Late 20th Century Abstract Paintings

Touch 1974, photo screen printing, 53x49 cm Atis Ievins (1946) The exhibition by artist Atis Ieviņš reminds the very origins of serigraphy technique in Latvian art in the time of t...

Dream 1993, cardboard, mixed media, 20x15 cm Atis Ievins (1946) The exhibition by artist Atis Ieviņš reminds the very origins of serigraphy technique in Latvian art in the time of ...

Three ibex 1972., paper, tempera, 12.5x12.3 cm Atis Ievins (1946) The exhibition by artist Atis Ieviņš reminds the very origins of serigraphy technique in Latvian art in the time o...

Sandy Kinnee is known for paper making, printmaking and collage. This has the artists stamp verso. Sandy Kinnee lives and works in Colorado Springs, CO. Kinnee was born on March, 3...

Sandy Kinnee is known for paper making, printmaking and collage. This has the artists stamp verso and is signed, titled and dated verso. Sandy Kinnee lives and works in Colorado Sp...

Titled: SIlver Bullet, Hand signed, dated and titled. Sheet measures 22 X 30 From her Pompidou Series (1979-1981) built around the X in the raw, exposed architecture of the Centre Georges Pompidou in the center of Paris designed by Richard Rodgers and Renzo Piano. Sheila Elias (born in Chicago, Illinois) is an American artist. Her work is Neo Expressionist, Feminist Pop Art. Her works have been featured in exhibitions across North America and at the Liberty show at the Louvre Museum in Paris. Elias graduated from the Art Institute of Chicago, lives and works in Miami, Florida and in New York City. As an artist and art historian, Elias works with the layers of life and art history, seeking in it a connection between art aesthetics and social consciousness. She has exhibited with diverse artists, Larry Rivers, Bob Stanley, Ford Crull, Sol LeWitt, Mark Tobey, Walter Darby Bannard, Clyde Butcher. Her work spans the disciplines of painting, digital mixed media, sculpture, installation and performance. Her inspiration to be an artist began with the work that Matisse created (La Cirque) in the library of the Art Institute of Chicago. Paul Wieghardt (from the Bauhaus School in Germany), was her art teacher at SAIC. She was influenced by the Marisol, Claes Oldenburg and Jean Dubuffet. Her sculptures also reveal the influence of Andy Warhol and Robert Rauschenberg. Select Exhibitions: Museo Vault in Wynwood Art District, Miami Coral Springs Museum of Art, Sheila Elias: Somewhere-Anywhere, Coral Springs, Fla. Lila G. Martinez Gallery, Cambridge, Mass. “Painted Pixels” Lowe Art Museum, University of Miami, FL (Solo Exhibition) “Salon Series” The Sagamore Hotel, Miami Beach, FL (Group Exhibition) “The Invisible Woman” Concrete Space, Doral, FL (Group Exhibition) “eye-Pad” Silvana Facchini Gallery, Wynwood, Miami, FL “Jewels” Buccellati, Bal Harbour, FL “Chai Contemporary” Jewish Museum, Miami Beach, FL “Tribute to Africa” Silvana Facchini Gallery, Wynwood, Miami, FL The Bakehouse Art Complex, Wynwood, Miami, FL Apple Store “iPaint on my iPad,” Chicago, IL The Multicultural Arts Center, Cambridge, Mass. The Napoleon Grand Salon at The Deauville Hotel, Miami Beach, Fla. Bass Museum, "I Wanna Be Loved by You: Photographs of Marilyn Monroe," Miami Beach, Fla. Boca Raton Museum of Art Norton Museum of Art Bass Museum, Miami Beach, Fla. Jewish Museum of Florida Kim Foster Gallery, "Beyond the Camera...," New York, NY Silvana Facchini Gallery, "Living in Miami," Miami, Fla. South Florida / Art Center, "Reconnect," Miami Beach, Fla. Maryland Federation of Art, "Art on Paper 2001" Corcoran Gallery, Annapolis, MD, juror David C. Levy Veneto Gallery, Miami, Fla. Margulies Taplin Gallery, Bay Harbour, Fla. "Secret Gardens," Travelling Exhibition, Lowe Art Museum, Miami, Fla. Public Art Program, City of Orlando, Fla. Lowe Museum, University of Miami, Fla. Art and Culture Center of Hollywood, Hollywood, Fla. Bernard Biderman Gallery, New York, NY Metro Dade Cultural Resource Center, Miami, Fla. Huntsville Museum of Art New England Center for Contemporary Art San Diego Art Institute, CA Anne Jaffe Gallery, Bay Harbour, Fla. Ratner Gallery, Chicago, IL Santa Monica Heritage Museum, Los Angeles, Calif. Paula Allan Gallery, New York, NY. Otis Parsons...

