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Rudolf LailsonRoad Trip2003
2003
About the Item
Signed: Rudolf Lailson lower left
Graphite, charcoal watercolor and pastel
- Creator:Rudolf Lailson (1963)
- Creation Year:2003
- Dimensions:Height: 6 in (15.24 cm)Width: 8.75 in (22.23 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Fairlawn, OH
- Reference Number:Seller: FA94481stDibs: LU1404723331
About the Seller
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- ShippingRetrieving quote...Shipping from: Fairlawn, OH
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Located in Fairlawn, OH
Bömmels belonged to the co-founders of the Cologne artist group Mülheimer Freiheit , which also included Hans Peter Adamski , Walter Dahn , Jiří Georg Dokoupil , Gerard Kever and Ger...
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Untitled (Study for The Aerialists)
By John Steuart Curry
Located in Fairlawn, OH
Untitled (Study for The Aerialists)
Graphite on paper, 1932
Signed lower right in pencil: "John Steuart Curry"
Dated: 1932 in pencil
Exhibited:
Schroeder Romero & Shredder, NYC (label), Master Drawings, Oct. 13, 2011-Nov. 12, 2011 (see photo of label)
Arkansas Arts Center (label), 44th Collector Show & Sale, Nov. 30-December 30, 2012, Offered at $22,000.
(see photo of label)
This drawing is closely related to a painting by Curry entitled The Aerialists, 1932, once in the Erskine Collection, Cedar Rapids, Iowa. It is part of a group of preliminary drawings and three finished paintings executed by Curry around 1932 which were based on The Flying Cadonas. The painting The Flying Cadonas is an icon of American art purchased by the Whitney Museum of Art and now on permanent exhibition.
There are other know studies for these works, nos. 199 through 222 and in John Steuart Curry: Rural America, page 32 (Mongerson Wunderlich, Chicago, 1990.
Provenance:
Mrs. Kathleen Curry (artist’s widow), included in the estate schedule of works
Treadway Toomey Auction, Oak Park, Illinois, 2009
Don Joint, New York
An important American Regionalist drawing.
Like Grant Wood and Thomas Hart Benton, John Steuart Curry was a major American scene painter of the 1930s. His subjects were taken from American history and his most famous mural, The Tragic Prelude...
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Seated Woman, Left Hand to Chin
By William H. Bailey
Located in Fairlawn, OH
Seated Woman, Left Hand to Chin
Graphite on laid paper, 1984
Signed and dated in pencil (see photo)
Provenance: Donald Morris Gallery, Inc. Birmingham, MI
...
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Preliminary Study for the painting Rose and Gold, 1913
By William McGregor Paxton
Located in Fairlawn, OH
Preliminary Study for the painting Rose and Gold, 1913
Graphite on paper, 1913
Signed in pencil lower left (see photo)
Titlted "Lizzy Young" in pencil upper left (see photo)
Lizzy was a modle that Paxton depicts numerous times.
The painting that this drawing is related to, is illustrated in Lee & Krause, William McGregor Paxton, 1869-1941, Plate 32, text on page 132. The painting was formerly in the collection of Victor Spark and the Honorable Paul Buchanan. It is currently in a Texas Collection.
Provenance: Private Collection, Florida
William McGregor Paxton (June 22, 1869 – 1941) was an American painter and instructor who embraced the Boston School paradigm and was a co-founder of The Guild of Boston Artists. He taught briefly while a student at Cowles Art School, where he met his wife Elizabeth Okie Paxton, and at the Museum of Fine Arts School in Boston. Paxton is known for his portraits, including those of two presidents—Grover Cleveland and Calvin Coolidge—and interior scenes with women, including his wife. His works are in many museums in the United States.
Early life
He was born on June 22, 1869, in Baltimore to James and Rose Doherty Paxton. William's father moved the Paxton family and established a catering business in Newton Corner, Massachusetts, in the mid-1870s.
Education
Paxton attended Cowles Art School on a scholarship he attained at the age of 18. He studied with Dennis Miller Bunker...
