1860s Paintings

James Webb 1825 - 1895 Littlehampton, Sussex Oil on board, signed lower left Image size: 8 x 12 inches Contemporary silver gilt frame This painting has on ...

CORTES Antonio (1827-1908) Cows to pasture Oil on canvas signed lower left Old frame gilded with leaves Dim canvas : 54 X 65 cm Dim frame: 70 x 86 cm...

Antique American painting of chicks by Mary Russell Smith (1842 - 1878). Oil on canvas, circa 1860. Signed. Image size 14L x 20H. Housed in a giltwoo...

IRVING GEORGE LEHMAN "CUBIST FIURES' OIL ON PANEL, SIGNED RUSSIAN-AMERICAN, C.1960 23.5 X 25.5 INCHES FRAMED 29.5 X 32.5 INCHES Irving George Lehman 1900-1983 Born in Kiev, R...

An charming 19th century dog painting depicting a mother dogue and her exuberant topsy turvy pups by the farmhouse barns or cowsheds , with a young child given them a fuss! Dating from ca 1860-70, the oil on canvas is unsigned, but bears on the verso a rather special stamp from colour and artists supplies merchant Paul Durand-Ruel (1831-1922). Paul Durand-Ruel is known as the legendary art dealer who launched, almost single handedly, the Impressionist movement. He represented Monet, Pissarro, Sisley, Renoir in his Paris, London and New York Galleries. Like his father Jean Marie Durand, Durand Ruel had started as both a merchant of art supplies, and dealer. Often, these two activities overlapped, as he would supply cash strapped artists who left paintings as security. Paul Durand Ruel was one of the first to discover Barbizon artist...

A stunning and dramatic still life by noted Belgian 19th century artist, David De Noter. Framed in a complimentary Empire style 22 karat hand carved frame....

Signed lower left and dated 1863. Known as a Hudson River School painter, especially of mountain landscapes, Arthur Parton was well established in the New York art world where he exhibited at the National Academy of Design for more than half a century. He was born in Hudson, New York to a religious family supported by a cabinetmaker father. He enrolled in the Pennsylvania Academy of Fine Arts as a student of William Trost Richards, who remained a strong influence, and in 1862, his first exhibitions were in Philadelphia. In 1864, he moved to New York City where he exhibited regularly with the National Academy of Design excepting 1869 when he spent a year in Europe and was influenced by the Barbizon style of painting. In 1874, he and his wife moved into the Tenth Street Building in New York City, and he kept his studio there until 1893. In 1876, he gained much national notoriety at the Philadelphia Centennial Exposition for his paintings November, Loch Lomond and Solitude. He spent summers painting in the...

Russian Icon, oil on wood, with beautiful cloisonné enamel around. Icon is surrounded with floral motifs decorative insert that is placed into the thick carved wooden frame. Icon is signed verso with dedication to the church that it was made for. c. 1860s 23.5”h x 20.5”w, overall size is 47.5” x 34” Wring on the back of the icon says: "Painted family icon was donated to the church of the name of Pokrova of Virgin Mary with additions of flora and laurel and with 3 saints: Vasiliy the Great, Gregory the Theologian and John Chrysostom by people born at the village of Gubino and later by the merchant Vasiliy Miheev from Saint Petersburg with his wife Tatiana Yakovleva-Miheeva. Done in the memory of completion of this church with stone fence...

An antique German animal painting by Clara Von Wille which features Wild Turkeys and chickens in a whimsical setting. Original period frame.

Even if placed in one of the poses conventionally adopted in the Academy for exercises in copying nudes, the elderly model treated here is studied with the anatomic sensibility to ho...

A delicately-observed, three-quarter length oil portrait of a young woman in society, fashionably dressed in a pinch-waisted, embroidered chiffon ball-gown and wearing a gold pendant and teardrop earrings with tea roses in her hair; the subject shown gazing towards the viewer with candor and good humor. Displayed in a period, black-walnut frame with period gilt liner. Danish School...

