Plastic Landscape Paintings

Large expressionist nature inspired landscape by Alex K. Mason, "Fleeting" is an acrylic painting on mylar unframed using pinks, greens, blues, and yellows. Painted in 2024, the wor...

Gerome Kamrowski Midsummer Night, 1973 Signed upper left Acrylic on canvas 16 x 20 inches Gerome Kamrowski was born in Warren, Minnesota, on January 19, 1914. In 1932 he enrolled in...

Best described as paintings from a camera, John Duckworth’s Landscape Abstracts evoke the sea, forest, marsh, and sky in rich bands of saturated color. This body of work captures the...

Thorpeness Sun by Rosie Shorrock [2022] original Acrylic on panel Image size: H:50 cm x W:70 cm Complete Size of Unframed Work: H:50 cm x W:70 cm x D:4cm Frame Size: H:55 cm x W:75 ...

Best described as paintings from a camera, John Duckworth’s Landscape Abstracts evoke the sea, forest, marsh, and sky in rich bands of saturated color. This body of work captures the...

Best described as paintings from a camera, John Duckworth’s Landscape Abstracts evoke the sea, forest, marsh, and sky in rich bands of saturated color. This body of work captures the...

Best described as paintings from a camera, John Duckworth’s Landscape Abstracts evoke the sea, forest, marsh, and sky in rich bands of saturated color. This body of work captures the...

"Summer's End " captures the soft patterned shadow of the leaves. This painting is is part of an on-going series that explores the light and landscape in Tennessee. Hartman creates a...

"Rising Burst" is created by Heather Hartman to capture the light bursting through an obstruction. This painting is is part of an on-going series that explores the light and landscap...

In "Holes and Slices", Peña creates a silhouette of house and fills it with bubbly curved shapes and contrasts them with sharpe-edged shapes that contain gradients and muted tones of aqueous colors such as teal and light blue. He balances these colors with muted tones of pink and violet. The viewer can create a house that is yet to be built in between the gaps here. In "Holes and Slices", Peña remarks on a house and landscape that has yet to be built. The aquatic nature seems to hint at the possibility of a house and landscape under water. The painting is created with watercolor and acrylic paint on paper. In the foreground we see Sintra board or flattened PVC that has been CNC routed. In the "soil" beneath the house are small bubble-like cut outs where the viewer can see through to the pattern created with watercolor and acrylic paint. Peña’s works range from painting to multimedia installations that question the ever-changing psychological landscape of America; asking the viewer to re-examine their perceptions of the “American Dream” and the affects that pursuit has on our environment and national psyche. The realization that both the idealistic pursuit of happiness and the relevance of painting in a technologically driven world informs his practice. With each composition the labor begins with digital composites of a fragmented American landscape in peril —where tension lies in the contrasts between past and present, analog and digital, representation and abstraction, and stability and instability. In his most recent series the American home (stability) and fragmented and shifting landscape (instability) are veiled by a digitally produced mat. Traditionally a mat is, by definition, a flat, thin piece of paper based material included within the picture frame and serves as additional decoration when framing artwork. He activates this commonly overlooked material by using a non-traditional material, Sintra (flattened sheet of PVC), that has a negative digitally drawn image cut-out. This cut-out might, at first glance, look hand cut however, a more astute viewer would realize the precision is mechanical. The mat has been transformed from inactive decoration to digitally produced veil that represents the technologically anxious precision we surround ourselves with. Nick Peña...

Peña’s works range from painting to multimedia installations that question the ever-changing psychological landscape of America; asking the viewer to re-examine their perceptions of the “American Dream” and the affects that pursuit has on our environment. In "From Sea to Shining Sea" Peña takes a traditional approach to representing a house with modern architecture in what is seemingly the suburbs and contrasts the image with a more abstracted and chaotic foreground consisting of Sintra or PVC. The image is framed with a 1 inch white border. Nick Peña...

Untitled 02, 2015 - 2016 Mixed technique: black silicone, oil, whir on canvas (Signed on reverse) 15.74 H x 15.74 W in 40 H x 40 W cm Zsolt Berszán’s work speaks of repulsion and fa...

Peña’s works range from painting to multimedia installations that question the ever-changing psychological landscape of America; asking the viewer to re-examine their perceptions of the “American Dream” and the affects that pursuit has on our environment. In "From the Bottom Up", Peña takes a more traditional approach to representing a landscape with bold and vivid colors and contrasts the image with a more abstracted and chaotic foreground consisting of arrows and cut Sintra board to act simultaneously as an obstruction and window into the image. The work is framed with a 1 inch white border. Nick...

Peña’s works range from painting to multimedia installations that question the ever-changing psychological landscape of America; asking the viewer to re-examine their perceptions of ...

Untitled 01, 2015 - 2016 Mixed technique: black silicone, oil painting, wire structure on canvas (Signed on reverse) 15.74 H x 15.74 W in 40 H x 40 W cm Signed on reverse Zsolt Ber...

Walking Shadow 9, 2013 Oil on drafting film 30 x 36 inches