Late 20th Century Paintings

Oil on canvas (diptych). Signed and dated verso. 68.25 x 32.25 in. 69.75 x 33.5. (framed) Custom framed in a maple floater with a polyurethane clear coat finish. Provenance Watson...

Stanley Cosgrove, 1911-2002, Canadian La Tuque , 1972 Oil on board 18 x 14 in 45.7 x 35.6 cm signed lower right; signed, titled; dated 1972 and inscribed “no. 12” and “Hudson” on ...

Francesco Iacurto, Canadian, 1908-2001 Untitled, 1957 Oil on canvas 16 x 20 in Signed and dated lower right ; Framed

Giorgio Sansoni Title: La memoria del nonno Media : oil on canvas Size: 100x100 cm

"Untitled" is an oil on canvas painting made by Dorothy Hood in the 1980s. The artwork size is 70 x 60 inches. Hood often acknowledged that Arshile Gorky, Edvard Munch, Henri Matiss...

James Hayward Chromachord # 28 1998 Oil on canvas on wood panel 35.56 x 26.67 cms (14 x 10.5 ins) JHAY8937

James Hayward Chromachord # 28 1998 Oil on canvas on wood panel 35.56 x 26.67 cms (14 x 10.5 ins) JHAY8937

Little Fluffy Clouds by Georges Bordonave (French contemporary) dated 1997 signed oil painting on canvas, unframed canvas: 13 x 16 inches condition: very good provenance: from a lar...

James Yohe painted this large scale red and deep hues of blue and green powerful and beautiful original work on canvas in 1979. This early work by this famous artist of the 1980's a...

Additional Information: Work is titled “Gray Open”. Provenance: Tupperware Brands Corporate Collection, Orlando, Florida. Marking(s); notes: signed; 1972-73 Country of origin; mate...

Oil on canvas Image size: 35 3/4 x 35 3/4 inches (91 x 91 cm) Entitled, monogrammed, dated 'November 1974' and inscribed on reverse

Evgeni Chuikov was a master impressionist during the Soviet Era and after. His lyrical impressionism was highly celebrated even though it went against the official art style of the ...

Miguel Padura "Still Life" Oil on canvas 21 1/2 x 38 in

The colourful backdrop of nature blends in a sacred moment when the artist explores the outdoors. The beauty, majesty, wonder and allure are all turbulent yet calming.

Purchased from Ward Estate after his passing in 1990. Part of a private collection since mid 1990's till now and custom framed in handmade unique frames. Ward had a unique vision on ...

A wonderful painting in the style clearly identified with the artist.

Seit seinem frühen Tod 1999 erlebt das Werk von Franz Ecker eine längst fällige Neubewertung, die sich auch in zahlreichen Einzelausstellungen, Katalogen und einem sehenswerten Kinof...

It stops with me

Momen is the creator of the Metaphor: The Tree of Utah, an 87-foot (27 m) sculpture resembling a tree in the Bonneville Salt Flats off of Interstate 80. He financed the project himse...

An exceptional impressionistic depiction of an afternoon along the Seine in Paris by Mario Passoni, on a spring day with the busy activities of people wa...

Armand Tatossian, Canadian, 1948-2012 Oil on canvas 12 x 16 in Signed lower right ; signed and titled verso framed

A signed, dated, 1970’s, acrylic, charcoal, paper and jute collage-on-canvas by notable, listed American artist, Stephen Edlich (1944-1989). Inscribed Majo, 1976-1977 on the reverse....

