Alice Pritchard

“Still Life in Interior”

Circa 1990

Here for your consideration is an original mixed media fashion illustration by the world renowned fashion artist, Kenneth Paul Block. Signed with initials bottom right. Circa 1965. ...

Watercolor and gouache on archival paper by French artist, Henri Grenier. Signed lower right. Circa 1925. Condition is excellent. The artwork is housed in its original ornate carv...

Here for your consideration is an original mixed media fashion illustration by the world renowned fashion artist, Kenneth Paul Block. Signed with initials bottom right. Presently unf...

Dramatic mixed media painting of a regal head by the well known American artist, Josef Presser. Circa 1960. Signed lower right. Composed of watercolor and oil pastel on archival paper. In very good condition; no issues. Beautifully professionally matted and framed in a one and half black matte finished frame. Overall measurements with frame 18.25 by 16 inches. Biography Josef Presser Josef Presser was born in Lublin, Poland. He studied at the Boston Museum of Fine Arts School, in Europe, and with Bryant Baker...

Work : Original Drawing, Unique Work, Handmade Artwork. The work has been treated with UV-resistant varnish and it is not framed. Materials : Gouache painting and oil based pencils ...

Coloured Pencils and pastel on Hahnemühle paper - Realistic Figurative original Drawing, Colorful, Interior. Work Title : Intérieur Provence Artist : Gabriel Riesnert...

Restaurant Scene with Band Batia Magal, Israeli (1951) Watercolor and Pastel on Paper, Signed l.c. Size: 31 in. x 48 in. (78.74 cm x 121.92 cm) Frame ...

-ARTIST STATEMENT- I depict my person in multiplicity with different selves representing dramatis personae. My likeness is both implicit and symbolic in the portrayal of my narrative; the drama involved in creating art and the artist’s role in society. I use realism to invite the viewer into mysterious inner worlds that are layered reflections of the outer. Dehumanizing environments are imbued with art historical references as a critique of power structures. The artist is an Everyman who is at odds with society and his self. Visually my work is a celebration of society’s dark undercurrents and its overlooked absurdities. I use charcoal and printmaking media as their tenebrous values add a fitting metaphor. The nuances of light and shadow seduce viewers into a world their better judgment would have them avoid. This provokes a sense of disquietude that causes viewers to assess our world through the austerity of a colorless, yet not humorless, light. -BIO- Christopher Ganz grew up in Northeast Ohio and from early on had a fertile imagination and an interest in art. Christopher's artistic education truly began at the University of Missouri, where his love of the human form led to many figure drawing classes and his exposure to the wonders of printmaking. Christopher's then went onto graduate school at Indiana University and a summer abroad program in Italy was a dream realized. Christopher then grasped charcoal with a renewed vigor and large, sfumato-laden drawings ensued. Christopher's artistic influences are many; from a seminal exposure to Dore's engravings of the Divine Comedy, to Rembrandt, Caravaggio, Goya, and up to Lucian Freud, Mark Tansey...