Screen Prints and Multiples

Shepard Fairey Disinformation Damage (Disinformation, Damage, Social Media, Politics, Credible Journalism, Lies) Screen print on thick cream Speckletone paper Year: 2024 Size: 12x24 ...

Serigraph in colors on paper. Hand signed and numbered by Linda Le Kinff. From the edition of 350. Image size 15.25 x 18.25 inches. Frame size approx 23 x 26 inches. Artwork is in e...

Disinformation Damage Set (Disinformation, Damage, Social Media, Politics, Credible Journalism) 2 x Screen prints on thick white and cream Speckletone paper Year: 2024 Size: 12x24 in...

Onyx Sleeve is an expertly crafted, embossed serigraph on paper with foil stamping and an image size of 13.5 x 13.5 inches. From the edition of 650, the art is numbered 184/300 and e...

Natvar Bhavsar Untitled color-field abstract expressionist print (hand signed and numbered) Color silkscreen Pencil signed, dated and numbered 39/50 by the artist on the front Rare 1...

Florence Arnold (American 1900-1994) hard-edge abstract color square Screenprint, pencil signed, dated, and numbered 14/25 Sized 16"x16". Florence Arnold began painting seriously...

May is an expertly crafted, embossed serigraph on paper with foil stamping and an image size of 27 x 22 inches. From the edition of 650, the art is numbered 171/300 and estate-stampe...

Ann Craven Sunset Moon Bird, 2023 18 color screen print on Somerset Velvet warm white 400gsm paper Pencil signed, titled, dated and numbered 58/100 by Anne Craven on the front 29 9/1...

Florence Arnold (American 1900-1994) Hard-edge Abstract Square Screenprint. Pencil Signed, Dated, and Numbered 18/25 Size: 16"x16". Florence Arnold began painting seriously in 194...

Silkscreen screenprint with woodblock and silver leaf Hand signed and numbered. In vibrant color of blue and silver on heavy paper with an almost painting type texture to it. Josep...

Black/White/Black, 1970 Screenprint in colors on Special Arjomari Edition of 75 42 1/4 x 29 3/4 in. Publisher: Gemini G.E.L., Los Angeles

Artist: Nassos Daphnis, Greek (1914 - 2010) Title: SS 17-78 Year: 1978 Medium: Silkscreen, Signed and numbered in pencil Edition: 120, AP 25 Image: 27 x 27 inches Size: 35 in. ...

Some People Together, 1974 Hand-signed and dated in pencil Color lithograph and screenprint Sheet 22 x 29 3/4 inches; 559 x 756 mm. Edition 110

Jonas Wood Bromeliad, 2020 13 Color Screenprint in colors, on rising museum board, with full margins Signed, dated and numbered 135/200 in pencil front; with publisher's blind stamp ...

Chignon is an expertly crafted, embossed serigraph on paper with foil stamping and an image size of 13.5 x 13.5 inches. From the edition of 650, the art is numbered XXVI/CCC and esta...

This brilliantly precise and sophisticated Mid-Century Modernist Abstract Geometric Screen Print in Grey Squares Edition 78/90 is by Mon Levinson and originates from the United State...

Biconjugate - P1, F27, I2 - From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a def...

"The American Indian Series" is a vintage poster by Andy Warhol (1928-1987) from the Ace Gallery, Los Angeles, CA. This piece is hand signed and dated (1985) by Warhol. This piece co...

Florence Arnold (American 1900-1994) hard-edge abstract color square screenprint, pencil signed, and numbered 25/25 16"x16". Florence Arnold began painting seriously in 1947. By ...

"Dead Men Tell No Tales" is limited edition giclee on canvas by John Alvin (1948-2008), numbered and bearing the estate signature of the artist. This piece is licensed by Disney Fine...

"Love and Romance" is a limited edition serigraph on deckle edged paper by Alexander Galtchansky (1959-2008) and Tanya Wissotzky (1959-2006). It is numbered and hand signed and inclu...

"A Celebration of Spirit" is a 3D limited edition silk screen construct on paper by Charles Fazzino, numbered and hand signed by the artist. This piece comes custom framed. Includes ...

