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What does triptych mean in art?

3 Answers
What does triptych mean in art?
It means three paintings painted together and meant to hang together. Often a triptych would have the main centerpiece and two smaller pieces on the left and right
David Brooker Fine Art
David Brooker Fine ArtFebruary 23, 2021
A triptych is a three panel art work that is hung or displayed together in a particular order. The artist creates a work across three sections that connect that give the appearance of unity in design and construction.
Glenn Green Galleries
Glenn Green GalleriesFebruary 24, 2021
A triptych is a piece of art (usually a painting or photograph) that’s separated into three distinct parts or panels. A lot of art from the Christian art from the Bysantine era are triptychs.
1stDibs ExpertAugust 17, 2021
Shop for Art Abstract Triptych on 1stDibs
Abstract Triptych
By Stuart Bigley
Located in Germantown, NY
Stuart Bigley is an artist based in New York’s beautiful Hudson Valley. He has been making and showing his artwork for over 40 years. During this time he also co-founded and ran the ...
Category

1970s Abstract Abstract Paintings

Materials

Acrylic Polymer, Canvas, Oil

"Abstract Triptych"
Located in Zofingen, AG
This is a colourful abstract triptych. Each painting is framed in a black wooden frame, ready to
Category

2010s Abstract Paintings

Materials

Acrylic

"Abstract Triptych"
Located in Zofingen, AG
This is a colourful abstract triptych. Each painting is framed in a black wooden frame, ready to
Category

2010s Abstract Paintings

Materials

Acrylic

Abstract Composition Triptych
Located in Astoria, NY
Robert O'Meara (American, XX-XXI), Abstract Composition, Triptych in White and Blue, Oil on Canvas
Category

21st Century and Contemporary Contemporary Abstract Paintings

Materials

Canvas, Oil

Abstract Triptych
By Stuart Bigley
Located in Germantown, NY
Stuart Bigley is an artist based in New York’s beautiful Hudson Valley. He has been making and showing his artwork for over 40 years. During this time he also co-founded and ran the ...
Category

1970s Abstract Paintings

Materials

Acrylic Polymer, Canvas, Oil

Abstract Composition Triptych
Located in Astoria, NY
Robert O'Meara (American, 1957-2024), Abstract Composition Triptych, Oil on Canvas, unsigned, with
Category

21st Century and Contemporary Contemporary Abstract Paintings

Materials

Canvas, Oil

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Shop More art from David Brooker Fine Art on 1stDibs
19th century English Cottage landscape
Located in Woodbury, CT
F. Walters (British, 19th Century) Cottage Landscape with Figures and Pond Oil on canvas, signed lower left English School, circa 1880 Presented in an ornate 19th-century carved and gilded frame This serene and expansive rural landscape by 19th-century British artist F. Walters captures the gentle charm of the English country...
Category

1890s Victorian Landscape Paintings

Materials

Canvas, Oil

English 19th century English Farm with shire Clydesdale horses in a landscape
By John Frederick Herring Sr.
Located in Woodbury, CT
English School Farmyard Scene with Horses and Goat Oil on panel, unsigned The Circle of John Frederick Herring Sr. Circa 1880 Presented in a later gilt and painted frame This finely rendered 19th-century English farmyard scene captures the quiet dignity of rural life, with a group of three horses—white, chestnut, and black—gathered beneath a tree in the warm light of late afternoon. A small goat stands to one side near a rustic stable, adding a note of charming domesticity to the composition. The surrounding landscape, with its distant hills and careful play of shadow and cloud, speaks to the artist’s sensitivity to atmosphere and detail. Though unsigned, the painting is executed in a manner closely aligned with the work of John Frederick Herring Senior, one of Britain’s most celebrated animal painters of the Victorian era. The careful modelling of the horses, their distinctive postures and anatomy, and the tranquil farm setting are all hallmarks of Herring’s influence. Painted in oils on a wooden panel, the surface retains a fine, even gloss and a warm palette typical of the period. The composition is both balanced and lyrical: the interplay of form and gesture among the animals invites the viewer into a moment of repose between work and activity, emblematic of Victorian ideals of harmony between man, beast, and the land. A delightful example of 19th-century English rural painting...
Category

1880s Victorian Animal Paintings

Materials

Oil, Wood Panel

Antique 19th century English fishing vessels In the English Channel
By William Henry Williamson
Located in Woodbury, CT
William Henry Williamson (British, fl. mid to late 19th Century) Fishing Boats off the English Coast Oil on canvas, signed lower left Circa 1870–80 Presented in a period gilt frame ...
Category

1880s Victorian Figurative Paintings

Materials

Canvas, Oil

19th century Portrait of a Bulldog Mum with puppies in a barn interior playing
Located in Woodbury, CT
Attributed to Edwin Loder (British, fl. mid–late 19th Century) Mother Dog and Puppies in a Stable Interior Oil on canvas, unsigned English School, circa 1880 Presented in a period-st...
Category

1880s Victorian Animal Paintings

Materials

Canvas, Oil

19th century English still life of fruit on a mossy bank landscape
By Vincent Clare
Located in Woodbury, CT
Vincent Clare (British, 1855–1930) Still Life of Fruit on a Mossy Bank Oil on canvas, signed lower right Circa 1870 Presented in a richly carved and gilded 19th-century style frame ...
Category

1850s Victorian Still-life Paintings

Materials

Canvas, Oil

19th century English landscape with Horse Racing, Possibly the Epsom Derby
By Samuel Henry Alken
Located in Woodbury, CT
Samuel Henry Alken (1810–1894) Horse Racing Scene, Possibly the Epsom Derby Oil on board, unsigned Attributed, English school circa 1840 Presented in a later gilt frame with beaded inner edge This dynamic mid-19th century racing scene, attributed to Samuel Henry Alken—also known as Henry Alken Junior—captures the high-stakes moment just before the thundering release of horses and riders at the starting line. A tightly packed field of brightly jacketed jockeys leans forward with urgent anticipation, the taut muscles of their mounts echoing the gathering tension. In the foreground, a race marshal gestures dramatically to signal the start, his stance underscoring the energy about to be unleashed. Though unsigned, the work bears the unmistakable hallmarks of Samuel Henry Alken’s hand: vigorous composition, attention to equine form, and a sharp eye for the choreography of sport. The figures are finely modelled, the palette lively but grounded, and the setting—with its wooded backdrop, animated crowd, and distant grandstands—suggests a major 19th-century race meeting, possibly the Epsom Derby, a subject Alken is known to have returned to in several formats. The composition’s panoramic sweep and low horizon lend a cinematic quality, while the density of detail—each silken cap and coat, each bridle and plume—evokes the pageantry and social theatre of Britain’s sporting calendar at the height of its Regency and early Victorian splendour. A rare and spirited scene from the golden age of English sporting painting...
Category

1840s Victorian Figurative Paintings

Materials

Oil, Board

Impressionist still life Interior, Blanket, Nuts, Ceramics, bookcase, mushrooms
By George Weissbort
Located in Woodbury, CT
George Weissbort (British, 1928–2013) Still Life of an Interior with Trunk and Drapery Oil on board, signed lower left Circa 1970 Presented in the original English oak frame This ri...
Category

1970s Impressionist Still-life Paintings

Materials

Canvas, Oil, Board

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