Clay Contemporary Art
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4,472
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992
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Material: Clay
'Winter Day In Marievik' A Unique Ceramic Sculpture, Pekka Paikkari, 2023
Located in Helsinki, FI
”Winter Day In Marievik” is an impressive ceramic wall sculpture made by Pekka Paikkari in 2023. This extraordinary piece of art features a unique hand crafted ceramic design layed o...
Category
2010s Finnish Modern Clay Contemporary Art
Materials
Ceramic, Clay, Wood
Ukrainian Contemporary Abstract Art Diptych Painting Anthropocene by Voznicki
By Voznicki
Located in Amsterdam, NL
Andriy and Olesya Voznicki are well established Ukrainian artists. They have both graduated from Lviv Academy of Art in Ukraine, Olesya - from the Art Glass department and Andriy as a sculptor.
Forced to recently flee their home in Ukraine and relocate to the Netherlands, Olesya and Andriy Voznicki have restarted their practice in vicinity to Amsterdam and been supported by Mia Karlova...
Category
21st Century and Contemporary Ukrainian Modern Clay Contemporary Art
Materials
Metal
300 Portuguese Azulejos tiles / Henry the navigator / by Cardoso signed
Located in WEERT, NL
300 Portuguese Azulejos tiles / Henry the navigator / by Jorge Cardoso / Ceramic Constancia 1996 signed. Hand crafted panel.
Category
1990s Portuguese Neoclassical Clay Contemporary Art
Materials
Ceramic, Clay
Ukrainian Contemporary Abstract Art Diptych Painting Rebirth by Voznicki
By Voznicki
Located in Amsterdam, NL
Andriy and Olesya Voznicki are well established Ukrainian artists. They have both graduated from Lviv Academy of Art in Ukraine, Olesya - from the Art Glass department and Andriy as a sculptor.
Forced to recently flee their home in Ukraine and relocate to the Netherlands, Olesya and Andriy Voznicki have restarted their practice in vicinity to Amsterdam and been supported by Mia Karlova...
Category
21st Century and Contemporary Ukrainian Modern Clay Contemporary Art
Materials
Metal
Páramo Tiles MIX 75% with curve and 25% with plain curve
Located in Zapopan, Jalisco
Páramo expresses the malleability of the earth. This scalable set of mosaics modeled using parametric design allows for infinite variations.
The geographies that result from these ...
Category
2010s Mexican Minimalist Clay Contemporary Art
Materials
Clay, Paint
Páramo Tiles MIX 50% with curve and 50% with plain curve
Located in Zapopan, Jalisco
Páramo expresses the malleability of the earth. This scalable set of mosaics modeled using parametric design allows for infinite variations.
The geographies that result from these ...
Category
2010s Mexican Minimalist Clay Contemporary Art
Materials
Clay, Paint
Azulejos Portuguese Hand Painted Tile Mural "Lisbon Portugal" Signed by Artist
Located in Baldock, GB
Beautiful tile mural with the "PRAÇA DO COMÉRCIO LISBON PORTUGAL" motif finely painted.
Quantity: 143 tiles
Tile mural size: 76.7"W X 64.9"H (195cm X 165cm)
Tile size: 5.9"W X 5.9...
Category
21st Century and Contemporary Portuguese Modern Clay Contemporary Art
Materials
Ceramic, Clay, Paint
Azulejos Portuguese Hand Painted Tile Mural "Grape Harvest" Signed by Artist
Located in Baldock, GB
Beautiful tile mural with the "Grape Harvest" motif finely painted.
Quantity: 160 tiles
Tile mural size: 94.4"H X 59"W (105cm X 240cm)
Tile size: 5.9"H X 5.9"W (15cm X 15cm)
Origin...
Category
21st Century and Contemporary Portuguese Modern Clay Contemporary Art
Materials
Ceramic, Clay, Paint
Azulejos Portuguese Hand Painted Tile Mural "Fado" Signed by Artist
Located in Baldock, GB
Beautiful tile mural with the "FADO" motif finely painted.
Quantity: 180 tiles
Tile mural size: 59"H X 106.2"W (150cm X 270cm)
Tile size: 5.9"H X 5.9"W (15cm X 15cm)
Origin: Portug...
Category
21st Century and Contemporary Portuguese Modern Clay Contemporary Art
Materials
Ceramic, Clay, Paint
Portuguese Hand Painted Tile Mural "Henry the Navigator" Signed by Artist
Located in Baldock, GB
Beautiful tile mural with the "HENRY THE NAVIGATOR" motif finely painted.