Important American modernist abstract painting by Donald Traver. Oil on canvas. Unsigned. Unframed. Artist bio: DONALD TRAVER completed his studi...

"Surrealist Landscape" by Geneviève Zondervan (French 1922-2013) oil painting on canvas, framed dated '99' signed lower corner framed: 19.25 x 14 inches A fine 20th century surreal...

signed on bottom

Dark & Atmospheric Abstract Expressionist Painting by Contemporary British Painter Angela Wakefield - a rare early work. Entitled 'Accrington #2',...

Blue, Red & Green Abstract Expressionist Painting, entitled 'Tropical City #1', an extremely rare early work from leading British Contemporary Artist...

John Rozelle (American, 1944-) Grant Series II #5, Collage, 1988 Hand signed, dated and titled in pencil Provenance: Isobel Neal Gallery, Chicago, Measurements Matted to approximately 20 by 16 Sight: 11 by 9 inches Layers of torn ripped, and painted paper with music notes are overlaid on top of each other in this contemporary collage assemblage composition with a jazz sensibility. The pieces of paper have been arbitrarily arranged while in contrast, the artist has applied color in this piece in a very thoughtful way. John Everette Rozelle is an internationally renowned artist from St. Louis, Missouri now living in Banyoles, Girona. He is a masterful collagist, painter and sculptor included in museums and private collections worldwide. John Rozelle was born in St. Louis, Missouri and holds a B.F.A with a major in painting and a minor in sculpture from Washington University and a M.F.A from Fontbonne College. John Rozelle is currently tenured Associate Professor in the Drawing and Painting Department at The School of the Art Institute of Chicago. Prior to joining the Art Institute faculty he taught drawing, design, painting, and sculpture as an Adjunct Assistant Professor at Fontbonne College. Rozelle has served on numerous occasions as curator, juror, and artist-in-residence for several exhibitions. His twenty years of solo and group shows have included those in New York, Philadelphia, Chicago, St. Louis, Atlanta, and Los Angeles. His work is housed among various corporate collections some of which include: Anheuser Busch, Citibank Corp., AT&T, Borg-Warner, Price Waterhouse, Saks Fifth Avenue, the Seven-Up Company, Ralston Purina, the Westin Hotels and ARCO. Rozelle is currently tenured Associate Professor in the Drawing and Painting Department at The School of the Art Institute of Chicago. His art can be found in over 20 public collections and in over 50 private collections throughout the United States. He has been in many important exhibitions including Pennsylvania Academy of Fine Arts. Layers of Meaning: Collage and Abstraction in the Late 20th Century. Included: Romare Bearden, Moe Brooker...

Early Triptych Abstract Trees Forest Landscape Painting by British Urban Artist, Angela Wakefield. This rare early work is from an intense body of abstract work that formed the very ...

Abstract oil on wood panel depicting the beginnings of the ascendancy of the Earth by Julie R. Fudge (American, 20th Century). Signed "Julie Fudge" on verso. Unframed. Image, 42"H x ...

