Francisco ZúñigaStudy for Marbles, Original Drawing by Francisco Zuniga 19621962
1962
About the Item
- Creator:Francisco Zúñiga (1912 - 1998, Costa Rican)
- Creation Year:1962
- Dimensions:Height: 26.5 in (67.31 cm)Width: 30.5 in (77.47 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Long Island City, NY
- Reference Number:Seller: RO428601stDibs: LU4661284193
Francisco Zúñiga
Known as one of the most important Expressionist artists to emerge from Latin America, Francisco Zúñiga is remembered for his monumental sculptures, figurative paintings and prints, nude drawings and portraits of Central America’s rural indigenous women.
Born in San José, Costa Rica, in 1912, Zúñiga’s exposure to artistic sculpture began at the age of 13, when he worked with his father, Manuel Maria Zúñiga, carving religious figures for local churches. Spurred by a growing interest in art, Zúñiga attended San José’s School of Fine Arts, where he became influenced by classical, renaissance figurative art. After winning several local awards for his prodigious talent, Zúñiga left San José for Mexico City in 1936.
In Mexico City, he attended La Esmeralda, the painting and sculpture school of the National Institute of Fine Arts. There, Zúñiga studied under sculptor Oliverio Martinez and painter Manuel Rodriguez Lozano.
In 1938, Zúñiga joined the faculty at La Esmeralda, where he taught sculpture and painting until 1970. Meanwhile, during the early 1940s, Zúñiga’s works began to attract the attention of art critics in the United States as well as important collectors. In 1941, the Arts Club of Chicago included him as part of their “Thirteen Mexican Artists” group show. The following year, Alfred Barr, director of the Museum of Modern Art in New York, purchased one of his stone sculptures for MoMA’s permanent collection. Then, in 1943, New York’s Metropolitan Museum of Art acquired two of Zúñiga’s drawings.
Throughout most of his career, Zúñiga limited his subject matter to indigenous peasant women. However, he experimented with working with a variety of materials for his sculptures — bronze, alabaster, plaster, marble and modeling clay — and sought new media to create his art. (He made his first lithograph at age 60.)
Zúñiga won countless accolades in his lifetime. He won international awards for 35 of his public sculptures along with other works, and in 1992, he won Mexico’s highest cultural award, the Premio Nacional de Calidad.
Even after his death in 1998, Zúñiga’s legacy lives on. His sculptures, drawings, paintings and prints are found in museums around the world, including MoMA and the Met in New York, the Museum of Modern Art in Mexico City, the Fogg Museum at Harvard University, the Hirshhorn Museum and Sculpture Garden in Washington, D.C., the Middleheim Museum in Antwerp, Belgium and the Open-Air Museum in Hakone, Japan.
On 1stDibs, discover a range of Francisco Zúñiga prints, drawings and paintings.
- ShippingRetrieving quote...Shipping from: Long Island City, NY
- Return Policy
More From This Seller
View All1920s Expressionist Figurative Drawings and Watercolors
Gouache
1990s Expressionist Figurative Drawings and Watercolors
Charcoal, Mixed Media
1960s Expressionist Figurative Drawings and Watercolors
Watercolor
Mid-20th Century Expressionist Figurative Drawings and Watercolors
Graphite
1960s Expressionist Figurative Drawings and Watercolors
Watercolor
1960s Expressionist Figurative Drawings and Watercolors
Pastel
You May Also Like
Early 2000s Expressionist Figurative Drawings and Watercolors
Paper, Ink, Watercolor
Early 2000s Expressionist Figurative Drawings and Watercolors
Paper, Archival Ink, Mixed Media
1960s Expressionist Figurative Drawings and Watercolors
Ink, Watercolor, Pen, Archival Paper
2010s Expressionist Portrait Drawings and Watercolors
Paper, Pastel, Ink, Pencil, Color Pencil
1950s Expressionist Still-life Drawings and Watercolors
Paper, Oil Crayon, Pastel, Ink
Mid-20th Century Expressionist Still-life Drawings and Watercolors
Paper, Oil Crayon, Pastel, Ink
Recently Viewed
View AllRead More
Romare Bearden’s Humanity Infuses His Bright, Bold Art
Through collage, painting and printmaking, the artist foregrounded Black life in America in revolutionary new ways.
Chryssa’s 1962 Neon Sculpture Was Way ahead of the Art-World Curve
By working with lettering, neon and Pop imagery, Chryssa pioneered several postmodern themes at a time when most male artists detested commercial mediums.