Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 7

Jo Cain
"Good Health Week" WPA American Scene Mid 20th Century Modern Social Realism

c. 1940s

$6,500
£4,855.19
€5,628.82
CA$9,025.09
A$10,115.96
CHF 5,267.08
MX$123,520.22
NOK 66,872.83
SEK 63,389.43
DKK 41,997.07
Shipping
Retrieving quote...
The 1stDibs Promise:
Authenticity Guarantee,
Money-Back Guarantee,
24-Hour Cancellation

About the Item

"Good Health Week" WPA American Scene Mid 20th Century Modern Social Realism Jo Cain (1904 – 2003) Good Health Week 10 ½ x 15 1/2 inches Oil on paper, c. 1940s Estate stamp verso 17 x 22 inches framed Our gallery is pleased to present the exhibition, "Jo Cain: Echoes of an Era," a tribute to the enduring legacy of Joseph Lambert Cain and a celebration of his art that transcends time and remains relevant today. The exhibition features mural studies, works on paper and paintings from the 1930s and 40s, all are available on 1stDibs. BIO JOSEPH LAMBERT CAIN (1904–2003) A painter, muralist, and art educator, Joseph Cain's work was consistently infused by the color and vibrancy of his native New Orleans, even as he pursued a career that took him far from home. Beginning at the age of sixteen, his educational journey led him first to the Art Institute of Chicago and then to the Art Students League in New York, where he was instructed by Kenneth Hayes Miller, Kimon Nicolaides and Vaclav Vytlacil. He later studied under the Abstract Expressionist Hans Hoffman. A 1929 Carnegie Fellowship funded a year's enrollment at the Sorbonne in Paris and travel throughout Europe; Cain also received multiple Tiffany Foundation Fellowships. Using thickly applied paint, layered color planes, and multiple perspectives, Cain created paintings, including streetscapes, marine scenes, and landscapes, which were sometimes categorized as "decorative expressionism" beginning in the late 1930s. In 1932, Cain's entry to the First Biennial Exhibition of Contemporary American Painting at the Whitney Museum of American Art hung in the exhibition's entry way; other works were shown at such prestigious venues as the Museum of Modern Art, American Art, Pennsylvania Academy of the Fine Arts, National Academy of Design, and Carnegie Institute. He also executed a monumental mural at New York State Training School where he was employed as a teacher. While living in New York during this period, Cain was an integral member of a contemporary art collective known as "The Group," whose participants included Milton Avery, George Biddle, Robert Gwathmey, Marsden Hartley, John Marin, and many other important modernists. Jo’s work evolved continuously. Moving from realism in the ‘20’s, he developed a highly personal, cubism based, abstract style similar in spirit to that of Stuart Davis and clearly influenced by Leger, Matisse and Picasso. In 1944, Cain joined the faculty at the University of Rhode Island, establishing and chairing the art department for over two decades. He continued creating art until his death.
  • Creator:
    Jo Cain (1904)
  • Creation Year:
    c. 1940s
  • Dimensions:
    Height: 17 in (43.18 cm)Width: 22 in (55.88 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    New York, NY
  • Reference Number:
    1stDibs: LU1156213217362

More From This Seller

View All
"Good Health Week" American Scene Modern Social Realism Mid 20th Century WPA Era
By Jo Cain
Located in New York, NY
"Good Health Week" American Scene Modern Social Realism Mid- 20th Century WPA Era Jo Cain (1904 – 2003) Good Health Week – b/w 10 ½ x 15 1/2 inches I...
Category

1930s American Realist Figurative Drawings and Watercolors

Materials

Paper, Ink

"Good Health Week" American Scene Modern Social Realism Double Sided WPA Era
By Jo Cain
Located in New York, NY
"Good Health Week" American Scene Modern Social Realism Double Sided WPA Era Jo Cain (1904 - 2003) Good Health Week – double sided 13 3/4 x 20 1/2 in...
Category

1930s American Modern Figurative Drawings and Watercolors

Materials

Paper, Ink, Gouache

Post Office WPA Mural Study American Scene Social Realism Modern 20th Century
By Carlos Lopez
Located in New York, NY
Post Office WPA Mural Study American Scene Social Realism Modern 20th Century Carlos Lopez (1910-1953) "Bounty" WPA Mural Study for Michigan Post Office 19 ½ x 22 ½ inches Oil on B...
Category

1940s American Realist Figurative Paintings

Materials

Oil, Board

UNION SQUARE Depression Era Oil Painting WPA Realism American Scene Realism NYC
By Jo Cain
Located in New York, NY
UNION SQUARE Depression Era Oil Painting WPA Realism American Scene Realism NYC Jo Cain (1904 – 2003) "Union Square" 24 x 36 inches Oil on canvas, c.1940s S...
Category

