Michela De Vito

Eremita Camandolese - Watercolor by M. De Vito - 1820 ca.

1820 c.a.

Costume di Sinagreci is a lovely watercolour on ivory-colored paper stuck on cardboard, created by the artist Michela De Vito in 1820 ca. Hand-titled "Costume di Sinagreci", in black ink on the lower margin at the center. Hand-signed in black ink on the lower right. Very good conditions, including a passepartout. This original old master watercolor represents a standing woman wearing a typical costume of Sinagreci: a beautiful and lavish blue long dress...

Gioncataro is an amazing original artwork, watercolour on ivory-colored paper, realized by the talented artist Michela De Vito in 1820 ca. Hand-titled "Gioncataro" in pencil on the ...

Watercolour on ivory colored paper, 1820 c.a.. Hand titled and signed. Representing brigand. Very good conditions. Very beautiful and good quality watercolour both for the drawing a...

Watercolor on ivory colored paper, 1820 c.a. Hand-titled "Costume di Carafa" with a caption "Provincia di Calabria nel Regno di Napoli" in black ink on lower margin at the center. H...

French school 19th century, An italian bandit, 1864, watercolor on paper On the reverse of the sheet (now under the back of the frame) an annotation, "Rome 1864" 25,5 x 21.5 cm (v...

Beautiful and interesting watercolor painting on paper attributed to the great Neapolitan artist Domenico Morelli. It depicts one of his favorite subjects, namely an oriental woman c...

Denis Auguste Raffet (1804-1860) Studies of characters Black pencil and watercolor on paper 18.5 x 25.5 cm Stamp of the Raffet Estate Sale (1911) on the lower right In good condition, foxings on the original mount Framed 34 x 40 cm Denis Auguste Marie Raffet (2 March 1804 – 16 February 1860) was a French illustrator and lithographer. He was a student of Nicolas Toussaint Charlet, and was a retrospective painter of the Empire. At an early age he was apprenticed to a wood turner, but took up the study of art at evening classes. At the age of 18 he entered the workshop of Cabanel, where he applied his skill to the decoration of china, and where he met Rudor, from whom he received instruction in lithography, in the practice of which he was to rise to fame. He then entered the École des Beaux-Arts, but returned to lithography in 1830 when he produced on stone his famous designs of Lützen, Waterloo, Le bal, La revue, and Les adieux de la garrison, by which his reputation became immediately established.[ Raffet's chief works were his lithographs of the Napoleonic campaigns, from Egypt to Waterloo, vigorous designs inspired by ardent patriotic enthusiasm. In this endeavor he was a contemporary of other French artist-lithographers of Napoleon and the French army including Hippolyte Bellangé, Horace Vernet, and Nicolas Toussaint Charlet. As an illustrator his activity was prodigious, the list of works illustrated by his crayon amounting to about forty-five, among which are Béranger's poems, the History of the Revolution by Adolphe Thiers, the History of Napoleon by de Norvins, the great Walter Scott by Auguste Defauconpret, the French Plutarch and Frédéric Bérat's Songs. He went to Rome in 1849, and was present at the siege of Rome, which he made the subject of some lithographs, and followed the Italian campaign of 1859, of which he left a record in his Episodes de la campagne d'Italie de 1859. His portraits in pencil...

Pencil and watercolor portrait of a person in loose period clothing displaying nervous energy and vibrant demeanor by P.B. Faurnier, 1833. Signed lowe...