Square Abstract Drawings and Watercolors

Allan D'Arcangelo Constellation, 1971 Acrylic on paper, mounted to canvas Hand signed and dated 1971 lower front Frame included Measurements: Framed: 23.75 x 23.75 x 1.25 inches Artw...

This contemporary geometric abstract drawing has a beautiful, soft mottled texture created with Judge's unique powered pigment technique. Blue Opus Series 8 is a predominately blue m...

This expressive lion study captures the majestic presence of the king of the savanna with a delicate balance between abstraction and realism. Using fluid ink washes, the artist evoke...

This contemporary geometric abstract drawing has a beautiful, soft mottled texture created with Judge's unique powered pigment technique. Poptic 09 is a predominately yellow, orange ...

This piece titled "residence" is an original artwork made from pencil, maker, acrylic paint collage on panel by Miriam Singer. This piece measures 8"h x 8"w. Miriam Singer grew up i...

Abstract Expressionist Composition by Jacques COULAIS (1955-2011) gouache painting on thick board unframed: 8 x 8 inches condition: excellent provenanc...

This blue, red, and white wall-hanging artwork titled "DANGER!" is an original artwork by Jim Houser made of acrylic and collage on canvas. This piece measures 10"h x 10"w. Jim Hous...

Emily Mason So Slight a Film (from the Lehman Brothers art collection), 1978 Oil on paper Abstract Expressionist painting Signed and dated 'Emily Mason '78' bottom right in pencil Fr...

This contemporary geometric abstract drawing has a beautiful, soft mottled texture created with Judge's unique powered pigment technique. Poptic 49 is a predominately light green man...

Andra Samelson’s work explores the relationship of microcosm and macrocosm, emptiness and form. The imagery in her paintings is often associated with molecular and galactic systems. ...

A sophisticated and marvelous work for any forward interior. It both gives a sense of space, calm, playfulness and it actually pulls you in as a focal point work of art. Framing is ...

This contemporary geometric abstract drawing has a beautiful, soft mottled texture created with Judge's unique powered pigment technique. Pop Flower 008 is a predominately light blue...

A Stylish, 1940s Art Deco Cubist Drawing of a Seated Female, "The Telephone Call", by Note Chicago Modern Artist, Harold Haydon (Am. 1909-19940. A striking charcoal drawing executed...

From the series Illusions of the Line Chinese ink on Fabriano paper 250 g. 1. Línea Bloques 2. Línea Cubos 3. Línea Aparejo and 4. Línea Estructura Overall size: Image size: 38 c...

Dominika Krechowicz is a professor at the Gdansk GUT The Art works from this series are painted with acrylic technique on fabriano watercolor paper. They were created from 2010 to ...

Sister Mary Corita Kent Love You, ca. 1975 Original signed watercolor painting on paper Signed in graphite pencil on the recto Floated and framed in white wood frame This is a unique work Measurements: Framed: 5.5" x 5.5" x 1.5" Artwork alone: 4" x 4" Extremely difficult to find unique watercolor works on paper on the market by Sister Corita...

This reddish brown pigment drawing was made with a perforated stencil laid on ivory rag paper, pounced with a sack of powdered pigment. Pigment passes through leaving marks, patterns...

This reddish brown pigment drawing has was made with a perforated stencil laid on ivory rag paper, pounced with a sack of powdered pigment. The ordered symmetry of the shape in sienn...

This year, 2024, the artist Ruth Vidal (1998, Isla de Arousa) launches her latest research into painting and games. These works are based on the references that the artist draws from...

This contemporary multicolored geometric mandala drawing has a beautiful, soft mottled texture created with Judge's unique powered pigment technique. Primavera Pop 31 is predominatel...

Friederike Oeser, a contemporary abstract painter, lives and works in Munich, Germany. For Oeser there is no hierarchy of visual value. It all has import—whether it be a trickle of w...

Richard Garrison collects information from typically overlooked aspects of daily life. Observed data from places like big box stores and parking lots are systematically transformed i...

