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Jane Gray
St Mary’s Church, Bushbury, Watercolour Stained Glass Window Design, Jane Gray
1989

$548.07

£400

€466.58

CA$750.71

A$834.96

CHF 435.99

MX$10,160.55

NOK 5,568.25

SEK 5,222.03

DKK 3,482.25

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About the Item

We acquired a series of watercolour stained glass designs from Jane Gray's studio. To find more scroll down to "More from this Seller" and below it click on "See all from this seller." Jane Gray (b.1931) Stained Glass Design Watercolour 23 x 13.5 cm Signed, dated and studio stamp verso Provenance: the artist's studio sale St Mary’s Church was built in the mid 14th century but underwent substantial renovations in the 19th century to the designs of Wolverhampton architect, Edward Banks with advice from the notable, Sir Gilbert Scott. St Mary’s is thought to have inspired the church at ‘M’ visited by Borrow and the Petulengroes in Chapter VIII of George Borrow’s 1857 novel, The Romany Rye. One of Gray’s most interesting and beautiful designs, this stained glass window demonstrates the artist’s distinctly modern approach, capturing something of her artistic predecessor, Hilma af Klint’s characteristic geometric style and colour palette. Jane Gray A.R.C.A. (b.1931) is a British stained glass artist. She studied stained glass at the Kingston School of Arts (1949-51) and later at the Royal College of Art (1951-55) under Lawrence Lee. Lee was so impressed with Gray’s work that he asked her to work alongside him on the design of ten nave windows for Coventry Cathedral. This six-year-long design project culminated in their final installation in 1962 after the cathedral’s consecration. Gray was the first woman to become a liveryman of the Worshipful Company of Glaziers and has designed more than a hundred windows in private and public buildings, chapels and over forty churches across the country, including St Peter’s, Martindale, Shrewsbury Abbey, St Oswald, Oswestry and St Mary, Chirk. Gray’s designs mark a crucial turning point in the history of stained glass art as the Victorian style gave way to a modern, aesthetic. In her work, Gray navigates this shift with a style that, whilst distinctly modern, retains a deep rooted sense of the medieval. Despite many of her commissions being for church windows, stained glass design was not simply about religious depiction for Gray, but more about ‘colour, shapes, luminosity, [and] playing with rainbows’.

Creator:

Jane Gray (1931, British)

Creation Year:

1989

Dimensions:

Height: 9.06 in (23 cm)Width: 5.32 in (13.5 cm)

Medium:

Watercolor

Movement & Style:

Modern

Period:

Late 20th Century

Condition:

Gallery Location:

London, GB

Reference Number:

1stDibs: LU795313091952

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