Silkscreen on Arches paper, Hand signed and Numbered in Pencil. Serigraph in white, back, blue gray (silver). Chryssa Vardea-Mavromichali (Greek: Χρύσα Βαρδέα-Μαυρομιχάλη; December 31, 1933 – December 23, 2013) was a Greek American artist who worked in a wide variety of media. An American art pioneer in light art and luminist sculpture widely known for her neon, steel, aluminum and acrylic glass installations, she has always used the mononym Chryssa professionally. She worked from the mid-1950s in New York City studios and worked since 1992 in the studio she established in Neos Kosmos, Athens, Greece. Chryssa was born in Athens into the famous Mavromichalis family from the Mani Peninsula. one of her sisters, who studied medicine, was a friend of the poet and novelist Nikos Kazantzakis. Chryssa began painting during her teenage years and also studied to be a social worker.In 1953, on the advice of a Greek art critic, her family sent her to Paris to study at the Académie de la Grande Chaumiere where Andre Breton, Edgard Varese, and Max Ernst were among her associates and Alberto Giacometti was a visiting professor. In 1954, at age twenty-one, Chryssa sailed for the United States, arrived in New York and went to San Francisco, California to study at the California School of Fine Arts. Returning to New York in 1955, she became a United States citizen and established a studio in the city. Chryssa's first major work was The Cycladic Books preceded American minimalism by seventeen years. 1961, Chryssa's first solo exhibition was mounted at The Guggenheim. 1963, Chryssa's work was shown at the Museum of Modern Art in curator Dorothy Canning Miller's Americans 1963 exhibition. The artists represented in the show also included Richard Anuszkiewicz, Lee Bontecou, Robert Indiana, Richard Lindner, Marisol, Claes Oldenburg, Ad Reinhardt, James Rosenquist and others. 1966, The Gates to Times Square, regarded as "one of the most important American sculptures of all time" and "a thrilling homage to the living American culture of advertising and mass communications." The work is a 10 ft cube installation of two huge letter 'A's through which visitors may walk into "a gleaming block of stainless steel and Plexiglas that seems to quiver in the play of pale blue neon light" which is controlled by programmed timers. First shown in Manhattan's Pace Gallery, it was given to the Albright-Knox Art Gallery in Buffalo, New York in 1972. 1972, The Whitney Museum of American Art mounted a solo exhibition of works by Chryssa. That's All (early 1970s), the central panel of a triptych related to The Gates of Times Square, was acquired by the Museum of Modern Art between 1975 and 1979. 1973, Chryssa's solo exhibition at the Gallerie Denise René was reviewed for TIME magazine by art critic Robert Hughes before it went on to the Galleries Denise René in Düsseldorf and Paris. Other works by Chryssa in composite honeycomb aluminum and neon in the 1980s and 1990s include Chinatown, Siren, Urban Traffic, and Flapping Birds. Chryssa 60/90 retrospective exhibition in Athens in the Mihalarias Art Center. After her long absence from Greece, a major exhibition including large aluminum sculptures - cityscapes, "neon boxes" from the Gates to the Times Square, paintings, drawings etc. was held in Athens. In 1992, after closing her SoHo studio, which art dealer Leo Castelli had described as "one of the loveliest in the world," Chryssa returned to Greece. She found a derelict cinema which had become a storeroom stacked with abandoned school desks and chairs, behind the old Fix Brewery near the city center in Neos Kosmos, Athens. Using the desks to construct enormous benches, she converted the space into a studio for working on designs and aluminum composite honeycomb sculptures...

Shepard Fairey Climate Clash (Animals, Mascots, Climate change, Strength, Collaboration, Francisco Reyes) Screen print on thick white Speckletone paper Year: 2024 Size: 24x24 inches ...

34.5" x 44" Unframed Limited Edition Silkscreen of 295 Hand Signed by Patrick Antonelle Paper is creased at the top

Günter Fruhtrunk (German, 1923-1982) Quadrat und Kreis, 1959 Medium: Screenprint on card Dimensions: 57 x 85.5 cm Edition of 25: Hand-signed in pencil (on verso), not numbered Catalo...