1940s American Realist Figurative Paintings

Materials

Canvas, Oil

St, Louis River Mural Study American Scene Social Realism Mid 20th Century WPA
By Jo Cain
Located in New York, NY
St, Louis River Mural Study American Scene Social Realism Mid 20th Century WPA Jo Cain (1904-2003) The Drama of the St. Louis Great River 23 1/4 x 25 ½ inches Gouache on board c. 19...
Category

1930s American Realist Figurative Paintings

Materials

Gouache, Board

WPA Mural Study 1940 American Scene Modern Social Realism Figurative Mid Century
By Michael Loew
Located in New York, NY
WPA Mural Study 1940 American Scene Modern Social Realism Figurative Mid Century Michael Loew (1907-1985) Detail for Mural (Social Security Building Washington D.C.) 24 x 24 inches ...
Category

1940s American Realist Figurative Paintings

Materials

Canvas, Oil

You May Also Like

Industry and Commerce
Located in Los Angeles, CA
This mural study is part of our exhibition America Coast to Coast: Artists of the 1930s Industry and Commerce, 1936, tempera on panel, 16 ½ x 39 ½ inches, signed verso “John Ballator, Portland Ore.” provenance includes: J.C. Penney Company, represented by Russell Tether Fine Arts Assoc.; presented in a newer wood frame About the Painting Industry and Commerce is a prime example of WPA Era muralism. Like a Mediaeval alter, this mural study is filled with icons, but the images of saints and martyrs are replaced with symbols of America's gospel of prosperity through capitalism. Industry and Commerce has a strong narrative quality with vignettes filling the entire surface. Extraction, logistics, design, power generation, and manufacturing for printing, chemicals, automobiles and metal products are all represented. To eliminate any doubt about the mural's themes, Ballator letters a description into the bottom of the study. Ballator also presents an idealized version of industrial cooperation, as his workers, lab-coated technicians and tie-wearing managers work harmoniously toward a common goal in the tidy and neatly designed environments. Although far from the reality of most industrial spaces, Ballator's study reflects the idealized and morale boosting tone that many mural projects adopted during the Great Depression. About the Artist John R Ballator achieved success as a muralist, lithographer, and teacher during the Great Depression. Born in Oregon, he studied at the Portland Museum Art School, the University of Oregon and at Yale University where he received a Bachelor of Fine Art. In 1936, Ballator was commissioned to paint a mural panel for the new Department of Justice Building in Washington DC, an important project that spanned five years with several dozen artists contributing a total of sixty-eight designs. Ballator completed murals for the St. Johns Post Office and Franklin High School, both in Portland, Oregon. He also contributed to the 1938 murals at Nathan Hale School in New Haven, Connecticut. During the late 1930s, Ballator taught art for several years at Washburn College in Topeka, Kanas, where he completed a mural for the Menninger Arts & Craft Shop before accepting a professorship at Hollins College...
Category

1930s American Realist Figurative Paintings

Materials

Tempera

WPA "New Americana" Exceptional Antique 1941 WPA Exhibited Carnegie Painting
Located in Exton, PA
Monumental, important WPA painting by Percy Albee. The painting is oil canvas measuring 36" x 48". Titled verso "New Americans", this WPA painting was exhibited at the Carnegie Insti...
Category

1940s American Realist Figurative Paintings

Materials

Oil

Strike Breakers — social realism, Great Depression
By Daniel Ralph Celentano
Located in Myrtle Beach, SC
Daniel Ralph Celentano, Untitled (Strike Breakers) pencil, c. 1934. Signed, lower right. A fine, social-realist drawing, on cream wove paper, with margins (1 1/2 to 2 1/2 inches), in...
Category

1930s American Realist Figurative Drawings and Watercolors

Materials

Pencil

Samuel Greenburg, Rural Scene Mural Study
Located in New York, NY
This Rural Scene Mural Study by Samuel Greenburg is scored in a manner indicating transfer to a larger format. However as yet no related image or mural is...
Category

Mid-20th Century Other Art Style Figurative Drawings and Watercolors

Materials

Tempera, Pencil

The People
By Arnold Blanch
Located in Los Angeles, CA
The People, 1938, oil on canvas, signed lower right, 36 x 48 inches, label verso reads “348 / 89 / Carnegie Institute, Pittsburgh, PA, USA / _____ The People / _______ Arnold Blanch ...
Category

1930s American Realist Figurative Paintings

Materials

Canvas, Oil

'Any Day in America', Social Realist, Beat Generation, Allen Ginsberg
By Ron Croci
Located in Santa Cruz, CA
Signed lower right, "Croci" for Ron Croci (American, born 1945), and painted circa 1970. A substantial, Social Realist watercolor showing a view of a ramshackle rust-belt landscape ...
Category

1970s American Modern Figurative Paintings

Materials

Watercolor, Handmade Paper