Aluminum Books

Earth’s Mightiest Heroes Assembling the definitive Marvel Age Avengers anthology By early 1963 the foundations of the Marvel Universe had been laid. Following the introduction of the Fantastic Four in 1961 came the amazing (Spider-Man), the astonishing (Ant-Man), the strange (Doctor, that is), the incredible (Hulk), the invincible (Iron Man) and the mighty (Thor). Still, Marvel editor in chief Stan Lee realized something was missing. “I was writing these characters and I thought it would fun to put them together in a team,” he recalled. So Lee and artist Jack Kirby assembled Iron Man, Ant-Man and the Wasp, Thor, and the Hulk...

All Hail the King of Fantasy Art. Frank Frazetta finally gets the big beautiful book he deserves. Frank Frazetta has reigned as the undisputed lord of...

He’s a four-time Mr. Universe, seven-time Mr. Olympia. His films have grossed four billion dollars worldwide. He won the California governor’s race by a landslide. He has one of the ...

Born in the mid 20th century, Yonel Lebovici was a French sculptor who made only 100 copies of this sculptural, highly coveted book. The book comes with an adapter for North America....

The Strangest Super-Heroes of All. The foundation of a pop-culture phenomenon. When Marvel publisher Martin Goodman asked Stan Lee to deliver another new team book for his line of comics, he had no idea he’d be getting something like The X-Men. In fact, nobody could have imagined the extraordinary phenomenon the X-Men would eventually grow into—not Goodman, not Lee, not even the forward-thinking futurist Jack Kirby. What they started out as was a charming, ragtag team of misfits, devised by Lee and Kirby to be mutants—youngsters born with “X-tra” powers thrust upon them not by accidentally crossing paths with cosmic rays or a nuclear blast, but by the fate of birth—led by a no-nonsense professor who trained them to become heroes that could protect the world from menaces, mutant and otherwise. The first years of storytelling laid the foundation for much of what has put the X-Men at the crossroads of comics and popular culture: Hounded by a public that fears and misunderstands them, mutantkind find themselves at the heart of their own civil rights struggle; Cyclops, Marvel Girl, Angel, Beast, and Iceman found safety amongst themselves despite the challenges that set them apart from others in society; and Professor Xavier lined up against his ideological foe, Magneto, who had assembled a Brotherhood of Evil Mutants to take the fight for their self-preservation directly to humankind. Along the way, Lee and Kirby—who were on fire taking comics into the Marvel Age—introduced a menagerie of villains and supporting characters that would become mainstays of Marvel and its lore: the super-powered siblings Quicksilver and Scarlet Witch; the formidable Blob; the unstoppable Juggernaut; the jungle dweller from the Savage Land, Ka-Zar; the demigod from the stars, the Stranger; and Bolivar Trask and his army of mutant-hunting Sentinels. And as Lee and Kirby gave way to new talents so they could move on to new corners of the Marvel Universe, Atlas era art veteran Werner Roth teamed with writing newcomer and future X-Men legend Roy Thomas...

100 of the most legendary and coveted motorcycles of all time Dream Rides: The most spectacular bikes on the planet. From the 1894 Hildebrand & Wolfmüller to the 2020 Aston Martin AMB 001, this book lavishly explores 100 of the most desirable motorcycles to have ever sped thrillingly around a circuit or along an open road. From pioneering record-breakers, luxury tourers, and legendary roadracers to GP-winning machines, iconic superbikes, and exotic customs, this book celebrates motorcycle design and engineering at its highest level. Many examples are from acclaimed private collections and very rarely seen. Others are the all-out stars of renowned motorcycle museums—such as the 1938 Brough Superior “Golden Dream” or the 1957 MV Agusta 500 4C, which took John Surtees...

A very rare and cool book, “The Machine – As Seen at the End of the Mechanical Age'" by K.G. Pontus Hulten for the Museum of Modern Art New York, circa 1968. The book is in its original form; pressed, painted and hinged aluminum covers with an image of MOMA and a yellow New York taxi cab at the front. This is the exhibition catalogue for an important exhibition held at the Museum of Modern Art in 1968 showing an overview of machines and the mechanical age prior to the digital age, as seen through the eyes of and interpreted by many important artists from Da Vinci, to Toulouse-Lautrec, Paul Klee, Alexander Calder, Marcel Duchamp, El Lissitzky, Ettore Bugatti...

The First Family of the Marvel Age. The ultimate collection of the world’s greatest comic magazine. Hoping to break out of a sales slump at Marvel in the early 1960s, veteran comic...

The Machine: As Seen At The End Of The Mechanical Age by K. G. Pontus Hulten. Museum of Modern Art, New York, 1968. Embossed aluminum boards designed by Anders Osterlin...

Collector’s Edition of 1,000 numbered copies, each signed by Neil Leifer. ChromaLuxe aluminum hardcover in slipcase, 14.2 x 15.2 in., 24.84 lb, 424 pages. Neil Leifer has shot al...