C Print Portrait Photography

For a limited time only these Slim Aarons prints are available to purchase at 15% discount. Please contact the gallery for any queries. Please bear in mind that all prints are produ...

Slim Aarons Estate Print - Pool At Las Brisas - Oversize Guests in the pool at the Las Brisas Hotel, Acapulco, Mexico, February 1972. (Photo by Slim Aarons) Chromogenic print pa...

Floaties #1 (Beachshoot) - 2005 50x50cm, Edition 10, digital C-Print print, based on a Polaroid. Certificate and Signature label. Artist Inventory # 1430. Not mounted The Tooth ...

Please bear in mind that all prints are produced to order. Lead times are expected between 15-20 days. 'Kanja Shaking' is a stunning C-Type print by contemporary British photographe...

For a limited time only these Slim Aarons prints are available to purchase at 15% discount. Please contact the gallery for any queries. Please bear in mind that all prints are produ...

Untitled (Oilfields) - 2004 50x50cm, Edition of 10, Digital C-Print, based on a Polaroid Certificate and Signature label, artist Inventory # 1222. Not mounted. OILFIELDS, 2004 O...

Ed Caaraeff Jim Morrison, 1969 C print 60 x 40 inches Singed and numbered edition of 50 Jim Morrison of The Doors performing at The Aquarius Theatre in Hollywood as part of the Elektra Records Showcase Concert Series, Hollywood, CA, 21 July, 1969. ED CARAEFF is a name recognized by anybody who is anybody in the music industry. A photographer, illustrator and graphic designer, he has directed art for, photographed, and designed hundreds of record album covers from 1967 to 1982 for numerous artists, including The Stooges, Elton John, Steely Dan, Carly Simon, Three Dog Night...

Floaties #3 (Beachshoot) - 2005 20x20cm, Edition 4/10, Archival C-Print, based on a Polaroid. Certificate and Signature label. Artist Inventory # 1436. Not mounted. Beachshoot ...

The Nurse (Heather's Dream) - 2013 100x125cm, Edition of 25, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and signature label. Artist Inventory Numbe...

Sentience (Chicks and Chicks and sometimes Cocks) - 2016 20x20cm, Edition of 10, digital C-Print, based on an expired Polaroid. Artist inventory 19531. Not mounted. The 'Chicks a...

Floaties #1 (Beachshoot) - 2005 20x20cm, Edition 10, digital C-Print print, based on a Polaroid. Certificate and Signature label. Artist Inventory # 1430. Not mounted The Tooth ...

Cappelle Medicee, 2008 C print Edition of 5 Available in 3 sizes 100 x 120 cm (40 x 47 inches) Edition of 5 120 x 150 cm (47 x 59 inches ) Edition of 5 180 x 225 cm (71 x 88.5 in...

Slim Aarons Estate Print - Hotel du Cap Eden-Roc - Oversize Guests by the pool at the Hotel du Cap Eden-Roc, Antibes, France, August 1976. (Photo by Slim Aarons) Chromogenic pri...

Road to Gunsight, part of Richard Heeps 'Dream in Colour' Series, this is the classic American open road photograph, which is a metaphor of a journey throughout Richard's work. The e...

Lioness (Heavenly Falls) - 2016 40x48cm, Edition of 10, Digital C-Print based on a Polaroid. Certificate and signature label. Artist inventory number: 19578. Not mounted. Stefanie...

Untitled - 2014, 20x24cm, Edition of 1/10. Digital C-Print based a Polaroid Collage. Hand-signed and numbered by the artist on the back with Certi...

For a limited time only you these Slim Aarons prints are available to purchase at 15% discount. Please contact the gallery for any queries. Please bear in mind that all prints are produced to order. Lead times are expected between 15-20 days. Currency fluctuations may cause the price to change. This is a contemporary print from the Getty Archive using Slim Aarons negatives. Please contact the gallery for information about other print sizes. All prints feature a Slim Aarons blindstamp, and are accompanied by a Slim Aarons Certificate of Authentication issued by Getty. 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. "Saint Tropez Beach...

'Learning to fly', 2020 50x50cm, Edition 1/7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, not mounted. Signed on the back and with certificate. Artist inventory - P...

Solitaire (Heavenly Falls) - 2016 20x20cm, Edition 1/10, Digital C- Print, based on a Polaroid. Certificate and signature label. Artist inventory number: 19594. Not mounted. Stef...

