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William Zorach“Sleeping Cat”1959
1959
$3,250
£2,473.54
€2,860.25
CA$4,612.40
A$5,161.39
CHF 2,685.01
MX$62,190.79
NOK 33,803.06
SEK 31,938.26
DKK 21,350.26
About the Item
This original pencil sketch, titled "Sleeping Cat," is a work by the renowned American artist William Zorach (1887-1966). Dated March 14, 1959, and inscribed "To Susan with Love" denotes that it was a personal gift.
Zorach was known primarily as a sculptor, although he also created numerous drawings and watercolors. His drew inspiration from nature and his home, including his family and pets.
Cats were a recurring and beloved subject for the artist, appearing in both his sculptures and drawings. His depictions, like this "Sleeping Cat," often capture the animal's natural repose and charm, reflecting a personal connection and appreciation for their form.
Zorach revisited the "Sleeping Cat" theme even in sculptures like the "Sleeping Coon Cat" at the Smithsonian American Art Museum, as well as a bronze version from around 1950. This drawing offers a glimpse into his sketching process and his keen observation of feline anatomy and behavior. It further exemplifies Zorach's mastery of pencil as a medium, demonstrating his ability to convey form and texture through line work and shading. Purrrrrrr.
- Creator:William Zorach (1887 - 1966, American)
- Creation Year:1959
- Dimensions:Height: 13.75 in (34.93 cm)Width: 16 in (40.64 cm)Depth: 1 in (2.54 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Condition is commensurate with age and use. Please review photos.
- Gallery Location:San Francisco, CA
- Reference Number:1stDibs: LU1378216820032
William Zorach
Born in 1887, by 1930, he was one of America’s premier 20th century sculptors and was honored with multiple commissions and exhibitions including at the Art Institute of Chicago, the Dallas Museum of Fine Art, the Whitney Museum of American Art, and numerous others. He studied in New York City at the National Academy of Design and also in Paris under the mentoring of Jacques-Emile Blanche. It was in Paris in the first decade of the 20th century where Zorach’s path crossed with Marguerite, his soon to be wife. Both Marguerite and William were both represented in the landmark Armory Show of 1913. William continued to paint for the next two decades, but increasingly experimenting with sculpture. By the mid 20’s he was carving significant works in marble and stone. By the early 30’s, he abandoned painting entirely in favor of a new art form, sculpture. I t was in sculpture that Zorach found his true voice as an artist and achieved considerable success. “Sculpture, direct carving, was an expanding universe, a liberation and a natural form of expression to me.” Zorach stated. Museum Collections: Amon Carter Museum of American Art
Arizona State University Art Museum
Boca Raton Museum of Art
Butler Institute of American Art
Cleveland Artists Foundation
Colorado Springs Fine Arts Center
Cornish Colony Museum
Dallas Museum of Art
Delaware Art Museum
Edwin a Ulrich Museum of Art
Farnsworth Art Museum
Flint Institute of Arts
Frederick R Weisman Art Museum
Georgia Museum of Art
Herbert F Johnson Museum of Art
Jack S Blanton Museum of Art
LaSalle University Art Museum
Los Angeles County Museum of Art
Lowe Art Museum
Marion Koogler McNay Art Museum
Memorial Art Gallery
Metropolitan Museum of Art, NYC
Middlebury College Museum of Art
Minneapolis Institute of Arts
Mobile Museum of Art
Museum of Fine Art-Boston
Pennsylvania Academy of the Fine Arts
Portland Museum of Art
Smithsonian Museum of Art
The Brooklyn Museum of Art
The Canton Museum of Art
The Columbus Museum of Art-Ohio
The Columbus Museum-Georgia
The Cummer Museum Of Art & Gardens
The Currier Museum of Art
The Nelson-Atkins Museum of Art
The Newark Museum
The Phillips Collection
The Phillips Museum of Art
The University of Michigan Museum of Art
Whitney Museum of American Art
Worcester Art Museum
Yosemite Museum
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