Glue Sculptures

[Portland, OR b. 1971 - Hunstville, Alabama] Dirk Staschke is a full time studio artist who is best known for his exploration of Dutch Vanitas still life themes in the medium of ce...

**ANNUAL SUPER SALE UNTIL JUNE 15TH. ONLY** **THIS PRICE WON'T BE REPEATED AGAIN THIS YEAR - TAKE ADVANTAGE OF IT** HARD CANDY GLITTER CHAIR I Collection is a limited edition of onl...

Stephanie Beck creates sculptural “drawings” in wood that abstractly trace lines of the human body and other natural forms. Constructed from multiple short lengths of wood hinged tog...

Keith Young For Big Mistakes Collage on Canvas; Rubber, Glue, Wood, Cotton Canvas Year: 2022 Size: 16x16x3in Signed by hand COA provided Ready to hang Ref.: 924802-1135 ------------...

A split second moment is frozen in time as a rider falls from her bike, just barely making contact with the ground. The fluidity with which the artist is able to capture this specifi...

"Kara" is a beautiful contemporary sculpture created by the Canadian artist Yulia Shtern. Her work depicts beautifully decaying remnants of species on our planet that are currently endangered. Shtern utilizes common household materials such as produce netting and colored cardboards in her up-cycled process to authenticate her message. An unfortunate truth of our current society that is often forgotten. Shtern creates these beautiful pieces to draw the viewer in and force them to engage with reality head-on. This work is eye-catching with a delicate texture and vibrant colors and would brighten up any room. Artist's Inspiration: "Black Pakistan Cobra (Naja naja karachiensis) is considered by some to be one of the subspecies of Indian cobra...

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Colorful abstract contemporary collage sculpture that incorporates pages from 1960 Sears catalogues, cardboard, wood, concrete, acrylic paint, and wood glue. The bright red sculpture...

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Title: "After 77 Years, Again in Fear?" - Mixed Media Assemblage on Canvas Discover the powerful and thought-provoking artwork "After 77 Years, Again in Fear?" by acclaimed contemporary artist Irena Orlov. This original mixed media assemblage, measuring H34" x W57", masterfully incorporates various dimensional elements and techniques, including painting and found objects, to create a captivating abstract piece with a profound global message. Medium and Materials: This extraordinary artwork is a mixed media assemblage on fine art canvas, skillfully hand-stretched over 1" deep wood stretched bars. The artist's creative vision weaves together an intriguing combination of materials, including plastic, original World War 2 chemical gas masks, copper mesh, and small metal round container...

"Lulu" is a beautiful contemporary sculpture created by the Canadian artist Yulia Shtern. Her work depicts beautifully decaying remnants of species on our planet that are currently endangered. Shtern utilizes common household materials such as produce netting and colored cardboards in her up-cycled process to authenticate her message. An unfortunate truth of our current society that is often forgotten. Shtern creates these beautiful pieces to draw the viewer in and force them to engage with reality head-on. This work is eye-catching with a delicate texture and vibrant colors and would brighten up any room. Artist's Inspiration: "Saudi Gazelle was native to the northern and western parts of the Arabian peninsula, preferring rocky habitats with shrubs and acacia trees. It lived alongside Mountain Gazelle and Arabian Sand Gazelle. The populations of these other two gazelle species of the Arabian peninsula have been severely diminished over the last few decades, and they both are classified as vulnerable. Gazelles were some of the most frequently depicted animals in the Neolithic art...