Painting of Abstract Red, Pink, Orange & Blue Wild Flowers on a Yellow Background by British Landscape Artist, Angela Wakefield. From the 'Spring Burst' Interior Design Series. Frame...

Andra Samelson’s work explores the relationship of microcosm and macrocosm, emptiness and form. The imagery in her paintings is often associated with molecular and galactic systems. ...

Little Blue, 2020 Encaustic & collage on thin edged board 12" X 12" This abstract geometric composition on wooden board features a playful geometric motif that is inspired by the artist's interest in architecture and blueprint drawings. The geometric forms are made in a more painterly, gestural manner rather than with a hard edge. Paint is not heavily built up upon the surface but it certainly exhibits a tactile quality which is characteristic of the artist's aesthetic. English's work celebrates the quirky, unexpected qualities of shapes and colors. About the artist: Donise English is a Poughkeepsie-based artist who received her MFA from Bard College and is currently a Professor of Studio Art at Marist College in Poughkeepsie, NY. Artist Statement: I am interested in drawing and collaging multiple layers of information that refer abstractly to maps, architectural drawings and blueprints or patterns and structures found in such things as roller coasters, power lines and fences. I use gouache and collaged paper in a series of layers that are a visual and ideological response to the previous layer to define my pictorial space. For each piece I create a set of rules to follow about the use of a limited palette, a grid format, opacity of paper and whether a piece may include curving lines or maintain a rectilinear structure. Resume: EDUCATION Master of Fine Arts in Painting Bard College 1986 Bachelor of Science in Art History State University College at New Paltz 1977 Additional Study: New York Studio School (Drawing Marathons) Columbia University, School of Architecture Women’s Studio Workshop TEACHING Professor of Studio Art, Department of Art and Art History, Marist College, Poughkeepsie,NY Coordinator, Interior Design Program, Florence, Italy campus 1992-present AWARDS Finalist, “Saatchi Showdown” 2010 Invitational Award for Outstanding Contemporary Talent, University of Bridgeport, CT 2000 Purchase Prize, “11th National Juried Exhibition” College of Notre Dame of Maryland, Baltimore 1999 First Prize, “Women in the Visual Arts ‘95” Erector Square Gallery, New Haven, CT 1995 Joseph A. Cain Memorial Purchase Award for Sculpture Del Mar College, Corpus Christi, TX 1994 Honorable Mention, “National Juried Exhibition” University of Bridgeport, CT 1993 Individual Artists Fellowship in Sculpture Dutchess Arts Fund 1992/93 Tallix, Morris, Singer Internship in Sculpture Tallix Foundry, Beacon, NY 1990/91 SELECTED JURIED/INVITATIONAL EXHIBITIONS 2016 “Let’s Stay in Touch”, Howard County Center for the Arts, Ellicott City, MD 2015 “Off the Grid”, Arts & Culture Program, Albany International Airport, Albany, NY “Gridspace”, KMOCA, Kingston, NY “Abstraction”, Carrie Haddad Gallery, Hudson, NY “Assuming Identity”, NY Institute of Technology, New York, NY 2013 “Modern Artists”, Carrie