Late 20th Century Abstract Paintings

Bold abstract composition by an unknown artist, "Moriarty". Signed on verso. Presented flush mounted to a wood frame.

Aleksandr Rodin (1922-2001) Painter Born in a family of farmers. Wife Rasma Lace - art scholar. Studied at the Stalingrad School of Art, Saratov Art School, graduated from the Depar...

size is without frame. This is being sold without frame. Bright, vivid, large Abstract Expressionist color field painting. Similar in manner t the colorful abstract works of Paul Jen...

Julia Marc, American - Heaven Can Wait, Year: circa 1980, Medium: Acrylic on Canvas, signed lower right, Size: 60 x 48 in. (152.4 x 121.92 cm)

Andy Miller (American, b. 1950), Abstract Composition, Oil on Canvas, 1983, impasto details, warm green with ochre highlights, dated to verso, with artist's studio stamp to verso, ap...

Long before astronauts ventured into space Michael Forster captured the shifting face of the universe. Inspired by the radiant patterns and incandescen...

The Avenue of Trees French Expressionist School, signed front and back Dated 1974 oil on canvas, framed framed: 37 x 44 inches canvas: 32 x 39 inches private collection, France the p...

Artist: Scott Swezy Title: Southwestern Landscape Year: 1989 Medium: Oil on Board, signed l.r. Size: 24 x 24 inches

Expressionist abstract oil on canvas by French artist Bernard Duvert. The painting is signed bottom left, dated and titled to the rear stretchers and with exhibition numbers. A magn...

Stunning original cubist abstract painting by the very well listed French abstract and surrealist artist, Roger Herson (1922-2008). The painting is signed to the lower right corner. The painting has excellent provenance, having come from the artists estate. Roger Herson (1922-2008) was a French abstract, cubist and surrealist painter from Rouen, France. Influenced by Picasso, Braque and Léger, he infuses the canvas with a frenzied and tonic movement, a rigorous construction and a personal graphic power. Painter of woman, desire and fantasies, Herson draws his inspiration from the verve and surrealist movement inspired by Georgio de Chirico...

Colorful abstracted portrait by Michael William Eggleston (American, 20th Century). Bold colors and dripping paint create an expressive, dynamic composition. The figure is primarily ...

Richard Andres American, 1927-2013 Untitled, c. 1984 acrylic and ink on paper mounted on canvas signed lower right 19 x 16 inches Richard Andres was born in Buffalo, New York in 192...

Richard Andres American, 1927-2013 Untitled, c. 1980 acrylic and ink on paper mounted on canvas 12 x 10 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of th...

