Items Similar to The 1564 Medici Danti Map of California
Want more images or videos?
Request additional images or videos from the seller
1 of 5
The 1564 Medici Danti Map of California
About the Item
Florentine, Probably Seventeenth Century
Titled
L’ultime parti note nel Indie occidentali
Dated on the edge of the cartouche: “M.D. LXIII. M.AG” [1564…the month of August]
In the 1560s Cosimo I de’Medici, the powerful Duke of Florence, undertook a major renovation of the Palazzo Vecchio, the venerable palace that to this day dominates the city at the Piazza della Signoria. For the Sala della Guardaroba, literally the wardrobe room, but in fact the storeroom of the Duke’s most precious holdings, Cosimo conceived of a grand decorative project that was to reflect in one space the entire cosmos --both an indication of the Duke’s ambition and an allusion to his name. The plan, supervised by Giorgio Vasari, involved the construction of walnut cabinets to contain the Medici treasures, on the outside doors of which were to be placed large hand-painted maps specially commissioned to document and illustrate the current knowledge of the world. Portraits of famous men were to decorate the tops of the cabinets and two large globes –one representing the terrestrial world, the other celestial—were to descend from openings in the ceiling. The commission for the maps, inspired by Ptolemy’s Geographia, was given to the celebrated mathematician and cosmographer, Fra Egnazio Danti (Perugia 1536-1585 Alatri). Fifty-three maps were ultimately created. Thirty were conceived and executed by Danti between 1563 and 1575. The remaining twenty-three were completed by Stefano Bonsignori between 1576 and 1686. They remain in place in Florence in the room for which they were created.
The present work is an exact-size painted, drawn and inscribed copy of Danti’s map of California –which includes present-day California, Baja California, northwest Mexico, and the southwestern part of the United States, as well as a portion of the Pacific Ocean and, at the extreme left, Japan. Its date of execution is uncertain. The inscribed date of August 1564 is that of Danti’s original. The present work, clearly drawn in the presence of the map in the Palazzo Vecchio, would seem to be slightly later, most likely from the seventeenth century. It is the only such work known and appears to be otherwise undocumented and unique. Furthermore both the present map and the one in Florence have been ignored in the extensive history of the cartography of California, which has focused on printed maps. It is a rare, beautiful, and fascinating document of the early exploration of the Americas.
In the preparation of his map, Danti relied not only on published maps and atlases, but on manuscripts and literary reports by travelers and explorers. The most geographically accurate regions are those on the coast, which by 1564 had been visited by such figures as Francisco de Ulloa and Juan Rodriguez Cabrillo and recorded in printed maps by Mercator, Ortelius, and Battista Agnese. Specifically designated are places well-known to us today from Monterey Bay through Los Angeles to San Diego. The names inscribed on the map are those current in 1564. For example, San Diego was known as San Miguel (on the map as “P.[orto] di S. Michele”) from its naming by Cabrillo in 1542 until Sebastian Vicaino surveyed the coast in 1602, bestowing its current name. The area of Los Angeles is designated “P. del Fuego” and it was indeed known as the Bahia de los Fumos or Bahia de Fuegos (Bay of Smoke or Bay of Fires) from the smoke and fires set by Indians hunting game on the hillsides of what is now San Pedro Bay.
The inland areas of the southwest are, on the other hand, derived from literary accounts –from Marcos de Niza and, in particular, that of the Coronado Expedition of 1540-42. For that reason, the location of many Indian settlements is generic if not fanciful. For example, while Tiguex is in New Mexico, Quivira –visited by Coronado in 1541 and placed on the map as if it were in California-- is believed to have been located near the great bend of the Arkansas river in central Kansas.
The present map is a unique document of the knowledge of California in Europe –and specifically at the Medici court—in 1564, the year of the death of Michelangelo, and fewer than seventy-five years after the landing of Columbus.