Charles MERMÉ (Cherbourg 1818 - Lorient 1869) The blessing of Coureau de Groix at Larmor Oil on canvas H. 60 cm; W. 100 cm Signed and dated lower left, 1...

Mid 19th Century oil on canvas portrait of an Italian brigand, unsigned, in painted wood and gilt frame. The painting is a fine and fascinating rendition with plenty of wonderful character and detail to the costume, accessories, landscape and seascape. Very atmospheric and imposing much like the character it portrays. There is a trade stamp to the back of the canvas for the Paris firm of Susse Freres. The canvas is on a fine quality stretcher with 'keys'. There is an artist's name or title written on the top of the rear stretcher (see photo). Bands of brigands who populated the hills of southern Italy were steady fodder for the Romantic imagination, and their exploits were reported both factually, fancifully and artistically The painting dates from a period when France, under its then leader Napoleon III, was involved in the conflicts in the Italian states and the unification and eventual creation of the nation of Italy. An earlier and similar portrait exists of the infamous brigand Mazzocchi by Achille-Etna Michallony . Léon Cogniet...

Still life painting of fruit and flowers by Eugène Boudin French, 1869 Canvas: Height 90cm, width 80cm This very fine still life painting is by the Fren...

Ferdinand Heilbuth: 1826-1889. Well listed very important 19th century French painter. He was born in Germany but lived and painted mostly in France becoming a French citizen in 1876...

Oil on canvas, not signed. Venitian School Mid XIX century. Framed, dim: 94x125 cm.

Still life painting of fruit and a parrot by French artist Eugène Boudin French, 1869 Canvas: Height 90cm, width 80cm This very fine still life painting is by the French artist Eugè...

A classic and elegant Venetian view with a period Barbizon, gold leaf frame! Sheppard did a series of these and two other American painter is more noted for their Venetian views than...

Edward Charles Barnes was a London painter of Victorian domestic scenes and interiors, especially of women and children. He exhibited at the Royal Academy, Suffolk Street, and at th...

Wonderful 19th-century Austrian portrait of a young girl in a pretty white and red dress. Simonson was an Austrian painter of portraits and histori...

Jean Louis Hamon artfully presents the mythological subject: Aurora the Goddess of Dawn. She is dressed in a flowing toga, standing on a large leaf and smelling the sweetness of a flower in bloom. Surrounded by lush plants in an idyllic setting of pinks and blues, one would not think that this peaceful and beautiful work was painted in 1864 at the time of the American Civil War. Hamon meticulously renders the scene with the academic precision of Bouguereau. The closer you get, the more detail you discover. Two butterflies sit atop Aurora's head. Droplets of water gracefully roll down her hair. There was a hand colored steel plate...

David Hardy was an English genre painter who exhibited from 1855 -1870 in various English galleries such as the British Institute, the Suffolk Street Gallery, and one example at the ...

Sunrise Landscape with Boats is an original painting probably realized by an artist of the Russian School in 1861. Mixed colored oil painting on can...

Joseph Weidner Austrian 1801 - 1870 Self Portrait Oil on canvas, signed lower left Image size: 23 x 19 inches (58.5 x 48.5 cm) Original gilt swept frame An artist from Vienna, who...

Oil Painting Frederick Johnston “The Reading Lesson” 1855- 1868. London painter of domestic genre scenes. He exhibited at the Royal Academy, Royal s...

Francois (Frans) Van Severdonck (1809-1889) Belgian Sheep Resting in a Meadow signed Franc..? Van Severdonck and dated 1861 oil on panel panel size 16 x 23 cm frame 25.5 x 32 cm ...

French Romantic School, Portrait of a young priest, 1860 Signed (illegible) and dated 1860 oil on canvas 21.5 x 16 cm In a modern frame : 35 x 29 cm

Morston Constatine Ream American 1840-1898 Still Life with Peaches Oil on canvas Signed Lower Middle 16 by 20 in.  w/frame 22 ½ by 26 ½ in. Morston Constatine Ream was a specialist in fruits and dessert still lifes...