PETER HALLEY 6/21/96.9, 1998 Graphite and ink drawing Hand-signed by artist, signed and dated in graphite lower right front; lower left front bears title: 6/21/96.9 Frame included: elegantly matted and framed in a hand made museum frame with UV plexiglass signed and dated in graphite lower right front; lower left front bears title: 6/21/96.9 This is a unique work Frame included: elegantly floated and framed in a museum quality hand made white wood frame under UV plexiglass Measurements: Framed 16.5 inches vertical by 13 inches horizontal by 1.5 inches Artwork (visible) 10 inches vertical by 8 inches horizontal Peter Halley Biography Peter Halley was born in 1953 in New York. He began his formal training at Phillips Academy in Andover, Massachusetts, from which he graduated in 1971. During that time, Halley read Josef Albers’s Interaction of Color (1981), which would influence him throughout his career. From 1973 to 1974 Halley lived in New Orleans, where he absorbed the vibrant cultural influences of the city, began using commercial materials in his art, and first became acquainted with the writings of earthwork artist Robert Smithson. In 1975 the artist graduated from Yale University, New Haven, with a degree in art history. After Yale, Halley returned to New Orleans, where he received an MFA in painting from the University of New Orleans in 1978. He had his first solo exhibition at the Contemporary Art Center, New Orleans, that same year. In 1978 Halley spent a semester teaching art at the University of Louisiana, Lafayette. He has continued to teach throughout his career. In 1980, Halley moved back to New York and had his first solo exhibition in the city at PS122 Gallery. At this time, Halley was drawn to the pop themes and social issues addressed in New Wave music. Inspired by New York’s intense urban environment, Halley set out to use the language of geometric abstraction to describe the actual geometricized space around him. He also began his iconic use of fluorescent Day-Glo paint. In 1984, Halley started to exhibit with the International With Monument gallery, becoming closely associated with the organization and its artists, who exhibited conceptually rigorous work in a market-savvy, coolly presented space that stood in stark contrast to the bohemian, Neo-Expressionist flair of the East Village art scene at the time. In 1986, an exhibition of four artists from International With Monument at the Sonnabend Gallery in New York heralded the group’s growing success. By the late 1980s, Halley was exhibiting with prominent galleries in the United States and Europe. In 1989, an exhibition of his paintings traveled to the Museum Haus Esters, Krefeld, Germany; Maison de la culture et de la communication de Saint-Étienne, France; and Institute of Contemporary Arts, London. From 1991 to 1992, a retrospective toured Europe, with presentations at the CAPC Musée d’art contemporain de Bordeaux, France; Musée d’art contemporain, Lausanne, Switzerland; Museo nacional centro de arte Reina Sofía, Madrid; and Stedelijk Museum, Amsterdam. In 1992, the Des Moines Art Center hosted his first solo exhibition at a U.S. museum. While developing his visual language, Halley became interested in French post-structuralist writers, including Jean Baudrillard, Guy Debord, Michel Foucault, and Paul Virillio, all of whom shared his concern with the character of social spaces in a post-industrial society. In 1981, he published his first essay “Beat, Minimalism, New Wave, and Robert Smithson” in Arts, a New York–based magazine that would publish eight of his essays before the decade’s end. Halley’s writings became the basis for Neo-Geometric Conceptualism (also known as Neo-Geo), the offshoot of Neo-Conceptualism associated with the work of Ashley Bickerton, Halley, and Jeff Koons. In 1988, the artist’s writings were anthologized in Collected Essays, 1981–1987, and again in 1997 in a second anthology, Recent Essays, 1990–1996. In the mid-1990s, Halley began to produce site-specific installations for museums, galleries, and public spaces. These characteristically brought together a range of imagery and mediums, including paintings, wall-size flowcharts, and digitally generated wallpaper prints. Halley has executed permanent installations at the Dallas/Fort Worth International Airport, Texas, and the Gallatin School of Individualized Study at New York University. In 2011, his installation of digital prints Judgment Day...

This original 1994 abstract oil painting by Wilma Fiori (1929–2019) presents a rich, moody composition in a commanding large horizontal format. Signed and ...

SALE ONE WEEK ONLY The energy and gusto of the applied paint in "Untitled Abstract" appears close to violent except for the calming influence of the circle in the middle. The red circle tempers the movement a little and brings all the strokes and wild directions into a harmony that is bursting with life. This is an extraordinarily expressive painting by Simpson. Simpson became the first African American to receive a prestigious five-year fellowship from the Charleston Scientific and Cultural Education fund and left South Carolina in 1949 for New York City after he finished high school. He attended New York University and Cooper Union while working in the frame shop of Herbert Benevy. Many well-known artists came to the frame shop and in time critiqued Simpson's work and developed a relationship with him. At NYU Simpson became acquainted with Hale Woodruff...

Franz Stirnimann (1915-1997) was a Swiss painter whose work spanned much of the 20th century. Known for his unique style, Stirnimann explored themes of nature, everyday life, and abs...

George Dannatt (1915-2009) Painting - Winter 1992 1993 Oil on prepared card 19.0 x 14.0 cm Vertical orientation George Dannatt’s long career as a painter and sculptor ended with t...

Stylised French Landscape, Bright Colours, Signed Oil Painting By French artist Louis Lemaire, late 20th Century Signed by the artist on the lower left h...

Colourful, French mixed media abstract, acrylic, newsprint and ink from the 1980s. The canvas is signed and dated bottom right but we have not yet managed to decipher it. A colourful and engaging painting crossing over styles. The colourfield elements are reminiscent of the work of Mark Rothko, three defined bands of colour in orange/pink tones vertically dissecting the painting with one horizontal band across the top, and yet the elongated depiction of the female figures within the bands remind us of Gustav Klimt and his paintings of Adele. The background of the painting has been worked broadly with a palette knife whilst the detail has been added quickly and deftly with ink or finer brushstrokes. With the addition of newsprint (in French) the artist may...

