Henry Hintermeister

Reading by the Fire

1940

Date: 1938 Medium: Pastel on Board Dimensions: 38.00" x 28.00" Signature: Signed Lower Right Calendar Illustration Gerlach Barklow Calendar Company

Medium: Pastel on Canvas Dimensions: 28.00" x 22.00" Signature: Signed Lower Left

Medium: Charcoal, Pastel Dimensions: 40.00" x 30.00" Signature: Signed Lower Left

Medium: Charcoal, Pastel Dimensions: 40.00" x 30.00" Signature: Signed Lower Left Image of Rembrandt and other figures.

Artist's Self-Portrait in Pastel on Paper Bright yellow and ochre make up this self-portrait in chalk pastels by Michael William Eggleston (American, 20th Century). Unsigned, but acquired with a collection of the artist's work. Mat size: 30"H x 24"W Paper size: 24"H x 18"W Presented in a new soft peachy cream mat with foam core backing. Michael William Eggleston (American, 20th Century) is a San Francisco...

Elegant mid century figure study in pastel on brown paper depicting a seated nude woman with a hat and rose, by by American artist Louis Nadalini (Italian, 1927-1995). Signed Nadalini upper right. Presented in a simple wood frame, with new mat and new foam core backing. Image size: 29"H x 19.5"W. Signed and dated "Nadalini 85" lower right. Unframed. ARTFORUM article: Louis Nadalini In the last couple of seasons, San Francisco has lost several of its galleries. Some others have just recently begun operating but often with an entirely new group of artists. Some members of those apparently secure gallery stables that went out of business have found their way into other stables, but a larger group is without a place to show. I decided to look into such a person’s studio in my endeavor to find out what is really happening in the Bay Area art world. I went to see Louis Nadalini. His latest painting continues with the lattice of slats protruding forward with two variations of the painting painted on the sides of the slats which are viewable when standing to either side. This was always a very abstract method and he had quite often painted pure abstractions which centered quietly into hypnotic devices of exceptional color richness, but which gave a kaleidoscopic change as you moved past it. Untitled #42 (the most recent painting) has subject matter and was done in a much more painterly way. The side variations were flat in color, and there were some elements seen only in the side views, a skeleton’s arm and a black hand, for example. Nadalini says that he may abandon the lattice altogether if it gets in his way, but so far it seems to work better than it did with the abstractions. He is enthusiastic about the work he is doing, felt very free about making changes, and was, at the same time still happy about work from several years ago and unwilling to think that older work and new work should not be exhibited together. He hasn’t been thinking about galleries for a while. Nadalini goes to sea periodically which gives him time for contemplation as well as for renewing his resources. by —Knute Stiles...

Vibrant large-scale pastel landscape of colorful reflections rippling on a calm lake with three small ducks and a boat by an unknown artist (American, 20th Century). Signed with the ...

Firmado por el artista en la parte inferior Se presenta bien enmarcada la obra (no hay cristal para evitar posibles roturas del cristal en el transporte) Medidas obra: 65 cm. de al...