The Redpath Mansion was built in 1886 for members of the Redpath family – wealthy industrialists who constructed the Lachine Canal and founded the sugar refinery that bears their name. This majestic house was erected in the fabled Golden Square Mile of Montreal. By the mid-20th century, it was one of the few remaining Queen Anne style homes in this city. The Sochaczevski family, purchased it in 1986 and within that year, obtained a license to demolish the building. Approximately 40% of the property was leveled. Organizations such as Heritage Montreal and Save Montreal obtained an injunction to suspend the execution of the license and the destruction of the mansion. It was temporarily saved. In 2014, the Mayor of Montreal, Denis Coderre, sided in favour of the Sochaczevski family, granting them the license to level the Redpath Mansion. In a statement to the media, when substantiating his reasoning, Denis Coderre said, “It was too dangerous, so I asked that we demolish the building.” The disappearance of the Redpath Mansion represented a great loss to Montreal’s architectural landscape. Organizations such as Heritage Montreal and Save Montreal, contended that it possessed immense cultural value; and during the course of almost three decades – 1986 to 2014 - struggled to save this rare Queen Anne style home from the wrecking ball. Albeit, the Sochaczevski family argued that it was old and unsafe, and that a restoration of the once stately home would be very costly. During the span marked by the first attempt at a demolition and the final decision by the mayor of Montreal (i.e. 1986 – 2014), The Redpath Mansion’s already dire condition worsened. It stood vacant and exposed to the elements. Nothing to upkeep the house was implemented, neither by the owners, or the city of Montreal; which ultimately compromised its structural viability. The events surrounding the Redpath Mansion, came to my attention in the summer of 2010. It was during a visit to Mount Sinai Hospital, in Montreal, where my father lay stricken by a terminal disease known as pulmonary fibrosis. I came upon a newspaper article in the Montreal Gazette. It described the Redpath Mansion case. I likened the decaying building with the final stages of my father’s life. The Redpath Mansion gained even greater significance for me when I went in person to the Golden Square Mile - in the city centre – and stood before it along Du Musée Street. I experienced it as a powerful metaphor for the transient nature of life. It also inspired thoughts related to generational ties, and how familial bonds act to influence and shape a person’s identity. The program of work I plan to undertake aims at building a scale model of the Redpath Mansion, as it appeared just before its demolition, in 2014. The physical height of this scale model is set at approximately 1 metre. I wish to place emphasis on the craft aspect, by creating a visual idiom based on details and decaying forms that allude to our connection to the past. For example, old pictures found among the rubble, scattered clothing and shoes, all of which are suggestive of a past ethos. I steer clear of political and social issues and aim to view this project with a more poetic lens, hoping to move the focus from societal problems to problems we face inside ourselves. The end result, or the finished piece would make a statement in a more introspective and emotional way, and show that the past weighs on the present, almost to the point of haunting. The viewer of the finished scale model will view it in the round, and in so doing perceive a definite narrative that addresses questions of identity, memory and loss. Ivan Markovic The Redpath Mansion, 2019 mixed media 37h x 20w x 24d in 93.98h x 50.80w x 60.96d cm IVM007 IVAN MARKOVIC was born in Montreal, Quebec in 1970. At an early age, he showed a natural propensity for drawing. At 15 years of age, he went to Paris, France to attend the Fine Arts school Creatione et Future. This experience allowed him to become a better draftsman and encouraged him to take his first steps in the art of oil painting. In 1994, he received a Bachelor of Fine Arts degree from Concordia University in Montreal. During his undergraduate degree he developed an interest for Art History and life drawing. After graduation, Ivan Markovic moved to Madrid, Spain to work at the Prado museum, where he made copies of Old Masters’ paintings, and developed an understanding for the materials and techniques of Spanish, Italian and Flemish art. He received a Master of Fine Arts degree from Bretton Hall College, University of Leeds, in the U.K. in 1997. His graduate work focused on large-scale paintings that alluded to baroque and neoclassical painting. In parallel, he pursued his other passion, teaching, by instructing a figure drawing course. Upon completing his MFA, he returned to Madrid to work as a practicing artist and art teacher for 13 years. During this time, he experimented with a diverse range of media. Of these, he was most captivated by sculpture. In 2010, he came back to his native Montreal, thus completing a formative cycle that has lasted 25 years. Currently, Ivan Markovic lives and works between Montreal, Chicago, and Madrid. He creates three-dimensional renditions of people facing situations of adversity, especially those that live on the fringe of society. His work has been featured in solo exhibitions in Canada, the United States and Europe, and is also on permanent display in privately owned collections of art. Ivan Markovic b. 1970, Montreal, Quebec Education 1997 Master of Fine Arts, Bretton Hall College, University of Leeds, England. 1994 Bachelor of Fine Arts, Concordia University, Montreal, Canada. 1986 Studies at the Fine Arts School, Création et Future, Paris, France. Selected Exhibitions 2020 Double Feature: Art Shay and Ivan Markovic, 2019, Gallery Victor Armendariz, Chicago, IL 2019 SOFA Chicago 2019, Navy Pier, Gallery Victor Armendariz, Chicago, IL 2018 SOFA Chicago 2018, Navy Pier, Gallery Victor Armendariz, Chicago, IL Art Market Hamptons, Gallery Victor Armendariz, Bridgehampton, NY Art On Paper, Gallery Victor Armendariz, New York, NY 2017 Art Toronto, Galerie D’Este, Toronto, Canada. SOFA Chicago, Navy Pier, Option Art, Chicago, IL Papier/10th Edition, Contemporary Art Fair of Works on Paper, Galerie D’Este, Mlt., Canada. 2016 SOFA Chicago, Navy Pier, Option Art, Chicago, U.S.A. 2016 Toronto International Art Fair, Galerie D’Este, Toronto, Canada. 2016 Beyond the Pale, Galerie D’Este, Montreal, Canada. 2014 On the Fringe, Galerie D’Este, Montreal, Canada. Love Art, Galerie D’Este, Toronto, Canada. Papier 14, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada. 2013 Shades of Isolation, Galerie D’Este, Montreal, Canada. 2013 Toronto International Art Fair, Galerie D’Este, Toronto, Canada. Papier 13, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada. 2012 Papier 12, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada. 2011 Papier 11, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada 2004 Galería Francisco Duayer, Madrid, Spain. 2004 Fundación Cultural Mapfre Vida (Premio Penagos de Dibujo), Madrid, Spain. 2003 Centro Intergrado Arganzuela (Ayuntamento de Madrid), Madrid, Spain. 2003 Galería Francisco Duayer, Madrid, Spain. 2001 Galería Francisco Duayer, Madrid, Spain. 2000 Sala Goya, Círculo de Bellas Artes, Madrid, Spain. 1998 Instituto Cervantes, John Hancock Center...