Jean Grimal is a true 20th century discovery. This breathtaking piece is a gorgeous example of his mastery as an artist. He beautifully creates chiaroscuro in this painting. The way the light touches the edges of the Chinese bowl and the grapes is an example of his skill in representing light. Jean Grimal (1942-1998) was born in the town of Tulle, France in 1942. Jean’s family moved to Paris when he was 8 years of age. After receiving a classical French education with studies in Latin and Greek, Jean Grimal entered the University to receive his Baccalaureate. He then attended Claude Barnard School for three years, when he received his Art Degree.  Upon completion Grimal taught art for seven years.  As Grimal’s own interest in formal painting and art began to possess him, the artist’s destiny changed.  In 1967 Jean Grimal stepped aside from teaching and pursued a career in professional painting and working as an illustrator in advertising.  As an advertising illustrator, Grimal worked with Lise Goldfard for more than 25 years at Studio 44 where they collaborated with major and important accounts, such as: Air France, Christofle, Peugeot, Lacoste, to name a few. At the same time he began presenting his formal paintings to galleries in Paris and Cannes, France and in London and Windsor, England.  Much to his surprise, Grimal found that his paintings were sought after by major art galleries and collectors throughout Europe.  After a number of years of being an important and successful art illustrator for these major accounts, he found himself having to choose between the two.  Fortunately for collectors, he chose to dedicate his life to the classical style of painting.  Jean looked at the simplest things in life through a microscope, where he could take the simplest object and depict the age of the fruit or the leaf. Jean Grimal received great pleasure from his work and painted for over thirty years.  As his style matured and became ever more perfect Jean Grimal truly reached the pinnacle of his career.  The artist’s methods were particularly distinguished when measured against his peers.  Grimal’s painting skill was distinctive and exceptional. Jean Grimal was known for his realistic trompe l’oeil and still life paintings.  The artist would carefully arrange the objects to form a satisfying composition.  By painting every shadow, highlight, and reflection within each composition Grimal brought mundane subjects to life.  His tight rendering combined with his attention to light and detail allowed him to blur the lines between illusion and reality, truly making his works one of a kind.  Grimal’s trompe l’oeil paintings consist of intricate compositions of cards, envelopes, photographs, paper of different materials and weights, backs of canvases, images of other artists’ works, kitchen utensils, pistols, and more.  Grimal had a talent for mastering these illusions that deceive the eye in his trompe l’oeil paintings.    No matter what genre Grimal was painting, tight, unperceivable brushwork characterizes his work.  The artist painted every crease and crinkle, every shadow and highlight, every detail.  By doing so, he was able to capture each individual surface texture of the objects in his paintings.  Grimal was also fabulous at depicting light in his paintings- often contrasting strong lights with strong darks, creating chiaroscuro modeling.  His still life paintings are reminiscent of Dutch seventeenth century...

The painting is being offered with a work and authenticity certificate

Floating trees II

The painting is being offered with a work and authenticity certificate

To develop these works of geometric interchangeable elements with their strongly coloured and modulated sections, Perez-Flores plays with many different geometric forms and studied p...

Russian oil portrait of Andrei Arsenevich Tarkovsky by A. Ivasenko Russian, 1987 Frame: height 106cm, width 111cm Canvas: height 95cm, width 100cm This excellent portrait was executed by the artist A. Ivasenko, and depicts Andrei Arsenevich Tarkovsky, the famed Soviet filmmaker, and son of the noted poet Arseniy Tarkovsky. Tarkovsky wasthe most important Soviet filmmaker after Sergei Eisenstein, and his approach to cinematic time and space, as well as his commitment to cinema as a form of poetry, means his oeuvre is regarded as one of the most defining collections of modern film. He first achieved international acclaim with 'Ivan's Childhood' in 1962, which won top prize at the Venice Film Festival, and other career highlights include 'Andrei Rublev...