Haddad Gallery, Hudson, NY “Artists of the Mohawk-Hudson Region”, The Hyde Collection, Glens Falls, NY Stone Canoe/Community Folk Art Center, Syracuse, NY 2012 New York Institute of Technology, New York, NY “Contemporary Painters (Who Just Happen To Be Women)”, Carrie Haddad Gallery, Hudson, NY “Strange Glue: Collage at 100”, Cambridge School, Weston, MA “Dear Mother Nature”, Dorsky Museum, SUNY New Paltz, NY “Fresher Paint”, Rockland Center for the Arts, Nyack, NY Courthouse Gallery, Lake George Arts Project, Lake George, NY 2011 “Process+Content: Donise English”, Vassar College, Poughkeepsie, NY “Donise English-Paintings”, Orange County Community College, Newburgh, NY “Gender Matters/Matters of Gender”, Freedman Gallery, Albright College, Reading, PA 2010 Carrie Haddad Gallery, Hudson, NY “Encaustics: Wax and Image”, Westchester Community College White Plains, NY “Dots, Lines and Figures”, Carrie Haddad Gallery, Hudson, NY “Spring Awakening”, NY Institute of Technology, New York, NY “Clay City Dreams”, NY Institute of Technology, New York, NY “Texture, Pattern, Fragment”, Krause Gallery, Moses Brown School Providence, RI 2009 “Collage”, NY Institute of Technology, New York, NY “Working in Wax”, Bedford Gallery, Walnut Creek, CA “Encaustic 2009”, College of New Rochelle, NY “Three Artists”, Carrie Haddad Gallery, Hudson, NY “Convergence: The Human Experience”, Howard County Center for the Arts, MD 2008 “Suckers and Biters: Love, Lollipops, and Exquisite Corpse” Chashama Gallery, New York, NY Carrie Haddad Gallery, Hudson NY 2007 “Patterns and Light”, Blue Hill Gallery, Blue Hill, ME “Suckers and Biters”, AG Gallery, Brooklyn, NY 2006 “100 Artists, 100 Watercolors”, Jeannie Freilich Fine Art, New York, NY “On/Of Paper”, Kirkland Art Center, Clinton, NY “The Love Show”, Manchester Community College, Manchester, CT 2005 The Soap Factory, Minneapolis, MN “Small Tales”, Valdosta State University, Georgia National Juried Exhibition, Art Institute and Gallery Salisbury, MD, Juror: Stephen Haller “Greed, Envy, Jealousy, Fear”, TSL Warehouse, Hudson, NY 2004 “Women in the Middle: Borders, Barriers, Intersections” University of Wisconsin-Milwaukee “Girl Art Now”, Hera Gallery, Wakefield, RI 3 Person Exhibition, Monterey Peninsula College, Monterey, CA “The Feminine Eye”, Bradley University, Peoria, IL “Women Painting Women”, McNeese State University, Lake Charles, LA “Thought Patterns”, Kent Place Gallery, Summit, NJ “Surface, Matter and Artifice”, Dutchess Community College Art Gallery, Poughkeepsie, NY 2003 “Beefcake/Cheesecake”,Orange County Center for Contemporary Art, Santa Ana, CA,Juror: Jamie Wilson, Curator Halpert Bienniel, Appalachian State University, Boone, NC Juror: Jeff Fleming, Senior Curator, Des Moines Art Center “The Great White Oak”, Garrison Art Center, Garrison, NY Carrie Haddad Gallery, Hudson, NY 2002 “Cat Calls”, Red Clay Arts, Brooklyn “Hudson Valley Regional”, SUNY New Paltz Juror: Sydney Jenkins, Director, Ramapo College Art Galleries 2001 One-Person Exhibition, Davis and Hall Gallery, Hudson, NY “Beyond the Surface”, Womanmade Gallery, Chicago One-Person Exhibition, Garrison Art Center, Garrison, NY 2000 “Vision 2000...

