Items Similar to Horse Show Preparations, 20th Century Farm Landscape, Cleveland Female Artist
Want more images or videos?
Request additional images or videos from the seller
1 of 8
Algesa O'SickeyHorse Show Preparations, 20th Century Farm Landscape, Cleveland Female Artist
About the Item
Algesa O'Sickey (American, 1917-2006)
Horse Show Preparations
Watercolor and graphite on paper
Unsigned
18 x 24 inches
23.25 x 29 inches, framed
Born Algesa D’Agostino on June 4, 1917, Algesa was born in Uganda. In 1929 she moved to Cleveland Heights and attended Roxboro School. During her formative years she took classes at the Cleveland Museum of Art and at Huntington Technical School where she studied with long-time friend Paul Travis. She graduated from Heights High in 1936. In May of 1943 she had her first showing in the May Show, an annual juried exhibition of new works by artists from the Western Reserve at the Cleveland Museum.
Algesa met her future husband, celebrated artist Joseph Benjamin O’Sickey, while volunteering at the Ten-Thirty Gallery in downtown Cleveland in March 1946. Welcoming him to the gallery, it was love at first sight. They married in August 1947, going on to share a career in fine art that spanned 62 years and which included a two person show at Vixeboxse Art Galleries.
Algesa became director of the Ten-Thirty Gallery in July 1946 and remained there until it’s closing in 1950. Under Algesa’s management, the Ten-Thirty Gallery expanded its repertoire to include important national and European artists, including newcomer Roy Lichtenstein, Yasuo Kunyioshi, and Josef Albers, thus exposing Clevelanders to important contemporary artists from outside the Western Reserve. Much later, in 1970, Algesa and friend Phyllis Sloane opened a gallery on Larchmere Avenue, just off Shaker Square. The Sloane-O’Sickey Gallery exhibited contemporary artists from New York and Europe as well as celebrated Cleveland artists. It also introduced Cleveland to the tribal arts of Africa. The gallery operated through 1972.
Algesa was a multi-faceted artist who was involved in many forms of art, including painting, soft sculpting, interior design, fashion illustration, costume design, and puppeteering. As a painter, she was equally versatile, working in oil, watercolor, and pastel. During her career Algesa’s artwork had been seen at the Ross Widen Gallery, The Play House Gallery, Lake Erie College, Canton Art Institute, Butler Institute of American Art and Hiram College, among others, along with being a frequent May Show exhibitor.
On December 19, 2006, Algesa O’Sickey passed on, dying of complications from Parkinson’s disease.
- Creator:Algesa O'Sickey (1917 - 2006, American)
- Dimensions:Height: 23.25 in (59.06 cm)Width: 29 in (73.66 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:Beachwood, OH
- Reference Number:1stDibs: LU1768213962702
About the Seller
5.0
Vetted Professional Seller
Every seller passes strict standards for authenticity and reliability
Established in 1975
1stDibs seller since 2022
24 sales on 1stDibs
Typical response time: 9 hours
- ShippingRetrieving quote...Shipping from: Beachwood, OH
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllStable Scene, 20th century horse and barn watercolor by Cleveland School artist
By Joseph O'Sickey
Located in Beachwood, OH
Work sold to benefit the CLEVELAND INSTITUTE OF ART
Joseph B. O’Sickey (American, 1918–2013)
Stable Scene
Watercolor and graphite on paper
Signed lower right...
Category
Late 20th Century Post-Impressionist Figurative Drawings and Watercolors
Materials
Watercolor, Graphite
Early 20th Century Watercolor of Marrakech Scene, Cleveland School Artist
By John Teyral
Located in Beachwood, OH
John Teyral (American, 1912-1999)
Marrakech, 1937
Watercolor on paper
Signed, dated and titled upper right
12 x 14 inches
19 x 21.5 inches, framed
John Teyral was one of Cleveland'...
Category
1930s Figurative Drawings and Watercolors
Materials
Watercolor
Sleeping Cat, Early 20th Century, Cleveland School Artist
By Clarence Holbrook Carter
Located in Beachwood, OH
Clarence Holbrook Carter (American, 1904-2000)
Sleeping Cat, 1929
Watercolor on paper
Signed and dated upper right
15 x 19 inches
21.25 x 25.25 inches, framed
Clarence Holbrook Car...
Category
1920s American Modern Animal Drawings and Watercolors
Materials
Watercolor
Tyrannus, Early 20th Century painting of a dog, Cleveland School Artist
By William Sommer
Located in Beachwood, OH
William Sommer (American, 1867-1949)
Tyrannus, c. 1935
Watercolor and pen and ink on paper
Signed lower right
7.5 x 9.5 inches
16 x 18 inches, framed
William Sommer is seen as a ke...
Category
1930s American Modern Animal Drawings and Watercolors
Materials
Pen, Watercolor, Ink
Parrot, 20th Century Watercolor by New York Female Artist
By Jane Peterson
Located in Beachwood, OH
Jane Peterson (American, 1876-1965)
Parrot
Watercolor on paper
Signed lower left
25 x 19 inches
31.25 x 25.25 inches, framed
Born in 1876 in Illinois, Jane Peterson would grow into ...