Quantity: 176 tiles
Tile mural size: 94.4"H X 64.9"W (240cm X 165cm)
Til...
Category
21st Century and Contemporary Portuguese Modern Clay Contemporary Art
Materials
Ceramic, Paint, Clay
Azulejos Portuguese Hand Painted Tile Mural "Old Wine Press" Signed by Artist
Located in Baldock, GB
Beautiful tile mural with the "OLD WINE PRESS" motif finely painted.
Quantity: 104 tiles
Tile mural size: 47.2"H X 76.7"W (120cm X 195cm)
Tile size: 5.9"W X 5.9"H (15cm X 15cm)
Ori...
Category
21st Century and Contemporary Portuguese Modern Clay Contemporary Art
Materials
Ceramic, Clay, Paint
Portuguese Azulejos Hand Painted Tile Mural "Harvest" Signed by Artist
Located in Baldock, GB
Beautiful tile mural with the "HARVEST" motif finely painted.
Tile mural size: 53.1"H X 53.1"W (135cm X 135cm)
Tile size: 5.9"H X 5.9"W (15cm X 15cm)
Origin: Portugal
Production m...
Category
21st Century and Contemporary Portuguese Modern Clay Contemporary Art
Materials
Ceramic, Clay, Paint
Mexican Ceramic Wall Hanging Decoration Organic Modern Leaf Sgraffito Clay Tile
Located in Queretaro, Queretaro
Ceramic wall tile decoration with leaf print using sgraffito technique. Tiles can be custom made to fit any wall of space.
Take tradition to evolve, transform, and innovate are all...
Category
2010s Mexican Organic Modern Clay Contemporary Art
Materials
Ceramic, Clay, Terracotta
Rare Artwork by Helja Liukko-sundstrom, "Supporting each other", 1998
By Heljä Liukko-Sundström
Located in London, England
A rare example of Heljä Liukko-Sundström's (b.1938) artworks produced by Arabia Ceramics, Finland. Displayed in portrait, the scene titled, "Supporting each other", displays a quaint...
Category
1990s Finnish Scandinavian Modern Clay Contemporary Art
Materials
Ceramic, Clay
Mexican Ceramic Seed Wall Hanging Decoration Puzzle Clay Kitchen Organic
Located in Queretaro, Queretaro
This wall decoration piece is a registration of jacaranda seeds from the state of Oaxaca, Mexico. This organic modern style is perfect to decorate kitchen spaces or dinning room area...
Category
2010s Mexican Organic Modern Clay Contemporary Art
Materials
Ceramic, Clay, Terracotta
Mexican Leaf & Seed Wall Hanging Decoration Puzzle Clay Mural Organic Rustic
Located in Queretaro, Queretaro
This organic wall decoration piece is made up of leaf and seed impressions joined together to form a large mural. Its rustic style is obtained using pigments such enamels and earths....
Category
2010s Mexican Organic Modern Clay Contemporary Art
Materials
Ceramic, Clay, Terracotta
Mexican Fishing Boats Wall Hanging Decoration Puzzle Clay Mural Organic Rustic
Located in Queretaro, Queretaro
This organic wall decoration piece is made up of fishing boat impressions joined together to form a large mural. Its rustic style is obtained using pigments such enamels and earths. ...
Category
2010s Mexican Organic Modern Clay Contemporary Art
Materials
Ceramic, Clay, Terracotta
Mexican Fish Wall Hanging Decoration Puzzle Clay Mural Organic Rustic
Located in Queretaro, Queretaro
This organic wall decoration piece is made up of fish impressions joined together to form a large mural. Its rustic style is obtained using pigments such enamels and earths. Perfect ...
Category
2010s Mexican Organic Modern Clay Contemporary Art
Materials
Ceramic, Clay, Terracotta
Mexican Corn Wall Hanging Decoration Puzzle Clay Mural Organic Rustic
Located in Queretaro, Queretaro
This organic wall decoration piece is made up of corn impressions joined together to form a large mural. Its rustic style is obtained using pigments such as the cochineal from the ca...
