Items Similar to Etude d'Yvonne en 1934 by Paulémile Pissarro, 1934 - pencil on paper, Drawing
Want more images or videos?
Request additional images or videos from the seller
1 of 4
Paulémile PissarroEtude d'Yvonne en 1934 by Paulémile Pissarro, 1934 - pencil on paper, Drawing1934
1934
About the Item
THIS WORK IS SOLD UNFRAMED
Etude d'Yvonne en 1934 by Paulémile Pissarro (1884 - 1972)
Coloured pencil and pencil on paper
32 x 23.5 cm (12 ⁵/₈ x 9 ¹/₄ inches)
Signed middle, Paulémile-Pissarro, and titled middle
Executed circa 1934
Provenance
Estate of the Artist
Yvonne Pissarro, née Beaupel (wife of the Artist), by descent from the above, by 1972
This work is accompanied by a certificate of authenticity by Lélia Pissarro.
Artist biography
Paulémile Pissarro, Camille Pissarro’s youngest son, was born in Éragny in 1884 where he was brought up within the creatively fertile environment of his family home and, encouraged by his father, began drawing at an early age. Paulémile’s godfather was Claude Monet, who became his teacher and legal guardian after Camille’s death in 1903.
In 1905 Paulémile exhibited at the Salon des Indépendants for the first time. Although his father had supported Paulémile’s desire to be an artist, his mother was eager for him to learn a more practical trade. Therefore in 1908 he put aside his artistic pursuits to work as an automobile mechanic and test-driver, then later as a lace and textile designer, allowing him only a limited time to paint. Paulémile only fully dedicated himself to painting following a letter from his brother Lucien in London, who wrote to invite him to take part in an exhibition held in London. Subsequent to the successful sale of a number of watercolours he had sent over, the young artist became inspired to leave the textile factory and pursue a career in art.
By the 1920s Paulémile had become an established Post-Impressionist artist in his own right, spending the summer months escaping from Paris on painting trips with fellow artists Kees Van Dongen, Raoul Dufy, Maurice de Vlaminck and André Dunoyer de Segonzac. In 1922 Paulémile purchased a house in Lyons-la-Forêt, a small village within the region of his hometown of Éragny and Giverny, where he moved in with his first wife Berthe Bennaiche. During this time, he developed a form of Cubism inspired by Paul Cézanne whom he dearly admired, creating some wonderful paintings of the river Eure and its surrounding villages. There he formed a close friendship with his neighbour, the famous Art Deco designer Émile-Jacques Ruhlmann, who designed a stunning Art Deco studio for Paulémile adjacent to his house.
In 1930 he visited and fell in love with the Swiss Normandy area in the Calvados region, in particular the River Orne which runs through the valley adjacent to the villages of Clécy and St. Remy. The combination of rolling hills, bold meadows and the calm river weaving its way through the landscape offered Paulémile a new burst of inspiration. With his second wife Yvonne Beaupel, Paulémile eventually moved to Clécy in 1935, where he would remain for the rest of his life. Of their three children, both H. Claude and Yvon also became artists.
With his house backing on to the river Orne, Paulémile developed a new way of working using a boat as a floating studio, where he spent countless days painting the calm waters from between the riverbanks. Here the influence of his godfather Claude Monet became apparent, particularly in Paulémile’s depiction of water, which was revolutionised by the Impressionist icon. He also applied Monet’s lessons in horticulture to the creation of an abundant garden, offering him many more motifs for his new paintings. Alongside these river landscapes, he also painted the neighbouring hay fields, various snow scenes, some interiors and still lives. The most ambitious work in his oeuvre was a fresco painted on all four walls of his own dining room, depicting the adjacent river in which he includes family members, neighbours and friends.
In 1967 Paulémile had his first one-man show in the United States at Wally Findlay Galleries in New York. This led to widespread recognition and a degree of professional success that few Pissarro artists knew during their lifetime. Since his death in 1972, Paulémile remains one of the best known of Camille’s sons.
- Creator:Paulémile Pissarro (1884 - 1972, French)
- Creation Year:1934
- Dimensions:Height: 12.6 in (32 cm)Width: 9.26 in (23.5 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU261214839692
About the Seller
5.0
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Established in 1964
1stDibs seller since 2015
101 sales on 1stDibs
Typical response time: 7 hours
Associations
Society Of London Art Dealers
- ShippingRetrieving quote...Shipping from: London, United Kingdom
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllNude Reading by LUDOVIC-RODO PISSARRO -Figurative work on paper, School of Paris
By Ludovic-Rodo Pissarro
Located in London, GB
*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE
Nude Reading by LUDOVIC-RODO PISSARRO (1878-1952)
Black and colour pencil on paper
3...
Category
Early 1900s Post-Impressionist Nude Drawings and Watercolors
Materials
Pencil, Color Pencil, Paper
Yvonne debout by Paulémile Pissarro - Nude drawing of the artist's wife
By Paul Emile Pissarro
Located in London, GB
THIS WORK IS SOLD UNFRAMED
Yvonne debout by Paulémile Pissarro (1884-1972)
Pencil on paper
30.5 x 26 cm (12 x 10 ¹/₄ inches)
Signed lower centre, P...
Category
1920s Post-Impressionist Nude Drawings and Watercolors
Materials
Paper, Pencil
Yvonne Jouant au Tennis by Paulémile Pissarro, 1972 - graphite on paper
Located in London, GB
THIS WORK IS SOLD UNFRAMED
Yvonne Jouant au Tennis by Paulémile Pissarro (1884 - 1972)
Graphite on paper
20.2 x 27 cm (8 x 10 ⁵/₈ inches)
Signed lower left, Paulémile-Pissarro-
Pa...