This beautiful work was handmade in Mexico City. It is the largest native cat species of the New World and the third largest in the world. The Jaguar, with its presence connecting No...

The male figure, catching himself before tumbling to the ground in Ivan Markovic's paper sculpture, "Figure Buffeted by Wind" is deceptively fluid and light. The viewer senses the w...

Colorful blue and orange abstract contemporary collage sculpture that incorporates collage, cardboard, wood, acrylic paint, and wood glue. The organic, amorphous form features spiked spires that resemble a rock formation. Artist Biography: The son of a Lutheran pastor and a psychotherapist, Brent...

Red and blue abstract contemporary collage sculpture that incorporates wrapping paper, cardboard, wood, acrylic paint, and wood glue. The organic, amorphous form features a primarily white surface with accents of bright reds, blues, and pinks. Artist Biography: The son of a Lutheran pastor and a psychotherapist, Brent Fogt...

Judy Rushin-Knopf (1959) was born in Dallas Texas and lives in Tallahasee, FL. Her work addresses bodies, access, and connection. She has exhibited her paintings, sculptures, and tex...

Judy Rushin-Knopf (1959) was born in Dallas Texas and lives in Tallahasee, FL. Her work addresses bodies, access, and connection. She has exhibited her paintings, sculptures, and tex...

This still life sculpture titled "Go Easy" is an original artwork by Lydia Ricci made of scrap materials. The piece measures 4”h by 8.5”w by 2”d. Lydia Ricci is a graduate of Carneg...

Judy Rushin-Knopf (1959) was born in Dallas Texas and lives in Tallahasee, FL. Her work addresses bodies, access, and connection. She has exhibited her paintings, sculptures, and tex...

Papier mâché, crepe paper, glue, rope

This realistic sculpture is created from scraps of paper and glue. The sculpture is inspired by the characters found in cities around the world. In this case, a figure sleeps beside a bicycle. A backpack is used as a pillow and shoes has been kicked off. Every attention has been paid to the smallest of details in this truly amazing paper sculpture. This sculpture is presented in a custom acrylic display case...

Judy Rushin-Knopf (1959) was born in Dallas Texas and lives in Tallahasee, FL. Her work addresses bodies, access, and connection. She has exhibited her paintings, sculptures, and tex...

Judy Rushin-Knopf (1959) was born in Dallas Texas and lives in Tallahasee, FL. Her work addresses bodies, access, and connection. She has exhibited her paintings, sculptures, and tex...

Judy Rushin-Knopf (1959) was born in Dallas Texas and lives in Tallahasee, FL. Her work addresses bodies, access, and connection. She has exhibited her paintings, sculptures, and tex...

