Albert Léon

The Breakfast - Original Drawing In Tempera And China Ink - 20th Century

20th Century

Gender Image is an original drawing in China Ink on paper realized by Henri-Paul Pecquieraux (1889-1935) in 1960s. The artwork is in good condition unlike how you might perceive it from the photo. There’s only one small point...

Internal is an original artwork in China ink on ivory-colored paper realized by Antonio Presti. The state of preservation is good. Not signed.

The priest with good taste is an original drawing artwork realized by Carlo Rivalta (1887-1941). China ink drawing on brownish paper. Monogrammed top-right "RIV" The state of pres...

"Le Nourrice" is a black China ink and pencil drawing on paper glued on ivory-colored cardboard, signed and dated by Flor David (1891-1958). The artwork represents Le Nourrice - Groupe du Theatre...

Georges CONRAD (1874-1936) Morning moments Original India ink drawing Signed with the stamp of atelier On paper 26.5 x 20 cm (c. 10,4 x 7.8 in) Very good condition, paper lightly y...

Medium: lithograph (after Toulouse-Lautrec). In 1896 Toulouse-Lautrec executed his Elles portfolio, and the lithograph offered here is a faithful limited edition replica. It was prin...

ALBERT RUTHERSTON, RWS (1881-1953) The Meeting with Caius Lucius – Illustration for The Tragedie of Cymberline Signed with initials l.r. Pen and ink Unframed 4.5 by 13 cm., 1 ¾ by 5 in. (mount size 39.5 by 33 cm., 15 ½ by 13 in.) Provenance: Estate of the artist Exhibited: London, Sally Hunter Fine Art, Albert Rutherston, Drawings, Theatre Designs and other Treasures, 2016, no.65 The present work was illustrated in Cymbeline, published by Ernest Benn in 1923. The series was a collaboration between Rutherston and Harley Granville-Barker following on from their work together 11 years earlier at the Savoy Theatre and celebrating the quatercentenary of the Shakespeare Folio edition. Born Albert Daniel Rothenstein, he was the youngest of the six children of Moritz and Bertha Rothenstein, German-Jewish immigrants who had settled in Bradford, Yorkshire in the 1860s. He and his siblings proved to be a hugely talented and artistic family, his elder brother became Sir William Rotherstein (1872-1945), the artist and director of the Royal College of Art; two of his other siblings, Charles Rutherston and Emily Hesslein, both accumulated major modern British and French art collections and his nephew Sir John Rothenstein was direct of the Tate Gallery. He was educated at Bradford Grammar School before moving to London in 1898 to study at the Slade School of Art where he became close friends with Augustus John and William Orpen. He met Walter Sickert during a painting holiday in France in 1900 and by introducing Sickert to Spencer Gove became instrumental in the beginning of the Camden Town Group. He was one of Sickert’s most frequent companions and was one of the original members of the Fitzroy Street Group. Rutherston had a sociable and attractive personality, he frequently travelled abroad with other artists including Max Beerbohm, Spencer Gore, Walter Russell and Edna Clarke Hall...

Black and white pen & ink drawing of a nude female model posing for an artist by French artist Jean Baptiste Grancher, circa 1950. Original artwork on paper displayed on a white mat...