Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 7

Sven Berlin
Modern British, 20th Century St. Ives artist, Sven Berlin drawing of a Cockerell

About the Item

Sven Berlin (British, 1911 - 1999) Cock Black felt pen on paper Inscribed with title (lower left) 11.3/4 x 14 in. (29.7 x 35.5 cm.) Sven Berlin, born in Sydenham, London on 14th September 1911, was an English painter, draughtman and writer. He was a key player in the development of the St. Ives art movement. Having studied at the Beckenham School of Art and after a successful career as an adagio dancer in the music-halls he moved to Cornwall with his first wife Helga in 1938 to study at the Camborne-Redruth School of Art, pre-dating the arrival of Barbara Hepworth and Ben Nicholsen to Cornwall. As WW2 broke out, Berlin initially remained a conscientious objector. He worked in the market garden established by the art critic Adrian Stokes outside St Ives. Here he met Nicholson, Hepworth and Peter Lanyon. These artists would later establish the Modernist movement. During this time, he penned the biography for Alfred Wallis, the first profile to be written on the artist, published in 1949 and still in print today. Berlin did eventually join the Army, taking part in the D-Day landings. Returning to St Ives after a breakdown, Berlin divorced Helga and met his second wide Juanita Fisher in 1949. Berlin set up his new studio in ‘The Tower’ next to Porthwidden Beach, and began carving stone sculptures outside, including the Mermaid and Angel in 1948, and The Lion which was commissioned for the St. Austell Brewery. Berlin frequently exhibited paintings, drawings, and sculptures with the St. Ives Society of Artists. In London, Berlin was a founding member of the Crypt Group along with Peter Lanyon and John Wells, also members of the St Ives artistic group. A flamboyant and outspoken personality, Berlin did not get on well with many of his peers. Following a conflict between the St. Ives Society of Artists, the Crypt Group and the Penwith Society, Berlin was ostracised from the art colony and relocated to the New Forest in 1953. Here Berlin produced some of his most established work using animals as a source of inspiration. 1962 was a hard year for Berlin. His second wife Juanita left him for their groom Fergus Casey and the disputes which had led him to leave Cornwall inspired Berlin to write The Dark Monarch, an embittered roman à clef about the St Ives art colony and its members. This was pulled within just days of publication due to legal action. Berlin received several lawsuits following his poorly disguised and damning representations, which crippled him financially. Berlin met his third wife Julia and moved to the Ilse of Wight in 1970, later settling in Wimborne. Berlin remained a prolific painter, author, and sculptor right up until his death in 1999 at the age of 88. Though a difficult character, Sven Berlin remains an undeniably important figure in the genesis of the Modern art movement in St Ives and deserves much more recognition than he has at present. Like Elizabeth Frink, another great artist from the period, the excellence displayed in his sculptures goes hand in hand with these beautiful preparatory line drawings. Exhibiting an easiness of execution, his works on paper show a flair and confidence that very few can claim to have mastered.
  • Creator:
    Sven Berlin (1911 - 1999, British)
  • Dimensions:
    Height: 11.75 in (29.85 cm)Width: 14 in (35.56 cm)Depth: 1 in (2.54 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    In overall good order, newly mounted and framed in a white wood moulding, behind glass.
  • Gallery Location:
    Petworth, GB
  • Reference Number:
    1stDibs: LU540311034172

More From This Seller

View All
Modern British, 20th Century St. Ives artist, Sven Berlin, 'Equus' drawing
Located in Petworth, West Sussex
Sven Berlin (British, 1911 - 1999) Equus Pen and ink 7.7/8 x 12.3/4 in. (19.7 x 32.4 cm.) Sven Berlin, born in Sydenham, London on 14th September 1911, was an English painter, draug...
Category

