Gabriele Galantara

Dancing Monkey - Drawing by Gabriele Galantara - Early 20th Century

Early 20th Century

Dance Party is an original Drawing on paper realized by painter Pierre Georges Jeanniot (1848-1934). Drawing in Pencil. Hand-signed on the lower. Good conditions. Pierre-Georges ...

The Dance is an original drawing in watercolor on paper realized by Mino Maccari in the mid 20th Century. Good conditions except for some folding and a cutaway on the lower margin. ...

Collective Dance is an original lithograph realized in the early 1930s by Emmanuel Gondouin, (Versailles, 1883 - Parigi, 1934) The artwork is depicted through strong strokes and i...

The Dance is an original Drawing in pen on paper realized by Mino Maccari in mid 20th century. Good conditions with some foxing. Mino Maccari (1898-1989) was an Italian writer, pai...

American artist Ron Blumberg was classically trained at La Grande Academie Chaumiere in Paris, 1932, before moving to New York where he became a National Academy artist and a member ...

‘Zulu Dancers’ Signed bottom right Hardman, titled on a sticker at the reverse and with address Walton End, Walton Lane, Bosham, Chichester, and Price 45 gns. Oil on board, 99 x 87...

Peter Stepanovic Galadzev (1900-1971) was a designer, graphic artist, and actor. Galadzev studied at the prestigious Stroganov School of Industrial Art in Moscow and later at Vkhutem...

Deco Dancing Hungarian Expressionism European Drawing Modernism Figurative Dance. 22 1/2 x 16 inches. Signed lower left. Framed. BIO Hugó Scheiber was born in Budapest in 1873. At the age of eight, he moved with his family from Budapest to Vienna. In 1898, to help support his family after they had returned to Budapest. He started working during the day, attending painting classes at the Commercial Art School in the evening. In 1900, he completed his studies. Scheiber showed an early interest in German Expressionism and Futurism. In 1915 he met Marinetti, who invited him to join the Futurist movement. Because Scheiber's paintings conflicted with academic style of the Hungarian art establishment, his work was virtually ignored in his own country. In 1919, he and his friend Béla Kádár held an exhibition organized by Hévesy in Vienna, which was a great success, so much so that the Budapest Art Museum purchased two of his drawings. In 1920, Scheiber returned to Vienna. A turning point in his career came in 1921 when Herwarth Walden, founder of Germany's leading avant-garde periodical, Der Sturm...