Miss Moneypenny (Heavenly Falls) - 2016 48x47cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print based on the Polaroid. Certificate and signature label. Artist inventory ...

'Tales of Bitter Doom #103' by Carmen De Vos, Edition of 7, 30x30cm, 2018 digital C-Print, based on a Polaroid mounted on Dibond - gloss coating, hand signed & numbered by artist on...

Slim Aarons Estate Print - Squaw Valley Snow - Oversize Snow covers the deserted cafe in Squaw Valley, California, January 1961. (Photo by Slim Aarons) Chromogenic print paper size 30 x 20" inches / 76 x 51 cm unframed printed later edition size 150 only certificate of authenticity supplied numbered in ink & blind embossed stamped Slim Aarons signature on front Authorised and issued by the Slim Aarons Archive & Estate c/o The Getty Archive London England and produced utilizing the original transparency. winter snow snowy cafe restaurant dining chair...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveler through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations, but which lend themselves to his own work. In a similar way, he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypical and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylized, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents, and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modeled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys, and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights, and soldiers. In the case of monsters, mythical creatures, and robots, it is more about creating visions of the future and parallel worlds. Certainly, since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft...

Slim Aarons Estate Print - Roquebrune-Cap-Martin - Oversize A view from a hillside in Roquebrune-Cap-Martin, southeastern France, looking toward Monaco, August 1970. (Photo by Slim...

Lollipop (Beachshoot) 80x80cm, Edition 4/5, 2005. Analog C-Print, hand-Printed by the artist on Fuji Crystal Archive Paper, based on a Polaroid, Certificate and Signature label, a...

Edition of 7 Isabelle van Zeijl is an established mid-career international artist. Recognized for her mastery to create striking self portraits with depth and meaning who enriches l...

Slim Aarons Estate Print - Pop And Society - Oversize From left to right; singer Marianne Faithfull, the Honorable Desmond Guinness and Mick Jagger (of the Rolling Stones) sit on a sofa under a large gilt framed painting...

Slim Aarons Estate Print - Porto Ercole - Oversize A Magnum motorboat belonging to Count Filippo Theodoli arrives at the private jetty of the Il Pellicano Hotel in Porto Ercole, Ita...

'Kirsten Red Lips' (California Blue Screen) Edition 1/3, 114x142 cm, analog C-Print, hand-printed by the artists, based on a Polaroid, Certificate and Signature label. Artist Inv...

For a limited time only these Slim Aarons prints are available to purchase at 15% discount. Please contact the gallery for any queries. Please bear in mind that all prints are produ...

Slim Aarons Estate Print - Winter Suntans - Oversize Young women enjoy a relaxing sunbathe in snowy Gstaad. (Photo by Slim Aarons) Chromogenic print paper size 40 x 30" inches / 101 x 76 cm unframed printed later edition size 150 only certificate of authenticity supplied numbered in ink & blind embossed stamped Slim Aarons signature on front Authorised and issued by the Slim Aarons Archive & Estate c/o The Getty Archive London England and produced utilizing the original transparency. winter snow snowy travel vacation resort relaxing leisure 1960s 60s fashion...

Slim Aarons Estate Print - Checkered Flag - Oversize The checkered flag signals the end of the race during the 1963 Nassau Speed Week. (Photo by Slim ...

Slim Aarons Estate Print - Pool On Amalfi Coast - Oversize A view of the seaside pool at the Hotel St. Caterina, Amalfi, Italy, September 1984. (Photo by Slim Aarons) Chromogenic...

'Floaties (Beachshoot) - 2005 50x50cm, Edition of 10, digital C-Print, based on a Polaroid Certificate and Signature label, artist Inventory # 1431, not mounted The Tooth of Ti...

Like Tears in the Rain (Beachshoot) - 2005 80x80cm, Edition 1/5, analog C-Print, hand-Printed by the artist on Fuji Crystal Archive Paper, based on a Polaroid. Signed on verso with...

Slim Aarons Estate Print - Oberon's Lunch - Oversize Film star Merle Oberon (1911 – 1979) and lunch guests at her villa, La Consentida, Acapulco. The star is second from the right f...

For a limited time only these Slim Aarons prints are available to purchase at 15% discount. Please contact the gallery for any queries. Please bear in mind that all prints are produ...