Since Franz Ecker’s early death in 1999 his work has been newly appreciated, what is manifested in numerous exhibitions, catalogues and in the acclaimed film about the artist. He was extremely productive and left behind an almost unmanageable scope of works in various styles. Among them some of the top works that are unparalleled in recent Austrian art history and whose significance has not yet been adequately appreciated. After finishing his studies in 1966 in class of prof. Sergius Pauser and after receiving his two prizes, Franz Ecker moved back to Leonding where he developed his clear, abstract language of forms. Among his sources of inspiration are Cezanne and Picasso, as well as Martin Polasek who was one of his teachers. This led him to painting in a flat and abstract manner, which triggers a spatial experience through its exact color coordination and strict composition. The strongest period in his oeuvre is the time when his paintings are between figuration and abstraction. Only until around 1975 he additionally creates numerous watercolors, even though he restricts this medium to his more lyrical works. If Franz Ecker cannot be included in the avant-garde cannon of the 70’s, it is only because he witheld from presenting his works on the art market. Instead of using the opportunities that were offered to him in Vienna, he returned after his time at the academy to Linz where there was no appreciation nor market for his works. Distanced from the established art business, Ecker lives uncompromisingly the precarious life of a lonely genius. An artist myth, which in his case certainly is a bitter reality. Unimpressed by this, Ecker develops an increasingly broad language of forms within the clear line of abstract pictorial conception, which he emphasizes with constantly new forms of signature. At the end of the seventies his works became more gestural and expressive. His works like “Kafka” anticipate the “Neue Wilden”. When these are celebrated as the “return of painting...

The painting was created in 1987, the year of the artist's death and thus a late work. The classically modern nude is depicted with a tendency towards cubism, the colours are luminous.

Signed and dated "Mary Spencer Nay '74" lower left. Titled "Pyromaniac's Pyre" verso. Exhibited: 1976-1977 "Mary Spencer Nay: Recent and Retrospective Works". J.B. Speed Art Museum...

Egocentrica materia

Serie Ciudad Digital Abstracto 2

A painting by Kenneth Noland. “Diagonal Stripe VI-21” is a hard-edge, abstract painting, paint on handmade paper by artist Kenneth Noland. ...

Enlightenment III

A painting by Jae Kon Park. "Untitled" is an abstract painting, oil on canvas by Korean artist Jae Kon Park. The artwork is signed in the lower right, "Je Kon park 92". Born in South...

A painting by William Theophilus Brown. "Horse with Swimmers at Beach" is a Post-War figurative painting, acrylic on canvas in a palette of greens and purples by American artist Will...

The painting is being offered with a work and authenticity certificate

A painting by Nathan Oliveira. "Mask" is a Post-War painting, acrylic, earth, and oil on canvas by Bay Area Figurative artist Nathan Oliveira. The artwork is signed and dated in the ...

Patrick Hughes (b.1939) Hanging on a Hook 1978 gloss paint on board 91 x 91 cm Price: £19,000 GBP Provenance: Private collection, UK (acquired directly from the artist in the late ...

Figuration and abstraction meet in this energized quick portrait of an athletic boy with headband and resting on a bench, Most likely done for a magazine like Sports Illustrated - Si...

Grace Graupe-Pillard has concentrated on portraiture since her early charcoal drawings which she exhibited at The Drawing Center, NYC in 1981. Her work, which has been exhibited at notable institutions such as MOMA PS1 and galleries including Cheim & Read Gallery (NY) and Carl Hammer Gallery (Chicago), has evolved from over the years from pastels to large-scale oil paintings and installations of people who she describes as “having not been integrated into mainstream society.” Her more recent paintings, inspired by selfies and iPhone photographs, attempt to convey the vitality and diversity of 21st century contemporary culture while capturing the ineffable moments in our lives. “The sensuality and radiant beauty of youth and ethnic diversity are depicted in my choice of subjects, as well as the ravages of time which are imprinted on our being. All stages of life are filled with humanity that both elevates and dissipates the spirit.” Her work has been written about in The NY Times, Art News, The Village Voice...

A painting by Jae Kon Park. ""Life and Roots"" is an abstract painting, oil on canvas in greens by Korean, Post-War artist Jae Kon Park. The artwork is signed in the lower right, ""Jae Kon Park, 92"". Born in South Korea, Park Jae Kon...