This contemporary multicolored drawing has a beautiful, soft mottled texture created with Judge's unique powered pigment technique. Primavera Pop 17 is a predominately dark green, br...

"Behind my canvases, collages, and drawings lies a singular proposition: places are not inert; they are repositories for all that passes through them. My work is an inquiry into the ...

This multicolored drawing has a beautiful, soft mottled texture created with Judge's unique powered pigment technique. Pop Flower 4B05 is a predominately orange mandala shape with re...

This wall-hanging artwork titled "AN OLD TREE" is an original artwork by Jim Houser made of collage on panel. This piece measures 4"h x 4"w. Jim Houser was born in 1973 in Philadelp...

Large abstract geometric painting with intricate line work in pencil and gouache on a bright yellow background "Specifically, Nowhere (Yellow)" made by Hudson Valley artist, Donise English, in 2022 gouache, acrylic, pencil, and colored pencil on paper, mounted on panel 48 x 48 inches unframed, 50 x 50 inches with a dark brown stained wood floater frame Surface is protected with four coats of an archival UV protective varnish Signed, verso Excellent condition and ready to hang This large abstract geometric painting was made by Hudson Valley based artist, Donise English, in 2022. The composition begins with a bright yellow background overlaid with intricate line work in graphite and colored pencil. Thousands of hand drawn lines serve as a backdrop for a bold geometric form in a dusty violet and dark gray gridded pattern that references "an imagined city grid", says the artist. The painting on paper is mounted to wood panel and complemented with a dark stained wood floater frame. It's in excellent condition and ready to hang as is. The surface is protected with four coats of an archival UV protective varnish. More about the work: Donise English emphasizes lines, grids, and fields of subtle color to evoke imagined places and invented structures. While precise lines and straight angles are often associated with themes in architecture and urban planning designs, English conveys a geometric motif guided by intuition rather than a ruler. Variations on grids retain flaws and unmistakable traces of the artists’ hand; her style of draftsmanship shies away from intellectualism and instead makes her compositions feel very personal. Each design is intensely intricate, incorporating gouache, acrylic, pen, graphite, ink and colored pencil. Artist Statement: My work is about the way visual diagrams present information that describes how something is made or the way it is. I am interested in drawing and collaging multiple layers of information that refer abstractly to maps, architectural drawings and blueprints or patterns and structures found in such things as roller coasters, power lines and fences. I use gouache and collaged paper in a series of layers that are a visual and ideological response to the previous layer to define my pictorial space. For each piece I create a set of rules to follow about the use of a limited palette, a grid format, opacity of paper and whether a piece may include curving lines or maintain a rectilinear structure. Artist CV: EDUCATION Master of Fine Arts in Painting Bard College 1986 Bachelor of Science in Art History State University College at New Paltz 1977 Additional Study: New York Studio School (Drawing Marathons) Columbia University, School of Architecture Women’s Studio Workshop TEACHING Professor of Studio Art, Department of Art and Art History, Marist College, Poughkeepsie, NY Coordinator, Interior Design Program, Florence, Italy campus 1992-present AWARDS NYFA Fellowship in Painting 2018 Invitational Award for Outstanding Contemporary Talent, University of Bridgeport, CT 2000 Purchase Prize, “11th National Juried Exhibition” College of Notre Dame of Maryland, Baltimore 1999 First Prize, “Women in the Visual Arts ‘95” Erector Square Gallery, New Haven, CT 1995 Joseph A. Cain Memorial Purchase Award for Sculpture Del Mar College, Corpus Christi, TX 1994 Honorable Mention, “National Juried Exhibition” University of Bridgeport, CT 1993 Individual Artists Fellowship in Sculpture Dutchess Arts Fund 