Category
1930s Post-Impressionist Figurative Drawings and Watercolors
Materials
Paper, Graphite
Pêcheurs by Paulémile Pissarro - Drawing of fishermen
By Paul Emile Pissarro
Located in London, GB
Pêcheurs by Paulémile Pissarro (1884-1972)
Pencil on paper
23.1cm x 30.9
Stamped lower left, Paulémile-Pissarro-
This work is accompanied by a certificate of authenticity by Lélia P...
Category
Mid-20th Century Post-Impressionist Figurative Drawings and Watercolors
Materials
Paper, Pencil
Paysage de l'Aven by Ludovic-Rodo Pissarro - Watercolour, Coastal scene
By Ludovic-Rodo Pissarro
Located in London, GB
Paysage de l'Aven by Ludovic-Rodo Pissarro (1878-1952)
Watercolour and pencil on paper
27 x 38 cm (10 ⅝ x 15 inches)
Signed lower right, Ludovic Rodo
Executed circa 1904
This work ...
Category
Early 1900s Post-Impressionist Landscape Drawings and Watercolors
Materials
Paper, Watercolor, Pencil
Woman Standing by Georges Manzana Pissarro - Pencil on paper, Portrait, Drawing
By Georges Henri Manzana Pissarro
Located in London, GB
SOLD UNFRAMED
Femme Debout by Georges Henri Manzana Pissarro (1871 - 1961)
Pencil on paper
26.7 x 21 cm (10 ¹/₂ x 8 ¹/₄ inches)
Signed with estate stamp lower right, Manzana Pissar...
Category
1930s Post-Impressionist Figurative Drawings and Watercolors
Materials
Pencil, Paper
You May Also Like
Post-Impressionist drawing of a man drinking
Located in New York, NY
The passepartout contains the following legend 'Jean-François Raffaëlli - Paris 1889 - E. Universelle - 1885'.
Category
Late 19th Century Post-Impressionist Figurative Drawings and Watercolors
Materials
Paper, Color Pencil
$2,400 Sale Price
20% Off
'Study of a Woman', Paris, Louvre, Salon d'Automne, Ac. Chaumière, LACMA, SFAA
By Victor Di Gesu
Located in Santa Cruz, CA
Painted by Victor Di Gesu (American, 1914-1988) circa 1955 and stamped, verso, with Victor di Gesu estate stamp.
A bold, expressionist drawing showing a young woman seated in a chai...
Category
1950s Post-Impressionist Figurative Drawings and Watercolors
Materials
Paper, Color Pencil
“Seated Woman”
Located in Southampton, NY
Beautifully executed graphite on archival paper original drawing of a young woman seated by the American artist, William Sanders Fanning. Signe...
Category
1920s Post-Impressionist Figurative Drawings and Watercolors
Materials
Archival Paper, Graphite
$960 Sale Price
20% Off
"Young Girl (Jenue Fille)" Louis Valtat, French Drawing
By Louis Valtat
Located in New York, NY
Louis Valtat
Young Girl
Stamped with initials lower right
Pencil on brown paper
Sight 7 x 6 inches
Provenance:
Mrs. Ernest M. Werner, New York
Private Collection, Rhode Island
Loui...
Category
Early 20th Century Fauvist Figurative Drawings and Watercolors
Materials
Paper, Pencil
$2,000 Sale Price
20% Off
'The Agony in the Garden', Paris, Salon d’Automne, Section d'Or, Gethsemane
By Jais Nielsen
Located in Santa Cruz, CA
Signed lower left, 'Jais' for Johannes Knud Ove Jais-Nielsen (Danish, 1885-1961) and dated 1938.
A powerful figural work showing a view of Jesus kneeling in the Garden of Gethsemane on the evening before his trial and execution.
Born in Denmark, Jais Nielsen initially studied at Kunstnernes Frie Studieskoler under Kristian Zahrtmann and exhibited for the first time at the 1907 Autumn Salon at the Charlottenborg Palace. Nielsen participated in the early and groundbreaking, “Group of Thirteen" Modernist show, where his focus on dynamic figural painting and his bold use of color set him dramatically apart from his contemporaries. From 1907-11, Nielsen's use of 'primitive' Fauve colors would continue to reinforce his break with traditional Danish painting. During this period, he made study excursions to important art centres, including, in 1909, to Berlin. In 1911, he moved to Paris where he settled in the Latin Quarter near the Musée Cluny. His first formal Paris exhibition was at the Salon d’Automne of 1912. During this first Paris period, Nielsen attended meetings of the Section d’Or at the studio of Jacques Villon and, as a result, began to incorporate subtle, yet distinct, Cubist elements into his work.
With the outbreak of World War One, Nielsen returned to Copenhagen, taking with him both his increasing compositional sophistication and a thorough understanding of the principles of Modernism. During this period, ports, dance and circus life became subjects of interest and he painted many canvases in the style of Analytic Cubism, of which he became the earliest and, arguably, the finest Danish exponent. From 1915 onwards, Nielsen also created Cubist sculptures and, from 1922-28, was employed as a sculptor by the Royal Copenhagen porcelain factory. Here, he produced a series of ceramic sculptures on Biblical themes which included the Good Samaritan and several versions of Jacob Wrestling with the Angel...
Category
1930s Post-Impressionist Figurative Drawings and Watercolors
Materials
Gouache, Paper, Watercolor, Charcoal, Graphite
'Woman Seated', Paris, Louvre, Salon d'Automne, Académie Chaumière, LACMA, SFAA
By Victor Di Gesu
Located in Santa Cruz, CA
Estate stamp, verso, for Victor Di Gesu (American, 1914-1988) and created circa 1955.
Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art Center and t...
Category
1950s Post-Impressionist Figurative Drawings and Watercolors
Materials
Paper, Graphite