Wylye by Ronald Birch, British circa 1970's watercolour on art paper, unframed overall paper measures: 15 x 22 inches titled *FREE SHIPPING ON THIS PAINTING*: AMERICAN, EUROPE & UNI...

Ludwig Schwarzer formulates a highly independent work, bizarre in content and marked by perfection in craftsmanship. After realistic and later expressionist attempts, he found his ow...

Illustrated in "Joseph Barrett, The Prime Years 1970s - 1990s", pg. 49, plate #056. Jim’s of Lambertville is proud to offer this artwork by: Joseph Barrett (1936 – ) Joseph Barrett was born in Midland, North Carolina, in 1936 and studied at the Massachusetts College of Art in Boston and at the Tyler School of Art in Philadelphia. Barrett, now of Lahaska, Pennsylvania, has been painting his entire adult life. His favorite subjects include the landscape surrounding New Hope and many local landmarks often encompassing figures into his compositions. Barrett utilizes a heavy impasto and his palette bears similarities to that of Fern Coppedge and George Sotter. Barrett’s paintings are always found in unique and somewhat charming handmade frames designed by the artist and finished in metal leaf. A living contemporary of the no longer living “New Hope School” impressionist painters, Joseph Barrett resides outside of New Hope above his old-fashioned antique shop and studio. Entering Barrett’s shop is like taking a step back in time. Inside this cluttered and dusty haven of treasures from the past, is a studio spanning only four by eight feet. This little studio, containing cans of old brushes...

Born in Philadelphia, Ben Wilson was a New York abstract expressionist painter. His work was exhibited frequently from the mid-thirties through sixties, and less frequently but consi...

A mixed media work by Merion Estes. "Solo Samba" is a contemporary abstract, acrylic on canvas in a palette of purples, reds, and yellows by American female artist Merion Estes. The ...

Acrylic on Paper

A gritty Burlesque Stripper with long purple gloves bumps and grinds with a hard-driving beat. American Social Realist artist Jack Levine paints this se...

Medium: Oil on Canvas Dimensions: 20.00" x 29.00" Signature: Signed Lower Right

Painting for a Woodstock film's poster.

Oil painting of a grassy landscape with deep greens and browns and a cloudy blue sky with pink accents created with painterly, expressive brush strokes. Russell Sharon was born on a farm in Minnesota. He studied in Mexico City, Boston and New York. He is known for his wildly colorful works with imagery drawn from the Minnesota landscape...

the painting is being offered with a work and authenticity certificate

Cleve Gray Conjugations, 1975 Vermont Series Mixed media on paper 14 1/2 x 22 1/2 inches each

Collection personnelle de l'artiste Monique Frydman.

Illustrated in "Joseph Barrett, The Prime Years 1970s - 1990s", pg. 16 018 Jim’s of Lambertville is proud to offer this artwork by: Joseph Barrett (1936 – ) Joseph Barrett was born in Midland, North Carolina, in 1936 and studied at the Massachusetts College of Art in Boston and at the Tyler School of Art in Philadelphia. Barrett, now of Lahaska, Pennsylvania, has been painting his entire adult life. His favorite subjects include the landscape surrounding New Hope and many local landmarks often encompassing figures into his compositions. Barrett utilizes a heavy impasto and his palette bears similarities to that of Fern Coppedge and George Sotter. Barrett’s paintings are always found in unique and somewhat charming handmade frames designed by the artist and finished in metal leaf. A living contemporary of the no longer living “New Hope School” impressionist painters, Joseph Barrett resides outside of New Hope above his old-fashioned antique shop and studio. Entering Barrett’s shop is like taking a step back in time. Inside this cluttered and dusty haven of treasures from the past, is a studio spanning only four by eight feet. This little studio, containing cans of old brushes and hundreds of used paint tubes...

the painting is being offered with a work and authenticity certificate