Emile Lejeune

Reclining Nude Woman Covering Her Face

A naturalistic study of a reclining woman. The woman is highlighted with color pencil. The work is signed and dated by the artist. The paper is not framed. Many others are available. Please inquire to buy the entire collection. Artist Biography: Emile Lejeune...

French women in a reclining position looking out at the viewer. The work is signed by the artist. The paper is not framed. Many others are available. Please inquire to buy the entire collection. Artist Biography: Emile Lejeune...

Study of a woman reclining with her arm behind her head like the famous painting by Renaissance artist Titian's Venus of Urbino. She has on a loose dre...

Study of a nude woman laying on a bed with her leg up on the bed. She is facing away from the viewer. The work is signed and dated by the artist. The paper is not framed. Many other...

'Portrait of Reclining Nude', pencil on paper, by French artist, Guillaume Dulac (circa 1920s). An artist known for his exquisite drawings - many are sketches for his larger oil pain...

Reclined Nude is a drawing in watercolor realized in the Mid-20th Century by Jean Delpech (1916-1988). Good conditions except for folding. The artwork is realized in deft strokes ...

Original oil pastel on archival paper by the well known American artist, Byron Browne. Signed lower right and dated 1956. Condition is excellent. Recently professionally rematted. Original frame in very good condition. Overall framed measurements are 23.75 by 31.75 inches. Provenance: A Long Island, New York estate. Byron Browne: American (1907-1961) Byron Browne was a leader of the American Avante Garde art movement in the 1930’s and 40’s along with Bolotowsky, Greene, Gorky, and de Kooning. These artists helped pave the way for America, New York in particular, to be seen as a center for art innovation after decades of France being the art center of the world. He had more than 70 solo exhibitions during his lifetime. Browne's early artistic training was conventional, and little about his time at the National Academy of Design (1924-1928) suggested he would depart from the traditional methods in which he was being schooled. Several experiences are identified as being important to his transformation to an abstract artist. In 1927, he and his friend Arshille Gorky visited Albert Gallatin...

Manfred Schwartz (American, b. Poland, 1909-1970), Reclining, Charcoal on Paper, with the artist's signature stamped lower left, unframed. 18" H x 24" W. Provenance: From a 35 East 7...