Below are some of the place-names inscribed on the map, together with their modern equivalents:
West Coast of California (North to South)
Sierra Nevada = Santa Cruz Mountains
C. Nevado = Cabo de Nieve = Cypress Point (Pebble Beach) or Point Pinos
P. de totos Santos = Todos Santos = Cojo Anchorage
C. Galeras = Cabo del Galera = Point Conception
P. del Fuego = Bahia de los Fumos or Fuegos = San Pedro Bay (Los Angeles)
P. di San Michele = San Miguel = San Diego
C. de Crus = Cabo de Cruz = Punta Banda, Baja
C. del Ingano= Cabo del Engaño (Cape Deceit) = Punta Baja /Baja Point
Ancoras = Punta de las Ancoras = Punta San Juanico (Scorpion Bay)
(Punta di Lea = Part of misreading of “Punta de las Ancoras” as “Punta di Lea” and “Ancoras” on Agnese map of 1542)
Basos = Bajos = The Abreojos
C. de Corintes = Corrientes = Possibly Cabo San Lazaro (Magdalena Bay)
C. Cassinaja = probably Cabo de California = Cabo San Lucas
East Coast of Baja California
C. S. Crus / C S + = Cabo Santa Cruz = La Paz
Mare Vermiglio=Mar Bermejo (Vermillion Sea) Sea of Cortez or Gulf of California
Pacific Islands
I. Giapa[n] / Parte del Ysaola Giapa[n] = Japan
Neg = Nagasaki
Mare del Sur ovvero Pacifico (Southern or Pacific Ocean) = Pacific Ocean
Tropico del Cancro = Tropic of Cancer
Cazones Y = Cazones Isola = San Benito Islands or Natividad
Y. del Riparo = Isla de Riparo = thought to be identical with Ceros or Cedros Island
I.dei Cedri = Isla de Cedros =Cerros or Cedros Island
Inland America
Terra o Mare Incognito = Unknown Land or Sea
Rio di S. Piero y Paolo = Quivira River = Arkansas
Mainland Mexico
Y dei Xalisco – Island of Jalisco
A translation of the central cartouche follows:
The Most Recent Areas Noted in the Western Indies
In the present panel is exhibited the Kingdom of Cibola with the additional and most recent areas discovered toward the West and the North. And since there is no clear knowledge except from the western edge up to Porto Primero and from the northern strip until the city of Tuccano and the Sierra Nevada, the remainder of the space there is left blank not wanting to place anything there for which we do not have certain knowledge until such time that God pleases to give us notice.
This country was discovered by Fray Marcos de Niza, a Franciscan monk, who returning to New Spain, relating many great things to the Court, who then later sent there Francisco Vasquez [de Coronado], who found everything that the Provincial Superior Fray Marcos to have said to be incorrect, and although the names of the cities were true, and that the houses were made of stone, and very high, having four or five floors with comfortable and attractive underground residences, corridors and rooms for the winter.
The afore-mentioned Francisco being to the seven cities of the Kingdom of Cibola asked about the Indians of the Sea, of the West, and of the North, how many there and how far, and they responded not having knowledge of any and that they did not know if there were any on land or on sea.
References Consulted
Warren A. Beck and Ynez D. Haase, Historical Atlas of the American West, Norman-London 1989.
Herbert E. Bolton, ed. Spanish Exploration in the Southwest, 1542-1706 (New York 1916).
Erwin G. Gudde, William Bright California Place Names: The Origin and Etymology of Current Geographical Names (Los Angeles 2010)
Derek Hayes, Historical Atlas of California. Berkeley-Los Angeles-London 2007
Greg Niemann, Baja Legends (San Diego 2002)
Nellie Van de Grift Sanchez: Spanish and Indian place names of California: their meaning and their romance (San Francisco 1922)
Henry Waup Wagner, The Cartography of the Northwest Coast of America to the year 1800 (Berkeley 1937).
For the Palazzo Vecchio map
Ettore Allegri and Alessandro Cecchi, Palazzo Vecchio e I Medici; guida storica (Florence 1980), p. 308, no. 43
Alessandro Cecchi and Paola Pacetti, eds. La Sala delle Carte Georgrafiche in Palazzo Vecchio; “capriccio et invenzione nata dal Duca Cosimo (Florence 2008).