A wonderful, museum caliber painting by Craig Kauffman. Initialed "CK" and dated "82" in the lower right corner. PROVENANCE: Asher Faure Gallery Luther Vandross Luther Vandross Estate Private Collection, New York Private Collection, San Diego, CA EXHIBITED: Asher Faure Gallery, Los Angeles, California, CRAIG KAUFFMAN: NEW PAINTINGS April 23 through May 21,1983 CATALOGUE: Craig Kauffman Estate Archive Number CR No: P.1982.2 The following is from The New York Times, May 15, 2010, By Douglas Martin Craig Kauffman, who in the 1960s helped put Los Angeles on the art map with audacious experiments in molding industrial plastic to create ethereal wall-mounted sculptures — some resembling giant pieces of jelly candy — died Sunday in Angeles City in the Philippines. He was 78. The cause was complications of pneumonia following a recent stroke, said Frank Lloyd, his friend and dealer. Mr. Kauffman was eminent in an eclectic group of artists who reveled in the light, space and energy of postwar Southern California to forge new Minimalist, often glossy artistic approaches. Richard Armstrong, director of the Guggenheim Museum said that these Californians, sometimes called the Cool School — along with Chicago Imagists and Washington, D.C., painters called the Color School — were counterpoints to the Abstract Expressionists who ruled New York. "California was never ashamed of being a new society," Mr. Armstrong said in an interview on Thursday, "it all fit together nicely." Los Angeles was then ascending to the status of a metropolis, with a growing number of major-league sports teams, fresh industries and a surging population. There were new quarters for public galleries and the burgeoning of commercial ones. At the center of the action was the Ferus Gallery, which staged the first solo exhibition of Andy's Warhol's pop art and the first American retrospective of Marcel Duchamp. Mr. Kauffman was a featured artist at the gallery's inaugural exhibition in 1957, "Objects on the New Landscape Demanding of the Eye." Peter Plagens, in his book Sunshine Muse: Art on the West Coast, 1945-1970, (1974, 1999), wrote, "'Culture' meant 'art' and 'art' implied 'new,' and 'new,' as everybody was informed, meant California — particularly Los Angeles." The artists who seized this historic opportunity included Billy Al Bengston, Ken Price and Robert Irwin, among others. In an interview on Wednesday, Arne Glimcher, founder and chairman of Pace Gallery, which had Mr. Kauffman's first New York show in 1967, called the California scene in the late '50s and early '60s "a pressure cooker of ideas." Referring to artistic styles, he said, "It was California perfection against New York messiness." Mr. Kauffman's early paintings were critical in defining this new style. Mr. Plagens called them "the first evidence of a Los Angeles sensibility." Mr. Kauffman's later work blazed splashier trails, as he experimented with the effects of light on works that were painterly yet three-dimensional. "The true power of what he did was his incorporation and then redirection of light inside sculpture," said Mr. Armstrong, who was the curator of a show of Mr. Kauffman's work at the Whitney Museum of American Art in 1987. "Many of them glowed," he said. "Others were translucent. Even the supposedly opaque had a noteworthy shimmering quality to them." What Mr. Kauffman made reflected a wide range of inspirations. In a 2008 video interview in conjunction with a show at the Armory Center for the Arts in Pasadena California, he said that the famed lingerie store Frederick's of Hollywood provided artistic nurture. With a smile, he confessed to a "shoe fetish" that had influenced some of his art. Robert Craig Kauffman was born on March 31, 1932, in Los Angeles. He started painting regularly at age 7 and went to theUniversity of Southern California to study architecture in 1950. But art soon won out over architecture, and he transferred to the University of California Los Angeles, to study painting. He earned Bachelor's and Master's degrees there. A breakthrough came in the early 1960s when he experimented with painting on glass, but found it too fragile. He then painted on flat acrylic plastic. His next inspiration came from the plastic packaging increasingly used to wrap merchandise. He sought out craftsmen at commercial factories to learn the technique, Time magazine reported in 1968. The results were several series of three-dimensional wall hangings. Some were inspired by large plastic fruit clusters on the wall of a doughnut shop he frequented in Los Angeles. These lozenge-shaped reliefs were sometimes called "bubbles." Barbara Rose, in a catalog essay for an exhibition at the Washington Gallery of Modern Art in 1967, wrote, "Shaping the brittle sheet plastic into a series of voluptuous curves, Kauffman achieves a kind of abstract eroticism that is purely visual." Mr. Kauffman's work was shown in countless exhibitions and many one-man shows. It has been acquired by the Museum of Modern Art in New York, the Tate Modern in London, the Art Institute of Chicago and the Los Angeles County Museum of Art, among others. In 2006, one of Mr. Kauffman's reliefs fell from a wall of the Georges Pompidou Center in Paris, where it was part of an exhibition titled "Los Angeles: Birth of an Art Capital, 1955-1985." It shattered. After storms of publicity, the Pompidou provided technical help and money to make a new version. Mr. Kauffman was married several times. He is survived by his daughters from his marriage to Dana Kauffman, from whom he was separated: Wilhelmina, Vida Rose and Georgia Kauffman. When they started in the 1960s, Mr. Kauffman and his artistic compatriots did not foresee a legacy, much less earning an income, Larry Bell, a prominent artist in the group, said in an interview on Wednesday. "The troops sort of banded together to be our own audience," he said. "Every once in a while, we'd sell...

