Jean Baptiste Huet

18th Century Old Master pencil study of cows by French artist Jean Baptiste Huet

1776

Albert Goodwin (British, 1834 – 1932) Sleeping lambs Pencil and chalk on paper 7.1/8 x 10.1/8 in.(18.2 x 26 cm.) Inscribed ‘Sketched by Albert Goodwin RWS’ (on the reverse)

Carl Hofer (German, 1875 – 1955) Elefantenbulle (Bull elephant) Pencil on paper Signed with monogram ‘CH’ (lower right) 15.3/4 x 13.3/8 in. (40 x 34 cm.) Provenance: These works come from the artist’s second wife Elizabeth and from then by descent. Carl Hofer was a German expressionist painter and the director of the Berlin Academy of Fine Arts. One of the most important painters of the Expressionist movement, his work was among those that was considered degenerate art by the Nazis. He studied in Karlsruhe under Hans Thoma. He first visited Paris in 1899 making acquaintance with Julius Meier-Graefe. In 1902 he studied in Stuttgardt and became friends with the sculptor Hermann Haller...

Sven Berlin (British, 1911 - 1999) The alpaca herd Pen, ink and bodycolour on paper 14.1/8 x 14.1/8 in. (36 x 36 cm.) (18) Sven Berlin, born in Sydenham, ...

Edward Stott, ARA (British, 1859 - 1918) Reclining nude Pastel and black crayon 8.1/2 x 12.1/4 in. (21.7 x 31.2 cm.) Provenance: Abbott and Holder, London A few years after its foundation in 1886, a critic referred to the New English Art Club as that Steery, Starry, Stotty. Stotty referred to William Stott of Oldham and Edward William Stott. The four men had in common the love French plein air painting...

Study of a cow strapped into a cow holder with one of its hine leg lifted. The work is stamped by the artist. The work is not framed. Artist Biography: Emile Lejeune...

Charles Emile JACQUE (Paris 1813 - 1894) Two sheeps, studies Black chalk on paper 9 x 17 cm Framed 33 x 38 cm Charles Emile Jacque was born in 1...

Antique etching of a grazing cow by Wouter Johannes van Troostwijk. Wouter Johannes van Troostwijk was a Dutch painter and etcher. Most of his works ar...

Antique Horse Study "Legs and Rumps, 1838" Wouterus Verschuur l (Dutch, 1812-1874) Pencil on paper Signed and Dated "W Verschuur 1838" 10 x 6 1/2 (17 1/2 x 14 frame) inches In his time Wouterus Verschuur was an acclaimed and celebrated painter of horses. Through careful observation he learned to capture their physique and movement to perfection. As a true-born romanticist he was also interested in their character, thereby painting powerful carthorses in their stable, thoroughbred saddled horses during an afternoon ride or harnessed horses in action. He was born to an Amsterdam jeweler and received his training from the landscape and cattle painters Pieter Gerardus van Os and Cornelis Steffelaar. As part of this education Verschuur had to copy works by the 17th century painter Philips Wouwerman. Like Wouwerman, Verschuur's subjects consist mostly of stable scenes, landscapes with horses and coastal landscape. These works reflect the enduring influence of the northern Baroque masters on nineteenth century art, revealing the artist's close study of his Dutch and Flemish predecessors harking back to Peter Paul Rubens. Showing talent from a very early age, at 15 Verschuur had a painting exhibited at the "Exhibition of Living Masters" at Amsterdam in 1828. In 1832 and 1833 he won the gold medal at the annual exhibition at Felix Meritis. In 1833 he was appointed a member of the Royal Academy in Amsterdam. In 1839 he joined the artists' society, Arti et Amicitiae. His reputation was also considerable abroad. He was often featured in the annual exhibitions which travelled the large European cities at that time. In 1855 Napoleon III purchased one of his paintings at the Exposition Universelle in Paris. The Verschuur horse revels in its physicality, like a quintessential Baroque horse...