For a limited time only these Slim Aarons prints are available to purchase at 15% discount. Please contact the gallery for any queries. Please bear in mind that all prints are produ...

The Village (Shot 2018 on 600 Film) Shot in Port Merion, the set for the 1960s series The Prisoner and inspired by Peter Weir’s Picnic at Hanging Rock, I ha...

Fun pop art typography, a total 'Sign Porn' fix, captured on an American road trip in Nevada. This artwork features in Richard Heeps' sold out book 'Man's Ruin' and an edition of thi...

Edition of 7 Isabelle van Zeijl is an established mid-career international artist. Recognized for her mastery to create striking self portraits with depth and meaning who enriches l...

Sentience (Chicks and Chicks and sometimes Cocks) - 2016 50x50cm, Edition of 10, digital C-Print, based on an expired Polaroid. Artist inventory 19531. Not mounted. The 'Chicks a...

Slim Aarons Estate Print - Speedboat Landing - Oversize A Magnum motorboat belonging to Count Filippo Theodoli arrives at the private jetty of the Il Pellicano Hotel in Porto Ercole...

Look away Lucifer (2019) Edition of 10 - 20 x 20 cm Digital C-Print based on a Polaroid, not mounted. Signed on back and certificate. Look away Lucifer- Shot 2019 on 600 film In pa...

Slim Aarons Estate Print - Underwater Drink - Oversize A woman drinking from a coconut underwater in the pool at Las Brisas Hotel in Acapulco, Mexico, February 1972. (Photo by Slim...

Part of Richard Heeps 'Man's Ruin' Series, and the sequence of artworks 'Wendy Flamin' Eyeball', 'Wendy Resting' & 'Oldsmobile and Sinful Barbie's' shot at the Rockabilly Weekender, ...

Ed Caaraeff Marvin Gaye, 1976 C print 30 x 30 inches Singed and numbered edition of 50 Marvin Gaye poses for a portrait in Van Nuys, Los Angeles, CA, March 28, 1976. ED CARAEFF is a name recognized by anybody who is anybody in the music industry. A photographer, illustrator and graphic designer, he has directed art for, photographed, and designed hundreds of record album covers from 1967 to 1982 for numerous artists, including The Stooges, Elton John, Steely Dan...

Slim Aarons Estate Print - Speedboat Landing - Oversize A Magnum motorboat belonging to Count Filippo Theodoli arrives at the private jetty of the Il Pellicano Hotel in Porto Ercole...

Palazzo d'Avalos I, Napoli, 2016 C print Edition of 5 Available in 3 sizes 100 x 120 cm (40 x 47 inches) Edition of 5 120 x 150 cm (47 x 59 inches ) Edition of 5 180 x 225 cm (71...

Margarita Smoke Rings (Till Death do us Part) - 2009 Edition 1/5, 125x154cm. Analog C-Print, hand-printed by the artist, based on a Polaroid. Mounted on Aluminum with matte UV-P...

Devil in Disguise, 2012 [From the series Odd Stories] digital print based on a Polaroid mounted on Dibond - matte coating Hand signed & numbered by artist edition 2014, this is no 1 ...

Pray for the Rain (Till Death do us Part) - 2005, 20x24cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. ...

'Disappear' 2015, Edition 1/10 plus 2 Artist Proofs. 20×50 × 0.8 cm. 'Last night i dreamt that i was dreaming of you' Digital Print based on Polaroid triptych, mounted under Plexi....

For a limited time only these Slim Aarons prints are available to purchase at 15% discount. Please contact the gallery for any queries. Please bear in mind that all prints are produ...

'Subtle', 2017, 40 x 40 cm, edition of 10, digital C-Print based on a Polaroid, hand-numbered and signed on the back by artist. Not Mounted. Artist Statement “Since my childhood ...

'Tales of Bitter Doom #57' by Carmen De Vos, Edition of 7, 30x30cm, 2018 digital C-Print, based on a Polaroid mounted on Dibond - gloss coating, hand signed & numbered by artist on ...

Kelly (Beachshoot) - 2005 80x80cm, Edition 3/5, analog C-Print, hand-Printed by the artist on Fuji Crystal Archive Paper, matte finish, based on a Polaroid. Certificate and signatu...

Oilfields I (Stranger than Paradise) - 1999, 60x60cm, Edition 5/10. Analog C-Print, hand-printed by the artist, based on the original Polaroid. Certificate and Signature label. ...