House Interior Drawings and Watercolors

France circa 1850 The Bohème artist in his workshop Watercolor on paper 15.5 x 21.5 cm In good condition except a small tear (visible on the photographs) on the upper right border. I...

Lucien-Victor Guirand de Scevola (1871-1950) A Man writing at his desk, 18th century interior scene Pastel on paper Signed upper right 20.5 x 15.8 cm Framed under glass : 37 x 31.5 cm It is known that Guirand de Scevola was very interested in the Palace of Versailles and its Old Regime atmosphere, that he often painted it and that he participated in the Versailles Revival movement at the beginning of the century. This probably led him to paint scenes in the 18th century style, for which he was particularly well known and which are still sought after. What is striking is the modernity of the execution of our pastel, which obviously contrasts with its subject in the style of the 18th century. Guirand de Scevoal is a great colourist and he proves it here with eclat, by building up his composition with white pastel highlights, contrasting with brown and black. There is something of the northern painters in this treatment of light. All this, as always with him, is very subtle. The light radiating from the window is almost an abstract notation, but it gives meaning to this interior scene. Lucien-Victor Guirand de Scévola ( 1871 – 1950) was a French painter. He was student of Fernand Cormon and Pierre Dupuis...

Alley. 1961. Paper, watercolor, 42x29.5 cm Dzidra Ezergaile (1926-2013) Born in Riga. School years alternate with summer work in the countryside. In ...

An fine period watercolor, dated 1910, an illustration by Charles Edmund Brock (English, 1870-1938). This, from a novel by William Makepeace Thackeray, "The Newcomes, Memoirs of the Most Respectable Family." The novel was published in 1855. Below this image are two characters from "The Newcomes, Chapter XI". Presented in a rustic giltwood frame. Signed "C.E. Brock" and dated "1910" lower left. Image size, 10"H x 7.5"W. Charles Edmund Brock was a widely published English painter, line artist and book illustrator, who signed most of his work C. E. Brock. He received his first book commission at the age of 20. He became very successful, and illustrated books for authors such as Jonathan Swift, William Thackeray, Jane Austen, Charles Dickens, and George Eliot. Brock also contributed pieces to several magazines such as The Quiver, The Strand, and Pearsons...

JOHN GEORGE SOWERBY (1849-1914) Phoebe - The Open Window Watercolour heightened with white Unframed, in mount only 8 by 7 cm., 3 by 2 ¼ in. (mount size 25.5 by 20 cm., 10 by 8 in.) Reproduced: J G Sowerby & Thomas Crane, At Home, Marcus Ward & Co, 1881, p.42. The current work was reproduced in Sowerby and Crane’s 1881 children’s book, At Home, where is accompanied by the following verse: All the morning, all the morning, Sat she till her tasks were done; While without were birds and blossoms, And the pleasant sun. And the leaves in ev’ry rustle, And the birds in ev’ry song:- “Phoebe, Phoebe, are you coming? Phoebe, don’t be long!” Whispered thro’ the open window Gentle breezes, passing by:- “Phoebe, are you coming, Phoebe? Come before we die!” Till the clock, with joyful measure, Struck the hour when work is o’er; Crying “Ponto’” Phoebe vanished Through the open door. Whither sped out nimble Phoebe? She is in the study now; Ponto heard her with she called him, - Answered back “Bow-wow!’ “Ponto, tho’ the birds and garden, Called me all the morning thro’ I had first to do my lessons – So I think should you.” Poor old Ponto! He is longing, Longing for his game of play, And the garden – ah: but Phoebe Has a word to say. “Beg then – beg, sir – do you hear me? No, no, Ponto, that is wrong; Paws up! Steady! Ah, that’s better! Good dog, come along!” John George Sowerby was born into a prosperous Gateshead family of glass manufactures and artists. He inherited the family business, the Ellison Glass Works, one of the world’s largest producers of pressed glass, where he introduced designs inspired by the Arts and Crafts movement. Initially he combined his energies at the glass works with his work as an illustrator and painter of landscapes and floral subjects with a Pre-Raphaelite intensity, strong colours and rich detail. He exhibited many of these paintings at the Royal Academy. In the 1880s he collaborated with Newcastle artist, Henry Hetherington Emmerson, on illustrations for the children’s books Afternoon Tea (1880) and The May Blossom (1881). Although were critically very well received but the publications were attacked by Kate Greenaway who considered them too close to her own work. Sowerby then went on to produce highly aesthetic illustrated books At Home (1881) and At Home Again (1883), with decorations by Thomas Crane. Gleeson White, editor of The Studio magazine stated that in Afternoon Tea Sowerby “set a new fashion for ‘aesthetic’ little quartos’ (The Studio, 1897). Roger Dixon in Belfast Publishing (Oxford University Press, 2011, p.79) considered these At Home and At Home Again to be “among the loveliest books ever produced.” Never very wise as a business man, in the early 1880s he left Ellison Glass Works being declared bankrupt in 1884. He returned to the works again as a paid employee. Sowerby’s daughter, Millicent Sowerby...

