Antonio Gonzalez Collado

The little ballerina in blue

2000

This artwork "Landscape with Lake" C.1940 is a pastel on paper by noted Russian/Canadian artist Alexander (Alexandre) Bercovitch, 1891-1951. It is signed at the lower right corner by the artist. The artwork size is 17 x 23.25 inches, framed is 23.75 x 30.15 inches. The artwork is in excellent condition, the frame is damaged and will be replaced by a new similar or better frame before shipping. About the artist. Alexander Bercovitch was born in Kherson, Russia in 1891. In 1926 he moved to Montreal, Canada. He is known for a vibrant, expressionist painting style. His landscapes also show the strong influence of impressionism. His mediums are pastel, gouache, watercolour and oil. As a child he apprenticing in icon-painting with monks. He also studied at Jerusalem's Art School of Bezalel, the Munich Academy of Fine Arts, and the Bakst-Dobujiinsky school and Stiglitz Academy, both in St. Petersburg. He worked in Odessa and Moscow painting stage decorations, before moving to Turkestan to teach art. He was influenced by the German Symbolist Franz von Stuck, as well as David Burliuk, co-founder of the Russian Primitivist movement and Wassily Kandinsky. After moving to Montreal he worked in decorative painting and set design. In 1927 he participated in the annual Spring Show of the Art Association of Montreal, and in 1933 held his first solo exhibition. He is a founding member of The Eastern Group of Painters and the Contemporary Arts Society (CAS), associating with Louis Muhlstock, John Lyman, Jack Humphrey, Philip Surrey...

Elegant mid century figure study in pastel on brown paper depicting a seated nude woman with a hat and rose, by by American artist Louis Nadalini (Italian, 1927-1995). Signed Nadalini upper right. Presented in a simple wood frame, with new mat and new foam core backing. Image size: 29"H x 19.5"W. Signed and dated "Nadalini 85" lower right. Unframed. ARTFORUM article: Louis Nadalini In the last couple of seasons, San Francisco has lost several of its galleries. Some others have just recently begun operating but often with an entirely new group of artists. Some members of those apparently secure gallery stables that went out of business have found their way into other stables, but a larger group is without a place to show. I decided to look into such a person’s studio in my endeavor to find out what is really happening in the Bay Area art world. I went to see Louis Nadalini. His latest painting continues with the lattice of slats protruding forward with two variations of the painting painted on the sides of the slats which are viewable when standing to either side. This was always a very abstract method and he had quite often painted pure abstractions which centered quietly into hypnotic devices of exceptional color richness, but which gave a kaleidoscopic change as you moved past it. Untitled #42 (the most recent painting) has subject matter and was done in a much more painterly way. The side variations were flat in color, and there were some elements seen only in the side views, a skeleton’s arm and a black hand, for example. Nadalini says that he may abandon the lattice altogether if it gets in his way, but so far it seems to work better than it did with the abstractions. He is enthusiastic about the work he is doing, felt very free about making changes, and was, at the same time still happy about work from several years ago and unwilling to think that older work and new work should not be exhibited together. He hasn’t been thinking about galleries for a while. Nadalini goes to sea periodically which gives him time for contemplation as well as for renewing his resources. by —Knute Stiles...