Artist: Arman, French (1929 - 2005) Title: Yves Klein's Violins Year: 1979 Medium: Screenprint on Arches Paper, signed and numbered in pencil Edition: 150 Size: 30 in. x 22 in....

Artist: Raymond Parker, American (1922 - 1990) Title: Untitled 16 Year: 1980 Medium: Silkscreen, signed and numbered in pencil Edition: 70 Image Size: 31 x 36 inches Size: 32 x 37.5 ...

Shepard Fairey Climate Clash Set (Animals, Mascots, Climate change, Strength, Reyes) 2 x Screen prints on thick white and cream Speckletone paper Year: 2024 Size: 24x24 inches (each)...

"Hotel De L'ecluse" is a limited edition printer's proof on paper by Jim Buckels, numbered and hand signed by the artist. Includes Letter of Authenticity. Measures approx. 28.5" x 34...

"Seaside Vista" is a limited edition printer's proof on paper by Ming Feng, numbered and hand signed by the artist. Includes Letter of Authenticity. Measures...

Artist: Kiki Kogelnik, Austrian (1935 - 1997) Title: Look Again Year: 1979 Medium: Screenprint, signed and numbered in pencil Edition: 200, AP 35 Image: 23.5 x 32 inches Size: 26 x 3...

PURE EVIL - MARILYN CLASSIC (BLACK) Date of creation: 2021 Medium: Screen print on Fedrigoni paper Edition: 100 Size: 85 x 70 cm Condition: In mint conditions, brand new and never fr...

Adam Pendleton (American, b. 1984) Mask (Collector’s Edition), 2020 Medium: Screenprint on paper (410 gsm) inkl. artist book Dimensions: 27.9 x 24.1 cm (11 x 9.5 in) Edition of 50: H...

April is an expertly crafted, embossed serigraph on paper with foil stamping and an image size of 27 x 22 inches. From the edition of 650, the art is numbered 296/300 and estate-stam...

This is a Three colour screen print that includes two metallic inks. This print captures the wild nature of Monstera plant leaves, the world's favourite house plant. Limited edition ...

Rose Fan is an expertly crafted, embossed serigraph on paper with foil stamping and an image size of 18.75 x 14.5 inches. From the edition of 650, the art is numbered CCXXVI/CCC and ...

Silkscreen screenprint with woodblock and gold leaf Hand signed and numbered. Joseph Charles Tilson RA (born 24 August 1928 in London) is an English pop art painter, sculptor and pr...

Artist: Rupert Jasen Smith, American (1953 - 1989) Title: Pac-Man from the Homage to Andy Warhol Portfolio Year: 1989 Medium: Screenprint on Lennox Museum Board with Diamond Dust, si...

Artist: Raymond Parker, American (1922 - 1990) Title: Untitled 11 (The Butterfly) Year: 1980 Medium: Silkscreen, signed in pencil Image Size: 19 x 27 inches Size: 22 x 30 in. (55.88 ...

Florence Arnold (American 1900-1994) hard-edge abstract color square screen print (c.1977) pencil signed 15/25 103CS-FA77 Florence Arnold began painting seriously in 1947. By the...

Artist: Dale Chihuly (1941) Title: Float Series Year: 2017 Medium: Mixed Media—Five Color Serigraph & Acrylic on Waterford paper Edition: 18/110, plus proofs Size: 37 x 25 inches Con...