"Still Life with Grapes and Plums" is a 10" x 12", oil on board still life by British painter Edward Ladell. The painting is framed and signed "EL 1866" in the lower left. Provenance...

BARON Dominique (19th Century) The Ladies and the dove Oil on canvas signed Low Right Old frame gilded with leaves Dim canvas : 59 X 75 cm Dim frame : ...

This scene of the walled city of Fez in Morocco is populated by figures in small groups and within caravans of camels, bringing trade goods to and from the city. Lying below distant ...

Alexandre Marie Guillemin French, 1817-1880 Scene de Chasse Oil on Panel 9 by 12in. w/frame 17 ½ by 20 ½in. Signed lower right He studied with Baron Gros. He exhibited at the Salo...

English 19th century Victorian Sailing scene, with fishing vessels off of a landscape. Outstanding Victorian marine scene of a yacht at sail possible in the English Channel. Knell w...

Path by the sea. 1869. Oil on Canvas, 31x53 cm

Asking for forgiveness. Artist signed and dated 1860 The painting has been previously conserved including a lining that protects the painting surface, some craquelure remains, beautiful handmade gold leaf frame by Richard Tobey Los Angeles. Pieter Alardus Haaxman was born in 1814 he was a Dutch painter. The son of Cornelis Haaxman and Maria Bolland, the criminal investigator of urban taxes in Delft. Haaxman was trained by the Delft art teacher Cornelis Ouboter van der Grient and the painter Cornelis Kruseman. Like his Delft teacher, Haaxman became a drawing teacher at the Delft City Drawing...

Ferdinand Fagerlin (1825-1907) Sweden Portrait of Alice Ritter, The Artists Wife oil on canvas signed with monogram painted 1862 canvas size 27.95...

Artist: Ludwig Knaus (1829-1910) Title: Child with Doll Medium: Oil on Canvas Year of Work: 1868 Nationality: German Dimensions: Framed 24.5 x 18.13" U...

Classical 19th century French Nude of a lady in the Barbizon Forest landscape. Richet spent much of his adult life in Paris. It was there that he met and became a student of Jules L...

Sir William Blake Richmond KCB, RA, PPRBSA 1842 - 1921 The Shepherd Egg tempera on wooden panel, signed with initials bottom left Image size: 8 ¼ x 5 ½ inches Period gilt oak frame A newly discovered work by the artist. Sir William Blake Richmond KCB, RA, PPRBSA was an English portrait painter, sculptor and a designer of stained glass and mosaic. He is best known for his portrait work and decorative mosaics in St Paul's Cathedral in London. He was the son of the portraitist George Richmond RA and studied at the Royal Academy Schools in the early 1860s. Influenced by his father and by Sir John Everett Millais, he is best known for his mosaic decorations below the dome and in the apse of St Paul's Cathedral in London. His father, George Richmond, was one of 'the Ancients' who were a group of artists who formed around the visionary artist and poet William Blake. Samuel Palmer was an other of the ancients and a close friend of the family. Our painting could have been inspired by George Richmond’s engraving 'The Shepherd', 1827, but in our panel the shepherd is turned round facing away, and is playing a flute instead of resting on a staff. But the sheep and other elements are there. It is also suggestive of Welby Sherman's engraving after Samuel Palmer of the same name and date, but here the shepherd is sitting but like ours turned away. William Blake's is an altogether happier image given the figure is playing to his sheep. Our painting is playing with some of the same ideas and feels like the same sort of period, and the ‘fresco’ like chalk ground is interesting, as is the pen and ink finishing on the tempera. All three are strongly influenced by Blake's illustrations to Thornton's 'Virgil'. The shepherd and his flock are clearly based on Thenot and his sheep in the Frontispiece to Thornton. Blake Richmond wrote:"If there be the least value in my pictures, it is due to such lovely early impressions derived from the sweet poetic work of many of my father's contemporaries, Calvert, Blake and others, whose shadows are substance still to me" [Sir William Blake Richmond, letter to his father, 50 years after the death of William Blake, from Stirling op. cit p. 28]. Richmond was given private art lessons by John Ruskin before attending the Royal Academy for three years. After that he spent a number of years in Italy, where an encounter with a shepherd called Beppino, 'a splendid speciman of a Sabine Shepherd', could also have gave him the inspiration for the painting we show here. Richmond recalls how he met Beppino on the hillside, and was invited to share the shade of the shepherd's capanna, a wooden hut. 'What a place! In an instant of time I was back into the age of kings, and I knew Romulus had lived and am sure that he lived in a hut exactly like this one'. That night Richmond dined at Beppino's hut 'on roast kid, hard bread dipped in Roman wine, goat's cream and white ricotta'. The shepherd had such an impression on Richmond that he sought him out on a return visit to Italy some years later, but was saddened to hear that Beppino 'had joined his fore-fathers in the shades'. He was moved to write the following, which perfectly expresses the mood of this painting and his tribute to a fleeting companion: 'Little events of this kind unite past times with present, create and emphasis continuity of human instincts, which seem to defy time and make travel so intensely interesting and invigorating to a citizen of this world. One need not go to the palace, far otherwise, or to cities and towns to discover the kernal of enduring civilisations. One finds it, if one wills to do so, in the backbone of the world, an ancient peasantry who have watched and still watch the progress of the stars'. Richmond was influential in the early stages of the Arts and Crafts Movement in his selection of bold colours and materials for the mosaics in St. Paul's Cathedral and in his collaboration with James Powell and Sons...