Category
20th Century Animal Drawings and Watercolors
Materials
Watercolor
Pappy (Study for Over and Above: Gorilla), Mid-Century Figurative Drawing
By Clarence Holbrook Carter
Located in Beachwood, OH
Clarence Holbrook Carter (American, 1904-2000)
Pappy (Study for Over and Above: Gorilla), c. 1973
Colored pencil on paper
Signed and dated lower left
7 x 7 inches
20.75 x 19 inches, framed
Clarence Holbrook Carter achieved a level of national artistic success that was nearly unprecedented among Cleveland School artists of his day, with representation by major New York dealers...
Category
1970s American Modern Animal Drawings and Watercolors
Materials
Color Pencil
You May Also Like
Whispers & Hisses Series: 'In Panic'
Located in New York, NY
This series was inspired by a 1950’s era instruction manual found while clearing out my father’s basement workshop. The How To Light A Model manual employed voluptuous female models to teach lighting techniques to amateur photographers such as my father. Diagrams plot the prescribed direction of the lights. The nude women hold the pose, their lips bright red and their feet dirty from the studio floor. As naked props for the authoritarian photographer, their vulnerability seems palpable.
This work visualizes the human condition as a balance between feral and fabricated worlds. Vivid, oversized creatures embody instinctual energy. Wax seals, gold spheres and text-like marks signify rational structures. One speaks in a whisper, the other in a hiss.
Winifred McNeill...
Category
2010s Contemporary Animal Drawings and Watercolors
Materials
Gold Leaf
Graphite and gouache on handmade paper: 'The Remains: 9'
Located in New York, NY
The Remains, A series of 10 works
An insect approaches a crumpled paper doily to eat what remains of a party. This series explores the moment when the trimmings become debris and presumptions of human control are upended. The text-like marks on white vertical rectangles are deliberate, but indecipherable. They appear as if a poem, written in an ancient language, that honors this eternal cycle of destruction and regeneration.
Winifred McNeill...
Category
2010s Contemporary Animal Drawings and Watercolors
Materials
Gouache, Handmade Paper, Graphite
Whispers & Hisses Series: 'In Knowing'
Located in New York, NY
This series was inspired by a 1950’s era instruction manual found while clearing out my father’s basement workshop. The How To Light A Model manual employed voluptuous female models to teach lighting techniques to amateur photographers such as my father. Diagrams plot the prescribed direction of the lights. The nude women hold the pose, their lips bright red and their feet dirty from the studio floor. As naked props for the authoritarian photographer, their vulnerability seems palpable.
This work visualizes the human condition as a balance between feral and fabricated worlds. Vivid, oversized creatures embody instinctual energy. Wax seals, gold spheres and text-like marks signify rational structures. One speaks in a whisper, the other in a hiss.
Winifred McNeill...
Category
2010s Contemporary Figurative Drawings and Watercolors
Materials
Gold Leaf
Graphite and gouache on handmade paper: 'The Remains: 3'
Located in New York, NY
The Remains, A series of 10 works
An insect approaches a crumpled paper doily to eat what remains of a party. This series explores the moment when the trimmings become debris and ...
Category
2010s Contemporary Animal Drawings and Watercolors
Materials
Gouache, Handmade Paper, Graphite
Graphite and gouache on handmade paper: 'The Remains: 4'
Located in New York, NY
The Remains, A series of 10 works
An insect approaches a crumpled paper doily to eat what remains of a party. This series explores the moment when the trimmings become debris and ...
Category
2010s Contemporary Figurative Drawings and Watercolors
Materials
Gouache, Handmade Paper, Graphite
Whispers & Hisses Series: 'In Dread'
Located in New York, NY
This series was inspired by a 1950’s era instruction manual found while clearing out my father’s basement workshop. The How To Light A Model manual employed voluptuous female models to teach lighting techniques to amateur photographers such as my father. Diagrams plot the prescribed direction of the lights. The nude women hold the pose, their lips bright red and their feet dirty from the studio floor. As naked props for the authoritarian photographer, their vulnerability seems palpable.
This work visualizes the human condition as a balance between feral and fabricated worlds. Vivid, oversized creatures embody instinctual energy. Wax seals, gold spheres and text-like marks signify rational structures. One speaks in a whisper, the other in a hiss.
Winifred McNeill...
Category
2010s Contemporary Figurative Drawings and Watercolors
Materials
Gold Leaf
Recently Viewed
View AllMore Ways To Browse
Horse Artists
African American Art Watercolors
Costume Design Watercolor
Horse And Western Paintings
African Animal Drawings
Farm Horse Paintings
Horse Farm Oil Painting
18 Century Horse Paintings
Paul Brown Art Horse
19 Century Horse Paintings
Benjamin Long
1970 Fashion Illustration
1950 Fashion Illustrations
Blue Paintings
Used Magazine
Layered Art
Antique Artist
Body Of Art