1992/93 Tallix, Morris, Singer Internship in Sculpture Tallix Foundry, Beacon, NY 1990/91 MEMBERSHIP Royal British Society of Sculptors SELECTED JURIED/INVITATIONAL EXHIBITIONS 2020 “edu: Art Faculty of the Hudson Valley”, Hudson Valley MOCA, Peekskill, NY 2019 “Contemporary Abstraction”, Carrie Haddad Gallery, Hudson, NY “Mixed Media”, SITE Gallery, Brooklyn, NY 2018 “JuxtaPositions”, The Painting Center, New York, NY “Peculiar Rarities”, Carrie Haddad Gallery, Hudson, NY 2017 “Interlock: Color and Contrast in Abstraction”, Carrie Haddad Gallery, Hudson, NY “Donise English: Encaustics”, Catskill Art Society, Livingston Manor, NY 2016 “Let’s Stay in Touch”, Howard County Center for the Arts, Ellicott City, MD “Under, Over, After Over”, Vassar College, Poughkeepsie, NY 2015 “Off the Grid”, Arts & Culture Program, Albany International Airport, Albany, NY “Gridspace”, KMOCA, Kingston, NY “Abstraction”, Carrie Haddad Gallery, Hudson, NY “Assuming Identity”, NY Institute of Technology, New York, NY 2013 “Modern Artists”, Carrie Haddad Gallery, Hudson, NY “Artists of the Mohawk-Hudson Region”, The Hyde Collection, Glens Falls, NY Stone Canoe/Community Folk Art Center, Syracuse, NY 2012 New York Institute of Technology, New York, NY “Contemporary Painters (Who Just Happen To Be Women)”, Carrie Haddad Gallery, Hudson, NY “Strange Glue: Collage at 100”, Cambridge School, Weston, MA “Dear Mother Nature”, Dorsky Museum, SUNY New Paltz, NY “Fresher Paint”, Rockland Center for the Arts, Nyack, NY Courthouse Gallery, Lake George Arts Project, Lake George, NY 2011 “Process+Content: Donise English”, Vassar College, Poughkeepsie, NY “Donise English-Paintings”,Orange County Community College, Newburgh, NY “Gender Matters/Matters of Gender”, Freedman Gallery, Albright College, Reading, PA 2010 Carrie Haddad Gallery, Hudson, NY “Encaustics: Wax and Image”, Westchester Community College, White Plains, NY “Dots, Lines and Figures”, Carrie Haddad Gallery, Hudson, NY “Spring Awakening”, NY Institute of Technology, New York, NY “Clay City Dreams”, NY Institute of Technology, New York, NY “Texture,Pattern, Fragment”, Krause Gallery, Moses Brown School, Providence, RI 2009 “Collage”, NY Institute of Technology, New York, NY “Working in Wax”, Bedford Gallery, Walnut Creek, CA “Encaustic 2009”, College of New Rochelle, NY “Three Artists”, Carrie Haddad Gallery, Hudson, NY “Convergence: The Human Experience”,Howard County Center for the Arts, MD 2008 “Suckers and Biters: Love, Lollipops, and Exquisite Corpse” Chashama Gallery, New York, NY Carrie Haddad Gallery, Hudson NY 2007 “Patterns and Light”, Blue Hill Gallery, Blue Hill, ME “Suckers and Biters”, AG Gallery, Brooklyn, NY 2006 “100 Artists, 100 Watercolors”, Jeannie Freilich Fine Art, New York, NY “On/Of Paper”,Kirkland Art Center, Clinton, NY “The Love Show”, Manchester Community College, Manchester, CT 2005 The Soap Factory, Minneapolis, MN “Small Tales”, Valdosta State University, Georgia National Juried Exhibition,Art Institute and Gallery Salisbury, MD, Juror: Stephen Haller “Greed, Envy, Jealousy, Fear”, TSL Warehouse, Hudson, NY 2004 “Women in the Middle: Borders, Barriers, Intersections” University of Wisconsin-Milwaukee “Girl Art Now”,Hera Gallery, Wakefield, RI 3 Person Exhibition, Monterey Peninsula College, Monterey, CA “The Feminine Eye”, Bradley University, Peoria, IL “Women Painting Women”, McNeese State University, Lake Charles, LA “Thought Patterns”, Kent Place Gallery, Summit, NJ “Surface, Matter and Artifice”, Dutchess Community College Art Gallery Poughkeepsie, NY 2003 “Beefcake/Cheesecake”,Orange County Center for Contemporary Art, Santa Ana, CA,Juror: Jamie Wilson, Curator Halpert Bienniel, Appalachian State University, Boone, NC Juror: Jeff Fleming, Senior Curator, Des Moines Art Center “The Great White Oak”, Garrison Art Center, Garrison, NY Carrie Haddad Gallery, Hudson, NY 2002 “Cat Calls”, Red Clay Arts, Brooklyn “Hudson Valley Regional”, SUNY New Paltz Juror: Sydney Jenkins, Director, Ramapo College Art Galleries 2001 One-Person Exhibition, Davis and Hall Gallery, Hudson, NY “Beyond the Surface”, Womanmade Gallery, Chicago One-Person Exhibition, Garrison Art Center, Garrison, NY 2000 “Vision 2000...