Contemporary Impressionist Landscape Oil Painting of Wastwater in the Lake District. A famous view of one of England's most beautiful and dramatic locations. A Misty mountain view ...

A modern illustration by American artist Ray Quigley depicting two men inside of a church.

This framed and matted 16" x 19" watercolor painting by an Unknown artist depicts an historic English chapel interior. The interior of the church features the large stained glass window pane...

In this plein air painting, Orsolic Dalessio creates a composition reminiscent of The Hudson River School paintings, but with an impressionistic hand. Along with the studied composit...

This late 19th-century watercolour by Scottish artist George H Hay RSA (1831-1912) depicts four young ladies, wearing outfits synonymous with the 1820s, spinning wool within a simple...

A beautiful 17th century design for a confessional from the most important woodshop in Bergamo. Pen and grayish black ink on cream laid paper, 11 1/8 x 7 1/4 inches (283 x 185 mm), ...

Watercolor painting of Old City of Jerusalem MORDECHAI AVNIEL Minsk, Belarus, b. 1900, d. 1989 Mordecai Dickstein (later Avniel) was born in 1900 in Minsk, present-day Belarus. He studied fine arts in Yekaterinburg, Russia (1913–19) and at the Bezalel Academy of Art and Design, Jerusalem (1923). Avniel immigrated to Palestine in 1921 where he first worked as a pioneer in citrus plantations near Petah Tikva. In 1923, at the urging of Boris Schatz, he went to Jerusalem to further his art studies at Bezalel. He later taught painting and sculpture at the school, and served a term as director of the Small Sculpture Section of the Sculpture Department (1924–28). From 1935 on, Avniel lived in Haifa. Avniel was also a lawyer and a founding partner of the Haifa firm Avniel, Salomon & Company. Avniel regularly showed his work in group exhibitions of the Painters and Sculptors' Association of Israel. He was awarded the Herman Struck Prize (1952), Tenth Anniversary Prize for Watercolours, Ramat Gan (1958), Histadrut Prize (1961), and First Prize Haifa Municipality (1977). He represented Israel at the 1958 Venice Biennale and the 1962 International Art Seminar at Fairleigh Dickinson University. Avniel was a member of the Artists' Colony in Safed and maintained a studio on Mount Carmel. Mordechai Avniel is best known for his deft and singular landscape work. His works are held in numerous museums and collections both in Israel and abroad, including the Metropolitan Museum, New York and the Carnegie Institute, Pittsburgh, PA. Avniel's manipulations of light and colour share much with those of compatriot artists Shimshon Holzman and Joseph Kossonogi. Education 1913-19 Art School of Katrinburg, Russia 1923 Bezalel School of Art, Jerusalem Selected exhibitions: 2004: Our Landscape: Notes on Landscape Painting in Israel, University of Haifa Art Gallery, Haifa (online catalogue) 1965: Mordechai Avniel Retrospective, Haifa Municipality Museum of Modern Art, Haifa 1964: Galerie Synthèse, Paris 1962: New York University, New York 1961: Rina Gallery of Modern Art, Jerusalem The Autumn Exhibition Rina Gallery, Jerusalem Artists: Dedi Ben Shaul, Lea Nikel, Yossef Zaritsky,Ephraim Fima Roytenberg, Zvi Meirovich, Aharon Kahana, Avigdor Stematsky, Mordechai Levanon, Yosl Bergner, Israel Paldi...