City Drive Abstract Expressionist Painting - a rare early work from Leading British Urban Artist, Angela Wakefield. Entitled 'City Drive', this moody and atmospheric artwork is from ...

Impressive signed Paris street scene. Oil on canvas. Framed. Signed illegibly.

Ode to Roundel abstract acrylic painting. Embellished with added texture and machine sewn gold thread patterns throughout the gouache. Signed "Morgan" and titled "Ode to Roundel" low...

Finely painted Paris modern surreal nude portrait oil painting. Framed. Oil on canvas. Signed on verso. Image size, 16H by 13L.

Original oil on canvas painting titled “Multishore” by the well known American artist, Syd Solomon. Signed Syd Solomon lower right. Signed and dated Syd Solomon 1971 on the stretcher, inscribed as titled on the reverse 30 × 26 inches. Condition is excellent. The painting is housed in its original wood with silver reveal floating frame. Overall framed measurements are 32.75 by 28.75 inches. Provenance: A private collector. Syd Solomon was born near Uniontown, Pennsylvania, in 1917. He began painting in high school in Wilkes-Barre, where he was also a star football player. After high school, he worked in advertising and took classes at the Art Institute of Chicago. Before the attack on Pearl Harbor, he joined the war effort and was assigned to the First Camouflage Battalion, the 924th Engineer Aviation Regiment of the US Army. He used his artistic skills to create camouflage instruction manuals utilized throughout the Army. He married Ann Francine Cohen in late 1941. Soon thereafter, in early 1942, the couple moved to Fort Ord in California where he was sent to camouflage the coast to protect it from possible aerial bombings. Sent overseas in 1943, Solomon did aerial reconnaissance over Holland. Solomon was sent to Normandy early in the invasion where his camouflage designs provided protective concealment for the transport of supplies for men who had broken through the enemy line. Solomon was considered one of the best camoufleurs in the Army, receiving among other commendations, five bronze stars. Solomon often remarked that his camouflage experience during World War II influenced his ideas about abstract art. At the end of the War, he attended the École des Beaux-Arts in Paris. Because Solomon suffered frostbite during the Battle of the Bulge, he could not live in cold climates, so he and Annie chose to settle in Sarasota, Florida, after the War. Sarasota was home to the John and Mable Ringling Museum of Art, and soon Solomon became friends with Arthur Everett “Chick” Austin, Jr., the museum’s first Director. In the late 1940s, Solomon experimented with new synthetic media, the precursors to acrylic paints provided to him by chemist Guy Pascal, who was developing them. Victor D’Amico, the first Director of Education for the Museum of Modern Art, recognized Solomon as the first artist to use acrylic paint. His early experimentation with this medium as well as other media put him at the forefront of technical innovations in his generation. He was also one of the first artists to use aerosol sprays and combined them with resists, an innovation influenced by his camouflage experience. Solomon’s work began to be acknowledged nationally in 1952. He was included in American Watercolors, Drawings and Prints at the Metropolitan Museum of Art, New York. From 1952–1962, Solomon’s work was discovered by the cognoscenti of the art world, including the Museum of Modern Art Curators, Dorothy C. Miller and Peter Selz, and the Whitney Museum of American Art’s Director, John