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Erte - Romain de TirtoffLa Veuve Rusée By ErtéCirca 1974
Circa 1974
$29,850
£22,671.81
€26,076.73
CA$41,706.30
A$46,507.24
CHF 24,265.50
MX$570,661.42
NOK 308,861.13
SEK 292,639.21
DKK 194,620.27
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About the Item
Erté (Romain de Tirtoff)
1892-1990 Russian-French
La Veuve Rusée
Signed “Erté” (lower right)
Gouache on paper
La Veuve Rusée, first performed in 1748 in Venice, is a comedy centering on young widow Rosaura Lombardi as she evaluates the merits of four suitors. The widow later disguises herself as a seductress to test each suitor’s loyalty and fidelity. The comedy remained popular into the 20th century, and Erté took the performance’s costuming to new heights in a rather literal manner.
The alliance between Erté and the vibrant performing arts scene of Paris transported audiences to new heights throughout the early 20th century. Erté emerged as an unmatched and emblematic creative force whose visionary designs were imbued with an otherworldly appeal. His mesmerizing costume and set designs left an indelible imprint on operatic and theater productions of the period.
Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of Harper’s Bazaar, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including Ben Hur and La Bohème, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria & Albert Museum in London and the Los Angeles County Museum of Art.
Circa 1974
Paper: 14 1/4" high x 10 1/4" wide
Frame: 20 3/4" high x 16 7/8" wide x 5/8" deep
Provenance:
Private collection, Roland Petit et Zizi Jeanmaire, Paris
Private collection, Paris
M.S. Rau, New Orleans
Exhibitions:
Musée Rath, Genève, Zizi Jeanmaire – Roland Petit. Un patrimoine pour la danse, April -August 2007
M.S. Rau, New Orleans, Erté and the Era of Art Deco, October 14, 2023 - January 3, 2024
- Creator:Erte - Romain de Tirtoff (1892 - 1990, Russian)
- Creation Year:Circa 1974
- Dimensions:Height: 20.75 in (52.71 cm)Width: 16.88 in (42.88 cm)Depth: 0.75 in (1.91 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New Orleans, LA
- Reference Number:Seller: 31-76971stDibs: LU18613499962
Erte - Romain de Tirtoff
Erté, Romain de Tirtoff, (1892–1990) was a Russian-born French artist and designer who is equally famous for his elegant fashion designs and his artwork, both of which capture the art deco period in which he worked. Diversely talented, Erté was born in Saint Petersburg to a distinguished family with roots tracing back to 1548. After moving to Paris, he secured his first substantial contract with Harper's Bazaar magazine, and thus launched an illustrious career that included designing costumes and stage sets. Between 1915–1937, Erte designed over 200 covers for Harper's Bazaar, and his illustrations would also appear in such publications as Illustrated London News, Cosmopolitan, Ladies' Home Journal, and Vogue. Erté flourished and was renowned in an array of fields, including fashion, jewelry, graphic arts, costume and set design for film, theater, and opera, and interior decor.
After designing apparel for the French dancer Gaby Deslys, Erté went on to design costumes, program designs, and sets which were featured in the Ziegfeld Follies of 1923, many productions of the Folies Bergère, and George White's Scandals. On Broadway, the celebrated French chanteuse Irène Bordoni wore Erté's designs. His delicate figures and sophisticated, glamorous designs are instantly recognizable, and his ideas and art still influence fashion into the 21st century.
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Located in New Orleans, LA
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1892-1990 Russian-French
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Signed "Erté" (lower right)
Inscribed ---- (en verso)
Gouache on paper
Daring and mysterious, this original gouache from the creative mind of Erté features the sinuous figure of a woman wearing a unique ebony and sanguine body suit with a dramatic wing-like cape. Entitled La dionée dite Gobe-mouches or Venus Flytrap, this work embodies the Art Deco glamour and tongue-in-cheek artistry for which the artist's designs are so beloved. Inspired by the famed volume of poems from iconic French writer Charles Baudelaire, this ensemble showcases Erté's sartorial interpretation of La Vampire from Baudelaire's Les Fleurs du mal. This elegant composition exudes the quintessential opulence and drama that only Erté, the oft-called "Father of Art Deco," could achieve.
La dionée dite Gobe-mouches showcases the breadth of Erté's creativity and his design expertise. First published in 1857, Baudelaire's Les Fleurs du mal was controversial for its suggestive content and themes of decadence and eroticism. The volume provided a wealth of inspiration for Erté and he drew from several specific poems to create original fashion sketches...
Category
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1892-1990 Russian-French
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Signed "Erté" (lower right)
Inscribed ---- (en verso)
Gouache on paper
In this colorful gouache, Erté draws an enticing and unique fashion design on his model's elegantly elongated figure. Crowned by an elaborate headdress, the woman wears a daring gauzy caftan that drapes dangerously low, celebrating her nude form. EntitledL'Aurore Boréale" or The Aurora Borealis, this work embodies the Art Deco glamour for which the artist's designs are so beloved. This ensemble was inspired by Les Fleurs du mal, the famed volume of poems from iconic French writer Charles Baudelaire. As the name suggests, this creative design links the celebrated "fleur" orchids with one of nature's other great marvels, the Aurora Borealis. This refined piece of art radiates the essential luxury and theatricality that could only be accomplished by Erté, oft referred to as the "Father of Art Deco."
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1892-1990 Russian-French
Fleurs du Mal(The Flowers of Evil)
Signed "Erté" (lower right)
Inscribed 114.6 (en verso)
Gouache on paper
Captivating and vibrant, this colorful gouache entitledFleurs du Mal showcases Erté's masterful creativity and keen eye. Inspired by Les Fleurs du mal, the famed volume of poems by French writer Charles Baudelaire, this ensemble marries light purple and green floral motifs with the suggestive form of red lips poised for a smooch. This daring yet feminine appearance encapsulates the Art Deco allure for which the artist's creations are cherished. The sophisticated arrangement emanates the fundamental richness and theatricality that can only be accomplished by Erté, often hailed as the "Father of Art Deco."
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Located in New Orleans, LA
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Arthémis
Signed “Erté” (lower right)
Inscribed No. 4.8 (en verso)
Gouache on paper
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Category
20th Century Art Deco Figurative Drawings and Watercolors
Materials
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