled by a digitally produced mat. Traditionally a mat is, by definition, a flat, thin piece of paper based material included within the picture frame and serves as additional decoration when framing artwork. He activates this commonly overlooked material by using a non-traditional material, Sintra (flattened sheet of PVC), that has a negative digitally drawn image cut-out. This cut-out might, at first glance, look hand cut however, a more astute viewer would realize the precision is mechanical. The mat has been transformed from inactive decoration to digitally produced veil that represents the technologically anxious precision we surround ourselves with. Nick Peña...

Peña’s works range from painting to multimedia installations that question the ever-changing psychological landscape of America; asking the viewer to re-examine their perceptions of ...