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Harry Carleton Attwood
Harry Carleton Attwood - The Resurrection - Design for a Mural for Eltham Hall

1936

$672.63
£480
€570.52
CA$915.52
A$1,024.06
CHF 532.93
MX$12,606.57
NOK 6,779.96
SEK 6,360.94
DKK 4,256.64
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About the Item

HARRY CARLETON ATTWOOD (1907-1985) Resurrection – Mural Design for Eltham Hall Signed with initials, dated and inscribed l.c.: Designs for Eltham Hall / 17/4/36 / HCA Watercolour and pencil Framed 12.5 by 21 cm., 5 by 8 ¼ in. (frame size 31.5 by 39.5 cm., 12 ½ by 15 ½ in.) Attwood was born in Swindon and studied wood carving from 1924-1930 at Swindon College. Between 1933-1936 Stephen and Virginia Courtauld employed the architects Seeley & Paget to build a modernist Art Deco mansion adjoining the medieval Great Hall of Eltham Palace. Their decadent, cutting edge house was to provide a suitable backdrop to their lavish entertaining and included all the latest technology. Attwood was commissioned to produce several pieces for the palace including the relief which still remains over the front door. Unusual for Attwood the present work appears to be a mural design rather than sculpture and seems to be part of an unrealised scheme for Eltham Palace.
  • Creator:
    Harry Carleton Attwood (1907 - 1985, British)
  • Creation Year:
    1936
  • Dimensions:
    Height: 4.93 in (12.5 cm)Width: 8.27 in (21 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    London, GB
  • Reference Number:
    Seller: 27381stDibs: LU1028315465912

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Harry Carleton Attwood - The Resurrection - 1930s Mural Design for Eltham Hall
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GILBERT LEDWARD, RA, PRBS (1888-1960) Tennis, Golf, Shooting, Ice-Skating, Dreaming – Proposed Design for Decorative Frieze in the Italian Drawing Room at Eltham Palace, commissioned by Stephen Courtauld Signed and dated July 9th 1933 Watercolour and pencil 12.5 by 49.5 cm., 5 by 19 ½ in. (frame size 36 by 67 cm., 14 ¼ by 26 ¼ in.) Exhibited: The artist’s daughter; London, The Fine Art Society, A Centenary Tribute, Feb 1988, no. 43. Gilbert Ledward was born in London. He was educated at St Mark’s College, Chelsea. In 1905 he entered the Royal College of Art to study sculpture under Edouard Lanteri and in 1910 he entered the Royal Academy Schools. In 1913 he won the Prix de Rome for sculpture, the Royal Academy’s travelling award and gold medal, which allowed him to travel in Italy until the outbreak of the Wold War I. During the war he served as a lieutenant in the Royal Garrison Artillery and was appointed as an official war artist in 1918. Following the war he was largely occupied as a sculptor of war memorials including the Guards Division memorial in St James’s Park and the Household Division’s memorial in Horse Guards Parade. In 1934, supported by Eric Gill and Edwin Lutyens, he established a company called Sculptured Memorials and Headstones, which promoted better design of memorials in English churchyards. His war memorials after World War II include one in Westminster Abbey to the Submarine Service, Commandos and Airborne Forces. Ledward was Professor of Sculpture at the Royal College of Art (1927-1929) and in 1937 was elected at Royal Academician. He became President of the Royal Society of British Sculptors and a trustee of the Royal Academy. The present work is a design for an intended decorative frieze for the Italian Drawing Room of Eltham Palace. In 1935 the remains of the medieval royal palace of Eltham was rescued from decay by Stephen and Virginia Courtald who built an ultra modern Art Deco house to adjoin the existing Great Hall. They employed the architects John Seeley and Paul Edward Paget and the fashionable Mayfair interior designer the Marchese Peter Malacrida to design the strikingly glamorous 1930s interiors of the new house. The dramatic entrance hall was created by the Swedish designer Rolf Engstromer...
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