In recent years, Eric Lamontagne has been interested in questions like perception, illusion and our relation to the invisible, through the development of works that blur the boundari...

Judy Rushin-Knopf (1959) was born in Dallas Texas and lives in Tallahasee, FL. Her work addresses bodies, access, and connection. She has exhibited her paintings, sculptures, and tex...

Renato Garza Cervera’s work develops in a wide variety of media including painting, drawing, graphic art, sculpture, objects and installations, as well as interventions, action and v...

This beautiful mixed media sculpture is part of Ilanit`s Calligraphy series. It is made of glue, sand, cement, resin and covered with automotive paint. As all of Ilanit`s works, thi...

Series: Origin of Desire Mari Ito was born in Tokyo, Japan in 1980. She majored in Nihonga, Japanese-style painting made with traditional practices, techniques and materials. She mo...

This beautiful mixed media sculpture is part of Ilanit`s Calligraphy series. It is made of glue, sand, cement, resin and covered with automotive paint. As all of Ilanit`s works, thi...

Artwork made with pigment (Iwaenogu), glue & water on cotton paper (Washi) marouflaged on Japanese wooden panel

Leslie Zelamsky's "Point of Departure 8" is a 55.75 x 25 x 25 inch sculpture that is constructed with pine, cedar and paint. The piece consists of two ...

Sara Fine-Wilson's "Coming Up for Air" is a mixed media sculpture of multiple ceramic elements that were previously formed, fired, and glazed and the...

Leslie Zelamsky's "Point of Departure 7" is a 30.5 x 31.5 x 15 inch wood sculpture that was inspired by circa 1942 abandoned ammunition storage bunkers...

Leslie Zelamsky's "Point of Departure 4" is a 40 x 31 x 8.5 inch sculpture constructed of pine fence pickets. While primarily raw wood, some parts have...

This is an original sculpture collaboration by artists Dennis McNett (also known as Wolfbat) and Alex Yanes from their "Good Medicine" exhibition at Paradigm Gallery + Studio in Philadelphia, PA, USA. This sculpture series marks the first time the two artists have ever worked collaboratively. PRESS RELEASE // Paradigm Gallery is pleased to present "Good Medicine", an exhibition featuring sculptural works in wood by Dennis McNett and Alex Yanes. New individual works by the artists will be displayed alongside pieces that have been created collaboratively between their studios. The show considers the concept of positive energy and how moods, situations, or experiences can be shaped by the presence of a strong force for good, while focusing broadly on the many ways that spirituality is practiced and explored in contemporary culture. Symbols, totems, and signs in a range of sizes are hand-carved and crafted from wood, resin, and acrylic to manifest the uplifting theme behind the works in three dimensions. "Good Medicine" will be on view through July 21, 2018. Both artists have practices that revolve around ideas of tradition, personal and communal narratives, nostalgia, and heritage. They express these themes in a blended style of neo-pop and folk art, drawing on their proximity to the subculture of skateboarding. With bold graphic elements and intricate detailing, the wooden sculptures, carvings, and installations portray a deeply personal and self-reflexive approach to art-making and craft, inviting the viewer to contemplate one’s quest for self-actualization through the assemblages. Dennis McNett is known for his large-scale woodcut sculptures that fuse relief printmaking with traditional wood carving. Steeped in domestic and international mythologies, McNett often receives the seeds of concepts for pieces through meditation and his spiritual practice that he then renders in his wood carvings, wood-cut panels, and prints. Over 15 works will be on display in "Good Medicine"– including "Big Mary’s Resurrection", an example of McNett’s dedication to clearing areas of bad energy left behind by past events. Also on view will be a new Owl Spirit sculpture series and collaged panels. His birds of prey and Norse images exist in high-contrast, with alternating deep and shallow black marks that delineate swaths of colored or natural wood surfaces. Alex Yanes constructs his surreal layered, textural sculptures from wood, epoxy resin, acrylic and spray enamel. The combination of materials gives his work a subtle gloss, with clean colors and polish. All Yanes’s 7 works in "Good Medicine", including a large wall installation, are brand new and showcase his signature pop graphics. The postmodern mashups reference funhouse aesthetics, with a nod to comics, cartoons, and vintage typography...