Untitled - Interior is an original modern artwork realized in the 1860s circa by the Italian artist Giuseppe Puricelli (Varese 1825 - Casirate, 1894). Original Oil Painting on Canva...

Gustave Jaquet Jacquet was born on 25th May 1846 in Paris. He was a pupil of Bouguereau and for his debut at the Paris Salon in 1865, he exhibited 'The Reverie' which was very much i...

UNIDENTIFIED "ABSTRACT FIGURE" OIL ON CANVAS, UNSIGNED AMERICAN, C.1960S 27.5 X 35 INCHES Fine Condition

Victorian Portrait of a young girl on a Sunday Morning, possibly after or before Sunday School Wonderful Victorian portrait of a little girl painted circa 1870. The quality of the p...

Carl GUTSCH (19th Century) Portrait of a young Boy Oil on canvas signed low right and dated 1865 Old Original frame gilded with Leaves Dim canvas : 127 X 84 cm Dim Frame : 157 X 114 ...

Jean Philippe George-Julliard (1818 – 1888) A landscape with a traveler Oil on paper Signed HG lower right 19.5 x 29 cm The four corners are cut Framed under glass 27 x 47 cm Jean Philippe George-Julliard (1818–1888) or Henri Philippe Julliard was born on 1 january 1818 in Geneva (Switzerland) from french parents. He first studied art in Nantes in France, but later he came back to Geneva where he became pupil of Alexandre Calame...

English landscape painter from the 1870's who exhibited at the Royal Academy and the British Institute in London. He mostly painted in watercolors and this example would have been p...

Oil on canvas attributed Rousseau-Decelle, French painter of the XIXth century. Student of Bouguereau and Ferrier In 1903, the artist whose studio is located at 235 rue du Faubourg ...

An interesting 1863 still life painted by George E. Forster (German/American, 1817-1896). George Forster was born in Bavaria, Germany and came to New York in 1865 with his wife and ...

Louis-Camille d'Olivier, A painter of history and portraits, he returned to the Ecole des Beaux-Arts in 1850 and appeared at the Salon de Paris between ...