Category
2010s Mexican Organic Modern Clay Contemporary Art
Materials
Ceramic, Clay, Terracotta
Talavera Mural Azulejo Tile Folk Contemporary Mexican Ceramic Blue White Mosaic
By Cesar
Located in Queretaro, Queretaro
This contemporary azulejo tile forms a mosaic perfect for kitchen decorations or any exterior space. Made with the Talavera technique. Artist, Cesar Torres portraits the colonial art of Mexico, but this time with a contemporary touch. This wall decoration can be arranged to fit specific spaces or simply hanged as a painting on the wall.
The Talavera is not just a simple painted ceramic: its exquisite decoration is the product of a delicate process of alchemy that translates into fine enamels. In Puebla, Mexico few people still produce using Talavera with the ancestral techniques.
One of those few is Cesar Torres, Don Cesar learned his art in the workshop of the Uriarte family, an excellent workshop where his grandfather worked. In his creations he uses the black and white mud that is obtained from the nearby hills of Loreto and Guadalupe, and colors of mineral origin that he creates in his workshop with recipes from his grandfather.
All the pieces are modeled in a traditional way and go through a production process that usually takes from one to two months, between drying, burning, and painting.
Being surrounded by a living tradition, Cesar Torres Jr., learned from his father since childhood. Architect by profession, Cesar Jr. has come to revolutionize and modernize with new designs and ideas of the current world, nevertheless always respecting the tradition of the processes and materials that make Talavera a Creole art...
Category
21st Century and Contemporary Mexican Spanish Colonial Clay Contemporary Art
Materials
Ceramic, Clay, Majolica
Richard Hirsch Encaustic Painting of Nothing #72, 2021
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #72 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105)
Richard Hirsch brief bio:
In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence.
In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades.
Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...
Category
21st Century and Contemporary American Modern Clay Contemporary Art
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #73, 2021
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #73 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer...
Category
21st Century and Contemporary American Modern Clay Contemporary Art
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #76, 2021
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #76 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105)
Richard Hirsch brief bio:
In the field of contemporary ceramic, Rick Hirsch...
Category
21st Century and Contemporary American Modern Clay Contemporary Art
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #79, 2021
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #79 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Paint...
Category
21st Century and Contemporary American Modern Clay Contemporary Art
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #75, 2021
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #75 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105)
Richard Hirsch brief bio:
In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence.
In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades.
Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...
Category
21st Century and Contemporary American Modern Clay Contemporary Art
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #70, 2021
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #70 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Paint...
Category
21st Century and Contemporary American Modern Clay Contemporary Art
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #53, 2017
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #53 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105)
Richard Hirsch brief bio:
In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence.
In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades.
Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...
Category
21st Century and Contemporary American Modern Clay Contemporary Art
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #77, 2021
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #77 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105)
Richard Hirsch brief bio:
In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence.
In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades.
Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...
Category
21st Century and Contemporary American Modern Clay Contemporary Art
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #28, 2012
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #28 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105)
Richard Hirsch brief bio:
In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence.
In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades.
Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...
Category
21st Century and Contemporary American Modern Clay Contemporary Art
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #62, 2020
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #62 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105)
Richard Hirsch brief bio:
In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence.
In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades.
Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics...
Category
21st Century and Contemporary American Modern Clay Contemporary Art
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #52, 2017
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #52 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105)
Richard Hirsch brief bio:
In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence.
In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades.
Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...
Category
21st Century and Contemporary American Modern Clay Contemporary Art
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #55, 2017
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #55 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105)
Richard Hirsch brief bio:
In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence.
In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades.
Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics...
Category
21st Century and Contemporary American Modern Clay Contemporary Art
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #26, 2012
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #28 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105)
Richard Hirsch brief bio:
In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence.
In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades.
Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...
Category
21st Century and Contemporary American Modern Clay Contemporary Art
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #78, 2020
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #78 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105)
Richard Hirsch brief bio:
In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence.
In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades.
Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics...
Category
21st Century and Contemporary American Modern Clay Contemporary Art
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #63, 2020
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #63 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105)
Richard Hirsch brief bio:
In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence.
In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades.
Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...
Category
21st Century and Contemporary American Modern Clay Contemporary Art
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #50, 2017
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #50 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105)
Richard Hirsch brief bio:
In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence.
In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades.
Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...
Category
21st Century and Contemporary American Modern Clay Contemporary Art
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #61, 2021
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #61 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Paint...
Category
21st Century and Contemporary American Modern Clay Contemporary Art
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #54, 2017
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #54 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Paint...
Category
21st Century and Contemporary American Modern Clay Contemporary Art
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #40, 2014
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #40 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105)
Richard Hirsch brief bio:
In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence.