I. H. Baur. He had his first solo show in New York at the Associated American Artists Gallery in 1955 with “Chick” Austin, Jr. writing the essay for the exhibition. In the summer of 1955, the Solomons visited East Hampton, New York, for the first time at the invitation of fellow artist David Budd. There, Solomon met and befriended many of the artists of the New York School, including Jackson Pollock, Franz Kline, Willem de Kooning, James Brooks, Alfonso Ossorio, and Conrad Marca-Relli. By 1959, and for the next thirty-five years, the Solomons split the year between Sarasota (in the winter and spring) and the Hamptons (in the summer and fall). In 1959, Solomon began showing regularly in New York City at the Saidenberg Gallery with collector Joseph Hirshhorn buying three paintings from Solomon’s first show. At the same time, his works entered the collections of the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, and the Wadsworth Athenaeum in Hartford, Connecticut, among others. Solomon also began showing at Signa Gallery in East Hampton and at the James David Gallery in Miami run by the renowned art dealer, Dorothy Blau. In 1961, the Guggenheim Museum’s H. H. Arnason bestowed to him the Silvermine Award at the 13th New England Annual. Additionally, Thomas Hess of ARTnews magazine chose Solomon as one of the ten outstanding painters of the year. At the suggestion of Alfred H. Barr, Jr., the Museum of Modern Art’s Director, the John and Mable Ringling Museum in Sarasota began its contemporary collection by purchasing Solomon’s painting, Silent World, 1961. Solomon became influential in the Hamptons and in Florida during the 1960s. In late 1964, he created the Institute of Fine Art at the New College in Sarasota. He is credited with bringing many nationally known artists to Florida to teach, including Larry Rivers, Philip Guston, James Brooks, and Conrad Marca-Relli. Later Jimmy Ernst, John Chamberlain, James Rosenquist, and Robert Rauschenberg settled near Solomon in Florida. In East Hampton, the Solomon home was the epicenter of artists and writers who spent time in the Hamptons, including Alfred Leslie, Jim Dine, Ibram Lassaw, Saul Bellow, Barney Rosset, Arthur Kopit, and Harold Rosenberg. In 1970, Solomon, along with architect Gene Leedy, one of the founders of the Sarasota School of Architecture, built an award-winning precast concrete and glass house and studio on the Gulf of Mexico near Midnight Pass in Sarasota. Because of its siting, it functioned much like Monet’s home in Giverny, France. Open to the sky, sea, and shore with inside and outside studios, Solomon was able to fully solicit all the environmental forces that influenced his work. His friend, the art critic Harold Rosenberg, said Solomon’s best work was produced in the period he lived on the beach. During 1974 and 1975, a retrospective exhibition of Solomon’s work was held at the New York Cultural Center and traveled to the John and Mable Ringling Museum in Sarasota. Writer Kurt Vonnegut, Jr. conducted an important interview with Solomon for the exhibition catalogue. The artist was close to many writers, including Harold Rosenberg, Joy Williams, John D. McDonald, Budd Schulberg, Elia Kazan, Betty Friedan...

In this oil painting by Rose Kuper, a seascape plunges us into an oniric vision of angles and mysteries, where triangulation is omnipresent. The work features a central female figure...

Original oil paint and acrylic paint on wooden panel by the well known American artist, Syd Solomon. Signed lower left. Signed, titled and dated 1971 verso . Condition is very goo...

