Reclaimed Wood Folk Art

19th century Zinc Folk Art baby goose statue from a old fountain. The condition is good with some age wear.

Art Deco elephant sculpture on marble stylized base. Spelter metal with ivoroid ( synthetic) tusks, in the lucky position of going upward. This is a great piece, showing style and mo...

A lovely angel, his right hand extended as if to touch something or hold something. He appears very calm and peaceful, clothed in a partial shroud which is draped over his shoulder...

Classic danced deep red-black Baule mask, with raised three part finely incised hair, small facial scarifications on the forehead. From Ivory Coast, Africa, mid 20th century It is ...

Large Signed Driftwood crane sculpture on a wooden base Sculpture is signed on brass plaque on the base, B. Kutchukov, 1975.

A three-legged African stool or seat carved from a single piece of wood, attributable to the Oromo people in or around the city of Jimma in Ethiopia. This stool was as a utilitarian ...

Carved and painted wood with an openwork tiered bucket form back. The top tier with female figures, the bottom row with horsemen holding small-scale figures on top of the horses' heads. The shaped back with a dentated top border and two carved panels with birds. Panels with snakes frame...

A wonderful. Whimsical piece by Hawain artist Russ Graff. Made from Hawaiian exotic and Kauai inlaid woods and a tree of natural driftwood. Signed an...

A rather special and intricately carved large, heavy TOTEM sculpture/ pole featuring a wide range of wild jungle animals - birds, snakes, wild boar, frogs, monkeys, lions, reptiles, ...

Unique original signed Folk Art painting by Robyn “The Beaver” Beverland. Signed and dated 1992. Measures: 22" x 12". Artist bio: Robyn “The Beaver” Beverland found great joy in many things but what he most loved was painting. Robyn painted his Folk Art pictures...

Made from found industrial objects, this face takes on different looks at every angle. A wedge, sprockets, gears are adhered to a found painted steel plate to complete this "Flatlay Face" Jim Rose Flatlay Face No. 06, 2021 found industrial objects 4.25h x 9.50w x 9.50d in 10.79h x 24.13w x 24.13d cm JR0300 Jim Rose b. 1966, d. 2023 Bio Born in Indiana, Jim Rose lived in Europe until he returned to the United States to attend college. After one year at Bard College, Jim transferred to the School of the Art Institute in Chicago (SAIC) where he graduated in 1988 with a BFA. His skillful interpretation of the Shaker design is a result of intense research and field study of Shaker furniture, architecture, culture and history. After over two decades of dedicated work, he has mastered the minimalism of the Shaker technique and created his own unique visual vernacular. The quilts of Gee's Bend have become a monumental influence taking this artist's work to new levels of unique interpretation and artistry. His selection of aged steel results in a patina directly related to that of aged wood while his colored strips beautifully mimic worn cloth. Each piece of furniture is masterfully made and intended for daily use. Jim Rose’s steel furniture is featured every year at SOFA Chicago for the past 25 years. Jim Rose b. 1966, Wisconsin Education 1989 B.F.A., Sculpture, The School of the Art Institute of Chicago, IL 1988 Student at Large, Welding Technology, Triton College, Chicago, IL 1985 Undergraduate Photography Bard College, Annandale-on-Hudson, New York Awards 2008 Wisconsin Arts Board Fellowship Award, Madison, WI. 2005 Elizabeth R. Raphael Founder’s Prize, Society for Contemporary Craft, Pittsburgh, PA 2003 Grant Recipient for Shaker Interpretations in Cast Iron, PA Arts Assoc / WI Arts Board 2003 Arts/Industry Residency Program for Visual Artists, John Michael Kohler Arts Center, Sheboygan, Wisconsin Solo Exhibitions 2017 New Work, Tory Folliard Gallery, Milwaukee, WI 2012 Simply Steel, Leigh Yawkey Woodson Art Museum, Wausau, WI 2007 Variation, Ann Nathan Gallery, Chicago, IL 2003 New Work, Ann Nathan Gallery, Chicago, IL 2001 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 2000 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 1999 Hands and Heart to Steel III, Ann Nathan Gallery, Chicago, IL National Exhibitions 2017-2018 SOFA Chicago – Gallery Victor Armendariz 2016 - 1995 SOFA Chicago, New York, Palm Beach - Ann Nathan Gallery 2011 - 2002 Art Chicago - Ann Nathan Gallery Group Exhibitions 2017 Coming Attractions: Inaugural Exhibition, Gallery Victor Armendariz, Chicago, IL 2017 Living with Art: The Newman Collection, 108 Contemporary, Tulsa, Oklahoma 2016 Form Follows Function: The Intersection of Art and Craft, The Hardy Gallery, Ephraim, Wi 2015 NEO, Chipstone Foundation, Milwaukee Art Museum, Milwaukee, WI 2015 ICFF, Furniture Society, Javits Convention Center, New York City, NY 2013 Vahki Revisited, The Enduring Spirit of a Craft Collection” Mesa Contemporary Arts, Mesa, AZ 2013 Fearless Furniture, Indiana State Museum and Historic Sites, Indianapolis, IN 2013 Inaugural Exhibition, Museum Wisconsin of Art, West Bend, WI 2012 Sitting Pretty: Furniture from RAM’s Collection, Racine Art Museum, WI 2011 Hiding Places: Memory in the Arts, John Michael Kohler Arts Center, WI 2010 Living with Art, Strohl Art Center, Chautauqua Institution, NY 2009 Summer in Wisconsin, Tory Folliard Gallery, Milwaukee, WI 2009 High Honors, James Watrous Gallery, Madison, WI 2008 Second Lives: Remixing the Ordinary, Museum of Art and Design, NY 2007 Transformation 5: Contemporary Works in Found Materials, Art Association, Jackson, WY 2007 Transformation 5: Contemporary Works in Found Materials, Houston Center for Contemporary Craft, Houston, TX (traveling exhibition) 2006 Show us Your Drawers, Herron School of Art, Indianapolis, IN 2006 Marriage of the Minds...

A folk art ship oil on board, painted by Mrs. E.O. Ricks (Bettie Tully Ricks, 1879-1959) of Alabama in 1927. 27 ¾ by 15 ¾ inches