The artistic collaboration of Kelly Bugden + Van Wifvat has produced a thought-provoking body of sculptures, paintings, and constructions. Nature, childhood memories, and everyday archetypes take shape in unexpected combinations of materials. The works emerged as the tactile and visual senses channeled the ritualistic power and materiality of selected artifacts. The resulting objects exist in a space between what they were originally and what they could become. A wheel, for example, is distorted as if seen through a prism. Their collaboration grew out of years of shaping materials into one-of-a-kind objects. Intuitively, the process of creating with their hands took an inward turn. Prism is a travelogue through memories and dreams, yielding abstract forms that capture moments of transformation. Van Wifvat grew up with eight siblings and studied sculpture and environmental design in Minneapolis at MCAD. In 1979, he opened a storefront art gallery to promote the work of local artists. The space featured printed materials—art books, periodicals, fanzines, and postcard’s. Wifvat moved to New York in 1983 to study at the Fashion Institute of Technology and Parsons. In 1987, he co-founded Van Gregory & Norton design studio, specializing in convex mirrors and curtain hardware...

The artistic collaboration of Kelly Bugden + Van Wifvat has produced a thought-provoking body of sculptures, paintings, and constructions. Nature, childhood memories, and everyday archetypes take shape in unexpected combinations of materials. The works emerged as the tactile and visual senses channeled the ritualistic power and materiality of selected artifacts. The resulting objects exist in a space between what they were originally and what they could become. A wheel, for example, is distorted as if seen through a prism. Their collaboration grew out of years of shaping materials into one-of-a-kind objects. Intuitively, the process of creating with their hands took an inward turn. Prism is a travelogue through memories and dreams, yielding abstract forms that capture moments of transformation. Van Wifvat grew up with eight siblings and studied sculpture and environmental design in Minneapolis at MCAD. In 1979, he opened a storefront art gallery to promote the work of local artists. The space featured printed materials—art books, periodicals, fanzines, and postcard’s. Wifvat moved to New York in 1983 to study at the Fashion Institute of Technology and Parsons. In 1987, he co-founded Van Gregory & Norton design studio, specializing in convex mirrors and curtain hardware...

Modern-day rendition of the world's oldest computer, the real-life Antikythera Mechanism (c. 205 BC). To our knowledge, the world's first outright, true sculpture that honors the world's oldest computer. The Antikythera Mechanism was a hand-powered astronomical calculator/planetarium consisting of anywhere from 24 to approximately 30 interlocking concentric gears and cogs. It was the most complex man-made instrument ever made until nearly the Renaissance, a fact which demands rewrite on the capabilities of the ancients. The ART-ikythera directly connects Archimedes to the invention of the mechanism by virtue of the symbol for Pi being inscribed on the sculpture base. Also inscribed is a spiral glyph, gleaned from the real-life Archimedes Palimpsest. Another accoutrement is the "eye of Archimedes," a concave mirror which when illuminated casts the illusion of a convex magnifying glass. The shape of the base is a square within a circle, symbolizing how Archimedes "squared the circle" to calculate Pi to the second decimal expansion (3.14). ART-ikythera is an esoteric code generator with clues and ciphers leading to a unique scientific perspective. SPECS: Total of 23 individual pieces, including spot-welded antique and vintage cast-iron gears, cogs and sprockets from used farm implements, antique brass all angle inclinometer (late 19th century), antique padlock...

Sara Fine-Wilson's "Magic Carpet Ride" is a mixed media sculpture incorporating extruded and hand formed glazed and unglazed ceramic elements with epoxy. These elements are created, ...

"Cross Section from The Box" is an original large paper sculpture by street artist A Common Name (Paige Smith), which was part of her overall installation originally seen on display at The Standard, Hollywood. This piece measures 18in height x 24in width x 4in depth, and ships in the pictured wooden box frame (as pictured). All of the geodes were handmade out of paper by the artist, then painted. Please note: The final three photos are present to show the piece in situ. This purchase does not include any of the additional items such as furniture shown in the last three images. Paige Smith AKA A Common Name, is a multi-disciplinary artist and designer who lives and works in Los Angeles, CA. Smith is most notable for creating “Urban Geode,” a street art series of sculptures that resemble geodes, made entirely of paper and resin casts. Always interested in geology, Smith started to notice the nooks and crannies in the sides of buildings, walls, and abandoned phone booths within her community of the Historical Arts District (in Los Angeles). Seeing this as an opportunity to create, Smith took street-art to a whole new level. Since beginning the project, she has created large-scale installations for well-known brands such as The Standard, Hollywood; The Viper Room...