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Preliminary study for Cretan Dancer bronze sculpture
By Boris Lovet-Lorski
Located in Fairlawn, OH
Preliminary study for Cretan Dancer bronze sculpture
Unsigned
Graphite on tracing paper, 1930-1934
Sheet size: 6 7/8 x 7 1/8 inches
Created while the artist was woring in Paris, c. 1930
“The stylizing of the Cretan allegories, used in figures of animals such as horses and bulls, symbolizes the ancient power of the South. These figures reveal a spiritual sensuality as he strives to attain a symbol of the earth and universe endowed with musical values. If man is the center of his idea of life and nature, it is because of the laws that govern the movement of stars and history. The link binding his figures together has, in a sense, a Pythagorean harmony.”
Salvatore Quasimodo, Milan, 1967, quoted from Bush, Boris Lover-Lorski: The Language of Time, page 12.
Regarding the artist:
Boris Lovet-Lorski
Lithuanian/Russian/American
1894-1973
Sculptor, painter, and printmaker, Boris Lovet-Lorski was born in Lithuania in 1894. His mother died when he was age three. His father was affluent and owned real estate. Boris grew up in a privileged environment. He studied architecture and then fine arts at the Imperial Academy of Art in Petrograd, Russia (now Saint Petersburg). Following the revolution in 1917 and its aftermath, Boris immigrated to Boston to live with his brother. In the 1920’s, his stylized, Art Deco inspired sculptures, lithographs, and paintings proved to be popular among the American elite. He exhibited frequently, holding his first solo exhibition in Boston, 1920. In the following years, Boris exhibited in New York at Marie Sterner Gallery, Jacques Seligmann Galleries and Wildenstein and Company. He lived in Paris from 1926 to 1932 where he befriended Joseph Hecht, and was exposed to the works of Pablo Picasso, Ossip Zadkine, Contantin Brancusi and Aristide Maillol. In 1932 he returned to America where he became a citizen later in the decade.
Lovet-Lorski exhibited in the United States, South America, Europe and Asia. He was a member of the Society of Independent Artists (New York), the National Academy of Design (New York), and the Lotos Club (New York), as well as several Parisian salons. His work is in the permanent collections of numerous museums including the Musée Luxembourg, Bibliotèque Nationale, and the Petit Palais in France, the British Museum in London, the Metropolitan Museum in New York, the National Gallery in Washington, the Los Angeles County Museum of Art. (A more extensive list of his works in museums follows) He is considered one of the most successful and recognized sculptors of his generation. His creative influence can be seen in many of his contemporary artists.
He died in Los Angeles in 1973.
Regarding his iconic Art Deco sculptures of Cretan Dancers:
“The stylizing of the Cretan allegories, used in figures of animals such as horses and bulls, symbolizes the ancient power of the South. These figures reveal a spiritual sensuality as he strives to attain a symbol of the earth and universe endowed with musical values. If man is the center of his idea of life and nature, it is because of the laws that govern the movement of stars and history. The link binding his figures together has, in a sense, a Pythagorean harmony.”
Salvatore Quasimodo, Milan, 1967, quoted from Bush, Boris Lover-Lorski: The Language of Time, page 12.
Lovet-Lorski created sculptures of the following major figures
I.J. Paderewski, Prime Minister of Poland
Arturo Toscanini, Italian Conductor
Lilian Gish, Actress
President Franklin D. Roosevelt
Mrs. M. C. Niarchos, wife of Stavros Niarchos
President Abraham Lincoln
James Forrestal, Secretary of the Navy, First Secretary of Defense
Pope Pius XII
Dr. Albert Einstein, theoretical physicist
President Dwight D. Eisenhower
Albert Schweitzer, theologian, organist, writer, humanitarian, philosopher, and physician
General Charles De Gaulle, President of the Fourth and Fifth Republic, France
John Foster Dulles, Secretary of State, 1953-1959
President John F. Kennedy
Works by Lover Lorski are in the following public collections:
Albright-Knox Art Gallery, Buffalo
Art Institute of Chicago
Bibliotheque Nationale, Paris
Brandeis University, Waltham, MA
British Museum, London
Boston University
Brooklyn Museum
California Palace of the Legion of Honor, Sam Francisco...
Category
1930s Art Deco Figurative Drawings and Watercolors
Materials
Graphite
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