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Gustavo MontoyaMontoya Drawing Lady Looking Left SideUNKNOWN
UNKNOWN
$1,610
£1,213.95
€1,398.90
CA$2,233.51
A$2,502.63
CHF 1,302.71
MX$30,615.84
NOK 16,535.55
SEK 15,617.63
DKK 10,443.11
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About the Item
Renowned for his stunning ability to capture the essence of Mexican culture, Gustavo Montoya’s drawings offer a powerful narrative through minimalistic yet emotive lines. His works, often inspired by the beauty and complexity of Mexican women, are an exploration of identity, heritage, and grace. Each piece reveals Montoya’s deep understanding of the human form and his mastery of drawing techniques, presenting an intimate connection to the subject. The bold yet delicate strokes create striking compositions that seem to come to life, evoking emotion and thought in every viewer. Perfect for art lovers seeking timeless elegance and cultural richness, Montoya’s art is more than just a drawing—it’s a celebration of Mexico’s soul, crafted with unparalleled skill.
- Creator:Gustavo Montoya (1905 - 2003, Mexican)
- Creation Year:UNKNOWN
- Dimensions:Height: 8.5 in (21.59 cm)Width: 12.5 in (31.75 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Cuauhtemoc, MX
- Reference Number:1stDibs: LU1621215990972
Gustavo Montoya
Gustavo Montoya was born in Mexico City on July 9, 1905. At the age of 13 he studied painting at the Academia de San Carlos. Some of his teachers were: German Gedovius, Roberto Montenegro, Leandro Izaguirre, Francisco de la Torre, Mateo Herrera and Juan de Mata Pacheco, among others. He stated that the school had only taught him the technique of art, but not the spirit of it and therefore he considered himself a self-taught artist. He married his first wife, Luz Saavedra. In 1929 he traveled to Los Angeles, California, where he worked illustrating posters at the West Coast Theaters Co. The couple had a daughter, Rosa Elena Montoya Saavedra. The marriage did not last long, and Gustavo Montoya returned to Mexico in 1933. In 1936 he entered the Escuela Nacional de Artes Plásticas (National School of Visual Arts) as teacher of the color class. He married a second time to the painter Cordelia Urueta, with whom he moved to Paris in 1938 to study European avant-garde art. He visited museums, galleries, and painters' studios. He toured Switzerland, Italy and England. In 1939, due to the Second World War, Montoya and his wife were forced to leave for New York where they remained for several years. Exhibited at the Alma Reed Gallery. When they returned to Mexico in 1942, Gustavo Montoya joined the Mexican neo-realist school movement. In 1953 he entered again as a teacher at the Escuela Nacional de Artes Plásticas. In 1965 Gustavo Montoya and Cordelia Urueta divorced after 26 years of marriage. He was lonely and did not engage in artistic circles. He was a founding member of the League of Revolutionary Writers and Artists along with Cordelia Urueta and others. Also, he was a founding member of the Salón de la Plástica Mexicana. He spent most of his professional career depicting the streets of Mexico and its inhabitants. He painted still lifes, street scenes, churches, children, women, and markets in Mexico. Montoya preferred to paint the poor and working class, considering them the most authentic class in Mexico City. He liked to do his work in series around one main idea. Some of his series were: The streets of Mexico, Mexican still lifes, Mexican children, Dreams, Walls, Chess, Allegory of transformation, among others. Gustavo Montoya died on July 12, 2003 in Mexico City, at the age of 98 years.
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