- Dimensions:Height: 44.625 in (113.35 cm)Width: 38.625 in (98.11 cm)
- Medium:
- Movement & Style:
- After:Fra Egnazio Danti (1536 - 1586)
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1029066332

About the Seller
5.0
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Established in 1997
1stDibs seller since 2012
20 sales on 1stDibs
Typical response time: 16 hours
- ShippingRetrieving quote...Shipping from: New York, NY
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllStudy after Michelangelo’s “The Last Judgment”
By Michelangelo Buonarroti
Located in New York, NY
Italian School, 16th Century
Provenance:
Private Collection, New York
This intriguing drawing is a study by an anonymous 16th-century Italian artist after a vignette in Michelangelo’s fresco of The Last Judgement in the Sistine Chapel. The altar wall of the Sistine Chapel was already richly decorated when Pope Clement VII commissioned Michelangelo to paint his Last Judgment...
Category
16th Century Old Masters Figurative Drawings and Watercolors
Materials
Paper, Gouache
The Flight into Egypt
Located in New York, NY
Inscribed: 3. una Madonna che va in Egitto, verso, and Madonna che va in Egitto, recto
Provenance:
Private Collection, UK, since 1999
This expressive and boldly executed drawing is the work of Luca...
Category
16th Century Old Masters Figurative Drawings and Watercolors
Materials
Chalk, Ink, Pen, Paper
The Assumption of the Virgin
Located in New York, NY
Provenance:
Unidentified collector’s mark “D.G.R,” lower right (Lugt 757b)
Wilhelm Suida (1877–1959), New York; by descent to:
Robert L. and Bertina Suida Manning, New York, until 1996
Private Collection, USA
This impressive drawing of the Assumption of the Virgin is the work of the Genoese artist Giovanni Battista Paggi. The son of a nobleman, Paggi received a humanist education and was a self-taught artist. According to Paggi’s first biographer, Raffaele Soprani, it was only after encountering Luca...
Category
16th Century Old Masters Figurative Drawings and Watercolors
Materials
Paper, Ink, Pen
A Musical Party
By German School
Located in New York, NY
Provenance:
Dr. George Hamilton, Massachusetts; and by descent.
Private Collection, Ohio, until 2021.
Exhibited:
(Possibly) Clark Art Institute, Massachusetts (according to a handwritten inscription on the reverse).
This drawing by an anonymous, 16th-century German hand presents a delightful scene of nymphs—mostly nude but some draped with cloth—making music in an outdoor setting. The composition is executed within a roundel and centers on the harpsichord played by the figure seen from behind. She is accompanied by a host of other instruments, including horns, a harp, and a lira da gamba played by figures gathered nearby, several of which are positioned along the curved edges of the visual field. Two satyrs observe the merrymaking—one leans on the harpsichord while the other holds aloft a cup, presumably of wine, adding a bacchic element to the revelry.
The drawing was previously owned by Dr. George Hamilton, scholar of modern art and Director of the Sterling and Francine Clark Art Institute in Williamstown (1966–1977). Hamilton played...
Category
16th Century Old Masters Landscape Drawings and Watercolors
Materials
Paper, Ink, Pen
Study of a Franciscan Saint, probably San Diego de Alcalá
Located in New York, NY
Provenance: Ivan E. Phillips, Montreal and New York, until 2023.
The brothers Bartolomé Carducho and Vicente Carducho, both born and trained in Florence, settled in Spain where they made their careers. Vicente worked on numerous commissions for both the church and the Spanish court...
Category
17th Century Old Masters Drawings and Watercolor Paintings
Materials
Paper, Chalk, Ink, Pen
A Wolf
Located in New York, NY
Provenance:
The Marchesi Strozzi, Palazzo Strozzi, Florence
Sale, Christie’s, London, May 20, 1993, lot 315, as by Carl Borromaus Andreas Ruthart...
Category
17th Century Old Masters Animal Paintings
Materials
Canvas, Paper, Oil
You May Also Like
Silvio and Dorinda, a drawing by Leonaert Bramer, Vermeer's first master
Located in PARIS, FR
This finely executed drawing in pen and wash is typical of the work of Leonaert Bramer, one of the most fascinating yet little-known artists of 17th-century Holland.
In a nocturnal ...