"Carousel" Abstracted Horses with Texture in Acrylic on Canvas Dynamic composition of horses by Marion J. Denton (American, 20th Century). Two horses are shows in bold colors, with ...

Richard Andres American, 1927-2013 Summer Idyl, c. 1985 acrylic and ink on paper mounted on canvas signed lower right, signed and titled verso 44.75 x 62.75 inches Richard Andres wa...

Yellow, Green, and Orange - Abstract Expressionist Composition in Acrylic on Canvas Vibrant composition by California artist Charles "Dave" Francis (American, 1951-2018). Layers of ...

Antique American modernist abstract oil painting. Oil on canvas. Framed. Signed verso.

5-3418 Abstract oil on board. Set in a silvered wood frame Signed Sarno Image size 24x19"

March 1st by Roy Wilce Oil Pastel on Paper image 30x42" framed 35x48" Landscape in pink hues, trees on plains. Shipping price includes the custom packing necessary for safe transpo...

Ron Stonier (1933-2001) was a dedicated Vancouver artist celebrated for his exploration of abstract painting, influenced by his mentors Gordon Smith and Jack Shadbolt, as well as by ...

Striking abstract on board utilizing fiery colors by Berlin artist Michael S. Keifers, circa 1980. Signed lower left. Archival plastic sleeve and Certifica...

Antique American modernist abstract oil painting. Oil on canvas. Framed.

Passol blue original abstract acrylic canvas painting. framed Artwork by Spanish artist ISIDRO CAHUE. Acrylic on canvas Perfect state The personality of the artist is reflected i...

"Magnetic Personality" Abstract Galactic Composition in Acrylic on Canvas Textured abstract composition by California artist Charles "Dave" Francis (American, 1951-2018). Blended co...

Iron Drops (Gocce di ferro) is a contemporary artwork realized by Tommaso Cascella in 1991. Mixed media painting (oil painting on rough canvas; copper inserts and base). Hand signe...

Artist/ School: French, signed and dated 93' and inscribed verso Title: "Le Dormeur dans L'arbre", titled verso Medium: acrylic on board, framed Framed: 26.5 x 22 inches Painting:...

"New World City" Abstract Geometric Landscape in Oil on Canvas Bold abstract composition by Veronica "Roni" Bloch (American, 1925-1998). Strong shapes of dark red, blue, grey-blue, ...

Oil on plywood realized in 1980s. Titled and signed on rear. Very good condition.

Cedar Flats by Roy Wilce Oil Pastel on Paper, Framed with archival linen molding as pictured. image 44x30", framed 56x42" Shipping cost includes the custom packing required to tra...

Richard Saba Birthplace: Minneapolis, Minnesota, 1946 Education: Minneapolis College of Art & Design, B.F.A. 1968 Skowhegan School of Painting & Sculpture, 1967 University of Washington...

Francis, Shingo (Japanese/American, born 1969), W3 , 1999 Encaustic and watercolor painting on Arches paper, 23.5 x 22.5 inches, Hand signed and dated verso Provenance: Garner T...

Red and Black Abstract Expressionist - Tribute to Jose Guerrero in Acrylic Richly textured abstract painting by California-based artist Ricardo de Silva (American/Brazil, 20th C). T...

Abstract Composition by Sally Vaughan (contemporary) gouache painting on card, unframed measurements: 15.5 x 20.5 inches condition: very good provenance:...

Lynne Golob Gelfman, American (1944-2020) Abstract Composition Acrylic polymer on paper Hand signed and dated recto Sheet: 22 x 30 inches Frame dimensions: 26 x 33 frame with glazing...

'The Flea Market', oil on canvas, by Catherine Garros (circa 1990s). The viewer can feel the light of the French Riviera shine through this seductive ...

Enamel on canvas "Untitled" signature on the back. Certification by the artist is present. Archived in 1997 Monte Titano Arte General Archive of Mario Schifano's paintings n. 713/9...

John Hultberg Oil on canvas Panorama of pictures. 1998 Hand signed lower right, J. Hultberg ‘98. Artist, date, and title written on verso. Canvas 25.5”H x 35”W, Frame 26”H x 35.5”...