Signed & dated, lower left, 1869 Herman Ottomar Herzog was born in Bremen, Germany, on November 15, 1831. He studied art at the Dusseldorf Academy, starting in 1848, under several classical landscape painters. In 1855, Herzog made his first visit to Norway. The trip was a milestone in Herzog's career as it exposed him to the rugged landscape of the Norwegian wilderness and instilled in him a lifelong sense of nature that was to show in all his work. During the late 1850's and early 1860's, Herzog's fame spread throughout Europe. His paintings were collected for their dynamic realism and strong atmospheric effects. Among his patrons were several of Europe's royal families, including Queen Victoria of England and Grand Duke Alexander of Russia. He exhibited in the Paris Salon in 1863 and 1864, winning an Honorable Mention. While in Paris, it is thought that Herzog came into contact with the popular Barbizon School, whose adherents painted the grandeur and beauty of Nature in a romantic and realistic style. The effect of the Barbizon painters can also be seen in Herzog's poetic handling of mood and color. Although he was still in Europe, Herzog sent several paintings for exhibition at the Pennsylvania Academy from 1863 to 1869. He had several friends in the United States and they were developing a rather good demand for his work. It is not known exactly when Herzog decided to come to America. Sometime in the late 1860's he settled in Philadelphia. Besides wanting a developing market for his work, Herzog left Bremen due to rising political agitation by Prussia, which had just absorbed Bremen into its domain. In America, Herzog continued to paint his romantic landscapes, finding the American wilderness well suited to his style. In 1871, he traveled up the Hudson River on a painting tour. In 1873, he took his first trip west, going to Yosemite, then to Wyoming, Oregon, and along the West Coast to the Coronado Island, near the Mexican border. Herzog made several journeys west, finding each trip more fruitful than the last. He became known for his depictions of Yosemite, receiving great acclaim for a fine El Capitan, much in the style of his fellow countryman and painter Albert Bierstadt. His last trip west was in 1905, at the age of 74. In 1876, Herzog participated in the Centennial Exhibition in Philadelphia, showing a Norwegian scene and a Yosemite landscape...

MARTIN CORENTIN Still Life Fruits and Bird Dated 1867 and signed low right Old Frame regilded with gold leaves Dim canvas : 46 X 55 cm Dim frame : 65 X 74 cm

Albert DEVOS (19th Century) Still Life with grappes, peaches, plums and raspberries Oil on canvas signed low right and dated 1868 Old frame regilded with gold leaves Dim canvas : 60 ...

COUDER Alexandre Jean Rémy (1808-1879) Reading on the sofa Oil on canvas signed low left Old original frame gilded with leaves Dim canvas : 47 X 39 cm Di...

A serene marine painting from the artist’s late period showing both his unerring compositional sense and his mastery of light and perspective. Inscribed lower right, "Carl Sorensen" for Carl Frederick Sorensen (Danish, 1818-1879) and dated 1863. In 1848, Sorensen was commissioned by the Danish Government as the official naval artist to accompany the Royal Danish Navy on an official tour of the Mediterranean and to make a series of studies of the trip. The inspiration that Sorensen derived from this expedition led him to return to Capri every summer for the remainder of his life and also inaugurated his career as Denmark’s preeminent marine painter. Sorensen received many honors and awards during his lifetime and his work may be found in the permanent collections of museums worldwide, including a substantial collection at the Royal Naval...

MARIS Emmanuel (19th century) Still Life with grapes and bees Oil on wood panel signed low right Framed by Gault (Paris) Dim wood : 39 X 54 cm Dim frame...

Artist: George Clarkson Stanfield, English (1828 - 1878) Title: View of the Campo di Marte, Venice Year: circa 1864 Medium: Oil on Canvas, signed l.r. Size: 14.5 in. x 23.5 in. (36.8...

Fisherwomen on foot. Oil on hard cardboard signed L. Bertrand, dated 1866. An accident at the top center of the cardboard. A small hole at the bottom center. Slightly trimmed corners...

‘Llyn Gwynant and Mount Snowdon’ by Edward Charles Williams (1807-1881). The painting – which depicts figures seated on the lake shore before the iconic Mount Snowdon (Yr Wyddfa) i...