Category
1650s Old Masters Figurative Drawings and Watercolors
Materials
Ink, Gouache, Laid Paper, Pen
Animal painting of a 'Tamanuâguacû (Ant-eater)' late 17th/18th century, Brazil
Located in Amsterdam, NL
Follower of Zacharias Wagener (1614-1688)
Tamanuâguasû (Giant Anteater)
On Italian 17th or 18th-century paper, H. 28 x W. 43.5 cm
The present painting is a copy after Wagener’s painting of the anteater, Tamanduá-bandeira, which is illustrated in his “Thier Buch”, with 109 drawings of Brazilian fish, birds and mammals, published in Amsterdam c. 1641, in German.
Zacharias Wagener, or Wagenaer in Dutch, (Dresden 1614 – Amsterdam 1668) was a real adventurer who became Opperhoofd on Deshima and Governor of the Cape of Good Hope in the service of the VOC. During the Thirty-Year War in Germany Wagener tried his luck in Amsterdam where he worked for the map-maker Willem Blaeu. In 1634 he joined the WIC and left for Dutch Brazil where he worked as writer and painter, together with Frans Post...
Category
Early 18th Century Old Masters Animal Drawings and Watercolors
Materials
Paper, India Ink, Gouache
European Pastoral Scene on Vellum. Probably Eighteenth Century
Located in Philadelphia, PA
Unknown
(European, probably Eighteenth Century)
Shepherds and Peasants in a Landscape
Ink, watercolor, and gouache on vellum; 12 5/8 x 19 3/8 inches
Framed: 20 x 28 inches (approx.)
Category
18th Century Old Masters Landscape Drawings and Watercolors
Materials
Ink, Watercolor, Gouache, Vellum
By the Fireside
Located in Paris, Île-de-France
Edouard Bernard DEBAT-PONSAN
(Toulouse 1847 – 1913 Paris)
By the Fireside
Ink, wash, and gouache on paper
15 3/8 x 15 3/4 in
39 x 40 cm
Monogrammed lower right “DP”
Provenance
Private collection, France
This work is a preparatory study related to the artist’s painting Before the Ball...
Category
Late 19th Century Old Masters Interior Drawings and Watercolors
Materials
Ink, Gouache
Fine 17th Century Dutch Old Master Ink Drawing & Wash Visiting Angel
Located in Cirencester, Gloucestershire
The Angel
Dutch Old Master, 17th century
wash with pencil drawing on artist paper, framed
Glass covering
framed: 14 x 12.5 inches
board: 12.5 x 9.5 inches
condition: age related crea...
Category
17th Century Old Masters Figurative Paintings
Materials
Gouache, Ink
Portrait of a Slave Ship: 'Le Negrito à l’ancre. Dans le port de la havanne'
Located in Amsterdam, NL
FRANÇOIS MATHURIN ADALBERT, BARON DE COURCY (1805-1839)
'Le Negrito à l’ancre. Dans le port de la havanne'
Indistinctly signed lower left
Titled on the mount
Pencil and watercolour, heightened with white, on paper, 24.8 x 34.6 cm
Literature:
The present watercolour will be illustrated in:
- Prof. Manuel Garcia’s projected book on the disease and the slave trade provisionally titled “Fighting the Yellow Demon of Fever: The Struggle against Disease in the Illegal Slave Trade”.
- Prof. Micael Zeuske’s forthcoming Global history of slave trade.
Exhibited:
Mexico City, 1998, Palacio Virreinal, El Barón de Courcy, illustrationes de un viaje, 1831-1833, no. 108
Note:
Baron de Courcy was in the Caribbean in late 1832 and early 1833, following his tour of Mexico in 1832, on the last leg of his “Grand Voyage...
Category
Mid-19th Century Old Masters Figurative Drawings and Watercolors
Materials
Paper, Watercolor, Gouache, Pencil
Recently Viewed
View AllMore Ways To Browse
California Cypress
Sierra Nevada Painting
Piazza San Marco
O Henry House
S Wagner
Antique Map Mexico
San Sebastian Paintings
Antique Hunting Cabinet
Antique Maps California
Antique Globe Cabinet
Antique Celestial Globe
M Cruz
Indian God Painting
Mexican Santos Painting
S Hayes
Antique Map Ortelius
Southern American Antiques
Hand Painted Antique Map