Guillaume Lachapelle’s artistic practice is shaped predominantly by sculpture, expressed in the form of installations and detailed miniature models. Lachapelle presents playful unive...

A time traverse mechanism with antecedents in mythological Atlantis. Legend speaks of a Minoan connection to Atlantis. The time machine's fictional narrative builds upon the latest in archeological finds and a growing body of circumstantial evidence hinting of an advanced society lost to history. Perchance, dare say, one which developed methods defying the very forward arrow of the space time continuum. The Atlantian Continuum narrative tells of it originally being buried in volcanic ash (thereby preserved) after a catastrophic event altered the earth's magnetic polarity. A broken piece of Minoan-Atlantian continental land mass drifted thousands of miles south (based upon recent real-life scholarly posits), further protecting the device in the permafrost of the Antarctic. Metrics of time manipulation employed are aligned with many of Einstein‘s theories including Relativity, Light Quanta, entanglement, curvature of space and infinite time loops. The sculpture portends an original scientific perspective replete with esoteric symbols, equations, formulai and multi-dimensional geometry, all portending a series of radical posits. These heuristic, intuitive theories expand upon the latest cutting-edge scientific, mathematical and philosophical insights into "visiting" the past. SPECS: Vintage spot welded cast-iron gears, cogs, sprockets and other pieces of used farm implements. Total of 49 individual pieces, all antique and vintage dating as far back as 1920. Antique plano-convex glass ball clock housed in brass. Antique brass transit surveyor. Antique brass car oiler. Antique iron padlock...

Over the past few years, Jesse Hickman has been making minimal abstract paintings on wood with few constraints. He calls this series Notes, thinking of these pieces as drawn sketches...

Artist: Chris Caccamise, American (1975 - ) Title: Effect People - Affect People Year: 2007 Medium: Mixed Media Sculpture with Paper, Enamel and Glue Size: 10.5 x 30 x 8 in. (26....

The tactile and nature-infused Freedom series extends into the world with densely cut paper compositions. They embody the flow of self-knowledge, and explore the feminine, harmony an...

This piece titled "Fault Lines: Bantam #B5" is an original piece by Kate VanVliet and is made from eggshells, mica, and PVA. This piece measures2”h x 1.5”w x 1.5”d”d and ships with t...

Keith Young Bart is watching you Collage on Canvas; Rubber, Glue, Wood, Cotton Canvas Year: 2022 Size: 13.5x2.5in Signed by hand COA provided Ready to hang Ref.: 924802-11330 ------...

Keith Young Fortune Cookie Strawberry Bear Collage on Canvas; Rubber, Glue, Wood, Cotton Canvas Year: 2022 Size: 9x2.5in Signed by hand COA provided Rea...

Keith Young I'm an Achiever! Collage on Canvas; Rubber, Glue, Wood, Cotton Canvas Year: 2022 Size: 22x12.5x3in Signed by hand COA provided Ready to hang Ref.: 924802-1136 ----------...

**ANNUAL SUPER SALE UNTIL Feb 29TH. ONLY** **THIS PRICE WON'T BE REPEATED AGAIN THIS YEAR - TAKE ADVANTAGE OF IT** PRIDE GLITTER CHAIR I Collection is a limited edition of only 5 ch...

"Victoria Crowned Pigeon" is a beautiful contemporary sculpture created by the Canadian artist Yulia Shtern. With delicate texture and vibrant colors, this work is eyecatching. This ...

This still life sculpture titled "I Can Sleep There" is an original artwork by Lydia Ricci made of scrap materials. The piece measures 3.5”h by 1.75”w by 2.25”d....

This work comes from the series entitled "Relations" and it tells about it too. The cycle combines various life paths that affect two individuals and their mutual relationship. The ...

This still life sculpture titled "Restart" is an original artwork by Lydia Ricci made of scrap materials. The piece measures 2”h by 2.5”w by 3”d Lydia Ricci is a graduate of Carnegi...

This still life sculpture titled "Cushioned" is an original artwork by Lydia Ricci made of scrap materials. The piece measures 2.5”h x 5”w x 2”d Lydia Ricci is a graduate of Carnegi...