Silkscreen on Arches paper, Hand signed and Numbered in Pencil. Serigraph in black, gray (silver). Chryssa Vardea-Mavromichali (Greek: Χρύσα Βαρδέα-Μαυρομιχάλη; December 31, 1933 – December 23, 2013) was a Greek American artist who worked in a wide variety of media. An American art pioneer in light art and luminist sculpture widely known for her neon, steel, aluminum and acrylic glass installations, she has always used the mononym Chryssa professionally. She worked from the mid-1950s in New York City studios and worked since 1992 in the studio she established in Neos Kosmos, Athens, Greece. Chryssa was born in Athens into the famous Mavromichalis family from the Mani Peninsula. one of her sisters, who studied medicine, was a friend of the poet and novelist Nikos Kazantzakis. Chryssa began painting during her teenage years and also studied to be a social worker.In 1953, on the advice of a Greek art critic, her family sent her to Paris to study at the Académie de la Grande Chaumiere where Andre Breton, Edgard Varese, and Max Ernst were among her associates and Alberto Giacometti was a visiting professor. In 1954, at age twenty-one, Chryssa sailed for the United States, arrived in New York and went to San Francisco, California to study at the California School of Fine Arts. Returning to New York in 1955, she became a United States citizen and established a studio in the city. Chryssa's first major work was The Cycladic Books preceded American minimalism by seventeen years. 1961, Chryssa's first solo exhibition was mounted at The Guggenheim. 1963, Chryssa's work was shown at the Museum of Modern Art in curator Dorothy Canning Miller's Americans 1963 exhibition. The artists represented in the show also included Richard Anuszkiewicz, Lee Bontecou, Robert Indiana, Richard Lindner, Marisol, Claes Oldenburg, Ad Reinhardt, James Rosenquist and others. 1966, The Gates to Times Square, regarded as "one of the most important American sculptures of all time" and "a thrilling homage to the living American culture of advertising and mass communications." The work is a 10 ft cube installation of two huge letter 'A's through which visitors may walk into "a gleaming block of stainless steel and Plexiglas that seems to quiver in the play of pale blue neon light" which is controlled by programmed timers. First shown in Manhattan's Pace Gallery, it was given to the Albright-Knox Art Gallery in Buffalo, New York in 1972. 1972, The Whitney Museum of American Art mounted a solo exhibition of works by Chryssa. That's All (early 1970s), the central panel of a triptych related to The Gates of Times Square, was acquired by the Museum of Modern Art between 1975 and 1979. 1973, Chryssa's solo exhibition at the Gallerie Denise René was reviewed for TIME magazine by art critic Robert Hughes before it went on to the Galleries Denise René in Düsseldorf and Paris. Other works by Chryssa in composite honeycomb aluminum and neon in the 1980s and 1990s include Chinatown, Siren, Urban Traffic, and Flapping Birds. Chryssa 60/90 retrospective exhibition in Athens in the Mihalarias Art Center. After her long absence from Greece, a major exhibition including large aluminum sculptures - cityscapes, "neon boxes" from the Gates to the Times Square, paintings, drawings etc. was held in Athens. In 1992, after closing her SoHo studio, which art dealer Leo Castelli had described as "one of the loveliest in the world," Chryssa returned to Greece. She found a derelict cinema which had become a storeroom stacked with abandoned school desks and chairs, behind the old Fix Brewery near the city center in Neos Kosmos, Athens. Using the desks to construct enormous benches, she converted the space into a studio for working on designs and aluminum composite honeycomb sculptures...

Imi Knoebel (German, born 1940) Rote Konstellation, 1975/1985 Medium: Suite of 5 screenprints and pencil on wove paper Dimensions: 102 x 73 cm (40.2 x 28.7 in) Edition of 20: Each ha...

Artist: Robert Indiana Title: The Hartley Elegies: The Berlin Series - KvF III Year: 1990 Medium: Serigraph on Saunders Watercolor paper, signed and numbered in pencil Edition: 50 ...

Rupert Jasen Smith California Cooler, 1988 Screenprint in color HC 2/10 38 x 38 in. Signed and numbered in pencil

