Elizabeth Iadicicco

"Big Red" Framed Botanical Illustration

2020

This original hand-drawn botanical illustration by Elizabeth Iadicicco is made with illustration marker, pen, and colored pencil on bristol paper. The drawing captures a large, fully...

This small original hand-drawn botanical illustration by Elizabeth Iadicicco is made with illustration marker, pen, and colored pencil on Strathmore marker paper. The drawing capture...

This original hand-drawn illustration by Elizabeth Iadicicco is made with illustration marker and pen on Strathmore marker paper, capturing acorns, laying on their sides and casting ...

This limited edition botanical print by Elizabeth Iadicicco captures wild eucalyptus leaves on a minimalist white background. This print is an edition size of 25. Printed on premium fine art paper, this print ships matted and framed in a contemporary silver frame which is wired and ready to hang. Other frame options are available in white, black, gold, natural wood, antiqued silver, antiqued gold, distressed white, or whitewashed wood. For additional sizes and frame options, please contact us. Limited Edition prints are printed with pigment ink on a Premium Fine Art paper and designed to meet museum longevity requirements and ensure consistency. The artist has granted permission to Sorelle Gallery to produce limited edition prints of their work. Each print comes with a Certificate of Authenticity, and ships for free. Please note that all prints are made-to-order based on desired preferences, allowing for personal customization and less waste. Please also allow additional time for printing prior to shipping. Elizabeth Iadicicco was born in Washington D.C. and lived in several different cities throughout her childhood including Helsinki, Warsaw, and London. She studied Fine Art at Syracuse University and later attained her Masters Degree in Arts Management from HEC Montreal. She now lives and works in the Hudson Valley. Elizabeth's illustrations aim to reconnect the viewer with the simplicity and freedom of childhood and the natural world. She is inspired by cartoon artists like Bill Waterson, Jason Chatfield, and Tove Jansson...

SALE ONE WEEK ONLY This is an untitled still-life watercolor of a floral garden with poppy's, baby breaths and euphorbia by Stephanie Henderson née ...

This is a pair of framed original one-of-a-kind watercolor paintings of flowering plants entitled "Monandria Monogymia, Costus Speciosus" and "Tetrandria Monogynia, Ixorci Stricta" by an anonymous artist. This striking and detailed pair of framed watercolor botanical paintings are presented in identical gold-colored wood frames with cream-colored mats and gold-colored fillets. They are glazed with UV conservation glass. Each of the frames measures 21.5" high, 19.25" wide and 1" deep. The watercolors are painted on very thin Japanese or India paper, which have some wrinkling due in part to the nature of the production and the mounting on a backing of this kind of very thin paper. The paintings are otherwise in very good condition. Monandria is a class of flowers with one stamen. Cheilocostus speciosus, also know as crêpe ginger, is in the family Costaceae. It is native to southeast Asia and surrounding regions, from India to China to Queensland and Indonesia. It has also been cultivated in Puerto Rico, Mauritius, Réunion, Fiji, Hawaii, Costa Rica, Belize, Melanesia, Micronesia, and the West Indies, mainly for its ornamental beauty and for its medicinal uses. It has been used to treat fever, rash, asthma, bronchitis, kidney and other urinary problems, as and intestinal worms. It is mentioned in the Kama Sutra as an ingredient in a cosmetic to be used on the eyelashes to increase sexual attractiveness. Tetrandria is a class of flowers with four stamens. Ixorci Stricta, also known as Ixora chinensis, is native to Southeast China, Indo-China and the Philippines. Although native to the tropical and subtropical areas throughout the world, it is most common in tropical Asia...

Flowers were one of Culver's favorite subject. This stunning portrait of a red flower draws the viewer into its very center as powerfully as any flower portrait by Georgia O'Keeffe. It is the idyllic flower that can be described as in the romantic style wherein the subject depicted is a more desired or dramatic version of what actually is. It is signed and dated by the artist on the lower left. This piece has been professionally reframed with acid-free matting and museum glass. In a 1952 Detroit Free Press article, entitled “Artist Explains His Work,” Culver was asked why he painted the way he did. He stated: “I try to ‘see’ though not too exactly; I try to think though not too ponderously; I feel emotion yet I try not to become overwrought. I interpret rather than describe, and design rather than depict. I work with values, not light and shade; hence, when I am successful, I achieve substance rather than three-dimensional form, and this satisfies me as being wholly sufficient. In my work I wish to be serious without becoming a bore, exuberant without being frivolous, humorous without being silly. I believe that good paintings are conceived, not contrived; and I am interested in art much more than in pictures.” Charles Culver...

Framed in a quality water gilded frame. Image of " False Bird Of Paradise". Signed lower right, Linda L. Broadfoot.