Benjamin G. Benno

Mlle. Jeanne at the Window, No. II

1933

Surrealist landscape with organic shapes Watercolor on paper, 1960-1970 Signed CE Harris lower right corner (see photo) Stamped with the artist’s estate stamp verso (see photo) Reference: Beni Kosh Collection Estate Stamp #705 Provenance: Estate of the artist A wonderful example by one of the few African American Surrealist painters. “An African-American born Charles E. Harris, the name under which he painted until the early 1960s when he took the name of Kosh. His paintings span the period 1949-71, and reflect abstract and surreal figurative subjects which include Cleveland street scenes, jazz clubs, and depictions of Christ.” Courtesy of Rachel Davis Fine Art “Beni E. Kosh was born as Charles Elmer Harris, in Cleveland Ohio. He changed his name in the 1960’s, which translates to “Son of Ethiopia”. He rarely exhibited or sold his work and was affiliated with the African-American artists’ “Sho-nuff Art Group” and the Karamu House and studied under Cleveland artist Paul Travis. His style is very diverse and he experimented with Cubism, portraiture and abstractions in series. His paintings span from 1949 – 1971, and reflect abstract and surreal figurative subjects, which include Cleveland street scenes, jazz clubs, and depictions of Christ. He received little recognition during his lifetime and was only “rediscovered” literally days after his death when hundreds of his paintings were rescued by an art dealer.” (Courtesy Pennsylvania Art...

Signed and dated "1962" by the artist lower right. Mixed media on heavy paper. Done for a show to fund a trip to Italy.

Prelude to Transition Pastel on paper, 1953 Signed and dated lower left (See photo) Image size: 10 1/2 x 13 3/4 inches Frame size: 24-5/8 x 1-1/2 inches Exhibited and Illustrated: Z...

Signed and dated by the artist vertically lower left edge. Part of an experimental series of works using motor oil, India Ink, adhesives, sand, and various other mediums.

A 1946 Mid-Century Modern Surrealist Male Portrait Study by Noted Chicago Artist, Harold Haydon (Am. 1909-1994). A compelling portrait study, perhaps a self portrait of the artist,...

Provenance: This piece was deaccessioned from the Bass museum in Miami Beach florida. This piece is a good museum example of Exquisite corpse, also known as exquisite cadaver (from the original French term cadavre exquis), A method by which a collection of words or images is collectively assembled. This example is by Manuel Saez, Xisco Mensua and Guillermo Paneque. Each collaborator adds to a composition in sequence, either by following a rule or by being allowed to see only the end of what the previous person contributed. The technique was invented by surrealists. Surrealism principal founder André Breton reported that it started in fun, but became playful and eventually enriching. In the beginning were Yves Tanguy, Marcel Duchamp, Jacques Prévert, Benjamin Péret, Pierre Reverdy, and André Breton. Other participants probably included Max Morise, Joan Miró, Man Ray, Simone Collinet, Tristan Tzara, Georges Hugnet, René Char, and Paul and Nusch Éluard. Henry Miller often partook of the game to pass time in French cafés during the 1930s. Manuel Sáez (born 6 March 1961) is a Spanish, self-taught artist. Since 1984, he has been living and working in Valencia. The Enciclopedia Universal Ilustrada Europeo-Americana describes Manuel Sáez as among the most important painters of the turn of the 21st century owing to his simultaneously sensual and psychological approach to the world of objects, landscapes, figures and portraits. As a resident fellow of the Spanish Fine Arts Academy in Rome in 1990, Sáez elaborated a series of portraits called Biografia no autorizada In 1991 Sáez held his first important show at the Fundació La Caixa. in Valencia In 1996 he presented his first retrospective, Colección Exclusiva 1984-1995, in the Club Diario Levante of Valencia, as well as the Madrid Circle of Fine Arts, the Salas Verónicas of Murcia, the Castellón Delegation and the Brocense of Cáceres. In 2000 Sáez exhibited in Mexico City's Museo Rufino Tamayo and in the Instituto Valenciano de Arte Moderno (IVAM) in Valencia. In 2008 Sáez's work could be seen at the Sala Parpalló in Valencia. In 2003-04, Dispersions was exhibited at the Bass Museum of Art in Miami. In 2007, Sáez's work is featured in the Valencian Institute of Modern Art's (IVAM) El Pop Art en la Colección del IVAM ("Pop Art in the IVAM Collection") in Valencia.[12] Xisco Mensua Initially studied at Escuelas Virtèlia, but followed an atypical school career due to illness. Began to paint in 1978. Took a course in painting at the Escola d’Arts i Oficis (Valencia), where he had lived since the age of eight. Lived in Barcelona from 1982 to 1987, studying art at the Escola Eina for the first two years. Returned to Valencia and began exhibiting in 1990. Produced works in co-operation with Fernando Ros and Mim Juncà, as well as designing stage sets for the theatre. Now forms part of the Jacques Moran collective. Through drawing, Mensua creates a fictional world in an exercise in which he transfigures common references, whether intimate or biographic, political or social. Guillermo Paneque Seville, 1963 Spanish painter. He completed his artistic training at the Faculty of Fine Arts in Seville, Director and founder, along with Rafael Agredano and José Espaliú, of the magazine Figura in 1984. It is in the mid-eighties when his work is made known within the Andalusian artistic scene, through the production of small format paintings populated with references and symbols from the religious and everyday environment that the author mixes with a playful sense and with erotic characters that reveal a clear rejection of the Andalusian artistic tradition. His work evolves towards a formal synthesis and an iconographic cleansing in the line of conceptual art. He has starred in numerous solo exhibitions and participated in important collectives, among which include: Aperto 86 at the Venice Biennial (1986), Spain 87. Dynamiques and Interrogations (1987) at the Musée d'Art Moderne de la Ville in Paris, Spanish natures...

Artist: Ian Hornak (1944-2002) Title: Untitled (Scottish Rockscape) Year: 1973 Medium: Ink on heavy archival paper Size: 22 x 30 inches Condition: Good Provenance: Estate of Ian Horn...

Artist: Ian Hornak (1944-2002) Title: View on Cherry Hill, Barbados Year: 1971 Medium: Pencil on heavy archival paper Size: 29 x 41 inches Condition: Good ...