Silkscreen on Arches paper, Hand signed and Numbered in Pencil. Serigraph in blue gray (silver). Chryssa Vardea-Mavromichali (Greek: Χρύσα Βαρδέα-Μαυρομιχάλη; December 31, 1933 – December 23, 2013) was a Greek American artist who worked in a wide variety of media. An American art pioneer in light art and luminist sculpture widely known for her neon, steel, aluminum and acrylic glass installations, she has always used the mononym Chryssa professionally. She worked from the mid-1950s in New York City studios and worked since 1992 in the studio she established in Neos Kosmos, Athens, Greece. Chryssa was born in Athens into the famous Mavromichalis family from the Mani Peninsula. one of her sisters, who studied medicine, was a friend of the poet and novelist Nikos Kazantzakis. Chryssa began painting during her teenage years and also studied to be a social worker.In 1953, on the advice of a Greek art critic, her family sent her to Paris to study at the Académie de la Grande Chaumiere where Andre Breton, Edgard Varese, and Max Ernst were among her associates and Alberto Giacometti was a visiting professor. In 1954, at age twenty-one, Chryssa sailed for the United States, arrived in New York and went to San Francisco, California to study at the California School of Fine Arts. Returning to New York in 1955, she became a United States citizen and established a studio in the city. Chryssa's first major work was The Cycladic Books preceded American minimalism by seventeen years. 1961, Chryssa's first solo exhibition was mounted at The Guggenheim. 1963, Chryssa's work was shown at the Museum of Modern Art in curator Dorothy Canning Miller's Americans 1963 exhibition. The artists represented in the show also included Richard Anuszkiewicz, Lee Bontecou, Robert Indiana, Richard Lindner, Marisol, Claes Oldenburg, Ad Reinhardt, James Rosenquist and others. 1966, The Gates to Times Square, regarded as "one of the most important American sculptures of all time" and "a thrilling homage to the living American culture of advertising and mass communications." The work is a 10 ft cube installation of two huge letter 'A's through which visitors may walk into "a gleaming block of stainless steel and Plexiglas that seems to quiver in the play of pale blue neon light" which is controlled by programmed timers. First shown in Manhattan's Pace Gallery, it was given to the Albright-Knox Art Gallery in Buffalo, New York in 1972. 1972, The Whitney Museum of American Art mounted a solo exhibition of works by Chryssa. That's All (early 1970s), the central panel of a triptych related to The Gates of Times Square, was acquired by the Museum of Modern Art between 1975 and 1979. 1973, Chryssa's solo exhibition at the Gallerie Denise René was reviewed for TIME magazine by art critic Robert Hughes before it went on to the Galleries Denise René in Düsseldorf and Paris. Other works by Chryssa in composite honeycomb aluminum and neon in the 1980s and 1990s include Chinatown, Siren, Urban Traffic, and Flapping Birds. Chryssa 60/90 retrospective exhibition in Athens in the Mihalarias Art Center. After her long absence from Greece, a major exhibition including large aluminum sculptures - cityscapes, "neon boxes" from the Gates to the Times Square, paintings, drawings etc. was held in Athens. In 1992, after closing her SoHo studio, which art dealer Leo Castelli had described as "one of the loveliest in the world," Chryssa returned to Greece. She found a derelict cinema which had become a storeroom stacked with abandoned school desks and chairs, behind the old Fix Brewery near the city center in Neos Kosmos, Athens. Using the desks to construct enormous benches, she converted the space into a studio for working on designs and aluminum composite honeycomb sculptures...

Chris Levine - EQUANIMITY_2022 70 Date of creation: 2022 Medium: Screenprint on Somerset Satin paper Edition number: 2/5 Size: 47 x 38 cm Condition: New in mint conditions, never fra...

Richard Long (British, b. 1945) Two Sahara Works, 1988 Medium: Set of 1 grano lithograph and 1 silkscreen, on rag paper Dimensions: each 63 x 93 cm (24¾ x 36½ in) Edition of 75: each...

Artist: Pierre Clerk, Canadian (1928 - ) Title: Morocco Series #10 Year: 1980 Medium: Serigraph, signed and numbered in pencil Edition: 300, AP 45 Image Size: 21 x 36 inches Paper S...

'Peace Woman Kennwood' by Shepard Fairey, 2008 18 x 24 inches (45,7 x 61 cm) Screen print on cream, speckletone fine art paper. Rare Kenwood Vineyard limited edition of 200 (137 /200...

ED RUSCHA (1937-Present) Ed Ruscha's piece 'Note' is 2017 five color screenprint on sandpaper. This piece is signed, dated and numbered 79/85 in pencil, published by Gemini G.E.L. i...

FAILE - THE RIGHT ONE, HAPPENS EVERYDAY Date of creation: 2014 Medium: Screen print on Coventry Rag paper Edition number: 418/450 Size: 71 x 61 cm Condition: In mint conditions, bran...

Victime de l'Art is an expertly crafted, embossed serigraph on paper with foil stamping and an image size of 20 x 14 inches. From the edition of 650, the art is numbered 243/300 and ...

