Patrick Blake

"Drippy Black Hole" Abstract drawing, Ink on paper

2014

This abstract drawing titled "Around" is an original artwork by Jason Andrew Turner made of sumi ink, gouache, and copic ink on paper. The artist incorporates techniques of painting...

Original multicolored hand-cut paper and ink on illustration board layered paper sculpture by Charles Clary measuring 9"h x 11"w. This piece ships in the pictured black frame. Char...

Original hand-cut paper and ink on illustration board layered paper sculpture by Charles Clary measuring 15"h x 10"w. This piece ships in the pictured black frame. Charles Clary wa...

Original hand-cut paper and ink on illustration board layered paper sculpture by Charles Clary measuring 12"h x 14.5"w. This piece ships in the pictured black frame. Charles Clary ...

ink and watercolor on paper, signed on reverse, framed in archival shadowbox frame in natural wood finish. This painting is created as psychological map that defines alliances. Gr...

"Iris, Lilies, & Menarda" is an original mixed media piece by David and Sarah Barnett, signed in the lower left. The piece incorporates handmade paper embedded with plant matter, a collaboration between the artist and his daughter. The paper was then scanned and reprinted on archival paper and painted with abstract flowers in watercolor...

Hereldic Symbols 1-10 Andreev’s paintings and installations draw the viewer into post-revolutionary landscapes containing unidentified flying objects su...

SWAN IN LOVE (TEOREMA 50), 2012  ink, watercolor, airbrush paint, graphite on paper  37.5 x 52 inches / 952 x 1320 mm unframed Christina McPhee’s expansive abstract paintings, drawings, photographs, and videos test or query how can we know, and who is we? Moving from within a matrix of measurement, observation and contingent effects, her work resists characterization as product, and continually accesses fields outside itself. For her, process equals trial. Her work emulates potential forms of life, in various systems and territories, from a perspective of the non-self– a world beyond identity. McPhee’s dynamic, performative, physical engagement with materials, in both her analogue and digital works, is a seduction into surface-skidding calligraphic gestures and mark-making. The tactics of living are in subterfuge, like the ‘dazzle ships...