20th Century Romantic Animal Drawings and Watercolors

Materials

Paper, Ink, Pen

British St. Ives artist Sven Berlin 'Owl in flight' drawing, 20th Century
Located in Petworth, West Sussex
Sven Berlin (British, 1911 - 1999) Owl in flight #2 Pen and ink 7.7/8 x 11 in. (19.7 x 28 cm.) Sven Berlin, born in Sydenham, London on 14th September 1911, was an English painter, d...
Category

20th Century Romantic Animal Drawings and Watercolors

Materials

Ink, Pen

British 20th Century St. Ives artist Sven Berlin 'Stag' drawing
Located in Petworth, West Sussex
Sven Berlin (British, 1911 - 1999) Stag on alert Pen and ink Signed and dated 'SVEN 95' (lower edge) 7.7/8 x 11 in. (20 x 28 cm.) Sven Berlin, born in Syd...
Category

20th Century Romantic Animal Drawings and Watercolors

Materials

Ink, Pen

Modern British, 20th Century St. Ives artist, Sven Berlin, Swan landing
Located in Petworth, West Sussex
Sven Berlin (British, 1911 - 1999) A Swan landing Pen and ink 14.1/2 x 14.1/2 in. (36.8 x 36.8 cm.) Sven Berlin, born in Sydenham, London on 14th September 1911, was an English paint...
Category

20th Century Romantic Animal Drawings and Watercolors

Materials

Ink, Pen

Modern British, 20th Century St. Ives artist, Sven Berlin 'Running Hare'
Located in Petworth, West Sussex
Sven Berlin (British, 1911 - 1999) Running Hare Black and brown ink on paper 15.3/4 x 22 in. (40 x 55.8 cm.)
Category

20th Century Romantic Animal Drawings and Watercolors

Materials

Paper, Ink

Early 20th Century British illustration of a hornbill bird by Edward Detmold
By Edward Julius Detmold
Located in Petworth, West Sussex
Edward Julius Detmold (British, 1883 – 1957) Hornbill Pen and ink on paper Signed with initials’ ED’ (lower right) 16.3 x 15.8 cm. Edward Julius Detmold (21 November 1883 Putney, Wandsworth, Surrey - 1 July 1957 Montgomery) and his twin brother Charles Maurice Detmold (1883-1908) were prolific Victorian book illustrators. Their parents were Edward Detmold and Mary Agnes Luck. Their father, an electrical engineer was chronically ill, and they lived with their uncle and guardian, Dr Edward Barton Shuldham, who saw to their tuition and was a noted collector of porcelain and Japanese woodprints of plants and animals. Dr Shuldham occupied a house in Upper Richmond Road, Putney, where the twins had been born. He ensured their interest in natural history and art, and created a nurturing environment for their precocious talents. They also spent time with another uncle, the painter Henry E. Detmold, who encouraged them in their art. Most of their prodigious energy was expended on depicting animal subjects and their work showed great influence from traditional Japanese art, Albrecht Dürer and later the Art Nouveau movement. They were exhibiting watercolours at the Royal Academy and the Royal Institute of Painters in Water Colours at the age of 13. Edward Burne-Jones praised their work and warned against the dangers of uniformity inherent in art schools. The twins subsequently mastered the techniques of watercolour etching and of colour printing with copper plates, buying a printing press and producing their own proofs at home. In 1898 they compiled a portfolio of colour etchings of animals and flowering plants done in the Japanese style. These were much sought after and were rapidly sold out. They collaborated on the etchings and illustrations for their first book Pictures From Birdland published in 1899. This book resulted from a number of drawings being shown in the autumn of 1897, to the publisher J. M. Dent, who was so impressed that the two brothers were asked to provide coloured illustrations for a book of his. The first title mooted was Alphabet of Birds, eventually becoming Pictures from Birdland. "Particularly noticeable are the early influences in the paintings, Edward's design for an osprey, with its unusual water effects, testifying to a Japanese contribution. Already apparent is that style in which a searching study of natural forms, especially bird plumage, is subordinated to decorative arrangement" - David Larkin (The Fantastic Creatures of Edward Julius Detmold) This was followed in 1900, by an exhibition at the Fine Art Society's Gallery in London. Their next joint project was to produce a set of 16 watercolours for Rudyard Kipling's The Jungle Book published in 1903, by Macmillan. The success of their painting careers seemed assured, but Maurice ended his life by inhaling chloroform in April 1908, shortly before they were due to leave for a holiday in Sussex with Dr Shuldham, who had arranged that Maurice put down the household cats using the anaesthetic. Although stunned by the death of Maurice, Edward threw himself into his work. The recognition accorded the twins' illustrations of Kipling's classic tale was extraordinary. Consequently, in 1909 Edward illustrated The Fables of Aesop, producing 23 colour plates and a host of pen & ink drawings. This proved so popular that in 2006 The Folio Society of London published a facsimile of the original Hodder & Stoughton edition. In 1911, Detmold worked on illustrations for Maurice Maeterlinck's The Life of the Bee, Camille Lemonnier's Birds and Beasts and Florence Dugdale's Book of Baby Beasts. In the following year he worked on Maeterlinck's Hours of Gladness, in 1913, on Florence Dugdale's Book of Baby Birds and in 1919, on W. H. Hudson's Birds in Town and Village In 1919, he also produced a portfolio of Twenty Four Nature Pictures and, in 1921, on Our Little Neighbours and Jean-Henri...
Category

