Félix Murnot

Felix Murnot (b. 1924) - Mid 20th Century Watercolour, A Day by the Sea

Unknown

Genre scene in watercolour. Presented in charming gilt wood frame. Unsigned. On paper.

With body colour. Presented in a washline mount inscribed with the artist's name. Possible signature just visible beneath the mount, although this looks to have been cropped. On pape...

This charming genre scene depicts the arrival of an eagerly anticipated guest to the royal gardens. The owners of this grand residence can be seen greeting the flamboyant individual ...

Signed and dated (1983) to the lower left. Presented in a gilt-effect frame with biographical information on the reverse. On watercolour paper.

Image dimensions: 20x14 cm Hand signed. Original ink watercolored drawing on paper. Made for the illustration of the volume 'Scènes de la vie privée et publique des animaux', publis...

ROBERT TRAILL ROSE (1863-1942) Primordium Vitae Signed with monogram; signed, inscribed with title and the artist’s address and dated 1899 on a labe...

Chinese Ancestral Portrait of Enthroned Noblewoman, Gouache on Linen Mounted on Paper, circa 1900, depicting crowned and dressed female ancestor in ...

Viktor Schreckengost (American, 1906-2008) Mayan Watercolor heightened with gouache over pencil on paper Signed lower right 39 x 29 inches 45.5 x 35.5 inches, framed Registered with The Viktor Schreckengost foundation, stock no. 6891 The son of a commercial potter in Sebring, Ohio, Viktor Schreckengost learned the craft of sculpting in clay from his father. In the mid-1920s, he enrolled at the Cleveland School of Art (now the Cleveland Institute of Art, or CIA) to study cartoon making, but after seeing an exhibition at the Cleveland Museum of Art he changed his focus to ceramics. Upon graduation in 1929, he studied ceramics in Vienna, Austria, where he began to build a reputation, not only for his art, but also as a jazz saxophonist. A year later, at the age of 25, he became the youngest faculty member at the CIA. In 1931, Schreckengost won the first of several awards for excellence in ceramics at the Cleveland Museum of Art, and his works were shown at the Metropolitan Museum of Art, the Art Institute of Chicago, the Panama-Pacific Exposition in San Francisco, and elsewhere. By the mid-1930s, Schreckengost had begun to pursue his interest in industrial design. For American Limoges...