This multicolored drawing has a beautiful, soft mottled texture created with Judge's unique powered pigment technique. Pop Flower 46 is a predominately orange mandala shape with a gr...

"Behold" by Halsey Chait India Ink on 250 Lenox 100 Cotton Rag Paper Halsey Chait's drawings develop according to the rules and mathematics that govern the growth processes of life ...

"MARK AND ADAMS RAMP" is an original collage on canvas artwork by Jim Houser measuring 6" x 6". Jim Houser was born in 1973 in Philadelphia, Pennsylvania, the city where he currentl...

Abstract Expressionist Composition by Jacques COULAIS (1955-2011) gouache painting on board unframed: 7.75 x 7.75 inches condition: excellent provenance: all the paintings we have fo...

Set of 4 Paintings, 2024 by Rosario Briones From the Impermanence series Inks on paper. 1. Impermanence Series n2 2. Impermanence Series n3 3. Impermanence Series n5 4. Impermanence ...

This piece titled "North Broad" is an original artwork made from pencil, marker, acrylic gouache collage on panel by Miriam Singer. This piece measures 6"h x 6"w and is signed on the...

Finesse and delicateness are what best characterize Antonin Anzil’s artistic practice. Using a sharp tool to carefully pull the fiber of the paper from the front, the artist gives bi...

Abstract Expressionist Composition by Jacques COULAIS (1955-2011) gouache painting on paper/ card unframed: 9.5 x 9.5 inches condition: excellent provenance: all the paintings we hav...

"Behind my canvases, collages, and drawings lies a singular proposition: places are not inert; they are repositories for all that passes through them. My work is an inquiry into the ...

This red and white abstract wall-hanging artwork titled "TORRENTS" is an original artwork by Jim Houser made of acrylic on panel. This piece mea...

Surrealist proto-Afropunk drawing by African-American artist, Roland Ayers (1932-2014). Animal Capers, ca. 1970 . Ink on illustration board, image measures 20 inches. inches; illustration panel measures 21.5 inches. Unsigned. Minor staining evident in detail photos Artist and art educator, Roland Ayers was born on July 2, 1932, the only child of Alice and Lorenzo Ayers, and grew up in the Germantown district of Philadelphia. Ayers served in the US Army (stationed in Germany) before studying at the Philadelphia College of Art (currently University of the Arts). He graduated with a BFA in Art Education, 1954. He traveled Europe 1966-67, spending time in Amsterdam and Greece in particular. During this period, he drifted away from painting to focus on linear figurative drawings of a surreal nature. His return home inaugurated the artist’s most prolific and inspired period (1968-1975). Shorty before his second major trip abroad in 1971-72 to West Africa, Ayers began to focus on African themes, and African American figures populated his work almost exclusively. In spite of Ayers’ travel and exploration of the world, he gravitated back to his beloved Germantown, a place he endowed with mythological qualities in his work and literature. His auto-biographical writing focuses on the importance of place during his childhood. Ayers’ journals meticulously document the ethnic and cultural make-up of Germantown, and tell a compelling story of class marginalization that brought together poor families despite racial differences. The distinctive look and design of Germantown inform Ayers’ visual vocabulary. It is a setting with distinctive Gothic Revival architecture and haunting natural beauty. These characteristics are translated and recur in the artist’s imagery. During his childhood, one of the only books in the Ayers household was an illustrated Bible. The images within had a profound effect on the themes and subjects that would appear in his adult work. Figures in an Ayers’ drawing often seem trapped in a narrative of loss and redemption. Powerful women loom large in the drawings: they suggest the female role models his journals record in early life. The drawings can sometimes convey a strong sense of conflict, and at other times, harmony. Nature and architecture seem to have an antagonistic relationship that is, ironically, symbiotic. A critical turning point in the artist’s career came in 1971 when he was included in the extremely controversial Whitney Museum show, Contemporary Black Artists in America. The exhibition gave Ayers an international audience and served as a calling card for introductions he would soon make in Europe. Ayers is a particularly compelling figure in a period when black artists struggled with the idea of authenticity. A questioned often asked was “Is your work too black, or not black enough?” Abstractionists were considered by some peers to be sell-outs, frauds or worse. Figurative* work was accused of being either sentimental or politically radical depending on the critical source. Ayers made the choice early on to be a figurative artist, but considered his work devoid of political content. Organizations such as Chicago’ s Afri-Cobra in the late 1960‘s asserted that the only true black art of any relevance must depict the black man and woman...