Silkscreen on Arches paper, Hand signed and Numbered in Pencil. Serigraph in yellow, red, silver Chryssa Vardea-Mavromichali (Greek: Χρύσα Βαρδέα-Μαυρομιχάλη; December 31, 1933 – December 23, 2013) was a Greek American artist who worked in a wide variety of media. An American art pioneer in light art and luminist sculpture widely known for her neon, steel, aluminum and acrylic glass installations, she has always used the mononym Chryssa professionally. She worked from the mid-1950s in New York City studios and worked since 1992 in the studio she established in Neos Kosmos, Athens, Greece. Chryssa was born in Athens into the famous Mavromichalis family from the Mani Peninsula. one of her sisters, who studied medicine, was a friend of the poet and novelist Nikos Kazantzakis. Chryssa began painting during her teenage years and also studied to be a social worker.In 1953, on the advice of a Greek art critic, her family sent her to Paris to study at the Académie de la Grande Chaumiere where Andre Breton, Edgard Varese, and Max Ernst were among her associates and Alberto Giacometti was a visiting professor. In 1954, at age twenty-one, Chryssa sailed for the United States, arrived in New York and went to San Francisco, California to study at the California School of Fine Arts. Returning to New York in 1955, she became a United States citizen and established a studio in the city. Chryssa's first major work was The Cycladic Books preceded American minimalism by seventeen years. 1961, Chryssa's first solo exhibition was mounted at The Guggenheim. 1963, Chryssa's work was shown at the Museum of Modern Art in curator Dorothy Canning Miller's Americans 1963 exhibition. The artists represented in the show also included Richard Anuszkiewicz, Lee Bontecou, Robert Indiana, Richard Lindner, Marisol, Claes Oldenburg, Ad Reinhardt, James Rosenquist and others. 1966, The Gates to Times Square, regarded as "one of the most important American sculptures of all time" and "a thrilling homage to the living American culture of advertising and mass communications." The work is a 10 ft cube installation of two huge letter 'A's through which visitors may walk into "a gleaming block of stainless steel and Plexiglas that seems to quiver in the play of pale blue neon light" which is controlled by programmed timers. First shown in Manhattan's Pace Gallery, it was given to the Albright-Knox Art Gallery in Buffalo, New York in 1972. 1972, The Whitney Museum of American Art mounted a solo exhibition of works by Chryssa. That's All (early 1970s), the central panel of a triptych related to The Gates of Times Square, was acquired by the Museum of Modern Art between 1975 and 1979. 1973, Chryssa's solo exhibition at the Gallerie Denise René was reviewed for TIME magazine by art critic Robert Hughes before it went on to the Galleries Denise René in Düsseldorf and Paris. Other works by Chryssa in composite honeycomb aluminum and neon in the 1980s and 1990s include Chinatown, Siren, Urban Traffic, and Flapping Birds. Chryssa 60/90 retrospective exhibition in Athens in the Mihalarias Art Center. After her long absence from Greece, a major exhibition including large aluminum sculptures - cityscapes, "neon boxes" from the Gates to the Times Square, paintings, drawings etc. was held in Athens. In 1992, after closing her SoHo studio, which art dealer Leo Castelli had described as "one of the loveliest in the world," Chryssa returned to Greece. She found a derelict cinema which had become a storeroom stacked with abandoned school desks and chairs, behind the old Fix Brewery near the city center in Neos Kosmos, Athens. Using the desks to construct enormous benches, she converted the space into a studio for working on designs and aluminum composite honeycomb sculptures...

Paper Size: 38.5 x 33 inches ( 97.79 x 83.82 cm ) Image Size: 33.75 x 29 inches ( 85.725 x 73.66 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Supplemental C...

Koak (US American, b. 1981) Female Comes In Many Forms, 2019 Medium: Five color risograph print Dimensions: 43 x 28 cm (17 x 11 in) Edition of 200: Hand numbered and signed Condition...

14 layer screen print on 410gsm Somerset Tub Sized Satin White paper - finished with matte varnish and glossy, vinyl ink details 27 3/5 × 19 7/10 in 70 × 50 cm Edition of 40 hand-si...