Catherine McCargarRed Barn in Diablo Foothills, Original Painting2024
2024
About the Item
Artist Comments
A rustic red barn nestles among the lush greenery at the Thomas Ranch on Old Northville Road. Mt. Diablo peeks through the trees while vibrant wildflowers scatter across the field. The watercolor painting captures the peaceful seclusion of the countryside in spring.The painted area measures 10.25 x 14.25 inches.
About the Artist
Impressionist Catherine McCargar expresses her deep admiration of nature through landscape paintings of Northern California. While she is well-versed in a range of media, her preferred medium for painting is watercolor. The fluidity of the paint allows her to capture the muted undertones and the fleeting light found in the natural world. While the backgrounds of her paintings are impressionistic, the foregrounds of her paintings are often highly detailed, showcasing her technical mastery over her medium.
Words that describe this painting: California, Bay Area, hill, pastoral, barn, farm, spring, Mt. Diablo, ranch, wildflowers, flower, cottage, paper, architecture, impressionism, landscape, watercolor painting, green
Red Barn in Diablo Foothills
Catherine McCargar
Watercolor painting on paper
Ready to frame
One-of-a-kind
Signed on front
2024
12 in. h x 16 in. w
0 lbs. 1 oz.
- Creator:
- Creation Year:2024
- Dimensions:Height: 12 in (30.48 cm)Width: 16 in (40.64 cm)Depth: 0.1 in (2.54 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:Red Barn in Diablo Foothills. Catherine McCargar. Watercolor painting on paper. Ready to frame. One-of-a-kind. Signed on front.
- Gallery Location:San Francisco, CA
- Reference Number:Seller: 778281stDibs: LU922114583372
- ShippingRetrieving quote...Shipping from: Medford, MA
- Return Policy
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"This painting is a closer-up version of an earlier work called French Laundry," shares artist Catherine McCargar. She uses the same technique of priming the watercolor paper with a layer of gesso as the first painting. The process gives more fluidity to the paint, enabling her to execute wet-on-wet and to move it around as she sees fit. Catherine achieves a truly impressionistic painting with contrasting soft and hard edges that keep the viewer engaged.
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