Original watercolor on archival paper by the California artist, Edward Darrell Crisp. Signed by the artist in pencil lower right margin. Dated in penci...

Abstract Expressionist Composition by Jacques COULAIS (1955-2011) gouache painting on thick board unframed: 8 x 8 inches condition: excellent provenance: all the paintings we have fo...

The more transcendental the representation, the more it tends to evoke it through its prodigies. Such is the case of the Double standard series in the words of the artist "It is a pr...

Abstract Expressionist Composition by Jacques COULAIS (1955-2011) gouache painting on thick board unframed: 8 x 8 inches condition: excellent provenance: all the paintings we have fo...

Original watercolor on archival paper by the California artist, Edward Darrell Crisp. Signed in pencil lower right margin. Dated in pencil lower left m...

Abstract Expressionist Composition by Jacques COULAIS (1955-2011) gouache painting on paper/ card unframed: 10 x 10 inches condition: excellent provenance: all the paintings we have ...

Mister Cartoon LA 2023: A standout, unique drawing by world-renowned Los Angeles Graffiti & Tattoo artist, Mister Cartoon. Features Cartoon's classic gr...

'Quadrants Quadrille' from Irene Zweig, where intellect, science, mathematics and order are at play in shades of calm blue, silver, grey and white, in the abstract mixed media painti...

'Quadrants Ephemeral' from Irene Zweig, where intellect, science, mathematics and order are at play in shades of green, blue, grey and white, in the abstract mixed media painting tha...

This reddish brown pigment drawing was made with a perforated stencil laid on ivory rag paper, pounced with a sack of powdered pigment. Pigment passes through leaving marks, patterns...

In an Art Brut style Down by the River, 2022 by a.muse is a contemporary watercolor collage work on paper. The art on paper is a collection of vibrant images arranged like a patchwor...

Clemens Wolf declares himself a champion of sensuality: 'I'm really interested in the process of transforming something trivial into a sensual object. The guided coincidence plays a ...

Ervin NEUHAUS Colored Waves Original watercolor and tempera on heavy paper Handsigned bottom right Authenticated with the stamp of the Estate sale on the back 21 x 21 cm (c. 8 x 8 ...

This painting, executed in bright and rich shades, depicts the mythological scene of the "Abduction of Europa." The central figure is a red bull, symbolizing Zeus, who to...

Lita Kenyon was born in Marinette, Wisconsin. She attended Columbia College for her BFA, and earned her MA from Northern Illinois University 1982. She’s been featured in Empty Mirror...

Abstract Expressionist Composition by Jacques COULAIS (1955-2011) gouache painting on thick board unframed: 8 x 8 inches condition: excellent provenance: all the paintings we have fo...

This multicolored drawing has a beautiful, soft mottled texture created with Judge's unique powered pigment technique. Poptic 22.02 is a predominately vibrant fuchsia pink, yellow an...

This is an original drawing on paper by Hunter Stabler measuring 12”h x 12”w x 2.5”d framed. The piece is made from graphite, ink, transfer paper and Gelly Roll® pen on paper. Hunter Stabler was born in Jefferson City, Missouri and was raised in upstate South Carolina. He received a BFA in painting from The Maryland Institute, College of Art and an MFA in painting from the University of Pennsylvania. He is currently pursuing an MFA in Digital Art at Louisiana State University. His work has been widely exhibited across the United States and internationally including exhibitions at the Morbid Anatomy Museum in Brooklyn, NY, The Shelburne Art Museum in Shelburne, VT, the Hunterdon Art Museum in Clinton, NJ, and the Islip Art Museum in East Islip, NY. His hand-cut paper artwork has been published in the books High Touch: Tactile Design and Visual Explorations, Push Paper, Strangers in the Nest (a book of Poems by Anselm Berrigan, Letterpress printed with images accompanying each poem), and published in Laminate Magazine, First Look Magazine, and American Craft Magazine. He was named “Philadelphia’s Next Hot...

This original abstract watercolor painting by Nealy Hauschildt features a deep blue and magenta palette, with two large organic planes of washy color layered over one another for a b...