20th Century Art Deco Animal Drawings and Watercolors

Materials

Paper, Ink, Pen

You May Also Like

Tropical Landscape with Palm Trees and Flamingo, German Romantic Art, Nature Art
Located in Greven, DE
Signed Pencil Drawing by Andreas Geist, a German painter of animals and theatre sceneries. Andreas Geist was born as the son of the painter Joseph Gei...
Category

19th Century Romantic Animal Drawings and Watercolors

Materials

Crayon, Handmade Paper

French Orientalist Art, Old Master Drawing Elephants, Hunt and Soldiers, Nature
Located in Greven, DE
Guignet was born in Annecy and grew up in the city of Autun. He was a friend of Hippolyte Michaud. He was a rather popular orientalist painter in h...
Category

Mid-19th Century Romantic Still-life Drawings and Watercolors

Materials

Handmade Paper

Landscape with cattle in watercolor
Located in DEVENTER, NL
This beautifully excecuted landscape with cattle in watercolor was made by Abraham Hendrik Winter (1800-1861). Winter was born in Utrecht (the Netherlands) in 1800 and was a teacher ...
Category

Mid-19th Century Romantic Landscape Drawings and Watercolors

Materials

Paper, Watercolor

Japanese Contemporary Drawing by Tomo Sakurai - Charm
Located in Paris, IDF
Multigrade pencils on cotton paper (Washi) marouflaged on Japanese wooden panel - dyptich Tomo Sakurai is a Japanese artist born in 1987 who lives & works in Tokyo, Japan. She had ...
Category

2010s Romantic Animal Drawings and Watercolors

Materials

Cotton, Paper, Panel, Pencil

One Thousand And One Nights French Orientalism Art Nouveau Decorative Period
Located in Sutton Poyntz, Dorset
A. Lesueur French 19ème siècle Les Mille Et Une Nuits – One Thousand & One Nights, 1892 Charcoal on paper heightened with white. Signed & dated 1892 lower right. Image size 23.6 inc...
Category

Late 19th Century Romantic Animal Drawings and Watercolors

Materials

Paper, Charcoal

Egyptian Buffalo & Farmers 19th Century American Orientalist Framed Watercolor
By Edwin Lord Weeks
Located in Sutton Poyntz, Dorset
Edwin Lord Weeks. American ( b.1849 - d.1903 ). Egyptian Buffalo And Farmers, Egypt. Watercolor On Paper. Monogram Lower Right. Image size 5.1 inches x 8.3 inches ( 13cm x 21cm ). F...
Category

Mid-19th Century Romantic Animal Drawings and Watercolors

Materials

Paper, Watercolor

Recently Viewed

View All