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Aaron Bohrod
Watercolor Painting Road Signs, Load Limit, Aaron Bohrod WPA Artist Chicago Art

$1,800
£1,352.21
€1,559.32
CA$2,497.73
A$2,775.53
CHF 1,454.41
MX$34,036.98
NOK 18,550.15
SEK 17,451.30
DKK 11,638.09
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About the Item

Aaron Bohrod (1907-1992) Listed Wisconsin WPA American Artist Original Watercolor Painting Hand signed "Load Limit Bridge" Dimensions: 24"x18" inches Aaron Bohrod (1907 – 1992) was an American artist best known for his trompe-l'œil still-life paintings. This one presages Pop Art with its depiction of road signs. Bohrod was born in Chicago in 1907, the son of an emigree Bessarabian-Jewish grocer. Bohrod studied at the School of the Art Institute of Chicago and the Art Students League of New York between 1926 and 1930. While at the Art Students League, Bohrod was influenced by John Sloan and chose themes that involved his own surroundings. He returned to Chicago in 1930 where he painted views of the city and its working class. During the Great Depression, Schwartz became an artist on the Federal Art Project (WPA) payroll painting murals. He was one of the seven WPA artists who contributed to a mural at Riccardo's, Schwartz (Music), Malvin Albright (Sculpture), Ivan Albright (Drama), Aaron Bohrod (Architecture), Rudolph Weisenborn (Literature), Vincent D’Agostino (Painting), and Ric Riccardo (Dance). Many well known Jewish and Immigrant artists worked for the Federal Art's Project (the New Deal) commonly referred to as the WPA, including Berenice Abbott, William Baziotes, William Gropper, Ilya Bolotowsky, Stuart Davis, Adolf Dehn, Ben Shahn and Louis Schanker. In 2002 Chicago philanthropist Seymour H. Persky acquired the murals for his personal collection. He eventually earned a Guggenheim Fellowships which permitted him to travel throughout the country, painting and recording the American scene. His early work won him widespread praise as an important social realist and regional painter and printmaker and his work was marketed through Associated American Artists in New York. Bohrod completed three commissioned murals for the Treasury Departments Section of Fine Arts in Illinois; Vandalia in 1935, Galesburg in 1938 and Clinton in 1939. During World War II, Bohrod worked as an artist; first in the Pacific for the United States Army Corps of Engineers' War Art Unit, then in Europe for Life magazine. In 1948, he accepted a position as artist in residence, succeeding John Steuart Curry, at the University of Wisconsin–Madison, and remained in that capacity until 1973. In 1951, Bohrod was elected into the National Academy of Design as an Associate member, and became a full member in 1953. He showed at Associated American Artists (AAA) gallery in New York City Established in 1934 many major American artists showed there including Thomas Hart Benton, Georgia O'Keeffe, Peggy Bacon, Aaron Bohrod, John Steuart Curry, Luigi Lucioni, and Grant Wood. In the 1950s, Bohrod developed the trompe-l'œil style of highly realistic, detailed still-life paintings which give an illusion of real life. It was this style with which he became internationally identified. Bohrod's works can be found in the collections of many American museums such as the Art Institute of Chicago, the Metropolitan Museum of Art, the Whitney Museum of American Art in New York, and the Hirshhorn Museum in Washington, D.C. The Aaron Bohrod Gallery at the University of Wisconsin–Fox Valley was named in his honor.

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