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Charles Burdick
'Female Nude with Animals, ' by Charles Edward Burdick, Watercolor Painting

$1,200List Price

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'Untitled Sketch Men with Oxen' by Harold Stevenson, Pencil Drawing on Paper
Located in Oklahoma City, OK
This 45" x 31" work was drawn by Harold Stevenson in 1983 and is presented in a multi-matted black frame. The drawing depicts three standing figures, each adorned in classical-style ...
Category

1980s Minimalist Figurative Drawings and Watercolors

Materials

Paper, Pencil

'Where Hummingbirds Swim, ' by Lisa Miceli, Watercolor on Paper Painting
By Lisa Miceli
Located in Oklahoma City, OK
This framed 27" x 14" watercolor on paper by artist Lisa Miceli depicts the abstracted movement of birds, figures, and aquatic imagery that the artist uses...
Category

2010s Abstract Abstract Drawings and Watercolors

Materials

Watercolor, Paper

'White Tiger, ' By Vojna Bastovanovic Casteel, Watercolor on Paper, 2021
Located in Oklahoma City, OK
'White Tiger,' by Vojna Bastovanovic Casteel, is a framed Watercolor on Paper painting from 2021. The work on paper features an image of a white tiger drinking from a pool of water. The tiger is rendered in cool tones of mostly grays and blues. The same blue values of the Tiger's one visible eye are used in the rendering of the pool. Award-winning Serbian artist Vojna Bastovanovic Casteel is known for artworks with natural elements, like people and animals (usually wild tigers and lions), that show selective flashes of realism often distorted by an abstract background. In her professional career, she has created hundreds of square meters of portrait mosaics for public spaces and large churches...
Category

2010s Contemporary Animal Drawings and Watercolors

Materials

Watercolor, Paper

'Freedom', By Bojan Grof, Graphite, Charcoal and Oil Pencil Drawing on Paper
Located in Oklahoma City, OK
This 27" x 19" monochromatic graphite and charcoal drawing by Serbian artist, Bojan, is rendered in a hyper-realistic manner. A dog is the main subject in the lower right corner ...
Category

21st Century and Contemporary Realist Animal Drawings and Watercolors

Materials

Paper, Charcoal, Oil Pastel, Graphite

'Dancer in Seated Gesture 2, ' by James Cobb, Chalk and Conté on Paper, 2021
Located in Oklahoma City, OK
This 11.25 x 15.25 work on paper features a lone, seated, female dancer viewed from the back. The figure is twisting toward the viewer as she begins to look over her right shoulder. Her legs are pulled toward her body with the left leg crossed over the right. The isolation of the seated figure within the ground of the page lends a vulnerable quality to the work. The 16 x 20 dark brown mat has a window size of 11.25 x 15.25. Bio: Jim Cobb, until recently was hanging his work on Canyon Rd in Santa Fe, New Mexico. One-man shows have been hosted in Taos, New Mexico, Norman, Oklahoma and Oklahoma City, Oklahoma. When the Oklahoma Art...
Category

2010s Academic Figurative Drawings and Watercolors

Materials

Chalk, Conté, Paper

'Erika in Gesture II, ' by James Cobb, Drawing
Located in Oklahoma City, OK
This framed 21" x 19" academic drawing by artist James Cobb, 'Erika in Gesture II,' captures a female model in a standing pose. Facing away from the viewer...
Category

2010s Academic Nude Drawings and Watercolors

Materials

Conté, Graphite

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Vigilant Fox - The psyche of the fox -
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Carl Friedrich Deiker (1838 Wetzlar - 1892 Düsseldorf). Vigilant fox. Pencil drawing on brown paper, 18 × 29.5 cm (inside measurement), 31.5 x 43.5 cm (mount), signed and dated "Deiker [18]54" at lower right. - a little bit stained, with a light water stain at lower right About the artwork Carl Friedrich Deiker's consummate ability to depict animals is already evident in this early work. He brought a whole new psychological dimension to animal painting, so that one could literally speak of animal portraits. The naturalistic appearance of the fox alone makes it seem alive. Every strand of muscle, even every hair, is captured, which requires an intensive artistic study of animal anatomy and physiology. But the fox's real liveliness comes not from its natural appearance, but from its internal movement: Stretched out, it has been brought out of rest. It turns around and, with its ears pricked up, looks intently in the direction from which it has seen something. His mouth is slightly open and his pointed teeth are bared, as if he were growling. Tension gradually takes hold of his whole body. While the hind legs were still in a relaxed position, closely observed by Deiker, one front leg was already raised, ready to begin a rising movement. The fox seems so alarmed with all its senses that one gets the impression that, at any moment, its tail will move jerkily and the animal will jump up. While wild animals have traditionally been portrayed as beasts or anthropomorphised, often for caricatural purposes, Deiker explores their inherent nature by attempting to capture their psychic impulses. The wild animal is neither bestial nor human, but a creature in its own right, valued by Deiker for its own sake. In this way, he brought the dignity of the animal into representation and raised animal painting to a whole new artistic level. About the artist Carl Friedrich Deiker was the son of the drawing teacher Christian Friedrich Deiker and the younger brother of the animal painter Johannes Deiker. In addition to the family art lessons, Christian Friedrich shared a studio with his brother Johannes at Braunfels Castle, Deiker attended the drawing academy in Hanau, and from 1858 he was a student at the Karlsruhe Art Academy, where he studied under the landscape painter Johann Wilhelm Schirmer. Carl Friedrich Deiker was already in demand as an artist during his first year: Grand Duke Frederick I of Baden, Margrave Max of Baden and Grand Duke Michael of Russia bought hunting scenes by him. In 1859 he went on a study trip to the Reinhardswald. Just as the Barbizon School had rediscovered the landscape, Deiker opened up the forest for animal painting. From 1861-64 Deiker had his own studio in Karlsruhe, then moved to Düsseldorf, where his brother Johannes followed four years later. Deiker married a daughter of the landscape painter Karl Hilger and remained in Düsseldorf until his death. In 1868 he finally achieved international fame with his painting 'Pursued Noble Deer' and was regarded as a virtuoso new founder of animal painting. "Deiker brought for the first time a truly great artistic quality to animal painting [...]". - Hans Vollmer From 1870 he participated in the academic art exhibitions in Berlin, Dresden, Munich and Hanover. He was also very busy as an illustrator. He drew for the Gartenlaube, the Salon, the Universum, and produced many of the finely illustrated hunting and animal books of the period. He also worked as a printmaker, while his oil paintings circulated as reprints by Franz Dinger. From 1865 to 1892 Deiker was a member of the artists' association Malkasten. Carl Friedrich Deiker's life's work was honoured with a large posthumous memorial exhibition at the Düsseldorf Kunsthalle in 1892. His son Carl Deiker, born in 1879, also became a painter. Selection of art museums that own works by Carl Friedrich Deiker: Hamburger Kunsthalle / Kunsthalle Karlsruhe / Kunstmuseum Düsseldorf / Wallraff Richartz Cologne. Selected Bibliography H. Schmidt: Johannes and...
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