This listing is for 1 painting. the last image shows all 4 that I have hung as grouping. Charles Sidney Clough (born February 2, 1951, in Buffalo, New York) is an American painter. H...

Judy Rifka, American, 1945 Laborde Head Mixed Media on Canvas (acrylic paint and ink) 1989 Hand signed, titled, and dated verso 30 X 24 inches Provenance: The Estate of Theodore A ...

Constellation. original abstract acrylic painting Original on paper by the famous Spanish artist Josep Tharrats. Acrylic on paper. Perfect condition. Certificate of originality REF ...

Miriam LaTour Shapiro Mardi Gras, 1997 Acrylic and mixed media Hand-signed by artist, signed in acrylic paint on the front Unframed (the work was removed from its original vintage fr...

Work on paper mounted on canvas

Artist: Peter Mack Title: Circulars 2 Year: circa 1980 Medium: Acrylic on Canvas, Signed l.r. Size: 54 x 54 in. (137.16 x 137.16 cm)

Composition "68", ROBERT MARC Oil on canvas 22 x 31 cm (8 ⅝ x 12 ¼ inches) Signed lower centre, Robert Marc Numbered on the reverse, H966 Executed December 1990 Provenance Collectio...

This is an acrylic painting on canvas by American artist Dan Teis. This work follows his signature style, geometric compositions in acrylic and paper collage on canvas. His work achi...

Artist: Dan Teis, American (1925 - 2002) Title: Orange Abstract Year: 1979 Medium: Acrylic and Collage on Canvas, signed and dated l.r. Size: 36 in. x 48 in. (91.44 cm x 121.92 cm) F...

Artist: Dan Teis, American (1925 - 2002) Title: Abstract with Yellow Stripes Year: 1978 Medium: Oil on Canvas, signed l.r. Size: 44 x 55.5 in. (111.76 x 140.97 cm) Frame Size: 45.25 ...

Artist: Dan Teis Title: Abstract with Red Forms Year: 1980 Medium: Acrylic on Canvas, Signed l.r. Size: 54 x 60 in. (137.16 x 152.4 cm) Frame Size: 55.5 x 61.75 inches

Detritus Series 7 Juan Sánchez Juárez, Mexican (1946) Date: circa 1980 Acrylic on Canvas, signed l.r. Size: 48 x 60 in. (121.92 x 152.4 cm)

Artist: Peter Stroud, British (1921 - 2012) Title: Blue on Brown Overlap Year: 1971 Medium: Acrylic on Canvas, signed, dated and titled verso Size: 48 x 48 inches

Artist: Peter Mack Title: Homage to Julia Year: circa 1980 Medium: Acrylic on Canvas, signed l.r. Size: 36 in. x 30 in. (91.44 cm x 76.2 cm) Frame Size: 37 x 31 inches

This is an acrylic painting on canvas by American artist Dan Teis. This work follows his signature style, geometric compositions in acrylic and paper collage on canvas. His work achi...

This is an acrylic painting on canvas by American artist Dan Teis. This work follows his signature style, geometric compositions in acrylic and paper collage on canvas. His work achi...

Artist: Peter Mack Title: Stripes One Year: circa 1980 Medium: Acrylic on Canvas with Clear Vinyl Overlay, signed l.r. Size: 48 x 48 in. (121.92 x 121.92 cm) Frame Size: 49 x 49 inches

Primal Screams Juan Sánchez Juárez, Mexican (1946) Date: circa 1980 Acrylic on Canvas, signed l.r. Size: 48 x 60 in. (121.92 x 152.4 cm) Frame Size: 49 x 61 inches

Artist: Dan Teis, American (1925 - 2002) Title: Abstract with Blue Dots Year: 1979 Medium: Acrylic with Collage on Canvas, signed l.r. Size: 50 x 37.5 in. (127 x 95.25 cm) Frame Size...