In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades.
Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics...
Category
21st Century and Contemporary American Modern Clay Contemporary Art
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #44, 2015
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #44 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Paint...
Category
21st Century and Contemporary American Modern Clay Contemporary Art
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #60, 2020
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #60 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Paint...
Category
21st Century and Contemporary American Modern Clay Contemporary Art
Materials
Clay, Organic Material
Triptych 20.08, Framed Ceramic Three Piece Sculpture by Nicholas Lees
Located in London, GB
A three piece framed ceramic installation by acclaimed British ceramicist Nicholas Lees. The piece consists of three individually hand thrown and ...
Category
2010s British Organic Modern Clay Contemporary Art
Materials
Ceramic, Clay, Porcelain
Installation 21.18, Six Piece Framed Ceramic Sculpture by Nicholas Lees
Located in London, GB
A six piece framed ceramic installation by acclaimed British ceramicist Nicholas Lees. The piece consists of six individually hand thrown and hand...
Category
2010s British Organic Modern Clay Contemporary Art
Materials
Ceramic, Clay, Porcelain
Azulejos Portuguese Tile Panel "Age of Discovery Ship" Signed by Artist
Located in Baldock, GB
Beautiful tile mural with the "AGE OF DISCOVERY SHIP" motif finely painted.
Quantity: 272 tiles
Tile mural size: 100.3"W X 94.4"H (255cm X 240cm)
Tile size: 5.9"W X 5.9"H (15cm X 15...
Category
21st Century and Contemporary Portuguese Modern Clay Contemporary Art
Materials
Ceramic, Paint, Clay
Portuguese Hand Painted Tile Mural "Ladies by the Lake" Signed by Artist
Located in Baldock, GB
Beautiful tile mural with the "LADIES BY THE LAKE" motif finely painted.
Quantity: 190 tiles
Tile mural size: 59"H X 112.1"W (150cm X 285cm)
Tile size: 5.9"H X 5.9"W (15cm X 15cm)
...
Category
21st Century and Contemporary Portuguese Modern Clay Contemporary Art
Materials
Ceramic, Paint, Clay
Ceramic Work from the Somieres Collection by Alberto Hernández, 1999
By Hernandez
Located in Benalmadena, ES
Material: Clay/cooked clay and hand-painted with our own pigments.
Great work of the important ceramic artist Alberto Hernández, signed and dated....
Category
1990s Spanish Clay Contemporary Art
Materials
Metal
Peter Astrom "Sea Creature 2" Swedish Abstract Expressionist Painting
Located in New York, NY
Original Peter Astrom abstract expressionist painting entitled:
Sea Creature #2
Acrylic paint and modelling paste on Arche paper
H 30 in x W 22 in, Unframed
Signed Peter Astrom lo...
Category
21st Century and Contemporary Swedish Scandinavian Modern Clay Contemporary Art
Materials
Acrylic, Clay, Paper
Richard Hirsch Encaustic Painting of Nothing, Painting of Nothing Series, 2013
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Paintings of Nothing is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting...
Category
21st Century and Contemporary American Modern Clay Contemporary Art
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #9, 2011
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #9 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painti...
Category
21st Century and Contemporary American Modern Clay Contemporary Art
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #3L, 2013
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #3L is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Paint...
Category
21st Century and Contemporary American Modern Clay Contemporary Art
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing, Painting of Nothing Series, 2012
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Paintings of Nothing is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting...
Category
21st Century and Contemporary American Modern Clay Contemporary Art
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #13M, 2011
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #13M is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Pain...
Category
21st Century and Contemporary American Modern Clay Contemporary Art
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing, Painting of Nothing Series, 2012
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Paintings of Nothing is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting...
Category
21st Century and Contemporary American Modern Clay Contemporary Art
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #14M, 2012
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #14M is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Pain...
Category
21st Century and Contemporary American Modern Clay Contemporary Art
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #19, 2011
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #19 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Paint...
Category
21st Century and Contemporary American Modern Clay Contemporary Art
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #29, 2012
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #29 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Paint...
Category
21st Century and Contemporary American Modern Clay Contemporary Art
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #5, 2010
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #5 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painti...
Category
21st Century and Contemporary American Modern Clay Contemporary Art
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #15, 2011
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #15 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Paint...
Category
21st Century and Contemporary American Modern Clay Contemporary Art
Materials
Clay, Organic Material
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