Katherine S. Kirkman (American, XX-XXI), "Urban Renewal", Oil on Masonite, signed lower right, titled and signed to verso, wood frame. Image: 23.5" H x 19.5" W; frame: 26" H x 24" W....

Artist: Peter Mack Title: In the Cannon's Mouth Year: circa 1980 Medium: Acrylic on Canvas, signed l.r. Size: 60 x 60 in. (152.4 x 152.4 cm)

Andy Miller (American, b. 1950), Abstract Composition, Oil on Canvas, impasto details, deep pine green with blue undertones, with artist's studio stamp to verso, apparently unsigned,...

French School, circa 1970’s signed oil painting on canvas, unframed canvas size: 19.5 x 24 inches condition report: overall very good, a few light scuff marks to the surface

This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...

Uccelliera is an original Contemporary artwork realized in 1988 by the italian Contemporary artist Leo Guida (1992 - 2017). Original drawing in beautiful colored tempera on ivor...

Cubist Composition by Armand Rottenberg (French 1903-2000) signed lower corner, dated 1988 oil painting on board, framed Framed 47 x 30 inches Stunning original Cubist painting by ...

Artist: Elwood Howell, American (1933 - ) Title: Neritic No. 33 Year: 1979 Medium: Acrylic on Paper, signed l.r. Size: 22 in. x 30 in. (55.88 cm x 76.2 cm)

Robert Petersen Detail Sketch from January 1986, 1991 Pure pigment collage, acrylic painting and drawing Hand-signed by artist, Hand signed, hand initialed, annotated, dated by hand and with date stamp and stamped by artist and inscribed to Dr. Joseph and Mary Bottino Provenance: Bottino family 16 1/2 × 21 inches Unframed Unique Robert Petersen is a longtime collaborator, friend and protege of Robert Rauschenberg. Detail Sketch from January 1986, dated by the artist April 20, 1991, as well as April 1, 1991 and April 19, 1991, hand signed, as well as stamped RP several times, inscribed, and bears instructions"can paint over pink and blues and whites", and initialed. More about Robert Petersen: Robert Petersen was born in 1945 in the small farm town of Le Mars, Iowa and was raised there until 1952 when he moved with his family to Whittier, California. His education as an artist began in 1963 at Fullerton Community College where his interest in architectural drafting led him to develop a passion for drawing, painting, and printmaking. In 1966, he pursued his love for printmaking further at California State University, Long Beach under the former Tamarind Lithography Workshop printer, Robert Evermon. In 1969, Petersen went on to work as an assistant printer at Gemini G.E.L. where he printed editions for Frank Stella, Roy Lichtenstein, and Robert Rauschenberg. Most notably, Petersen served as one of the head printers for Rauschenberg's Stoned Moon series, during which the two formed a close friendship. In late 1970, Rauschenberg invited Petersen to live and work with him on Captiva Island, Florida, which had recently become the artist's permanent residence and studio. In 1971, Rauschenberg and Petersen...

Ireland Landscape Rocky Cliffs with Castle on the Northern Irish Sea Coastline, by 20th Century Irish Australian Artist, Henry McLaughlin. Art measures 10 x 8 inches Frame measure...

Ruggero Vanni's Passages in Light III is a 49 x 35 inch abstract oil painting. The main colors are red, pink and gray. There is a reference to nature, like clouds up in the sky. It ...

Lyman Kipp Untitled drawing, 1993 Unique Colored Ink Drawing on paper with two deckled edges Hand signed, inscribed and dated by the artist on lower front 26 1/4 × 20 inches Unframed...

Large Scale Bay Area Modern Geometric Abstract Landscape with White, Blue, Red Dramatic large scale abstracted landscape with white, blue and red shapes by Erle Loran (American, 190...

Lowell Nesbitt (American, 1933-1993) Flower, 1978 tempera on board 60 1/2 x 40 1/2 inches. Provenance: Sold: Christie's East, May 18, 1999, Lot 224 Blair Nesbitt is an American p...

sin titulo. acrylicc painting (CARLOS MENDEZ, ARGENTINA, 1943) Carlos Méndez is an Argentine plastic artist of great projection, based in Barcelona since the eighties. It uses a f...

"Personage" Heavy Impasto Expressionist Portrait of Lady with a Hat Abstract expressionist portrait of a woman wearing a hat by California artist Harald "Harry" Dry Schmidt (America...