Artist: Dan Teis Title: Red Chevron and Dots Date: 1978 Acrylic and Collage on Canvas, signed l.r. Size: 36 in. x 48 in. (91.44 cm x 121.92 cm)

Artist: Dan Teis Title: Untitled VI Year: 1979 Medium: Acrylic and Collage on Canvas, Signed l.r. Size: 44 in. x 55 in. (111.76 cm x 139.7 cm)

Artist: Dan Teis, American (1925 - 2002) Title: Blue X on Abstract Year: 1979 Medium: Acrylic and Collage on Canvas, signed l.r. Size: 40 in. x 40 in. (101.6 cm x 101.6 cm) Frame Siz...

Artist: Dan Teis, American (1925 - 2002) Title: Abstract in Pastels Year: 1979 Medium: Acrylic on Canvas, signed l.r. Size: 54 x 60 in. (137.16 x 152.4 cm) Frame Size: 55 x 61.5 inches

Artist: Dan Teis Title: Geometric Ridge Date: 1978 Acrylic Collage on Canvas, signed l.r. Size: 29 in. x 29 in. (73.66 cm x 73.66 cm)

Artist: Dan Teis, American (1925 - 2002) Title: Blue Abstract with Grid Year: circa 1979 Medium: Acrylic with Collage on Canvas (unsigned) Size: 60 x 48 in. (152.4 x 121.92 cm) Frame...

Artist: Dan Teis, American (1925 - 2002) Title: Geometric Ridge II Year: 1978 Medium: Acrylic on Canvas, signed l.r. Size: 48 x 60 in. (121.92 x 152.4 cm) Frame Size: 49.5 x 61.5 inches

Artist: Dan Teis Title: Red and Blue Stripes on Black Date: circa 1977 Acrylic on Canvas (unsigned) Size: 72 x 40 in. (182.88 x 101.6 cm)

Artist: Daniel K. Teis, American (1925 - 2002) Title: Abstract with Checker Pattern Medium: Oil on Canvas signed l.r. Size: 54 x 72 in. (137.16 x 182.88 cm)

Artist: Dan Teis, American (1925 - 2002) Title: Metallic Black and White Stripes Year: 1977 Medium: Acrylic on Canvas, signed l.r. Size: 72 x 40 in. (182.88 x 101.6 cm)

Artist: Dan Teis Title: Gold Squares on Black Date: 1977 Acrylic on Canvas, Signed l.r. Size: 72 x 40 in. (182.88 x 101.6 cm)

Artist: Dan Teis, American (1925 - 2002) Title: Blue Abstract with Leaves Year: 1978 Medium: Oil on Canvas, signed l.r. Size: 54 x 72 in. (137.16 x 182.88 cm)

Artist: Dan Teis, American (1925 - 2002) Title: Floating Abstract Shapes on Brown Year: 1980 Medium: Oil on Canvas signed l.r. Size: 73.5 x 55.5 in. (186.69 x 140.97 cm)

Artist: Dan Teis, American (1925 - 2002) Title: Abstract Lake with Lily Pads Year: 1979 Medium: Acrylic on Canvas, signed l.r. Size: 54 x 60 in. (137.16 x 152.4 cm) Frame Size: 55 x ...

Artist: Dan Teis, American (1925 - 2002) Title: White X on Red with Orange Dots Year: 1978 Medium: Acrylic on Canvas, signed l.r. Size: 54 x 54 in. (137.16 x 137.16 cm) Frame Size: 5...

Artist: Dan Teis Title: Candy Stripes X Year: 1979 Medium: Acrylic on Canvas, Signed l.r. Size: 48 x 64 in. (121.92 x 162.56 cm) Frame Size: 49.5 x 65.5 inches

Artist: James Suzuki, Japanese/American (1932 - ) Title: Instability with Gold Rectangle Year: circa 1975 Medium: Acrylic on Paper mounted to Canvas, signed l.r. Size: 48 x 60 in. (...